Relevant bibliographies by topics / Fashion and literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fashion and literature'

Author: Grafiati
Published: 27 July 2024
Last updated: 30 July 2024

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Journal articles on the topic "Fashion and literature"

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McDowell, Felice. "Fashioning a Life: Exploring How Fashion Literature Fashions the Self." a/b: Auto/Biography Studies 32, no. 2 (April 25, 2017): 414–16. http://dx.doi.org/10.1080/08989575.2017.1289317.

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Garrity, Jane, and Celia Marshik. "Fashion’s Borders." English Language Notes 60, no. 2 (October 1, 2022): 1–20. http://dx.doi.org/10.1215/00138282-9890736.

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Abstract The introduction traces the long history of fashion’s movement across cultural, national, and political borders. After brief case studies of early twentieth-century French and Spanish styles imagining fashion as an engine of transnational amity, the introduction highlights how fashion navigates some of the most troubled borders of recent years, including the conflict between Russia and Ukraine and racial violence. Fashion forces viewers and consumers to choose sides, whether through national identification or through recognition of the long history of black and brown bodies producing fashionable objects. To advance the global history of fashion, the introduction briefly discusses the work of designers Rawan Maki (Bahrain), Laurence Leenaert (Belgium), and Kim Jones (Great Britain), examining how each upends gender, race, class, or fashion binaries, and analyzes how LVMH and Uniqlo, brands at opposite ends of the contemporary style spectrum, underline the very different ways in which fashion traverses the globe in the twenty-first century. The introduction concludes with the hope that this issue will raise questions about fashion’s articulation of the relation among the local, the national, and the global, as well as about the human experience of interacting with the fashion industry in one national context while living in a globalized world.
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Miller, Christopher M., Shelby H. Mcintyre, and Murali K. Mantrala. "Toward Formalizing Fashion Theory." Journal of Marketing Research 30, no. 2 (May 1993): 142–57. http://dx.doi.org/10.1177/002224379303000202.

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The authors develop a theoretical framework of the fashion process and a mathematical model of that framework. Basic constructs related to an individual's motivations for adopting fashions are extracted from the fashion literature and related to the individual's fashion decision process. The individual-level model is then integrated into a societal-level framework that can be represented as a system of difference equations. The parameters of the system represent static interpersonal influence networks. The general solution for the system of difference equations is presented and the dynamic implications of several interpersonal influence patterns assumed in previous research are derived mathematically.
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Paramita, Dhyana. "SUSTAINABLE FASHION FROM PRODUCT SERVICE SYSTEM PERSPECTIVE: A LITERATURE REVIEW." J@ti Undip: Jurnal Teknik Industri 1, no. 1 (January 31, 2023): 33–41. http://dx.doi.org/10.14710/jati.1.1.33-41.

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Fast fashion perpetuates the perception that clothing products are cheap and are easily disposed of. Consequently, the fashion industry contributes great concern for environmental impact. Product-service system (PSS) may serve as an integrated product-service solution to support sustainable fashion. While there is an increasing trend in PSS studies, the literature studies in fashion PSS remains limited. This paper aims to explore the research topics in fashion PSS studies by examining topics addressed in fashion PSS literature, how PSS may contribute to sustainability in the context of the fashion industry, as well as positive and negative value perceived consumers in adopting PSS fashion. The research is conducted through literature review retrieved from Scopus and analyzed according to the aim of this paper. The results show that topics addressed in fashion PSS are related to potential drivers and barriers to adopt PSS fashion, business model, environmental impact, and life cycle analysis. The role of PSS in the fashion context is product and use-oriented. The consumer perception on adopting PSS fashion is classified as emotional, functional, social, financial, environmental, and psychological aspects.
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Paramita, Dhyana. "SUSTAINABLE FASHION FROM PRODUCT SERVICE SYSTEM PERSPECTIVE: A LITERATURE REVIEW." J@ti Undip: Jurnal Teknik Industri 18, no. 1 (January 31, 2023): 33–41. http://dx.doi.org/10.14710/jati.18.1.33-41.

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Fast fashion perpetuates the perception that clothing products are cheap and are easily disposed of. Consequently, the fashion industry contributes great concern for environmental impact. Product-service system (PSS) may serve as an integrated product-service solution to support sustainable fashion. While there is an increasing trend in PSS studies, the literature studies in fashion PSS remains limited. This paper aims to explore the research topics in fashion PSS studies by examining topics addressed in fashion PSS literature, how PSS may contribute to sustainability in the context of the fashion industry, as well as positive and negative value perceived consumers in adopting PSS fashion. The research is conducted through literature review retrieved from Scopus and analyzed according to the aim of this paper. The results show that topics addressed in fashion PSS are related to potential drivers and barriers to adopt PSS fashion, business model, environmental impact, and life cycle analysis. The role of PSS in the fashion context is product and use-oriented. The consumer perception on adopting PSS fashion is classified as emotional, functional, social, financial, environmental, and psychological aspects.
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Tankard, Danae. "‘They tell me they were in fashion last year’: Samuel and Elizabeth Jeake and Clothing Fashions in Late Seventeenth-Century London and Rye." Costume 50, no. 1 (January 1, 2016): 20–41. http://dx.doi.org/10.1080/05908876.2015.1129857.

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This article examines high fashion culture in late seventeenth-century London and Rye, focusing on the ways that Rye merchant, Samuel Jeake (1652–1699), and his wife, Elizabeth (1667–1736), engaged with the London fashion market at a time when the transmission of fashion styles was still primarily by word of mouth. Both Samuel and Elizabeth were intensely concerned to appear fashionable in provincial Rye. Correspondence between Samuel and Elizabeth and their London relatives shows how fashion information was being communicated between London and Rye and the speed with which clothing fashions changed in the capital. The discussion of Samuel and Elizabeth’s engagement with fashion is framed by an analysis of contemporary satirical literature which takes the supposed obsession of the English with fashion as its theme.
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Domingos, Mariana, Vera Teixeira Vale, and Silvia Faria. "Slow Fashion Consumer Behavior: A Literature Review." Sustainability 14, no. 5 (March 1, 2022): 2860. http://dx.doi.org/10.3390/su14052860.

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This study aims to understand the dimensions associated with the behavior of the Slow Fashion consumer, their values, attitudes, and motivations, as well as to know in depth the literature related to Slow Fashion. The present article is a literature review related to the concept of “Slow Fashion”, and follows a qualitative methodology based on an in-depth literature review of 25 papers from the Scopus and Web of Science research databases. For this literature review, a content analysis was initially performed through a bibliometric analysis. Then, a mind map was developed where the five major dimensions related to Slow Fashion consumer behavior were identified: “ethical values”, “sustainable consumption”, “consumer motivations”, “consumer attitudes”, and “sustainability awareness”. We than related the mind map with the main conclusions of the literature review. The main limitation of this research results from the low number of published papers approaching the research concept. We were, however, able to identify the main concepts associated with the movement of Slow Fashion, thereby contributing to the available information on the variables that impact consumers’ purchasing decisions.
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Bieńkowska, Jolanta. "Virtual versus sustainable fashion: a systematic literature review." Scientific Papers of Silesian University of Technology. Organization and Management Series 2023, no. 178 (2023): 101–26. http://dx.doi.org/10.29119/1641-3466.2023.178.6.

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Purpose: The aim of the study was to determine the extent of convergence between the concepts of virtual and sustainable fashion. Virtual reality is gaining popularity due to its immersive nature, which enables “involvement of the senses”. Owing to dynamic technological development, it is expanding into numerous fields of application and provides the potential to offer innovative products. Among those is virtual fashion, i.e., clothes and accessories that have no physical equivalent, being available to “wear” only in virtual reality. Virtual clothing is part of the premium and exclusive product segment, to which, in particular, the value added by the consumer is attributed. These products are therefore communicated as an environmentally friendly alternative to physical clothing, as they do not require the consumption of materials, thus generating no waste, using less energy and water, etc. Design/methodology/approach: The research consisted of two phases. The main phase was conducted with a method of systematic literature review according to PRISMA standards, by means of data extracted from the databases: Scopus and Ebsco (n = 13). In a supplementary phase, there was used a method of co-occurrence keywords analysis via VOSviewer to compare the description of strictly virtual fashion (n = 218) and sustainable fashion (n = 402). Documents were searched in the Scopus database. The conclusion was reached using the induction method. Findings: The findings from the researched documents indicate that virtual fashion is predominantly presented accordingly to the new technological possibilities it offers. Indeed, its ecological qualities and its potential for fulfilling pro-environmental goals in the fashion industry are briefly stated in broad terms, without reference to the specific measures or data, mentioned, by comparison, in papers devoted solely to sustainable fashion. Originality/value: The findings from the researched documents indicate that virtual fashion is predominantly presented accordingly to the new technological possibilities it offers. Indeed, its ecological qualities and its potential for fulfilling pro-environmental goals in the fashion industry are briefly stated in broad terms, without reference to the specific measures or data, mentioned, by comparison, in papers devoted solely to sustainable fashion. Keywords: virtual reality, sustainable fashion, sustainability, fashion industry. Category of the paper: literature review.
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Pokhodenko, Kateryna. "Sustainable Fashion as a Research Object in Foreign Scientific Literature." Demiurge: Ideas, Technologies, Perspectives of Design 4, no. 2 (December 13, 2021): 244–53. http://dx.doi.org/10.31866/2617-7951.4.2.2021.246846.

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The concept of sustainability in fashion, having been developed on the basis of ecodesign concepts, takes an important place in scientific research all over the world. The aim of study is to analize and summarise foreign scientific researches about sustainability in fashion. The results were achieved by using methods of sources analysis, which refer to different research fields, in the context of sustainable fashion and their further synthesis according to areas. The main directions of research in each area were identified and summarized in the conclusions. There were considered basic concept definitions – sustainable fashion and the principles of sustainable design, which are used in modern scientific works of foreign researchers. The analysis of foreign scientific sources in the context of sustainable fashion was provided in areas of: economics, marketing, management; sociology and psychology of consumer behavior; ecology; technologies based on the principles of sustainable design; design; aesthetics and art history; education; legislation; information technology. The scientific value of study. For the first time the systematization of foreign research in the context of sustainable fashion was carried out. The conclusions are given after the analysis of each area, underlining the main directions of foreign scientists` research. Conclusions. Researchers from all over the world pay attention to the issues of sustainable fashion and explore problems of the integration of sustainable fashion into everyday life. Sustainable fashion sets up new values that actualize the issues of aesthetics of sustainable fashion in the theory of art history and design practice. However, it should be noted that the analized scientific works concerning fashion design in the context of sustainable fashion, do not reveal aspects of design related to the creative process and aesthetic perception. Sustainable fashion needs changes of existing design tools in the context of sustainable design principles. Therefore, there is a need for their further study.
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Thorisdottir, Thorey S., and Lara Johannsdottir. "Sustainability within Fashion Business Models: A Systematic Literature Review." Sustainability 11, no. 8 (April 13, 2019): 2233. http://dx.doi.org/10.3390/su11082233.

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Production, marketing, and consumption of fashion products result in negative environmental impacts due to the massive production volume of fashion items. However, there is limited literature on how the fashion industry integrates sustainability-related practices into business models, how sustainability is measured within the business models, or what drives the sustainability-emphasis of the fashion industry. Therefore, it is consequential to conduct a systematic review of the existing literature concerning how the fashion industry integrates sustainability into business models, if and how sustainability-related practices are measured to ensure transparency and lead to improvements, and to recognize what drives sustainability in fashion business models. The key aspects regarding sustainability integration into business models include organization values, entrepreneurship, innovation, and internationalization processes. With regards to measurement of impacts and reporting, it is evident that Corporate Social Responsibility, the Global Reporting Initiative, and the Apparel and Footwear Sector Supplement are of relevance for the industry, mainly with regards to the supply chain. The drivers influencing sustainability practices are government and regulatory pressure, market pressure, closed-loop pressure, value creation, innovation, equity, authenticity, functionality, localism, and exclusivity. The findings are of relevance both for academia and the fashion industry, as the paper provides evidence on what has already been studied by academia, but also highlights a need for further studies on the fashion industry with regards to sustainability practices. This paper; therefore, opens a path for academics to consider empirical studies on how to investigate the sustainability strategies of fashion businesses, elements of fashion business models, driving forces influencing actions, measurements, key performance indicators, transparency, and disclosure, just to name a few examples.
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Dissertations / Theses on the topic "Fashion and literature"

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Jenike, Lesley Marie. "Ghost of Fashion." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212075272.

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Zillich, Vanessa, and Ulrike Busshaus. "The Paradox of Sustainable Fashion Brands : A systematic literature review." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23787.

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Background: The current fashion industry is characterised by its fast-moving nature. Its change over the past decades from two to numerous collections per year has contributed to a take-make-dispose society. This largely contributes to environmental and social sustainability issues as well as the use of non-renewable materials waste. Simultaneously, it is one of the largest employers worldwide. Due to the global dispersion of supply chains actors, sustainable fashion brands need to tackle country specific regulations and overall differences in conceptions of e.g. sustainability. Sustainable fashion brands find themselves in numerous conflicts such as profit and growth versus environmental and social sustainability, trendiness versus consciousness, or linear business models versus circular business models. Purpose: This thesis provides a systematic literature review of a selection among peer-reviewed articles on sustainable fashion brands. The main focus is on the paradox of sustainable fashion brands in academic research. This study aims at gaining a basis for research in the perspective of sustainable retail brands to explore manners in which they can deal with the paradox between being financially viable and acting sustainably. Method: To support the objective of this study, the articles selected for data analysis were collected by using a systematic literature review as research and analytical method. Within the thesis, a narrative analysis was applied to examine the chosen articles. Results: The results gathered through the systematic review show a significant influence on sustainable fashion brands from two major stakeholders: supplier and consumer. Especially the consumers are regarded as most influential since their demand determines whether sustainable fashion is being adopted more widely into the market. Currently consumers lack knowledge of environmental and social concerns related with fashion. Simultaneously, the suppliers lack understanding of such concerns due to cultural and economic differences. Therefore, retailers should educate both consumers and suppliers on relevant issues. This can further enhance transparency which in turn generates more trust between all parties. Moreover, innovative business models can help tackle consumption related sustainability issues in that they offer the extended use of clothing. Conclusion: Sustainable fashion brands have to handle several conflicts related to their market position and existence. In order to create sustainable fashion offerings, they require viable financial means. Economic growth as it is known today contradicts the sustainability of the environment and society. Sustainable fashion brands need to find a proper balance between the two as it is the only way to tackle this paradox. In addition, there is a significant gap in the research on economic sustainability in relation to sustainable fashion brands.
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Gibbons, Zoe Hope. "A dedicated follower of fashion : the ahistoric rake in Restoration literature /." Connect to online version, 2009. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2009/373.pdf.

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Fitch, Samantha. "The Gendered Pocket| Fashion and Patriarchal Anxieties about the Female Consumer in Select Victorian Literature." Thesis, Indiana University of Pennsylvania, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10606781.

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The popularity of the iPhone generated a barrage of digital comments, complaints, and articles about how the trendy phone didn’t fit in women’s pockets, from articles like the one in the Atlantic titled “The Gender Politics of Pockets” to a vlog called “Girl Pockets” by popular vlogger Hank Green. Why are women protesting about the inadequacy of their pockets, and how is this indicative of sexism and inequality? An examination of the gendered history of pockets answers this question, and is rooted in the literature of the Victorian era. I use thing theory to reveal how the pocket was both an agent and a symbol of economic change in this period. This dissertation considers the importance of the pocket, not only as an item of fashion, but also as an object that carried symbolic and representative meanings in Victorian society.

Much like women’s fashion in general, pockets in the Victorian period were used as disciplinary forces. The increase in technology and the rise in consumerism meant that women were leaving the house, and a female buying force became immensely important to the British economy. Part of the effort to counter this threat was to make women’s fashion debilitating and limiting. As the receptacle of money and object of convenience to a mobile shopper, the pocket was an important part of the effort to curtail feminine power, and this can be seen in Victorian literature. A fashionable woman was forced to use separate tie-pockets, which were exposed to theft or ransacking, and were also inconvenient. This meant that women’s pockets were more vulnerable, and in economic and psychological terms, women suffered for this. The comparison with men’s easily accessible and secure pockets worked to reassert the traditional hierarchy in the Victorian patriarchal system. Consequently a tension was created: the female shopper represented a much-needed potential economic force, but because of the threat to patriarchy that she represented, this force was constantly being constrained and controlled.

Through an examination of Victorian literature, art, and advertisements, we can see that women’s pockets, then as now, were unsatisfactory.

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Ardrey, Caroline Anne. "Stéphane Mallarmé : mode de creation/creation de mode : fashion, process and La Dernière Mode." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ec202910-62e3-4a9e-91f8-d9c0de74c7b5.

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This thesis examines the eight issues of Stéphane Mallarmé's 1874 fashion magazine, La Dernière Mode, focussing on ideas of process. On the one hand, it views La Dernière Mode as a vital phase in the evolution of Mallarmé's aesthetic and, on the other, it sees the discourse of fashion itself as being in a continual state of trial and re-definition. The thesis begins with a citation from Mallarmé's 1886 article, 'Mimique'; this passage showcases the complex relationship between the interpenetrating themes of Time, Drama and Fiction, which form the three main chapter headings. Taking a thematic and linguistic approach, the thesis will explore literary, theoretical and philosophical mechanisms in La Dernière Mode, assessing ways in which these can be seen to have evolved from ideas established in Mallarmé's early verse and prose writing, and tracing their evolution over the course of the poet's later works. This study will also acknowledge the importance of crisis, both personal and social, and its influence on Mallarmé's aesthetic, showing La Dernière Mode to be part of a dynamic process by which the parameters of literature are tested and re-defined. My study aims to contribute to the development of recent scholarship of Mallarmé, which acknowledges and celebrates his engagement with the material world and his interest in the aesthetic value of the practices of everyday life. Challenging views of Mallarmé as the 'ivory-tower poet' and destabilizing distinctions between his poetic and 'alimentary' works, this thesis thus makes a case for seeing La Dernière Mode as a testing ground for fundamental aspects of the poet's aesthetic with significant implications for the direction his œuvre would take in the 1880s and 1890s. The fashion magazine can thus, I contend, be considered as having a dynamic relationship with the poet's unattainable ideal of the 'Livre'.
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Callan, Ariana. "Pyramide: The Changing Power Structure of Fashion." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/981.

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This project examines the changing world of fashion in an interactive digital magazine format. In the past few years, fashion has increasingly been democratizing, as new designers and forms of media increasingly gain influence. Ready-to-wear designers are working with lower-end brands through collaborations, redefining what each brand is supposed to do, while blogging is allowing those whose voices are usually unheard to openly critique and influence fashion. Overall, they are creating a more democratized space, challenging what was once normal in the fashion industry.
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Aragon, Alba F. "The Rhetoric of Fashion in Latin America." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10632.

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This dissertation interrogates the role of fashion at representative junctures in nineteenth- and twentieth-century Latin American literature and culture. It shows how fashion has helped to advance specific visions of cultural identity, historical change, and literary production and consumption. Chapter 1 surveys current understandings of dress, fashion, and related concepts, highlighting this dissertation's questioning of fashion as a historically construed, rhetorically powerful discourse associated with Western modernity. It reflects on the importance of sartorial metaphors in literary theory and proposes that fashion is key to understanding the specificity of Latin American modernity. Chapter 2 surveys current scholarship on fashion in Latin America, reconsidering fashion's role in works by Joaquín Fernández de Lizardi, Andrés Bello, Domingo Sarmiento, José Martí and other seminal nineteenth-century writers. Chapter 3 offers the first study of the women's fashion magazine Elegancias (1911-1914), produced in Paris for Latin American consumption with Rubén Darío as literary editor. It investigates Darío's involvement and analyzes four collaborations presently unpublished in book form, particularly Darío's profile of the Argentine writer Delfina Bunge (whom he called "mademoiselle Verlaine"). It also analyzes Elegancia's inscription of Latin American modernismo within femininity and commodity culture. Chapter 4 shifts to Mexico, following the motif of the empty indigenous dress in works by painter Frida Kahlo and writer Rosario Castellanos spanning the 1930s to the 1970s. Mexico's indigenous textile traditions offer a space against/outside fashion from which to subvert normative femininity, imagine ethnic filiations, and critique post-revolutionary Mexico's forging of a mestizo national identity that incorporates indigenous people as mere icons. Chapter 4 analyzes Alejo Carpentier's major novels and his fashion chronicles in Venezuela's El Nacional from the 1950s. It analyzes the representation of everyday dress as costume within the world as theatre metaphor and Carpentier's Benjaminian sensibility in granting fashion allegorical meanings in relation to historical dialectics and transculturation. Throughout, the analysis observes how fashion exacerbates anxieties about Latin American divergence from metropolitan cultural models while its repertoire of images and discourses is used to fruitfully negotiate gender, race, and class as images of the body politic crystalize into images of the dressed body.
Romance Languages and Literatures
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Wagner, Vivian Audrey. "Caribbean Excesses: Color, Culture, Fashion, and Fire in Jean Rhys's Voyage in the Dark and Wide Sargasso Sea." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392043019.

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Nguyen, Windy, and Tzu-Meng Chuang. "Consumer Acceptance and Value in Alternative Business Models in the Fashion Industry : A Systematic Literature Review." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26321.

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In recent years, the consumption of clothes has increased extensively due to diminishing quality and low prices of garments along with ever-faster changing fashion trends. The linear business model results in products with a short lifespan and clutter of idle goods. With the growing awareness of environmental and social impact among the consumers; alternative business models (rental/lease, swap, resale) designed to intensify the utilization of clothes and enable sharing activities and collaborative consumption are emerging. However, the market share of these models is still low. This study aims to understand what are the barriers that hurdle; motivations that drive consumers’ adoption to collaborative fashion consumption; and how companies create and configure values to encourage consumers to partake in these innovative business models. Through a systematic literature review of 41 peer-reviewed articles, we found that the drivers for consumers towards collaborative consumption models are steered by economic factors, emotional factors, social factors, and sustainability values. While consumer barriers are namely, financial risk, arrangement, performance risk, social risk, psychological risk/lack of ownership, and lack of trust and information. It was also discovered that the collaborative fashion consumption models, in particular, rental/lease, swap, and resale are different in nature. Finally, we analyzed the existing literature and identified how companies can create, configure and capture values in these business models. This study is one of the very few to explore the interrelationship of the consumer-related drivers and barriers and business perspective. This paper can contribute relevant knowledge to academia as well as to the fashion industry.
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Corsi, Angelica. "Why management consultants? : between functionalist and critical perspectives a literature review." Master's thesis, NSBE - UNL, 2010. http://hdl.handle.net/10362/10302.

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A Work Project, presented as part of the requirements for the Award of a Masters Degree in Management from the NOVA – School of Business and Economics
This work aims at answering the question posed by Peter Drucker in 1981: “Why Management Consultants?” In order to achieve this, the work, which will take the form of a literature review, will present a number of theories that are literature’s master pillars and that will help explain the fracture between critics and supporters of management consulting. The conclusions of the work seem to point to the insolvability of the critical-functionalist dichotomy, notwithstanding the possibility of making improvements on it.
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Books on the topic "Fashion and literature"

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Baker, Wendy. Fashion. New York: Thomson Learning, 1994.

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Hobbs, Mike. Fashion. Mankato, Minn: Smart Apple Media, 2014.

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Salmansohn, Karen. Fashion. Berkeley, Calif: Tricycle, 2005.

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Mauro, Lucia. Fashion. Lincolnwood, Ill: VGM Career Horizons, 1996.

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Gish, Melissa. Fashion. Mankato, MN: Creative Education, 1999.

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author, Rissman Rebecca, ed. Fashion photographer. London: Raintree, 2014.

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Black, Judy. Fashion. New York: Crestwood House, 1994.

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Marsh, Tracy. Funky fashion. Norwood, S. Aust: Tracy Marsh Publications ; Kent Town, S. Aust., 2004.

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Moss, Miriam. Street fashion. New York: Crestwood House, 1991.

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Senker, Cath. Fashion designers. New York: PowerKids Press, 2012.

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Book chapters on the topic "Fashion and literature"

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Strähle, Jochen, and Anna-Christina Kriegel. "Fashion and Music: A Literature Review." In Fashion & Music, 7–30. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5637-6_2.

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Strähle, Jochen, and Franziska Philipsen. "Closed-Loop Production: A Literature Review." In Springer Series in Fashion Business, 27–47. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2440-5_3.

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Alves Campos, André Monteiro Miranda. "Blockchain and Fashion’s Sustainable Development: A Systematic Literature Review." In Fashion for the Common Good, 147–71. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-50252-1_9.

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Choi, Tsan-Ming. "Luxury Fashion Branding: Literature Review, Research Trends, and Research Agenda." In Fashion Branding and Consumer Behaviors, 7–27. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-0277-4_2.

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Heller, Sarah-Grace. "Fashion in French Crusade Literature: Desiring Infidel Textiles." In Encountering Medieval Textiles and Dress, 103–19. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_7.

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Otero Moreno, Conchita. "Fashion and Femininity: Between “Frivolous Distinction” and “Powerful Fiction”." In Tailoring Identities in Victorian Literature, 75–111. Berlin: Frank & Timme GmbH, 2023. http://dx.doi.org/10.57088/978-3-7329-8983-6_4.

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Otero Moreno, Conchita. "Wearable Texts: Critical Approaches to Fashion, Fiction and Culture." In Tailoring Identities in Victorian Literature, 21–56. Berlin: Frank & Timme GmbH, 2023. http://dx.doi.org/10.57088/978-3-7329-8983-6_2.

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Bettencourt, Susana Lopes, André P. Catarino, and Sandy Black. "Bridging Fashion Design and the Knitwear Industry: A Literature Review." In Advances in Fashion and Design Research, 373–83. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16773-7_32.

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Kociołek, Katarzyna. "Fashion in literature based on Margaret Thatcher's The Autobiography (1995)." In The Routledge Companion to Fashion Studies, 309–17. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429264405-32.

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Otero Moreno, Conchita. "Fashion in Victorian Literature: Approaching the Topic, or Laying out our Pattern." In Tailoring Identities in Victorian Literature, 57–74. Berlin: Frank & Timme GmbH, 2023. http://dx.doi.org/10.57088/978-3-7329-8983-6_3.

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Conference papers on the topic "Fashion and literature"

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Geegamage, Thamoda, H. R. Achini Ranaweera, and Rangika U. Halwatura. "Second-Hand Fashion Consumption: A Literature Review." In ERU Symposium 2021. Engineering Research Unit (ERU), University of Moratuwa, 2021. http://dx.doi.org/10.31705/eru.2021.6.

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The 2019 Pulse of the fashion industry report discovers that the series of sustainability progress in the industry of fashion has slowed by third in the previous year and not moving fast to counter balance the misdeed impact of rapid growth in the fashion industry. Fashion industry will be the net contributor for the climate change, increasing the obstacles which that promising of keeping global warming below one and half degrees Celsius during the reminding years will be not achieved if this circumstance of the fashion industry continue in the future, as long as fashion industry ranks the first place out of environment polluting industries. The state of the environmental pollution caused by the fashion industry has no recover but rising day by day. [1] This systematic literature review identified four main themes related to circular economy, sustainable consumption, and second-hand fashion. consumption. They will be elaborated bellow.
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Xu, Huijie. "Female Identity and Construction in Fashion—Based on Simmel’s fashion philosophy." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.437.

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Hasbullah, Nornajihah Nadia. "Systematic Literature Review Of Sustainable Fashion Consumption From 2015 To 2019." In 13th Asian Academy of Management International Conference 2019. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.30.

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Querejeta Lomas, Leire, Aitor Goti Elordi, Aitor Almeida Escondrillas, and Diego Lopez De Ipina Gonzalez De Artaza. "A Systematic Literature Review of Artificial Intelligence in Fashion Retail B2C." In 2021 6th International Conference on Smart and Sustainable Technologies (SpliTech). IEEE, 2021. http://dx.doi.org/10.23919/splitech52315.2021.9566467.

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Winarni, Rina Wahyu. "How Advertising Enforces Local Cultural Identity Through Fashion in Timun Mas TV Ads." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.097.

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Yi, Duan Xin. "Talking About the Tea-Drinking Fashion in Ming Dynasty From the Chapter." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.507.

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Nugraha, Zayyan Rafishafa Kabullah. "EFFECTIVENESS OF BRAND COLLABORATIONS BETWEEN ANIMATION AND FASHION INDUSTRY." In BuPol Bali 2024– International Conference on Business, Economics & Policy, 17-18 July. Global Research & Development Services, 2024. http://dx.doi.org/10.20319/icssh.2024.330331.

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This research discusses the impact of collaborations between fashion brands and animation studios amongst the customer. This phenomena has been intriguing for the researcher because recently in the last few years there have been countless collaborations between these brands. The brands have impacted the customers’ preferences and they purchase these collaboration items for many different reasons. The researcher started this research by mapping the background of these collaborations. After analyzing the background, the researcher started to find the topic or goal of this research which is finding the reasons behind why these collaborations are (most likely) to be successful. Following finding the focus on this research was a part of the beginning steps, the researcher started finding literature works related to my topic. Journals, academic articles, news articles and others that are related to fashion, brand collaboration, collaboration marketing, animation studios and so much more. These literatures helped me find the definition and information regarding aspects that are related to my research. After reading these literature works the researcher analyzed each of them and divided them into sections within my research. As the researcher has mentioned before, the researcher discussed the definition. Information, reasons, how it impacts other parts of the research or why they are related. After the literature review was finished the researcher continued to conduct a survey to receive first primary sourced data. The survey that was conducted consisted of questions related to the customers’ knowledge regarding anime, fashion brands, brand collaborations, their shopping preferences, their standard to shop a branded product and so much more. The survey received 151 respondents for my survey. From this survey the researcher received new information regarding my research and this definitely helped me in finding the reasons behind why customers or the market are interested in purchasing collaboration products between animation and fashion brands. The step after conducting the survey was analyzing the data that the researcher has collected. The researcher used descriptive and quantitative analysis from the graphs of the survey’s result. The researcher made a conclusion and analysis of each question’s answers. The answer with the highest amount in a question becomes the true answer or represents the majority of the population. After representing the survey’s data in the form of graphs and statistical analysis. The result of the survey and findings from the journal shows that there are various effects of brand collaborations towards the customers, whether they are from the animation series’ market or outside the market. There were also additional insights regarding people who are not interested in purchasing collaboration products, they gave their perspective about their reasonings on why they won’t be buying those items.
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Exalto-Sijbrands, Marja, and Pascal Ravesteijn. "Information Requirement in the Transition Towards a Circular Fashion Industry." In Digital Support from Crisis to Progressive Change. University of Maribor Press, 2021. http://dx.doi.org/10.18690/978-961-286-485-9.42.

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Management of fashion (related) companies need to become convinced that circularity delivers positive financial results and incentives. This research aims to provide the first information requirement insights needed to enable the transition to a circular fashion industry. Due to easy access and abundant information ‘Jeans’ were selected as example item. Using the Design Science research approach the required information within in a closed loop supply chain (CLSC) in fashion was derived. Semi-structured interviews validated the CLSC information requirements derived from literature. Next, observations and additional literature findings supported the interview results. The outcomes show that information to support integration and collaboration of both: supply and recycle chain is necessary. Independently operating recycle organizations miss ‘central loop management’, ‘information integration’ and ‘a chain-common objective’ to successfully adopt circularity. The main bottlenecks found in relation to circularity are: ‘overlooking the customer as stakeholder’ and ‘a lack of chain integration’, this applies not only to jeans items. Therefore, the indicative study outcomes contribute to the body of knowledge of circular fashion value chain information requirements in general.
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TUĞLUK, Mehmet Emin. "A COMPETITION TO FIND AN EQUAL TO THE TWELVE FOREIGN WORDS ORGANIZED BY THE ŞEHBÂL MAGAZINE (1909-1914)." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-4.

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One of the important magazines of the Second Constitutional period was the magazine Şehbâl, which was published between 14 March 1909 and 14 July 1914. Political events and comments in Şehbâl magazine; culture, literature, music; painting, sculpture, architecture; health,sport; inventions and inventions, discoveries, accounting, humor, fashion, make-up, embroidery, housework; articles on many subjects such as information about new publications and selections from English, French, German and American magazines have been published. Another important feature of Şehbâl magazine is that it organizes competitions on various subjects. One of these competitions organized by the Magazine is The Competition to Find an Equal to The Twelve Foreign Words In this competition, it was requested to find the equivalents of the words bibliographie, boycottage, caprice, caricature, clup, conference, concert, decor, monologue, paradoxe, surprise, taximetre. Various words were suggested to this competition by 517 people. However, none of the suggested words are used in standard Turkey Turkish instead of the desired word. However, this competition is important in terms of showing the influence of foreign languages on Turkish and the awareness and resistance shown against this influence. Key words: Şehbâl Magazine, Competition, Second Constitutional, Foreign Languages, Turkish Equivalent.
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Ju, Naan, Terry Haekyung Kim, and Hyunjoo Im. "Artificial Intelligence for the Fashion and Retail Industry: Insights From Network Analysis of the Current Literature." In Breaking Boundaries. Iowa State University Digital Press, 2022. http://dx.doi.org/10.31274/itaa.13803.

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Reports on the topic "Fashion and literature"

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Chi, Ting, and Yini Chen. Omni-Channel Retailing in the Fashion Industry: A Literature Review of Empirical Evidences. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8256.

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Boettcher, Seth J., Courtney Gately, Alexandra L. Lizano, Alexis Long, and Alexis Yelvington. Part 2: Water Recycling Technical Report for Direct Non-Potable Use. Edited by Gabriel Eckstein. Texas A&M University School of Law Program in Natural Resources Systems, May 2020. http://dx.doi.org/10.37419/eenrs.brackishgroundwater.p2.

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This Water Recycling Technical Report examines the legal frameworks that affect water recycling in Texas. The goal of this report is to provide insight into the legal and regulatory barriers, challenges, and opportunities for these technologies to go online. Each water recycling implementation site has to find ways of complying with various laws and regulations. The information in this Report comes from the study of water recycling facilities currently operating in Texas, as well as extensive research into available literature and documents from various agencies. While there is no updated “one-stop-shop” resource that provides detailed information on all the necessary permits to build, operate, and maintain such facilities, this Technical Report aims to compile the existing, available information in an organized and accessible fashion. The Water Recycling Technical Report is the second of three reports that make up the work product of a project undertaken by students at Texas A&M University School of Law in a select capstone seminar. These reports examine regulations surrounding desalination and water recycling. The companion report entitled Brackish Groundwater Desalination Technical Report highlights building, operating, and monitoring requirements for desalination facilities in Texas. Finally, the Case Study Report expands on regulations in San Antonio and El Paso where these water alternatives are in place.
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Boettcher, Seth J., Courtney Gately, Alexandra L. Lizano, Alexis Long, and Alexis Yelvington. Part 1: Brackish Groundwater Desalination Technical Report. Edited by Gabriel Eckstein. Texas A&M University School of Law Program in Natural Resources Systems, May 2020. http://dx.doi.org/10.37419/eenrs.brackishgroundwater.p1.

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This Brackish Groundwater Desalination Technical Report examines the legal frameworks that affect desalination in Texas. The goal of this report is to provide insight into the legal and regulatory barriers, challenges, and opportunities for these technologies to go online. Each desalination implementation site has to find ways of complying with various laws and regulations. The information in this Report comes from the study of brackish groundwater desalination facilities currently operating in Texas, as well as extensive research into available literature and documents from various agencies. While there is no updated “one-stop-shop” resource that provides detailed information on all the necessary permits to build, operate, and maintain such facilities, this Technical Report aims to compile the existing, available information in an organized and accessible fashion. The Brackish Groundwater Desalination Technical Report is the first of three reports that make up the work product of a project undertaken by students at Texas A&M University School of Law in a select capstone seminar. These reports examine regulations surrounding desalination and water recycling. The companion report entitled Water Recycling Technical Report highlights building, operating, and monitoring requirements for water recycling facilities in Texas. Finally, the Case Study Report expands on regulations in San Antonio and El Paso where these water alternatives are in place.
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Otrok, Christopher, Huigang Chen, Alessandro Rebucci, Gianluca Benigno, and Eric R. Young. Capital Controls or Real Exchange Rate Policy?: A Pecuniary Externality Perspective. Inter-American Development Bank, March 2013. http://dx.doi.org/10.18235/0011453.

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In the aftermath of the global financial crisis, a new policy paradigm has emerged in which old-fashioned policies such as capital controls and other government distortions have become part of the standard policy tool kit (so called macro- prudential policies). On the wave of this seemingly unanimous policy consensus, a new strand of theoretical literature contends that capital controls are welfare enhancing and can be justified rigorously because of second-best considerations. Within the same theoretical framework adopted in this fast-growing literature, this paper shows that a credible commitment to support the exchange rate in crisis times always welfare-dominates prudential capital controls, as it can achieve unconstrained allocation.
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