Journal articles: 'Fashion and globalization'

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Rees, Kathleen, and Eun Joo Park. "Globalization and fashion marketing performance." Journal of Global Fashion Marketing 4, no. 1 (January 2013): 1–3. http://dx.doi.org/10.1080/20932685.2012.753264.

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Winter, Amy H. "The Fabric of Cultures: Fashion, Identity: Globalization." Dress 34, no. 1 (January 2007): 102–5. http://dx.doi.org/10.1179/036121107805252908.

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Godart, Frédéric. "The power structure of the fashion industry: Fashion capitals, globalization and creativity." International Journal of Fashion Studies 1, no. 1 (April 1, 2014): 39–55. http://dx.doi.org/10.1386/infs.1.1.39_1.

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Garrett, Maryhelen, and Kaycee Hale. "The international fashion video library: documenting the globalization of fashion for the future." Art Libraries Journal 13, no. 2 (1988): 17–20. http://dx.doi.org/10.1017/s0307472200005630.

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Fashion has been categorized as a global means of non-verbal communication, television has been classified as the medium with a global communications message, and videotapes are becoming a primary documentary format for both. The International Fashion Video Library (IFVL), located in Los Angeles and a division of the Fashion Institute of Design and Merchandising (FIDM) Museum and Library Foundation, is the world’s only fashion video library open to students, educators, scholars, industry, and the general public. Its purpose is to collect, organize, and preserve archival, contemporary, and futuristic videotapes which document the various facets of the fashion industry.

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BAYNOVA, Maria, Polina PALEKHOVA, Alexander PETROV, and Ariadna PETROVA. "Cultural Globalisation, Consumer Society And Fashion Industry In Russia: New Socio-Historical Trends." WISDOM 13, no. 2 (December 26, 2019): 146–54. http://dx.doi.org/10.24234/wisdom.v13i2.275.

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The article presents a philosophical and sociological analysis of processes of cultural globalization, development of consumer society and fashion industry in Russia. Authors analyze the social foundations of cultural globalization. The article examines the influence of cultural globalization on the process of distribution of symbols of new mass culture. The article analyzes the peculiarities of the development of the fashion and entertainment industry in the modern Russian society. The article also examines the specific impact of the processes of marketization and the displacement of national cultures in the system of modern societies.

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Trower, V. W. "Review: Re-Orienting Fashion: The Globalization of Asian Dress." Journal of Design History 17, no. 2 (June 1, 2004): 197–99. http://dx.doi.org/10.1093/jdh/17.2.197.

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Vänskä, Annamari, and Olga Gurova. "The fashion scandal: Social media, identity and the globalization of fashion in the twenty-first century." International Journal of Fashion Studies 00 (July 1, 2021): 1–23. http://dx.doi.org/10.1386/infs_00045_1.

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During the latter part of the 2010s, many fashion brands – e.g., Gucci, Burberry, Dolce & Gabbana, Prada, Dior – have been caught up with scandals and called out for racism, cultural appropriation and other types of insensitivity towards vulnerable groups. This article will unpack, through critical analysis of some of these examples, the changing landscape of the ‘fashion scandal’ in the late-2010s. We understand fashion scandals as the fuel of fashion. They are debated in social media and they are controversial actions, statements or events that cause strong emotional responses. Even though scandal has been proven effective in fashion marketing for decades, and despite it is still frequently used, there might be a change on the way. Our examples suggest that with the rise of social media and its so-called ‘citizen journalism’ the tactics of creating scandals may have lost their lustre and can easily turn against the brand. We will also discuss new tactics that brands have adopted to escape undesired scandals by establishing new roles such as the ‘diversity consultant’.

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Ахренова, Н. А., and А. А. Орлова. "The Global and the National in the Linguistics of Fashion Blogs." Иностранные языки в высшей школе, no. 3(58) (November 15, 2021): 62–70. http://dx.doi.org/10.37724/rsu.2021.58.3.007.

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Исследуются лингвопрагматические и лингвокультурные особенности текстов англоязычной, испаноязычной и франкоязычной блогосферы моды. Основой написания статьи явилась следующая гипотеза: в процессе глобализации происходит унификация письменных традиций в различных лингвокультурах с сохранением ключевых особенностей менталитета и национального характера. Цель исследования состоит в изучении влияния процесса глобализации на национальное своеобразие культур, их лингвистические особенности и традиции создания письменного текста, что находит отражение в текстах блогов, посвященных модной индустрии. В результате проведенного изучения обнаружено определенное сходство блогов о моде в трех лингвокультурах: англоязычной, франкоязычной и испаноязычной. Обоснованность выводов, к которым пришли авторы в ходе сравнительного анализа сходств и различий в употреблении лингвистических средств и средств художественной выразительности в блогах на упомянутых ранее языках, подтверждается обширным проанализированным материалом — 30 модных блогов на трех языках, входящих в десятку самых популярных. The article focuses on linguo-pragmatic and linguocultural features of the texts of the English-speaking, Spanish-speaking and French-speaking fashion blogosphere. Hypothetically, in the process of globalization, written traditions are unified in various linguistic cultures, but at the same time they retain the key features of mentality and national character. The purpose of the paper is to study the impact of globalization on the national identity of cultures, their linguistic characteristics and traditions of creating a written text, which is reflected in the rapidly developing blogosphere, exemplified by fashion blogs. The study found some similarities between fashion blogs across three linguistic cultures: English, French, and Spanish. The validity of the conclusions made by the authors in the course of a comparative analysis of the similarities and differences in the use of linguistic means and means of artistic expression in blogs in the previously mentioned languages is confirmed by extensive material for analysis — 30 fashion blogs in three languages, which are among the ten most popular.

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Rabkina, Nadezhda, and Lina Bahtina. "Beauty- and Fashion-Blogs: Lost in Translation." Virtual Communication and Social Networks 2022, no. 3 (September 26, 2022): 143–49. http://dx.doi.org/10.21603/2782-4799-2022-1-3-143-149.

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Fashion and beauty blogs appeared as a result of the globalization of the fashion and beauty industry, as well as the virtualization of popular fashion magazines. They introduce a new type of discourse that attracts both marketers and translation theorists, because the Russian Internet badly needs prompt and high-quality translation of huge volumes of such content. Typical problems of audiovisual translation (compression, synchronization) are superimposed on the abundance of constantly growing terms. Beauty/fashion blogs are a kind of visual-verbal unity, where the visual demonstration of a product is accompanied by a verbal component, i.e., description, instructions, etc. This article introduces an analysis of Vogue video blogs, which confirmed other scientific publications on this topic: language economy and technical specifics of audiovisual translation make loan translation, transcription, and transliteration the most popular translation methods in this type of discourse. The translator must have a certain erudition in fashion and beauty industry, since specialized glossaries on these topics do not have time to record new terms and professionalisms that constantly emerge within this rapidly developing area.

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Ayuningtyas, Winda Eka Pahla, and Galant Nanta Adhitya. "FASHION AND COMMODIFICATION: AN ANALYSIS ON THE GLOBAL PHENOMENON OF SUPREME." Rubikon : Journal of Transnational American Studies 8, no. 2 (October 11, 2021): 153. http://dx.doi.org/10.22146/rubikon.v8i2.69692.

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Globalization is the global information spread and people interconnectivity. It is driven by technological developments in transportation and communication, removing cultural boundaries among nations. Cultural differences are increasingly less tangible and visible in all cultural products, including in fashion. Due to globalization, fashion brands that originate in a certain country can open stores across multiple continents. The invention of the Internet further widens their accessibility by consumers in any part of the world. However, globalization also brings an affordability gap between the upper and the lower classes. Nonetheless, fashion brands can also take advantage of this economic difference in appealing to their consumers. One of those brands is Supreme. Founded in 1994, it became the most sought-after hypebeast brand among street-fashion enthusiasts worldwide. How do they do it in less than 30 years is interesting to analyze. To answer this objective, this article is conducted from the cultural studies standpoint and the case study method. There are three formulas of positioning it adopts in order to grow globally: (1) the commodification African-American community, (2) the use of celebrity endorsement, and (3) the hype of limited-edition releases. Supreme sells oversized streetwear, heavily influenced by Hip-hop culture, a music genre rooted in the lives of African Americans. The brand makes use of celebrities, especially rappers, to endorse its clothes and accessories. It also continually makes headlines by releasing limited-edition products as well as collaborating with well-known figures and brands.

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Gott, Suzanne, Kristyne S. Loughran, Betsy D. Quick, and Leslie W. Rabine. "African-Print Fashion Now! A Story of Taste, Globalization, and Style." African Arts 50, no. 1 (March 2017): 42–59. http://dx.doi.org/10.1162/afar_a_00331.

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Beatty, Michaella. "Angela B. McCracken: The Beauty Trade: Youth, Gender, and Fashion Globalization." Journal of Youth and Adolescence 44, no. 6 (December 17, 2014): 1332–35. http://dx.doi.org/10.1007/s10964-014-0203-y.

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Wiggin, Bethany. "Globalization and the Work of Fashion in Early Modern German Letters." Journal for Early Modern Cultural Studies 11, no. 2 (2011): 35–60. http://dx.doi.org/10.1353/jem.2011.0020.

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Riegels Melchior, Marie. "Catwalking the Nation: Challenges and Possibilities in the Case of the Danish Fashion Industry." Culture Unbound 3, no. 1 (April 19, 2011): 55–70. http://dx.doi.org/10.3384/cu.2000.1525.11355.

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This article discusses the mobilization of the nation for fashion, based on how the relationship between fashion and nation unfolds in the case of fashion design practice and the fashion industry in Denmark. The otherwise globalized fashion industry is equally involved in what I term “catwalking the nation,” both as a way to construct a cosmopolitan nationalist discourse for the post-industrial nation and as a strategy for local fashion industries to promote collective identity in order to strengthen potential market share, which is the focus of this article. What may at first appear in the Danish case as an absurd and non-productive relationship is actually significant, I would argue, despite its complexity. It has the potential to stimulate critical fashion design practice and give fashion designers a voice, allowing them to take an active part in contemporary public debates on important issues such as nationalism and cosmopolitanism in the age of globalization.

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Leket, Chamutal. "The End of Fashion: Clothing and Dress in the Age of Globalization." Journal of Design History 32, no. 4 (September 4, 2019): 402–4. http://dx.doi.org/10.1093/jdh/epz036.

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Eneis, Jaramillo Rodríguez, Aguirre Franco Sandra Lucia, and Hernández Trujillo Yanier Alberto. "Cluster: the Globalization of Economies." WSEAS TRANSACTIONS ON BUSINESS AND ECONOMICS 19 (September 9, 2022): 1576–83. http://dx.doi.org/10.37394/23207.2022.19.142.

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Globalization generated advanced competitive schemes that forced human beings and companies to take new initiatives in order to face the new business models that are being developed. A new scheme, model or strategic tool is the Cluster, which helps companies, governments and the community in general to have an opportunity to compete at a global scale. The document presented below is a theoretical-conceptual overview, taking as a reference the contributions that have been made to the cluster concept: The globalization of the economy has been consolidating over time and the way the regions accept it as a strategy for competitive development. The constitution of clusters is not a fashion, it is a local development trend, which seeks to penetrate globalized markets, but with the conviction that it cannot be achieved in ""solitary"", so that the ""collectivity"" of sectorial business efforts, becomes the alternative for the formation of the cluster and thus be able to effectively meet the exigencies of globalization. Therefore, this paper focuses on conceptual development around clusters and globalization, from different chronological views of development.

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van den Berghe, Douglas, and Rob van Tulder. "The Geography of Foreign Direct Investment: A Tripartite Framework." Journal of International Business and Economy 3, no. 1 (December 1, 2002): 1–24. http://dx.doi.org/10.51240/jibe.2002.1.1.

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Patterns in Foreign Direct Investment (FDI) over the 1990s reveal three internationalization strategies: classic internationalization, emerging internationalization and competitive internationalization. The evolving tripartite framework enables to position internationalization strategies, FDI theories and, a number of emerging issues related to FDI and globalization in their geographical context. The three internationalization strategies simultaneously shape, although not necessarily to the same extent, nor in a similar fashion, current globalization. Driven by ‘regionalism’ among homogeneous blocks (in particular among the European Union member states and between the EU and the United States) ‘competitive internationalization’ is arguably the most salient feature of globalization at the end of the 20th century.

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Takiyar, Aman, and N. V. M. Rao. "Impact of globalization on human rights: evidence from Sub-Saharan Africa." International Journal of Social Economics 47, no. 12 (November 2, 2020): 1453–80. http://dx.doi.org/10.1108/ijse-12-2019-0752.

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PurposeThe purpose of this study is to examine the impact of globalization and its multiple dimensions on human rights in Sub-Saharan Africa.Design/methodology/approachThe study extends the Poe and Tate (1994) model, which enumerates the various determinants of human rights. Ordered probit estimation is used to estimate the impact of globalization and its dimensions. For the purpose of empirical analysis, the period has been divided into three phases: short, medium and long term. This helps in understanding how the impact of the different dimensions of globalization has evolved over a period of time. Furthermore, analysis has been carried out to detect causality between human rights and globalization.FindingsAs per the results, overall globalization and social dimension of globalization do have a positive impact on human rights in long and medium term and, also, Granger-cause human rights. The political dimension of globalization has a positive relation with human rights, though there exists no causality between the two. On the other hand, the economic dimension of globalization fails to have a statistically significant impact on human rights. Impact of the social dimension of globalization dominates that of other dimensions of globalization.Originality/valueThis is one of the few studies that examine, in an empirical fashion, the impact of globalization on human rights in Sub-Saharan Africa.

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Hadžajlić, Hanan. "Heavy Metal and Globalization." AM Journal of Art and Media Studies, no. 17 (October 16, 2018): 129. http://dx.doi.org/10.25038/am.v0i17.276.

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Heavy Metal is a specific, alternative music genre that exists on the fringe of popular music, where it is classified by its own culture: musical style, fashion, philosophy, symbolic language and political activism. For over five decades of the existence of heavy metal, its fans have developed various communication systems through different types of transnational networks, which significantly influenced the development of all aspects of metal culture, which relates both to divisions within the genre itself and to various philosophical and political aspects of heavy metal activism – of a global heavy metal society. Going through the processes of globalization, and so glocalization, heavy metal is today a significant part of popular culture in North and South America, Europe, Asia, Australia; while in some societies it represents the cultural practice of a long tradition with elements of cultural tourism, in some countries where conservative, religious policies are dominant, it represents subversive practices and encounters extreme criticism as well as penalties. Globalization in the context of the musical material itself is based on the movement from idiomatic, cultural and intercultural music patterns to transcultural – where heavy metal confronts the notion of one's own genre. Post-metal, the definition of a genre that goes beyond the aesthetic concepts of heavy metal, contains the potential of overcoming the genre itself. Article received: March 30, 2018; Article accepted: May 10, 2018; Published online: October 15, 2018; Preliminary report – Short CommunicationsHow to cite this article: Hadžajlič, Hanan. "Heavy Metal and Globalization." AM Journal of Art and Media Studies 17 (2018): 129−137. doi: 10.25038/am.v0i17.276

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Teo, Boon Chui Carol, Nur Suhaila Nik, and Nurul Fatin Azman. "Making sense of fashion involvement among Malaysian Gen Y and its implications." Journal of Emerging Economies and Islamic Research 5, no. 4 (December 31, 2017): 10. http://dx.doi.org/10.24191/jeeir.v5i4.6236.

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In keeping pace with globalization of the fashion retail industry, fashion retailers are expanding aggressively across Asia. Malaysia is no exception with clothing market demand expected to double from USD3.6 million in 2011 to USD7 million in 2018. New foreign retail brands have mushroomed to compete alongside local brands to cater to the fashionable aspired yet unique Gen Y. This study dwells into determinants of fashion involvement of Malaysian Gen Y. They appear to have an insatiable appetite for the quick and trendy lines although less interested in logo-centric clothes and want unbranded goods, dressing for self-identity. They have blur distinctions as compared to earlier generations where dressing is seen as a way to fit in. Given their blurring fashion identity, local fashion retailers find it increasingly difficult to understand this ever-evolving customer base. Methodology involved mixed methods with storefront observations and interviews with top local fashion retailer. Using mall intercept approach, Gen Y were sampled via survey questionnaires. Findings were contrary to other studies. Fashion knowledge was the only dominant and significant factor. Local brand confidence, fashion shopping style and patronage behaviour were non-significant predictors. Implications on fashion retailing and theoretical implication on fashion involvement are debated

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Khaire, Mukti, and Erika V. Hall. "Medium and Message: Globalization and innovation in the production field of Indian fashion." Organization Studies 37, no. 6 (February 5, 2016): 845–65. http://dx.doi.org/10.1177/0170840615622061.

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De Felice, Fabio, and Antonella Petrillo. "Key Success Factors for Organizational Innovation in the Fashion Industry." International Journal of Engineering Business Management 5 (January 1, 2013): 27. http://dx.doi.org/10.5772/56882.

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In the current phase of globalization, the fashion industry is an important sector where firm strategies are frequently oriented towards product personalization – more than product customization – with a reduced price. The fashion industry relates to the ability to provide customized products or services through flexible processes in high volume and at a reasonably low cost, which are currently key variables for the fashion supply chain. Performance concepts – which usually refer to three pillars, i.e., economic, environmental and social ones – are new paradigms in this industrial sector, namely “sustainable” mass customization. This paper proposes a multi-criteria methodological approach for evaluating the performance of the fashion industry based on the Balanced Scorecard (BSC) and the Analytic Network Process (ANP), called ‘MAB’ – Multi-criteria Assessment Balanced Scorecard. Firstly, key performance indicators (KPIs) are evaluated in order to assess the performance level of a typical fashion industry. The development of an index system and methods is aimed to form a set of useful tools for policy-makers to facilitate the transformation of an industrial development mode and support the performance of the fashion industry.

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Pinto da Cunha Brandão, Amélia Maria, Pedro Dourado, and Luis Palma Martos. "See Now, Buy Now Model: A Passport to Fashion Brand Equity." Scientific Annals of Economics and Business 67, SI (2020): 33–55. http://dx.doi.org/10.47743/saeb-2020-0028.

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In a market accentuated by globalization and digital consolidation, high fashion brands start to rethink the way of producing, communicating and distributing their supply, adopting the See Now, Buy Now (SNBN) model to guarantee the possibility of instant gratification. Literature has been scarce concerning SNBN as a new paradigm of contemporary fashion, more particularly, in what concerns its relationship with brand equity. This study seeks to identify the critical variables of SNBN and analyze its feasibility in production and consumption of fashion. It has applied a mixed and sequential methodology. The Portuguese case is worth analysing because of its similarities with countries where the fashion and creative industries' role is still uncertain, but still often mentioned and talked about. The results suggested that there is a positive relation between its adoption and brand equity – in particular a more hybrid strategy of adoption, considering its risks and investments.

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Lee, Seung-Hee, and Soo-Kyeong Park. "A Globalization-Focused Human Resource Development Program in Fashion Marketing Area -Comparison of Korean and U.S. Graduate School's Fashion Marketing Curricula-." Journal of the Korean Society of Clothing and Textiles 31, no. 3 (March 31, 2007): 420–32. http://dx.doi.org/10.5850/jksct.2007.31.3.420.

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Ge, Yue. "Analysis of Transcultural Communication of Eastern Brands Based on Encoding and Decoding Theory-Taking Issey Miyake for Example." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 1008–14. http://dx.doi.org/10.54097/ehss.v8i.4394.

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With the globalization of communication nowadays, the needs of fashion brands are also increasing especially for those eastern brands, which appeared less in the global fashion stage before. This paper focuses on and explains how to conduct transcultural communication successfully for eastern brands based on the encoding and decoding theory proposed by Stuart Hall. Taking three cases of Japanese brand Issey Miyake for examples, this research analyzes how the brand encoded information in the advertisements and designs and then concludes three aspects of problems, different social contexts, orientalism stereotype and fashion system leaded by the west, to dig into the flash point of strategies of an eastern brand that is seen as successful internationally. Then universal implications matching with the problems, which are concluded in concrete cases, are provided for eastern brands to use for reference. The essay strives to explore for eastern brands in the cultural integration process of fashion industry.

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Saputro, Nugroho Dwi, Setyoningsih Wibowo, and Mochamad Fadjar Darmaputra. "The Application of K-Nearest Neighbours Algorithms for the Classification of Fashion Trend." JUSS (Jurnal Sains dan Sistem Informasi) 2, no. 1 (July 31, 2019): 8–14. http://dx.doi.org/10.22437/juss.v2i1.6500.

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The commerce department in indonesia has been formulating indonesia economic development plan creative explain about the evolution of the year 2025 creative economy, The shift from agriculture to the industrial era and the era of information and now entering the era of economic globalization. The development of industries create a pattern of work the production and distribution of cheap and more efficient. Fashion industry is one of the creative economy development Creative economy in many countries today encourage the people. Fashion or mode of itself is the activity associated with the design, the production of, consultation and the distribution of the product of fashion .Producers fashion industry composed of fashion clothing and accessories, fashion industry bag manufacturers, shoes and accessories. In clothes creation, the trend of being important aspect .Designers indonesia today still follow the trend of europe are affected by the type of the season. Decision-making on the basis of the data and accurate information will result in a decision to fashion trend clasification on creative industries can be done by adopting the approach of data mining. According to Tan Pang-Ning data mining is a process that done automatically to find information that is useful in a repository big data.

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BINDA, VERONICA, and ELISABETTA MERLO. "Trends in the Fashion Business: Spain and Italy in Comparison, 1973–2013." Enterprise & Society 21, no. 1 (August 1, 2019): 79–109. http://dx.doi.org/10.1017/eso.2019.29.

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This article investigates the dynamics that characterized the top fashion industry companies in Italy and Spain in the last three decades of the twentieth century and the first thirteen years of the new millennium. The first section describes the sources and the methodology adopted. The second compares the features and transformations of the largest firms in the industry. The third focuses on these companies in 2013. The fourth discusses our findings, focusing on the impact that globalization and a possible “advantage of backwardness” had on the emergence of Italy and Spain as trendsetters.

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ZHENG, TIANTIAN. "Karaoke Bar Hostesses and Japan-Korea Wave in Postsocialist China: Fashion, Cosmopolitanism and Globalization." City & Society 23, no. 1 (June 2011): 42–65. http://dx.doi.org/10.1111/j.1548-744x.2011.01048.x.

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Larner, Wendy, Maureen Molloy, and Alison Goodrum. "Globalization, Cultural Economy, and Not-So-Global Cities: The New Zealand Designer Fashion Industry." Environment and Planning D: Society and Space 25, no. 3 (June 2007): 381–400. http://dx.doi.org/10.1068/d1103.

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Son, Mi-Young, Yong-Ju Kim, and Hye-Kyung Ji. "Utilizing of the Chinese Fashion Market for Globalization of Korean Fashion Industry -Focused on the Competitiveness of Korean and Chinese Fashion Industry by applying the Double Diamond Model-." Journal of the Korean Society of Clothing and Textiles 31, no. 4 (April 30, 2007): 507–18. http://dx.doi.org/10.5850/jksct.2007.31.4.507.

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Bouvier, Gwen. "Clothing and meaning making: a multimodal approach to women’s abayas." Visual Communication 17, no. 2 (December 4, 2017): 187–207. http://dx.doi.org/10.1177/1470357217742340.

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This article takes a multimodal discourse approach to women’s fashion in the Middle East. It places the Islamic abaya in the UAE in the context of the wider literature on fashion and identity, exploring the way in which clothing features and forms can prescribe ideas, values and attitudes, and framing this discussion within newer ideas on globalization. As Roland Barthes argued, it is not so much personal choice or diversity in fashion that is of interest, but the kinds of values and expected behaviours that they imply. The abaya, on the one hand, represents a more newly arrived idea of traditional, local and religious identity, linking to some extent to an imagined sense of a monolithic notion of Islamic clothing. But, on the other hand, this is itself reformulated locally through international representations, ideas and values, and integrated with newer ideas of taste.

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Yulianingrum, Vidyana, Sri Ranita, Lintang Sabrang Kinasih Basuki, Atara Loveana Wijaya, and Moses Glorino Rumambo Pandin. "Batik Fashion Trends and National Identity." Philosophica: Jurnal Bahasa, Sastra, dan Budaya 5, no. 2 (October 19, 2022): 46. http://dx.doi.org/10.35473/po.v5i2.1454.

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National identity is an identity that distinguishes one nation from another. The rapid development of globalization in the digital era has been able to influence national identity and has the potential to undermine the nation's cultural values. One example is the change in the function of fashion from what was originally only a primary need, now it has doubled as a lifestyle and trend of people in the world. However, the fashion trend in Indonesia is dominated by the influence of foreign cultures. Fashion from western countries and Korea has become the daily consumption of Indonesian people. Therefore, the acculturation of Indonesian culture with current fashion trends needs to be done so as not to further fade the nation's national identity. Batik as an intangible cultural heritage can also become the national identity of the Indonesian nation. So, researchers took the initiative to acculturate batik with current fashion trends in an effort to strengthen the national identity of the Indonesian nation. Knowing the interest of the younger generation, regarding our innovation in the form of acculturating batik with fashion trends. Survey-based research method by providing open-ended questions related to respondents' interest in acculturating batik with contemporary fashion trends to the population of the young group aged 15-19 years through an online survey with 100 samples and 9 samples for interviews with the surrounding distribution area around the islands of Borneo and Java. The younger generation is proud when wearing batik, but they don’t have the habit of using batik in their daily life. Researchers offer acculturation innovations to all respondents and they are interested in our innovations because they can still follow fashion trends in addition to wearing batik as their daily clothes and can give the effort to strengthen their national identity.

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Zou, Yixin, and Eakachat Joneurairatana. "Apply of traditional cultural symbols into fashion design based on Cross-cultural communication." E3S Web of Conferences 179 (2020): 02081. http://dx.doi.org/10.1051/e3sconf/202017902081.

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Due to the popularity and importance of cross-cultural communication in our daily life, many countries have carried out various cross-cultural communication activities and researches. However, there is still a big research scope for the study of fashion design based on it. The main purpose of this article is to have a study on the cultural exchange between China and Thailand, with Long (“Dragon” in Chinese) and Naga as case study. The methods in this research can be regarded as the process of “decoding and encoding”. Final results are: 1) Extraction of design concepts on Long and Naga based on two times of decoding. 2) A demonstration of the new methodology which can be used for fashion designers to effectively extract cultural code in the background of cultural globalization. 3) It is a case study to do cross discipline research between fashion design with cross-cultural communication.

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Malysheva, Ekaterina V. "THE IMPACT OF DIGITALIZATION AND GLOBALIZATION ON THE DEVELOPMENT OF WORLD AND RUSSIAN FASHION MARKET." Vestnik of the Plekhanov Russian University of Economics, no. 1 (February 12, 2018): 167–73. http://dx.doi.org/10.21686/2413-2829-2018-1-167-173.

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Nicklas, Charlotte. "Rethinking Fashion Globalization, ed. by Sarah Cheang, Erica de Greef and Takagi Yoko." Costume 56, no. 1 (March 2022): 145–46. http://dx.doi.org/10.3366/cost.2022.0224.

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Williams, Maggie M. "The Fabric of Cultures: Fashion, Identity, and Globalization by Eds. Eugenia Paulicelli and Hazel Clark." Journal of Popular Culture 43, no. 1 (February 2010): 224–26. http://dx.doi.org/10.1111/j.1540-5931.2010.00737_18.x.

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Larner, W., and M. Molloy. "Globalization, the `new economy' and working women: Theorizing from the New Zealand designer fashion industry." Feminist Theory 10, no. 1 (April 1, 2009): 35–59. http://dx.doi.org/10.1177/1464700108100391.

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Tunisini, Annalisa, Roberta Bocconcelli, and Alessandro Pagano. "Is local sourcing out of fashion in the globalization era? Evidence from Italian mechanical industry." Industrial Marketing Management 40, no. 6 (August 2011): 1012–23. http://dx.doi.org/10.1016/j.indmarman.2011.06.011.

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Savitri, Aidha, and Usep Suhud. "Investigasi Niat Belanja Ulang Ke Toko Pakaian: Peran CRM, Kepuasan Dan Loyalitas Pelanggan." LONTAR: Jurnal Ilmu Komunikasi 6, no. 2 (December 26, 2018): 76. http://dx.doi.org/10.30656/lontar.v6i2.947.

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In this era of globalization the fashion industry in Indonesia is growing rapidly because public awareness for personal appearance is increasing. From many fashion brands, companies must have a strategy to stay afloat in business. Companies from various fashion industries must stay in touch with customers, through CRM or Customer Relationship Management in order to increase customer satisfaction that will make loyal customers that can affect repurchase intention. This study was conducted to find information from Customer Relationship Management to customer satisfaction and customer loyalty and how it impacts repurchase intention in a clothing store. This research was conducted by spreading questionnaires to 200 respondents using nonprobability sampling, convenience sampling. This research uses Exploratory Factor Analysis to test its validity and cronbach alpha to test the reliability. This research also uses a Structural Equation Model to test the hypothesis by using AMOS. From 5 hypotheses, in this research, 4 hypotheses have a positive and significant influence.Keywords: customer relationship management, customer satisfaction, customer loyalty, repurchase intention.

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Ihsanudin. "Polemik "Tulisan Arab" Pada Busana Agnes Monica (Analisis Teori Interaksionisme Simbolik)." Palita: Journal of Social-Religion Research 4, no. 1 (April 25, 2019): 47–60. http://dx.doi.org/10.24256/pal.v4i1.526.

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Arabic is synonymous with the symbol of Islam. Because the Qur'an and Sunnah use Arabic Language. However, tren fashion is now entering the era of globalization. It doesn't matter if tren fashion is currently mixed with western and eastern cultures. Agnes Monica's dress, which when appearing on television shows, attracted controversy of many parties because it was considered taboo, because of the transparent clothing and Arabic writing that was right on her thigh. Various suggestions from nitizen fulfilled the social media homepage, MUI also commented on the polemic that had taken place. The Mead Symbolic Interactionism Theory is very appropriate to be used as a knife for analyzing the case above. The purpose of this study is to describe and analyze the phenomenon of Agnes Monica's dress Arab writing "Al-Muttaḥidah" using Mead's theory, include describing the specifically human social act, action, gesture, signicicant symbols, mean, self, and society. This research is belong to library research and use analytical descriptive methods.Tren Fashion, Arabic Writing, Mead's Symbolic Interactionism.

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Sitaraman, Srini. "Globalization, State, Identity/Difference." American Journal of Islam and Society 15, no. 3 (October 1, 1998): 133–35. http://dx.doi.org/10.35632/ajis.v15i3.2161.

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What is reality? Is reality what we see? How do we tell what is real, and how do wedifferentiate “real” from “false” or uncover the truth in an objective fashion? The searchfor reality or understanding the dynamics of human interaction in an institutionalized settinghas resulted in a vibrant debate in international relations (IR) theory over the metatheoreticalfoundations of knowledge production. Positivists and realists claim that truth andreality can be and have been uncovered by thorough and patient research. Truth is, after all,“out there” somewhere in the real world, and it is the task of social scientists to uncover it.Critical social theorists, however, argue that social science is not akin to physical or evennatural sciences, for human behavior is dynamic and varies both spatially and temporally.“Reality” or “truth” can never be discovered or known completely because of the nature ofsocial activity. Furthermore, there are no fixed foundations for judging what is “real,”“true,” or “false.” Hence, the attention of critical social inquiry has focused predominantlyon the epistemological and ontological foundations of social scientific methods.By concentrating on epistemology and ontology, critical social theorists have shownthe structural weakness of positivist and realist theories. Furthermore, the inability of positivesocial science to go beyond surface structures to explore deep structures of knowledgealso has been exposed by critical social theorists. The unequivocal outcome of critical socialtheory is that knowledge, interest, and preference matter and, therefore, cannot be assumed.The critical social theorist does not focus on the cognitive manifestations of knowledge,interests, and preferences, but rather on how they are formed, created, or constructed.However, despite its ombudsman-like value and importance, critical social theoryhas yet to emerge as an effective alternative to positive social science. Critical social theoryhas remained true to its name and has continued to play the role of a harsh but valuablecritic. Keyman seeks to buck this trend by providing a basis for using critical socialtheory not just as an epistemological critique to challenge the extant theoretical hegemony,but also to deploy it as a “first-order theorizing tool”-an ambitious goal indeed. Hisbook is an attempt to bridge the theory-metatheory gap found in IR theory and, at the sametime, elevate critical social theory to the level of such first-order theories as the muchmaligned Waltzian theory of international relations. The challenge of deploying criticalsocial theory not just as a captious force, but rather as a constructive theory, is a difficultand slippery task. Critical social theory should be able to criticize and dismantle withoutrelying on foundational support (i.e., without relying on positivistic moments). In addition,it also should resist succumbing to the temptation of assuming the discourse of thehegemon, in which the “other” becomes the subject.Keyman attempts to traverse these intellectual minefields by emphasizing the need fordialogical interaction between discourse (object) and subject. The object and subject should ...

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Chen, Wenjie. "Cross-Border Architecture: Cultural hybridization and innovation under globalization." BCP Social Sciences & Humanities 18 (June 30, 2022): 526–31. http://dx.doi.org/10.54691/bcpssh.v18i.1157.

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With the prevalence of globalization, different cultures are frequently intertwined, which has provided a major environmental driver for global economic, cultural, and artistic development. According to Wang and Yeh (2005), hybridization is an integral part of cultural development and in the process, new forms and connections are created. This is because cultural hybridization has formed an irreversible trend in the world and has become an objective part of human cultural life (Chen, 2002). This trend provides a platform for multi-disciplinary cross-border cooperation, which in turn influences deeper hybridization within cultures. The main argument of this article is that cross-border thinking dominated by hybridization has created great possibilities for the development of more cultural possibilities. This article outlines how globalization and the emergence of cross-border thinking can broaden the possibilities of cultural hybridization and will analyze the cross-border cultural products of three buildings with practical examples: Moller Villa (by Allied Architects,1936); The Armani Fashion Museum (by Giorgio Armani, 2015) and Sassoon House (by Palmer & Turner Architects and Surveyors,1929).

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Matteucci, Giovanni. "Adorno’s Aesthetic Constellation from Shudder to Fashion." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 62, no. 1 (2017): 42–65. http://dx.doi.org/10.28937/1000107635.

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Indem er den Vorschlag Adornos ernst nimmt, demzufolge Kunst als etwas Gewordenes zu verstehen ist, will der Beitrag eine Rekonstruktion von Adornos ästhetischer Programmatik präsentieren. Adorno verortet Kunst innerhalb einer Kurve, die mit der anthropologischen Erfahrung des Schauders beginnt und mit dem Verschwimmen der ästhetischen Dimension (dank der »Logik« der Mode) endet. Mit dieser Rekonstruktion soll gezeigt werden, dass die Kritische Theorie auf fatale Weise dieser ästhetischen Konstellation zuneigt. Sie verdient heute besondere Aufmerksamkeit aufgrund der Analogie mit den ästhetisierenden Entwicklungen des späten Kapitalismus. Folglich kann Adorno als ein kritischer Denker der Globalisierung betrachtet werden, insofern seine Theorie in einem prägnanten Sinne ästhetisch ist. Seine ästhetische Konstellation mag sogar die konstitutiven oder zumindest einige wesentliche Elemente umgreifen, die notwendig sind, um die »ästhetische Lebensform« in den Vordergrund zu rücken. By taking seriously an Adornian suggestion, according to which art should be understood as something that “has become what it is”, the main purpose of this essay is to provide an essential reconstruction of Adorno’s aesthetic program. The latter places art within a curve, or constellation, that has the experience of the “shudder” as its anthropological beginning and an ending corresponding to the current context, characterized by the widespread diffusion of the aesthetic dimension (thanks to the “logic” of fashion). Our reconstruction aims to suggest that critical theory is fatally inclined towards this aesthetic constellation as a whole, and therefore it deserves today special attention by virtue of a parallelism with the aestheticizing developments of late-capitalism. As a consequence, Adorno may be considered a (critical) philosopher of globalization, insofar as his theory is aesthetic in a pregnant sense. His aesthetic constellation might in fact encompass the constitutive elements, or at least some essential elements, which are useful to bring the “aesthetic form of life” to the fore.

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Mutiara, Mira Rochimi, Ina Primiana, Joeliaty Joeliaty, and Martha Fani Cahyandito. "EXPLORING CULTURAL ORIENTATION ON THE ENTREPRENEUR COMPETENCIES IN THE GLOBALIZATION ERA." Business: Theory and Practice 20 (September 24, 2019): 379–90. http://dx.doi.org/10.3846/btp.2019.36.

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The existence of globalization concept absolutely brings consequences for business environment. Based on international literature, cultural orientation was required on business management in the globalization era. Nevertheless, there have been few numbers of cross-cultural entrepreneurship research. Previous research tended to focus on discussing cultural dimensions or using them in entrepreneurship. Therefore, this study proposes a different perspective which is to explore the cultural dimensions for the formation of entrepreneur competencies. Thus, this study aims at suggesting conceptual models and providing empirical evidence concerning national and individual cultural orientation including its role in influencing the formation of Small and Medium Enterprises (SMEs) entrepreneur competencies in facing the globalization era. For this purpose, the survey questionnaire was distributed to 129 SMEs entrepreneurs in the fashion sector in West Java – Indonesia, which was then tested by using VSM 1994 Formula, SPSS method and Partial Least Square (PLS) method. The findings and originality of this study were the novelty of national and its individual cultural values for Indonesia. Moreover, this study discovered that Cultural Orientation significantly influenced the form of entrepreneur competencies. Thus, the role of cultural orientation cannot be ignored in enhancing the ability of SMEs entrepreneurs to face the globalization era.

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Nawawi, Kholil, and Indriya Indriya. "Kontemplasi Citayem Fashion Week sebagai Ekspresi Generasi Milenial dan Pendidikan Masyarakat melalui Fashion." SALAM: Jurnal Sosial dan Budaya Syar-i 9, no. 6 (November 23, 2022): 1937–46. http://dx.doi.org/10.15408/sjsbs.v9i6.27393.

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Talking about dress style is an expression of how to dress based on Religion, Communication, Education, Economics, and Politics. Clothing is the most easily recognizable artifact in a civilization. Citayam Fashion Week is a means of expression for the millennial generation from Citeyam, Bojonggede, and Depok, which makes the Dukuh Atas area of Jakarta which is a play on the SCBD Senayan Citayam Bojonggede Depok which is a place to gather or hang out with a typical millennial style as a place of expression through fashion. From that, the millennial generation also needs to understand the essence of education. Education is a process of changing something to the point of perfection (maturity), which is done gradually. On the other hand, society is a group of people who form a semi-closed (or semi-open) system, in which there are various kinds of interactions between individuals and individuals, individuals with groups, and groups with groups. This study aims to find the results of the viral contemplation of Citayam Fashion Week as an Expression of the Millennial Generation with the perspective of Islamic Education (Tarbiyah). Researchers in this study used a library research approach. The results of the study found findings, namely; first, family and society have a very big role in determining millennial identity; Second, creativity arises from the existence of a hedonistic culture (pleasing oneself) to express itself; Third, social media as a means of expression for millennials to shape behavior, as well as a reflection of society; Fourth, the challenges for educators in the era of globalization are getting higherKeywords: Citayam Fashion Week; Millennial Generation; Public Education; Fashion AbstrakBerbicara mengenai gaya berpakaian merupakan ekspresi cara berpakaian yang dilatar belakangi oleh Agama, Komunikasi, Pendidikan, Ekonomi, dan Politik. Pakaian adalah artefak yang paling mudah dikenali di suatu peradaban. Citayam Fashion Week merupakan sarana ekspresi generasi milenial dari Citeyam, Bojonggede dan Depok, yang menjadikan kawasan Dukuh Atas Jakarta yang diplesetkan menjadi SCBD Senayan Citayam Bojonggede Depok yang menjadi tempat berkumpul, atau nongkrong dengan gaya khas milenial sebagai ajang ekpresi melalui fashion. Dari hal itu, para generasi milenial perlu juga memahami esensi pendidikan. Pendidikan merupakan proses perubahan sesuatu sampai pada titik kesempurnaan (kedewasaan), yang dilakukan secara bertahap. Di sisi lain Masyarakat merupakan sekelompok orang yang membentuk sebuah sistem semi tertutup (atau semi terbuka), yang didalamnya terdapat berbagai macam interaksi antara individu dengan individu, individu dengan kelompok maupun kelompok dengan kelompok. Penelitian ini bertujuan untuk mencari hasil dari kontemplasi viralnya Citayam Fashion Week sebagai Ekspresi Generasi Milenial dengan perspektif Pendidikan Islam (Tarbiyah). Peneliti dalam penelitian ini menggunakan pendekatan studi kepustakaan (library research). Hasil penelitian menemukan temuan yaitu; pertama, keluarga dan masyarakat memiliki peran yang sangat besar di dalam menentukan identitas milenial; Kedua, kreatifitas muncul dari adanya budaya hedonisme (menyenangkan diri sendiri) mengekspresikan dirinya sendiri; Ketiga, sosial media sebagai sarana ekpresi milenial membentuk prilaku, sekaligus cerminan masyarakat; Keempat, tantangan bagi para pendidik di era globalisasi semakin tinggiKata Kunci: Citayam Fashion Week; Generasi Milenial; Pendidikan Masyarakat; Fashion

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Muliawan, Adelia. "Marketing Campaign Combination of Batak Woven Cloth and Athleisure for Generation Z." IMOVICCON Conference Proceeding 1, no. 1 (July 3, 2019): 144–54. http://dx.doi.org/10.37312/imoviccon.v1i1.16.

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Given the impact of the globalization, the healthy lifestyle trend has influence Indonesian’s lifestyle. One influence in the economic system is the entry of a fashion series called Athleisure. The increasingly growing international fast- fashion brand H&M , Stradivarius, Pull and Bear and Zara in Indonesia, has made the society, especially women wore Athleisure as a streetwear since the year 2015-2019. The modern era made Indonesian young generation, which is generation Z forget the heritage of Indonesia textiles, one of it is Ulos, a Batak woven cloth from Sumatra. The unfamiliarity of this Batak woven cloth can be analyzed through qualitative and quantitative data collection in the form of interview and literature study. The unfamiliarity of Ulos can be socialized through an integrated marketing campaign, by providing fashion posters in instagram feeds with words describing Ulos as the inspiration,making a video adaptation about the Toba Myth and spread it through to persuade them to learn and giving discounts to get their attention, and twitter to engage with the audience.

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Crane, Diana. "Globalization, organizational size, and innovation in the French luxury fashion industry: Production of culture theory revisited." Poetics 24, no. 6 (July 1997): 393–414. http://dx.doi.org/10.1016/s0304-422x(97)00004-1.

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Yan, Yan, and Kim Bissell. "The Globalization of Beauty: How is Ideal Beauty Influenced by Globally Published Fashion and Beauty Magazines?" Journal of Intercultural Communication Research 43, no. 3 (May 19, 2014): 194–214. http://dx.doi.org/10.1080/17475759.2014.917432.

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Nurmahmudiyah, Afti Insani, Raden Aswin Rahadi, and Atika Irawan. "IMPROVING BUSINESS PERFORMANCE USING FINANCIAL PLANNING TOWARD PLUS-SIZE FASHION BUSINESS." JAF- Journal of Accounting and Finance 4, no. 2 (October 2, 2020): 55. http://dx.doi.org/10.25124/jaf.v4i2.3291.

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Indonesian as one of the countries that accept globalization. Indonesian economic development plans make the development of creative industries like one of the main priorities. The problem arises that some industry players cannot harness the capital well as the SME's company in the modern era's we need to manage the financial well and minimalized the cost. Avant Grande is a Bandung company that is running a business in customizing denim pants. Avant Grande implement the system of business made by order and ready stock. We found that in comparison with current performance with past performance, using ratios allows us to analyse the progress of the firm. The firm’s progress is “Poor” because from 2017 to 2018, there was a decreasing ratio value. After using DuPont System of Analysis to find the root cause, the researcher needs to dissect the net profit margin. From the discussion and root cause finding, to make Avant Grande best in performance in business, Avant Grande need to do the planning. For the solution, the Avant Grande business is needed to do Long-term Financial Planning.

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Ovsiankina, Liudmyla, and Tetiana Kuprii. "FASHION AS SIGN AND SYMBOLIC CONDITIONALITY: PHILOSOPHICAL AND SOCIOLOGICAL ASPECTS." Skhid 1, no. 1 (March 5, 2021): 36–42. http://dx.doi.org/10.21847/1728-9343.2021.1(1).225446.

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The article is dedicated to revealing the specific features of fashion as a system of cultural and aesthetic values, as well as a contradictory social phenomenon which plays an important role as a symbolic regulator of mass society. The purpose of this article is to study the mechanism of creation of the sign and symbolic world of fashion, new models and patterns of behavior, evident and hidden functions of fashion in the era of globalization. Attention is focused on the fact that fashion, as one of the central phenomenon of the modern world, has become an industry based on the principle of rationality, for the production of original trends, in line with the trends and challenges of modern times. It reflects social reality, and people who actively contribute to changing its fashion patterns set in motion models of social reality. It is the sociological study of fashion that can contribute to its most adequate description and explanation. This is due to the fact that the process of spreading and changing fashion patterns is characterized by the value attitude of people both to things and to other people. The result of such an attitude is the social division of people into groups. A fashionable thing, which is desirable for a person, at the same time becomes for him a desirable image of the social status and interpersonal relations to which a person aspires. The article analyzes modern fashion in terms of symbolic conditionality and symbolic reality characterized by features of sociality, temporality, ambivalence and spectacularity. The main attention of authors of the study is devoted to the analysis of the specific behavior of a human-consumer, for whom the sign and symbolic world of fashion is not only a means of self-expression, but also an opportunity to fill the spiritual vacuum and feel a lost sense of stability. Attention is also focused on the importance of solving the problem of ethics of responsibility of modern fashion, which is the determinants of all relations in the sphere of contemporary consumer society.

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Journal articles on the topic 'Fashion and globalization'

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