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Journal articles on the topic 'Fashio law'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Kevem, Malcher, and Profa. Dra. Renata Balbino Munhoz ORIENTADORA:. "INCENTIVOS TRIBUTÁRIOS AO MODELO CIRCULAR NA MODA NA PROMOÇÃO DA SUSTENTABILIDADE." Revistaft 28, no. 133 (2024): 16. https://doi.org/10.5281/zenodo.10963016.

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A indústria da moda é uma das maiores potências da economia mundial, mas ainda existem muitas dúvidas acerca da proteção adequada para esse setor e da correlação que a indústria da moda tem com o meio ambiente e a pauta do consumo consciente. Embora o setor esteja aquecido, o modelo praticado de forma hegemônica é o Fast Fashion, voltado para a moda rápida, que causa diversos impactos ambientais. Com isso, o objetivo deste artigo é analisar sob a ótica da sustentabilidade o atual modelo de neg&oacut

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Rodrigues, Débora Lobato de Oliveira, Álvaro Raphá Lemos Guerra, William Rufo de Freitas, Rita Monica de Andrade Fonseca, and Matheus Lustosa Lemos. "FASHION LAW: FASHION LAW FROM THE PERSPECTIVE OF INTELLECTUAL PROPERTY AND TRADE DRESS." Revista Ibero-Americana de Humanidades, Ciências e Educação 10, no. 6 (2024): 3801–23. http://dx.doi.org/10.51891/rease.v10i6.13738.

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O artigo em questão retratará um estudo direcionado sobre as discussões em relação à moda e o meio jurídico, por meio da titulação de Fashion law: direito da moda sob a perspectiva da propriedade intelectual e o trade dress, cujo objetivo é possibilitar ao público, maior compreensão sobre a proteção das criações de moda, garantindo, assim, maior exclusividade, evitando litígios e, consequentemente prejuízos aos seus criadores, em consonância com a propriedade intelectual. Vale frisar que, segundo fontes doutrinárias e normativas, inexiste legislação específica que ampare o referido assunto. Di

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Battisti, Chiara, and Leif Dahlberg. "Focus: Law, Fashion and Identities." Pólemos 10, no. 1 (2016): 1–12. http://dx.doi.org/10.1515/pol-2016-0001.

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De Almeida da Silva, Ana Clara, and Tereza Rodrigues Vieira. "FASHION LAW E PATRIMÔNIO CULTURAL." Revista de Ciências Jurídicas UEM 8, no. 1 (2025): e0005. https://doi.org/10.4025/rcj-uem.v8i1.74555.

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O Direito da Moda visa solucionar os conflitos existentes no âmbito da indústria fashion, independentemente da natureza do litígio envolvido. Atualmente, ainda não há uma legislação específica que regule as questões deste setor, notadamente no que se refere à propriedade intelectual. Embora a Lei de Direitos Autorais, em tese, não abarque os itens de moda em razão de sua finalidade funcional e utilitária, há inúmeros precedentes judiciais que reconhecem a "violação de direitos autorais" em casos relacionados a esse segmento. Tal entendimento decorre do fato de que a legislação não impede a fin

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Greenberg, Cory. "Fashion Law – A Guide for Designers, Fashion Executives, and Attorneys." Pace Intellectual Property, Sports & Entertainment Law Forum 1, no. 1 (2011): 71. http://dx.doi.org/10.58948/2329-9894.1004.

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6

Pasa, Barbara. "A.I., FASHION DESIGN AND THE LAW." Fashion Highlight, no. 2 (February 15, 2024): 30–43. http://dx.doi.org/10.36253/fh-2498.

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This essay deals with the exploration of Artificial Intelligence (hereafter AI) in fashion design by considering a three-dimensional space based on the following coordinates: [complexity]; [education and training]; [made in Italy]. They outline a very wide space in which different techne - Law, Artificial Intelligence and Design - address the challenges of contemporary society. They outline a thoughtful journey of reflection, including socio-economic and cultural aspects, to technical innovation. Specifically, when addressing issues of technical innovation, the emphasis is not on a simplistic

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Vedangi, Deshmukh. "From Haute Couture to Fast Fashion: The Fashion Industry and its Implications in the Realm of Law." International Journal of Social Science and Human Research 07, no. 04 (2024): 2492–96. https://doi.org/10.5281/zenodo.10984274.

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Although it is frequently treated casually, the fashion industry is in fact an all-pervasive and ubiquitous industry. The clothing industry is a vast global enterprise that deals with designing, manufacturing, distributing, marketing, retailing, advertising, and promoting all types of apparel for men, women, and children. This includes everything from high-end designer fashion to everyday clothing like sweatpants. The industry is worth billions of dollars and encompasses everything from the most luxurious haute couture to casual wear. The industry has thrived on its own through all the glitz a

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Pearson, Geoffrey. "Pharmacology and fashion." European Journal on Criminal Policy and Research 1, no. 2 (1993): 9–29. http://dx.doi.org/10.1007/bf02249226.

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9

Peleg Mizrachi, Meital, and Alon Tal. "Sustainable Fashion—Rationale and Policies." Encyclopedia 2, no. 2 (2022): 1154–67. http://dx.doi.org/10.3390/encyclopedia2020077.

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Sustainable fashion refers to efforts to minimize the fashion industry’s adverse environmental and social impacts. This entry describes the industry’s entire production chain: from polyester production, cotton growth and wasteful fashion consumption patterns to landfilling, where so many clothes end up. The entry characterizes the drivers behind the industry’s poor record regarding sustainability and employee exploitation, as well as new policies around the world designed to improve the industry’s performance These include the Australian Modern Slavery law, the French law prohibiting the destr

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Khairul, Hasni. "Increasing Hijab Acehnes Women: A Political Perspective." International Journal of Arts and Social Science 4, no. 1 (2023): 56–63. https://doi.org/10.5281/zenodo.7728590.

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This research aims to explain the facts that it seeks to see the case of violations of Sharia Law (Islamic Law) related to the women's hijab(veil) and dress to implement Sharia Law in Aceh Indonesia. The Acehnese women wear the hijab due to the increasingly stringent Sharia Police (Islamic Police) raids in the city area. Since 2006, the hijab has grown in popularity among women, wearing a hijab following local regulations and environmental fashion. The article describes the Sharia Law offered to uphold Islamic change through the hijab for women. This research method was conducted qualitati

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Šilhánková, Šárka. "Parody and Intellectual Property law in the context of emerging fashion law." Zbornik radova Pravnog fakulteta Nis 59, no. 87 (2020): 275–87. http://dx.doi.org/10.5937/zrpfn0-23399.

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Winandy, Jean-Pierre. "Luxembourg tailors its tax law to European fashion." EC Tax Review 13, Issue 1 (2004): 7–10. http://dx.doi.org/10.54648/ecta2004003.

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Cavalieri, Renzo, and Mengzhen Wu. "Developments and Challenges of Fashion Law in China." Fashion Theory 25, no. 7 (2021): 983–91. http://dx.doi.org/10.1080/1362704x.2021.1985320.

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Vec, Miloš. "Fashion Victims Everywhere?" Rechtsgeschichte - Legal History 2021, no. 29 (2021): 340–42. http://dx.doi.org/10.12946/rg29/340-342.

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Mauliya Fitriani, Della Miftahurrizka, Mizan Imani Naqsyabandi, and Noerma Kurnia Fajarwati. "Peran Penting Hukum dalam Melindungi Desain Fashion Dalam Perspektif Perlindungan Kekayaan Intelektual." Terang : Jurnal Kajian Ilmu Sosial, Politik dan Hukum 1, no. 1 (2024): 17–25. http://dx.doi.org/10.62383/terang.v1i1.51.

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Fashion design as a creative and intellectual expression requires appropriate legal protection to encourage innovation and protect the rights of creators. This article discusses the important role of law in protecting fashion design from an intellectual protection perspective. This approach involves an analysis of the role of intellectual property rights, especially copyright and industrial design, in providing adequate protection for works of art in the world of fashion. Copyright provides automatic protection for original works, including fashion designs. However, copyright restrictions resu

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Guss, Aleksandra. "Jak wygląda prawna ochrona fashion designu w Chińskiej Republice Ludowej?" Gdańskie Studia Azji Wschodniej, no. 22 (December 21, 2022): 107–19. http://dx.doi.org/10.4467/23538724gs.22.043.17015.

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Legal measures to protect fashion design in the People’s Republic of China This article aims, first, to present means of protecting fashion design offered by intellectual property law in the People’s Republic of China. The author briefly discusses the intellectual property law system in China, detailing the instruments that help protect fashion designs. Second, examples show how the protection mechanisms of intellectual property rights are applied in practice. The author also briefly describes the characteristics of the fashion industry as a specific market and the potential threats to it.

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Malaurie-Vignal, Marie, and Stéphanie Legrand. "Intellectual property law and parodies in the fashion industry." Journal of Intellectual Property Law & Practice 14, no. 6 (2019): 459–71. http://dx.doi.org/10.1093/jiplp/jpy176.

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18

JAEIL LEE and Yoon-Jung Lee. "The Perceptions of U. S. Fashion Industry Professionals’ on Fashion Design Copyright Law and Creativity in Fashion Product Development Process." Journal of Korea Design Forum ll, no. 40 (2013): 323–34. http://dx.doi.org/10.21326/ksdt.2013..40.030.

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Payne, Alice, Rowena Maguire, and Amanda Kennedy. "Fashion Justice." International Journal for Crime, Justice and Social Democracy 11, no. 2 (2022): i—ix. http://dx.doi.org/10.5204/ijcjsd.2421.

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This special issue brings together scholars who have identified justice issues throughout the fashion system, encompassing how fashion is produced, consumed and discarded. While fashion systems have long been the focus of deep and varied perspectives on sustainability, from the environmental to social and cultural, we argue that characterising fashion justice as an environmental justice issue can usefully account for the multiple and intersecting ways in which fashion systems impact both human and more-than-human capabilities (Bick et al. 2018). Against the backdrop of the Sustainable Developm

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Rodrigo, Valencia, Thomas Abbon, and Edward M. L. Panjaitan. "Tinjauan Yuridis Sistem First To File Terhadap Pendaftaran Merek Citayam Fashion Week Menurut Undang-Undang Nomor 20 Tahun 2016 Tentang Merek Dan Indikasi Geografis." Honeste Vivere 34, no. 1 (2024): 1–15. http://dx.doi.org/10.55809/hv.v34i1.258.

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The registration of Citayam Fashion Week trademark rights in mid-2022 by famous artist Baim Wong triggered a public reaction that considered him as immoral, because it was considered that he was not the one who popularized the Citayam Fashion Week brand. The purpose of this article is to examine who is entitled to the Citayam Fashion Week trademark according to law number 20 of 2016 concerning trademarks and geographical indications,and whether the registration made by Baim Wong has been in accordance with the provisions of the first to file system stipulated in the Trademark Law. The results

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Mateus Felippe, Alessandro, Sandra Regina Rech, Icleia Silveira, and Lucas Da Rosa. "Fashion lab as a factor of innovation in fashion authoring design." Modapalavra e-periódico 13, no. 30 (2020): 40–69. http://dx.doi.org/10.5965/1982615x13302020040.

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The post-industrial revolution transformations continue to echo in our society, allowing advances in the area of technology, production, and consumption of products in different segments, especially fashion. In view of this, this article proposes to understand, in an initial and conceptual way, the use of space Fashion lab by fashion designer designers. It is considered that the use of this laboratory can qualify the innovation process during the production of new products. In this work, the basic research was used with a descriptive qualitative approach and the theoretical foundation contempl

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22

Samolovova, Nina. "Unregistered industrial design in the fashion industry." Theory and Practice of Intellectual Property, no. 3 (September 7, 2021): 11–18. http://dx.doi.org/10.33731/32021.239567.

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Key words: industrial design, intellectual property, unregistered Community design,novelty, individual character In order to harmonize legal relations in the field of intellectual property with the EU memberstates, a new Law “On the Protection of Rights to Industrial Designs” entered intoforce in Ukraine, in which a new term appears — an unregistered industrial design (un-RID) similar to the unregistered Community design (UCD). Thus, together with the registeredindustrial design, the information about which is entered in the Register and forwhich the Certificate was issued, the term of p

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Nasution, Evriza Noverda. "REGULATION AND IMPLEMENTATION OF HALAL CERTIFICATION IN INDONESIAN FASHION PRODUCTS (An Analytical Study of Law No. 33 of 2014 on Halal Product Assurance)." Pena Justisia: Media Komunikasi dan Kajian Hukum 23, no. 2 (2024): 1542. http://dx.doi.org/10.31941/pj.v23i2.4482.

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<em>The halal industry is a growing sector globally, but the implementation of halal certification for fashion products lags behind other products. This study focuses on formulating halal certification for fashion in Indonesia, analyzing obstacles and solutions, and reformulating halal criteria to ensure future compliance with Islamic law. The research, which is normative-empirical, uses legislative, analytical, and case study approaches. Findings indicate that the mandatory halal certification in Indonesia, introduced by Law No. 33 of 2014, is being implemented gradually, with food and

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24

Scolnicov, Anat. "A DEDICATED FOLLOWER OF (RELIGIOUS) FASHION?" Cambridge Law Journal 64, no. 3 (2005): 527–29. http://dx.doi.org/10.1017/s0008197305226958.

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Ayman, Naveed. "Application of IPR to the Indian Fashion Industry and Its Flaws: A Legal Study." Annual International Journal on Analysis of Contemporary Legal Affairs (AIJACLA) 3 (June 5, 2023): 129–34. https://doi.org/10.5281/zenodo.10461675.

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<em>Fashion implies creativity. In the simplest scene, it's the popularity of a particular style of clothing or accessories, makeup, or anything else a person might use to make themselves look a certain way. The fashion business is one of the most important businesses in today's competitive world. People use fashion to differentiate themselves from others and stand out in a crowd when there is a lot of competition. Fashion must be protected because it is the result of human imagination and creativity. The fashion industry is growing every day. The extent of the design business is very immense.

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Sagung Laksmi Dewi, Anak Agung, Ni Made Dwi Ari Cahyani, and Ni Made Sukaryati Karma. "Perlindungan Hukum Bagi Pemegang Merek Terhadap Pemalsuan Merek Fashion." Jurnal Konstruksi Hukum 2, no. 1 (2021): 175–79. http://dx.doi.org/10.22225/jkh.2.1.2990.175-179.

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Trademark as one manifestation of intellectual property has an important role for the smooth and increased trade in goods and services in the trade of goods and investment. As for the problems in writing this thesis, What about legal protection for trademark holders against falsification of fashion brand violations? This research uses normative research methods. Another name for normative law is doctrinal law research, also referred to as document library research or document study. This study uses a statutory and conceptual approach. Existing legal protection also applies to trademark h

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Petersen, Hanne. "Surface Patterns – Surface Law." NAVEIÑ REET: Nordic Journal of Law and Social Research, no. 5 (December 1, 2015): 131–44. http://dx.doi.org/10.7146/nnjlsr.v0i5.111085.

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On my almost daily bicycle rides in the mornings of the spring and early summer 2013 I began noticing the presence of several women wearing trousers with large printed patterns. I wondered whether this might indicate a certain shift from the dominant modern mono-chromatic norm regarding Nordic / Danish women’s urban (summer) dress. To what extent are fashion norms influencing and interacting with other social and societal norms including, what has in the Western world long been called legal norms – most often understood as state produced norms.

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Brewer, Mark K. "Slow Fashion in a Fast Fashion World: Promoting Sustainability and Responsibility." Laws 8, no. 4 (2019): 24. http://dx.doi.org/10.3390/laws8040024.

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Through its rapid production methods that supply the latest catwalk styles almost instantaneously to the high street, the fast fashion model has revolutionized the fashion industry, while generating a significant carbon footprint and a host of social concerns. Yet, the law is either slow or ineffective in promoting sustainability in a world obsessed with image and social connectivity, while outdated notions of companies continue to dominate the legal academy. This chapter initially examines the fashion industry’s environmental footprint. Then, it examines the rise of the fast fashion model and

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Yaqin, Husnul, Taufiqur Rohman, Balkis Nur Azizah, and Ira Eka Pratiwi. "Jember Fashion Carnival (JFC) as a National Culture Viewed from Islamic Law Perspective." HIKMATUNA: Journal for Integrative Islamic Studies 7, no. 2 (2020): 196–205. http://dx.doi.org/10.28918/hikmatuna.v7i2.4288.

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The purposes of this research were to (1) describe the practice of the Jember Fashion Carnival (JFC), which is held in Jember, Indonesia, and (2) explain how the practice of the Jember Fashion Carnival (JFC) is regarded from the perspective of Islamic law. This research is included in the qualitative-descriptive and literature research category. In conclusion, (1) the Jember Fashion Carnival (JFC) is a cultural event as well as a carnival that is held every year with a specific theme; this spectacular activity attracts foreign tourists and helps to boost the economy, among other things; and (2

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Gibson, Johanna. "When games are the only fashion in town: Covid-19, Animal Crossing, and the future of fashion." Queen Mary Journal of Intellectual Property 11, no. 2 (2021): 117–23. http://dx.doi.org/10.4337/qmjip.2021.02.00.

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Shuy, Roger W. "Language and the Law." Annual Review of Applied Linguistics 7 (March 1986): 50–63. http://dx.doi.org/10.1017/s0267190500001641.

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The application of linguistics to other areas of life has occurred in a somewhat natural, if haphazard, fashion. The first and most obvious applications were to education (first and second language learning, teaching, and testing), lexicography, translation, and speech therapy (Crystal 1981). There has been rather long standing interest in other fields, such as medical interaction (Mishler 1984; cf., van Naerssen and Kaplan elsewhere in this volume) and religious language (Samarin 1976), but it has been only within the past few years that increasing amounts of linguistic knowledge have been ap

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Wang, Zhan. "Research Topic in Law and Economics: Balenciaga." Advances in Economics, Management and Political Sciences 151, no. 1 (2025): 67–71. https://doi.org/10.54254/2754-1169/2024.19277.

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The luxury fashion industry has long been characterized by exclusivity, high-quality craftsmanship, and a strong brand heritage. However, in recent years, this landscape has shifted dramatically due to several factors. Rapid technological advancements have transformed consumer shopping behaviors, with e-commerce and social media playing pivotal roles in how luxury brands engage with their audience. Additionally, there is a growing emphasis on sustainability and ethical practices among consumers, particularly younger generations who prioritize brands that align with their values. Balenciaga, re

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van Caenegem, William, and Violet Atkinson. "Observing creativity in fashion: implications for copyright." Journal of Intellectual Property Law & Practice 16, no. 12 (2021): 1398–414. http://dx.doi.org/10.1093/jiplp/jpab158.

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Soesilo, Galih Bagas, Al Fauzi Rahmat, Sapardiyono Sapardiyono, and Sabilillah Rais Siregar. "Consumer Protection in Indonesia's Thrift Fashion Boom: Challenges, Obstacles, and Policy Implications." Journal of Judicial Review 27, no. 1 (2025): 1–22. https://doi.org/10.37253/jjr.v27i1.9457.

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The increasing sales and high market demand for Thrift Fashion pose several risks, particularly concerning consumer safety and the sustainability of the business climate within the same market. Imported second-hand clothing may be classified as hazardous goods or products due to its free circulation without adequate quality control. This research aims to examine the challenges, obstacles, and policy implications in addressing the sales of Thrift Fashion in Indonesia. The methodology employed in this study is purely normative legal research, relying solely on secondary data sources. The finding

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Pouillard, Véronique. "Design Piracy in the Fashion Industries of Paris and New York in the Interwar Years." Business History Review 85, no. 2 (2011): 319–44. http://dx.doi.org/10.1017/s0007680511000407.

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During the Great Depression, counterfeiters of the newest styles posed a challenge to the high-fashion designers who dominated Parisian design. Meanwhile, New York, traditionally the destination of the first corporate buyers of Paris couture, became a potential contender for the role of fashion capital. Scrutiny of French and American laws reveals that strong national interests were at stake in the fashion business. In France, the law safeguarded copyrights of fashion design while, in the United States, legislators denied such protection to American fashion.

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Jankowska, Marlena, and Berenika Sorokowska. "From Fashion Brand to Artwork: Divergent Thinking, Copyright Law, and Branding." Laws 12, no. 3 (2023): 46. http://dx.doi.org/10.3390/laws12030046.

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The purpose of this study is to explore the interaction between copyright, branding, marketing, and heritage protection with regard to a fashion brand. The authors use analytical-critical and legal-dogmatic methods, supplemented with desk research, a case study approach, and a review of the marketing literature. This paper argues that the top-tier fashion brands use the concept of artification in order to build their brands, mesmerize clientele, and increase revenues. Although design and reference to the arts play a major role in the luxurious and premium end of the fashion business, this anal

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Huang, Vicki T. "An Empirical Analysis of the Fashion Design Case Law of Australia." IIC - International Review of Intellectual Property and Competition Law 52, no. 3 (2021): 242–64. http://dx.doi.org/10.1007/s40319-021-01013-5.

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Pessoa, Taís Tavares Vieira, and Camila Figueiredo Oliveira Gonçalves. "ASPECTOS JURÍDICOS DA MODA: ANÁLISE CRÍTICA DO FASHION LAW NO BRASIL." Revista Jurídica da FA7 11 (April 30, 2014): 129–32. http://dx.doi.org/10.24067/rjfa7;11.1:82.

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윤여강. "Study for the protection method of fashion design by copyright law." Journal of hongik law review 20, no. 1 (2019): 853–81. http://dx.doi.org/10.16960/jhlr.20.1.201902.853.

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QUINELATO, PIETRA DANELUZZI. "FASHION LAW: DIREITO DA MODA NO BRASIL NO ÂMBITO DOS TRIBUNAIS." Revista de Propriedade Intelectual - Direito Constitucional e Contemporâneo 13, no. 02 (2019): 252–68. http://dx.doi.org/10.16928/2316-8080.v13n2p.252-268.

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Abdellatif, Shaimaa, and Abeer Mohamed. "Increasing fashion designers' awareness of the Law of Intellectual Property Protection." International Design Journal 9, no. 4 (2019): 93–99. http://dx.doi.org/10.21608/idj.2019.82540.

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Smith, William E. "Advising the Law: Academic Advising in Law-Generating Institutions of Higher Education." NACADA Review 1, no. 1 (2019): 30–38. http://dx.doi.org/10.12930/nacr-18-1010.

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Academic advisors occupy an ethically fraught position in institutions of higher education and frequently have to traverse complex curricular issues. Legal theorist Lon L. Fuller's work provides advisors with new resources to ply some of these troubled curricular issues. By focusing on understanding colleges and universities as law-generating institutions, advisors can reshape how they think about the nature of their work so that, in a lawyer-like fashion, they can then subject the rules created by these institutions to Fuller's ethical standards. Analyzing such rules via Fuller's standards ca

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Gracovetsky, Serge. "Yoga, fascia and the second law of thermodynamics." Journal of Bodywork and Movement Therapies 22, no. 2 (2018): 346–47. http://dx.doi.org/10.1016/j.jbmt.2018.02.002.

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Matsnura, Carla, and Cyro José Jacometti Silva. "FORMAS DE PROTEÇÃO DAS CRIAÇÕES DE MODA NO DIREITO BRASILEIRO." RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 4, no. 1 (2023): e414413. http://dx.doi.org/10.47820/recima21.v4i1.4413.

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O Direito da Moda, conhecido também como Fashion Law, é uma área do Direito que tem como foco proteger as marcas, designers e suas criações, de acordo com as legislações existentes no Brasil. A pesquisa tem como objetivo apresentar as principais formas de proteção legal existentes no ordenamento jurídico e suas adaptações para a área do Fashion Law, analisando casos e apresentando sua eficácia. O método utilizado baseia-se na pesquisa exploratória com análise de artigos acadêmicos e obras bibliográficas que tratem sobre o tema, proporcionando uma visão geral acerca dos fatos.

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Rahmawatia, Nur Fitri, Iwan Sukocob, Bambang Hermantoc, and Arianis Chand. "Consumer Loyalty to Muslim Fashion in Encouraging Consumptive Behavior: A Phenomenological Approach of Online Muslim Fashion." Journal of Law and Sustainable Development 11, no. 11 (2023): e1738. http://dx.doi.org/10.55908/sdgs.v11i11.1738.

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Objective: The objective of this research was to investigate the loyalty of Indonesian Muslim women towards online Muslim fashion brands, specifically Dian Pelangi, Rabbani, and Zoya. It aimed to understand whether consumer loyalty had a direct impact on the consumption of Muslim fashion in Indonesia. Method: A qualitative research approach was employed, using semi-structured interviews with 30 female consumers of the mentioned brands. These consumers were categorized into three distinct groups: career women, housewives, and female college students, residing in regions with substantial Muslim

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Barnett, Jonathan M., Gilles Grolleau, and Sana El Harbi. "The Fashion Lottery: Cooperative Innovation in Stochastic Markets." Journal of Legal Studies 39, no. 1 (2010): 159–200. http://dx.doi.org/10.1086/605726.

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Samolovova, Nina. "Protection of intellectual property rights in Ukraine: design solution." Theory and Practice of Intellectual Property, no. 5 (December 29, 2022): 44–53. http://dx.doi.org/10.33731/52022.270784.

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Keywords: objects of intellectual property rights, trademark, utility model, copyrightand/or related rights, industrial design, unregistered industrial design, utilitymodel, commercial name The law of the fashion industry is a branch of law that regulates publicrelations arising in connection with activities related to products of the light andcosmetic industries. Creative products, such as fashion designs expressed in products,may be protected as intellectual property rights. A design solution embodied in a particularproduct may be protected by one or more intellectual property institut

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Reale, Mariacristina. "Digital Market, Bloggers, and Trendsetters: The New World of Advertising Law." Laws 8, no. 3 (2019): 21. http://dx.doi.org/10.3390/laws8030021.

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The importance of digital marketing is continuously growing, at least in the present economic phase. Within this sector, fashion bloggers play a crucial role, which reflects the relevance of fashion on an economic and a social level, as already highlighted in Georg Simmel’s pioneering study. New communication opportunities made available by the development of digital technologies shed more light on this phenomenon. One of the main concerns is the need to guarantee the transparency and the correctness of commercial communications shared through social media in order to ensure the consumers’ ful

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Skotarczak, Dorota. "Retro Fashion in Polish Film and Television of the 1970s as a Cultural Phenomenon." Annales Universitatis Mariae Curie-Skłodowska, sectio F – Historia 78 (December 22, 2023): 171–87. http://dx.doi.org/10.17951/f.2023.78.171-187.

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In the 1970s, retro fashion came to Poland from the West. It concerned recalling the interwar years with nostalgia in film, television and fashion. Its adoption was possible due to political and socio-demographic changes. In Poland, retro fashion was correlated with a specific fashion for the past, which involved full ennoblement of the nobility culture in the media. What is worth noting is that this fashion for the interwar period and nobility was not only eagerly adopted by the general public, but was also used politically to the legitimization of power. There were also attempts by some of t

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Warschaw, Olivia. "Researching fashion studies: A brief historiography." Art Libraries Journal 42, no. 1 (2016): 2–6. http://dx.doi.org/10.1017/alj.2016.39.

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Fashion is often held synonymous with frivolity, excess, and luxury; as such, the study of costume history and theory has historically been considered impractical or subsidiary. The significant rise in costume education and scholarship during the 20th century has brought new and more frequent queries regarding the histories of fashion, etiquette, and material culture to our libraries. We are now often asked to assist in researches of cultures of style, and how they may be analyzed in a multidisciplinary context. Is it possible to analyze fashion trends through the lens of the law? Are effects

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