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1

Guillermo, Jiménez, ed. Fashion law: A guide for designers, fashion executives, and attorneys. Fairchild Books, 2010.

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2

Jiménez, Guillermo, and Barbara Kolsun. Fashion law: A guide for designers, fashion executives, and attorneys. Fairchild Books, 2010.

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3

Guillermo, Jiménez, ed. Fashion law: A guide for designers, fashion executives, and attorneys. Fairchild Books, 2014.

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4

Hemphill, C. Scott. The law, culture, and economics of fashion. Harvard Law School, 2009.

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5

Balmaceda, María José Mir. La Moda femenina en el París de entreguerras: Las diseñadoras Coco Chanel y Elsa Schiaparelli. Ediciones Internacionales Universitarias, 1995.

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6

Belhumeur, Jeanne. Droit international de la mode. Società Libraria Editrice, 2000.

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7

Agatha Ruiz de la Prada. Agatha Ruiz de la Prada, 1981-2002: Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, 21 de mayo-21 julio 2002. Centro Atlàntico de Arte Moderno, 2002.

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8

Janas, Agnieszka. Dziewczyny: Moda ulicy lat 70. i 80. XX wieku. Wydawnictwo Arkady, 2020.

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9

Faux, David H. ABA legal guide to fashion design. American Bar Association, 2013.

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10

Bertrand, André R. La mode et la loi. CEDAT, 1998.

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11

Guillain, Charlotte. Punk: Music, fashion, attitude! Raintree, 2011.

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12

Elisabeth, Werpers. Der Schutz von Modeschöpfungen aus dem Bekleidungsbereich im deutschen und französischen Recht. s.n.], 1994.

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13

Eschmann, Saskia. Rechtsschutz von Modedesign. Stämpfli Verlag, 2005.

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14

editor, Sánchez Sánchez Roberto, ed. "Para las damas" "Palique": Moda y modas en la ciudad de México (1890). Universidad Nacional Autónoma de México, 2021.

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15

Maruzzella, Samantha. "Come le tele de' ragni atte a fermare sole le mosche": La moda tra controllo e mercato (secoli XVII-XVIII). Meltemi, 2020.

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16

Müller, Florence. Modernes: Andam fashion awards, 1989-2009. Naïve, 2009.

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17

Lucini, Carmen. Bodyteca històrica: Una investigación morfológica al servicio de las colecciones de indumentaria = una investigació morfològica al servei de les col·leccions d'indumentària. Centre de Documentació i Museu Tèxtil, 2012.

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18

Orlan. Sutura, hibridación, reciclaje: Las esculturas de pliegues, la ropa y los vestidos encarnados en la obra de Orlan = Suture, hybridisation, recycling : the sculpture of pleats, the clothes and the costumes personified in Orlan's work. Consejería de Cultura y Turismo, 2008.

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19

Brgya-dgaʼ. Byang ʼbrog gi dras drub lag rtsal: Zang bei feng zhi ji yi. Si-khron Dus-deb Tshogs pa, Si-khron Mi-rigs Dpe-skrun Khang, 2015.

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20

Alonso-Muñumer, María Enciso, Alberto Novoa Mendoza, María Jesús Dehesa Pérez, and Javier Fernández-Lasquetty Quintana. Fashion Law. Aranzadi, 2020.

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21

Reddick, April. Fashion Law. Pearson Education, Limited, 2015.

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22

Burbidge, Rosie. European Fashion Law. Edward Elgar Publishing, 2019. http://dx.doi.org/10.4337/9781788113014.

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23

Jimenez, Guillermo C. Custom Fashion Law/Brand Story/Fashion Brand Merchandising. Fairchild Publications, 2013.

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24

Castro, Joao Fraga de. Fashion Law: Direito da Moda. Aranzadi, 2019.

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25

Jimenez, Guillermo, and Barbara Kolsun. Fashion Law: Cases and Materials. Carolina Academic Press, 2016.

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26

Jimenez, Guillermo, and Barbara Kolsun. Fashion Law: Cases and Materials. Carolina Academic Press, 2016.

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27

Fashion Law & Business: Brands & Retailers. Practising Law Institute, 2013.

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28

Rosati, Eleonora, and Irene Calboli, eds. The Handbook of Fashion Law. Oxford University Press, 2025. https://doi.org/10.1093/law/9780198938897.001.0001.

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Abstract Over the past few years, ‘fashion law’ has emerged as a vibrant field of inquiry. But what is fashion law? And what are the specific legal challenges facing the fashion sector, as well as related solutions? This book seeks to answer these questions by bringing together multiple voices, approaches, and jurisdictions. The book is organized into four thematic areas. Part I considers the legal infrastructure or the fashion and luxury industries, addressing issues related to intellectual property (IP) as well as the demands of the circular economy, protection of cultural heritage, and free
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29

Hasan Kadir Yılmaztekin. Artificial Intelligence, Design Law and Fashion. Taylor & Francis Group, 2022.

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30

The New Frontiers of Fashion Law. MDPI, 2021. http://dx.doi.org/10.3390/books978-3-03943-708-5.

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31

Cerchia, Rossella Esther. The New Frontiers of Fashion Law. Mdpi AG, 2021.

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32

The little book of fashion law. American Bar Association, 2013.

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33

Hasan Kadir Yılmaztekin. Artificial Intelligence, Design Law and Fashion. Routledge, Chapman & Hall, Incorporated, 2022.

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34

Hasan Kadir Yılmaztekin. Artificial Intelligence, Design Law and Fashion. Taylor & Francis Group, 2022.

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35

Hasan Kadir Yılmaztekin. Artificial Intelligence, Design Law and Fashion. Routledge, Chapman & Hall, Incorporated, 2022.

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36

Jimenez, Guillermo C. Custom Pub Fashion Law Brand Story. Fairchild Publications, 2013.

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37

Artificial Intelligence, Design Law and Fashion. Taylor & Francis Group, 2022.

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38

Navigating fashion law: Leading lawyers on exploring the trends, cases, and strategies of fashion law. Aspatore, 2012.

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39

Breward, Christopher. Fashion. Edited by Frank Trentmann. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561216.013.0032.

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In 1947, the Parisian couturier Christian Dior launched his celebrated New Look, a collection that offered an aspirational alternative to the fabric restrictions and low consumer expectations of post-war austerity – seemingly re-routing fashionable trends in Europe and North America in the space of a season. The diarist had unwittingly become first a witness to, and then a participant in, the mysterious process of fashion change. Suffering from a version of sartorial jet-lag, she faced an oncoming tide of novelties, fresh versions of the fashion designer's diktat, while her own wardrobe remain
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40

Kolsun, Barbara, and Douglas Hand. Business and Law of Fashion and Retail. Carolina Academic Press, 2020.

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41

Maguire, Jennifer Bellah. Fashion Law and Business: Brands and Retailers. Practising Law Institute, 2019.

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42

Moreira, Amanda Oliveira da Câmara, and Samuel Max Gabbay. Estudos sobre Fashion Law: do clássico ao inovador. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-535-4.

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Diariamente o Direito está em constante transformação, novas áreas, nichos e ramos surgem. Pensando nisso, a Comissão de Direito da Moda da OAB/RN, em seu II Encontro Internacional de Fashion Law do RN, abriu novo edital de submissão de artigos e lançou esta obra. Dadas as mudanças, o Direito da Moda, é uma dessas novidades contemporâneas do Direito, que visa estudar as mais diversas áreas correlatas à indústria da moda no Brasil e no mundo, vem através desta obra mostrar que há uma perspectiva clássica, vinculada à ramos clássicos do Direitos, como propriedade intelectual, contratos, direitos
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43

Kolsun, Barbara, and Douglas Hand. The Business and Law of Fashion and Retail. Carolina Academic Press, 2020.

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44

A Practical Guide to Fashion Law and Compliance. Fairchild Books, 2018.

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45

Moreira, Amanda Oliveira da Câmara, Cristiane Tages da Silva, Frederica Richter, et al. Estudos sobre Fashion Law: Do panorama brasileiro ao internacional. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-256-8.

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As boas ideias e inciativas acabam transpondo barreiras que inicialmente se apresentam como insuperáveis. Assim foi o primeiro contato que tivemos na OAB do Rio Grande do Norte com Amanda Câmara e sua Comissão de Direito da Moda (Fashion Law). Implantada ao apagar do triênio anterior, seu funcionamento veio carregado de críticas e preconceitos que precisaram ser vencidos da melhor maneira possível: apresentando resultados. E dentre eles, o advento desta obra pioneira sob muitos aspectos, que reúne estudiosos das diferentes vertentes que compõem o Direito da Moda. Num mundo de mudanças e surpre
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46

Franco, Caroline Sant’Ana, Frederica Richter, Letícia Soster Arrosi, and Rafael Niebuhr Maia de Oliveira. Coletânea Direito da Moda. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-065-6.

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This book is a collection of articles, prepared for the 1st State Congress of Fashion Law in Santa Catarina, which took place in Brusque / SC in 2019. There are several topics addressed by the authors, since the Law of Fashion covers all spheres of law. Law and fashion are social elements, both linked to the Economy and the Market, where intellectual property has a strong presence. But, it is not only the intellectual property that should be known by the lawyer who seeks to act and research this segment. Fashion Law covers several spheres of law, which in this market are well intertwined, as y
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47

Baldus, Christian. Possession in Roman Law. Edited by Paul J. du Plessis, Clifford Ando, and Kaius Tuori. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198728689.013.41.

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In Roman terms, there is no real equivalent to the modern concepts of “possession”, as present-day laws use them. Possessio may describe the actual control over things that could lead to the acquisition of ownership; the control that made it possible to defend against encroachments by third parties; and the control that could result in the capacity to be sued in an ownership case. Frequently, the use of possessory elements is subordinated to property law. This chapter surveys the development of the law of possession in the late Classical period, when some attempts were made to structure the re
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48

VIDAL, Carisia, Ana SIEPIERSKI, Carolina HUACHIN, et al. Fashion Law – Direito da Moda do Pré ao Pós-Consumo. Editorial Casa, 2021. http://dx.doi.org/10.55371/978-65-89999-00-3.

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A obra apresenta um conjunto de temas inovadores e, consequentemente, desafiadores no cenário doutrinário pertinente: “Fashion Law: Direito da Moda do pré ao pós-consumo”, uma vez que oferece um pano de fundo do universo jurídico-criativo da Indústria da Moda. Como ocorreu em outros eixos de interação entre Direito e Indústria da Moda, verifica-se que os autores tomaram para si a tarefa de produzir conteúdo sobre a referida conexão frente os desafios da temática. Direito, Moda e Consumo são vetores sociais, pois estão conectados ao cotidiano, ao Mercado, à indústria e à inovação, nos quais há
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49

Moraes, Rodrigo, Adenise Ribeiro, and Andréa Queiroz. Estudos sobre Fashion Law: do clássico ao inovador – 2ª Edição. 2nd ed. Editorial Casa, 2022. http://dx.doi.org/10.55371/978-65-89999-80-5.

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Diariamente o Direito está em constante transformação, novas áreas, nichos e ramos surgem. Pensando nisso, a Comissão de Direito da Moda da OAB/RN, em seu II Encontro Internacional de Fashion Law do RN, abriu novo edital de submissão de artigos e lançou esta obra. Dadas as mudanças, o Direito da Moda, é uma dessas novidades contemporâneas do Direito, que visa estudar as mais diversas áreas correlatas à indústria da moda no Brasil e no mundo, vem através desta obra mostrar que há uma perspectiva clássica, vinculada à ramos clássicos do Direitos, como propriedade intelectual, contratos, direitos
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50

Hayk, Kupelyants. 5 Unilateral Modification of Sovereign Domestic-Law Bonds. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198807230.003.0006.

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Chapter 5 addresses whether the State may modify domestic-law governed bonds in a unilateral fashion by passing an Act of Parliament. Contrary to the common belief, the chapter claims that English courts will, or at least should, deny recognition to unilateral modifications of domestic-law obligations so long as they conflict with English public policy. The chapter makes a reservation for certain types of unilateral modification (e.g. moratorium on payment) which are not so objectionable a modification as to trigger the exception of public policy.
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