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Books on the topic 'Fashion and globalization'

Author: Grafiati

Published: 28 February 2023

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1

Goodrum, Alison L. The national fabric: Fashion, Britishness, globalization. New York, NY: Berg, 2005.

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2

Museum, Godwin-Ternbach, ed. The fabric of cultures: Fashion, identity, globalization. Flushing, New York: Godwin-Ternbach Museum, Queens College, CUNY, 2008.

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3

A, Niessen S., Leshkowich Ann Marie, and Jones Carla, eds. Re-orienting fashion: The globalization of Asian dress. Oxford, UK: Berg, 2003.

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4

Michetti, Miqueli. Moda brasileira e mundialização. São Paulo, SP, Brasil: ANNABLUME, 2015.

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5

Segyehwa rŭl wihan chŏnt'ong Hanbok kwa Han sŭt'ail: Korean traditional clothes & Korean style for globalization. Kyŏnggi-do P'aju-si: Chigu Munhwa, 2012.

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6

"Novai︠a︡ norma": Garderobnye i telesnye praktiki v ėpokhu pandemii. Moskva: Novoe literaturnoe obozrenie, 2021.

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7

Brazil), CETIQT (Agency :., ed. DNA Brasil: Tendências e conceitos emergentes para as 5 regiões brasileiras. Rio de Janeiro, RJ: SENAI/CETIQT, 2009.

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8

B, Garner Myrna, ed. Going global: The textile and apparel industry. New York: Fairchild Books, 2016.

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9

Wendy, Larner, ed. Fashioning globalisation: New Zealand design, working women and the cultural economy. Chichester, West Sussex: Wiley-Blackwell, 2013.

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10

Rethinking Fashion Globalization. Bloomsbury Publishing Plc, 2021.

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11

Cheang, Sarah, Erica de Greef, and Yoko Takagi. Rethinking Fashion Globalization. Bloomsbury Publishing Plc, 2021.

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12

Barnard. African Union: Challenges of Globalization, Security, and Governance. Taylor & Francis Group, 2007.

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13

McCracken, Angela B. Beauty Trade: Youth, Gender, and Fashion Globalization. Oxford University Press, Incorporated, 2013.

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14

Fabric of Cultures: Fashion, Identity, and Globalization. Taylor & Francis Group, 2009.

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15

Beauty Trade: Youth, Gender, and Fashion Globalization. Oxford University Press, Incorporated, 2013.

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16

Beauty Trade: Youth, Gender, and Fashion Globalization. Oxford University Press, Incorporated, 2014.

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17

The Fabric of Cultures: Fashion, Identity, Globalization. Routledge, 2008.

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18

Clark, Hazel, and Eugenia Paulicelli. Fabric of Cultures: Fashion, Identity, and Globalization. Taylor & Francis Group, 2009.

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19

Naked Fashion The New Sustainable Fashion Revolution. New Internationalist, 2012.

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20

1958-, Paulicelli Eugenia, and Clark Hazel, eds. The fabric of cultures: Fashion, identity and globalization. New York: Routledge, 2009.

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21

The End of Fashion: Clothing and Dress in the Age of Globalization. Bloomsbury Visual Arts, 2018.

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22

Fashion And Celebrity Culture. Berg Publishers, 2012.

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23

End of Fashion: Clothing and Dress in the Age of Globalization. Bloomsbury Publishing Plc, 2018.

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24

Geczy, Adam. Transorientalism in Art, Fashion, and Film: Inventions of Identity. Bloomsbury Publishing Plc, 2020.

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25

Re-Orienting Fashion: The Globalization of Asian Dress (Dress, Body, Culture). Berg Publishers, 2003.

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26

(Editor), Sandra Niessen, Ann Marie Leshkowich (Editor), and Carla Jone (Editor), eds. Re-Orienting Fashion: The Globalization of Asian Dress (Dress, Body, Culture). Berg Publishers, 2003.

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27

UCLA, Fowler Museum at, ed. African-print fashion now!: A story of taste, globalization, and style. 2017.

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28

Fashion and Celebrity Culture. Bloomsbury Publishing Plc, 2011.

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29

Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic. Bloomsbury Publishing Plc, 2018.

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30

Kutesko, Elizabeth. Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic. Bloomsbury Publishing Plc, 2020.

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31

Pouillard, Véronique. Paris to New York: The Transatlantic Fashion Industry in the Twentieth Century. Harvard University Press, 2021.

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32

Paris to New York: The Transatlantic Fashion Industry in the Twentieth Century. Harvard University Press, 2021.

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33

Transorientalism in Art, Fashion, and Film: Inventions of Identity. Bloomsbury Publishing Plc, 2019.

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34

Tight Knit: Global Families and the Social Life of Fast Fashion. University of Chicago Press, 2018.

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35

Krause, Elizabeth L. Tight Knit: Global Families and the Social Life of Fast Fashion. University of Chicago Press, 2018.

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36

From Chinese Brand Culture To Global Brands Insights From Aesthetics Fashion And History. Palgrave Macmillan, 2013.

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37

Going Global: The Textiles And Apparel Industry. Fairchild Books & Visuals, 2006.

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38

Going Global: The Textile and Apparel Industry - Bundle Book + Studio Access Card. Fairchild Books, 2021.

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39

Tight Knit: Global Families and the Social Life of Fast Fashion. University of Chicago Press, 2018.

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40

The Perfect Gentleman: The Pursuit of Timeless Elegance and Style in London. Thames & Hudson, 2012.

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41

Liberated threads: Black women, style, and the global politics of soul. University of North Carolina Press, 2015.

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42

Nishime, Leilani. Camp Kimora. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038075.003.0006.

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This chapter focuses on Kimora Lee Simmons and her reality television show Life in the Fab Lane. Rather than striving for a colorblind, deracinated public image, African/Asian American fashion model and designer Simmons capitalizes on both her race and gender in her advertising campaigns and television show. While her show is certainly complicit in the twin projects of capital accumulation and globalization, the chapter argues for a camp reading of her image as resistant to dominant misogynistic and essentialist representations of African American women. A detailed look at Simmons' multiracial visibility shows that, ironically, representation in itself is not enough to challenge racial categories. Instead, the show vividly demonstrates how multiraciality signifies visually through its intersections with the power hierarchies embedded in class and gender difference.

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43

Feinsod, Harris. A Xenoglossary for the Americas. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682002.003.0003.

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This chapter advances a “tropological history” of inter-Americanism by showing how foreign words (xenoglossia) became a key poetic device for Wallace Stevens, José Lezama Lima, and Jorge Luis Borges after World War II, at the low ebb of political inter-Americanism. It shows how Stevens’s monumental “Notes Toward a Supreme Fiction” used this device in order to reimagine the poetic identity of the Americas—a gesture resonant with the US Congress’s contemporaneous debates about globalization. While Stevens’s “lingua franca et jocundissima” (his self-designated attempt to fashion a playful, sonorous global language) was rebuked in the United States by nationalistic postwar critics, the chapter demonstrates how it belongs to a rich vein of postwar poetry by Borges and Lezama, who respond to national and insular literary formations with similar turns toward international language norms and the style of “post-symbolism.”

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44

Desan, Philippe. Montaigne’s. Edited by Philippe Desan. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.1.

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The creator of the “essay,” Michel de Montaigne serves as a bridge between what we call the early modern and modernity. The Essays resemble a patchwork of personal reflections that tend toward a single goal: to live better in the present and to prepare for death. Montaigne constantly redefines the nature of his task in order to fashion himself anew and, in the end, offers an impressionistic model of descriptions based on momentary experiences. Over the centuries, the reception of Montaigne has been anything but simple. The institutionalization of an author depends on what one might call his or her “ideological and historical trajectory.” An effect of “globalization” has even reached Montaigne in recent years, bringing him sudden, worldwide visibility. His thought has become internationalized, and he is read, studied, and commented in most European countries as well as in North America, Latin America, and Asia.

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45

Bhagat, Rabi S., Annette S. McDevitt, and B. Ram Baliga. Global Organizations. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190241490.001.0001.

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Organizations that function across dissimilar nations and cultures are known as global organizations. Their origins may be in any of the globalized countries of the World Trade Organization as well as other supernational systems that coordinate activities of the United Nations and similar organizations. Global organizations are everywhere, and their growth has been phenomenal since World War II. Managing them effectively requires in-depth knowledge of the political and economic geography in which they operate. Along with such knowledge, managers must also discern the underpinnings of cultural and technological developments in their strategic planning and implementation. A few decades ago, an interdisciplinary perspective was not regarded as crucial in understanding the functioning of global organizations. However, in the complex and dynamic era of globalization, an interdisciplinary perspective is crucial. This book adopts this perspective and integrates the often conflicting and dynamic perspectives in a fashion that sheds light for understanding the nature of global organizations in the twenty-first century.

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46

Prestholdt, Jeremy. Africa and The Global Lives of Things. Edited by Frank Trentmann. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561216.013.0005.

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Inquiries into commodification, social distinction, and fashion have offered fresh perspectives on social relations and cultural formations in Africa. Imported consumer goods were both elemental to social relationships and a cornerstone of Africa's global interfaces. This article explores how the social dynamics of consumer demand in Africa were shaped by, and gave shape to, larger social, economic, and political relationships from the sixteenth to the early twentieth century. This approach underscores the interrelation of African cultural imperatives and histories of globalization. Focusing on East Africa in the late nineteenth century, the article begins with a snapshot of consumer trends before the nineteenth century. It then examines three dimensions of consumption in the late nineteenth and early twentieth century: marketing consumer objects, the social relations of consumption, and the ways manufacturers accommodated African consumer demand. Taken together, these themes augment our understanding of social change in Africa, contribute to wider reflections on consumption as a mode of trans-societal relation, and highlight how manufactured objects can be conceptually and physically transformed throughout their global life cycles.

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47

Sharqawi, Abd al-Said. al-Awlamah-al-ghashiyah: Hal atakum Hadith al-tariq al-thalith, al-batil-- wa-Mutamar al-Awlamah, al-fashil-- fi qimmat al-ghashawah bi-Siyatil?: Hal ... wa-suq al-harb bayna al-Gharb wa-al-Gharb--. A.al-S. al-Sharqawi, 2000.

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48

Mignolo, Walter D. The Politics of Decolonial Investigations. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478002574.

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In The Politics of Decolonial Investigations Walter D. Mignolo provides a sweeping examination of how coloniality has operated around the world in its myriad forms from the sixteenth century to the twenty-first. Decolonial border thinking allows Mignolo to outline how the combination of the self-fashioned narratives of Western civilization and the hegemony of Eurocentric thought served to eradicate all knowledges in non-European languages and praxes of living and being. Mignolo also traces the geopolitical origins of racialized and gendered classifications, modernity, globalization, and cosmopolitanism, placing them all within the framework of coloniality. Drawing on the work of theorists and decolonial practitioners from the Global South and the Global East, Mignolo shows how coloniality has provoked the emergence of decolonial politics initiated by delinking from all forms of Western knowledge and subjectivities. The urgent task, Mignolo stresses, is the epistemic reconstitution of categories of thought and praxes of living destituted in the very process of building Western civilization and the idea of modernity. The overcoming of the long-lasting hegemony of the West and its distorted legacies is already underway in all areas of human existence. Mignolo underscores the relevance of the politics of decolonial investigations, in and outside the academy, to liberate ourselves from canonized knowledge, ways of knowing, and praxes of living.

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