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Journal articles on the topic 'Fashion and literature'
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1
McDowell, Felice. "Fashioning a Life: Exploring How Fashion Literature Fashions the Self." a/b: Auto/Biography Studies 32, no. 2 (April 25, 2017): 414–16. http://dx.doi.org/10.1080/08989575.2017.1289317.
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Garrity, Jane, and Celia Marshik. "Fashion’s Borders." English Language Notes 60, no. 2 (October 1, 2022): 1–20. http://dx.doi.org/10.1215/00138282-9890736.
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Abstract The introduction traces the long history of fashion’s movement across cultural, national, and political borders. After brief case studies of early twentieth-century French and Spanish styles imagining fashion as an engine of transnational amity, the introduction highlights how fashion navigates some of the most troubled borders of recent years, including the conflict between Russia and Ukraine and racial violence. Fashion forces viewers and consumers to choose sides, whether through national identification or through recognition of the long history of black and brown bodies producing fashionable objects. To advance the global history of fashion, the introduction briefly discusses the work of designers Rawan Maki (Bahrain), Laurence Leenaert (Belgium), and Kim Jones (Great Britain), examining how each upends gender, race, class, or fashion binaries, and analyzes how LVMH and Uniqlo, brands at opposite ends of the contemporary style spectrum, underline the very different ways in which fashion traverses the globe in the twenty-first century. The introduction concludes with the hope that this issue will raise questions about fashion’s articulation of the relation among the local, the national, and the global, as well as about the human experience of interacting with the fashion industry in one national context while living in a globalized world.
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Miller, Christopher M., Shelby H. Mcintyre, and Murali K. Mantrala. "Toward Formalizing Fashion Theory." Journal of Marketing Research 30, no. 2 (May 1993): 142–57. http://dx.doi.org/10.1177/002224379303000202.
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The authors develop a theoretical framework of the fashion process and a mathematical model of that framework. Basic constructs related to an individual's motivations for adopting fashions are extracted from the fashion literature and related to the individual's fashion decision process. The individual-level model is then integrated into a societal-level framework that can be represented as a system of difference equations. The parameters of the system represent static interpersonal influence networks. The general solution for the system of difference equations is presented and the dynamic implications of several interpersonal influence patterns assumed in previous research are derived mathematically.
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Paramita, Dhyana. "SUSTAINABLE FASHION FROM PRODUCT SERVICE SYSTEM PERSPECTIVE: A LITERATURE REVIEW." J@ti Undip: Jurnal Teknik Industri 1, no. 1 (January 31, 2023): 33–41. http://dx.doi.org/10.14710/jati.1.1.33-41.
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Fast fashion perpetuates the perception that clothing products are cheap and are easily disposed of. Consequently, the fashion industry contributes great concern for environmental impact. Product-service system (PSS) may serve as an integrated product-service solution to support sustainable fashion. While there is an increasing trend in PSS studies, the literature studies in fashion PSS remains limited. This paper aims to explore the research topics in fashion PSS studies by examining topics addressed in fashion PSS literature, how PSS may contribute to sustainability in the context of the fashion industry, as well as positive and negative value perceived consumers in adopting PSS fashion. The research is conducted through literature review retrieved from Scopus and analyzed according to the aim of this paper. The results show that topics addressed in fashion PSS are related to potential drivers and barriers to adopt PSS fashion, business model, environmental impact, and life cycle analysis. The role of PSS in the fashion context is product and use-oriented. The consumer perception on adopting PSS fashion is classified as emotional, functional, social, financial, environmental, and psychological aspects.
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Paramita, Dhyana. "SUSTAINABLE FASHION FROM PRODUCT SERVICE SYSTEM PERSPECTIVE: A LITERATURE REVIEW." J@ti Undip: Jurnal Teknik Industri 18, no. 1 (January 31, 2023): 33–41. http://dx.doi.org/10.14710/jati.18.1.33-41.
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Fast fashion perpetuates the perception that clothing products are cheap and are easily disposed of. Consequently, the fashion industry contributes great concern for environmental impact. Product-service system (PSS) may serve as an integrated product-service solution to support sustainable fashion. While there is an increasing trend in PSS studies, the literature studies in fashion PSS remains limited. This paper aims to explore the research topics in fashion PSS studies by examining topics addressed in fashion PSS literature, how PSS may contribute to sustainability in the context of the fashion industry, as well as positive and negative value perceived consumers in adopting PSS fashion. The research is conducted through literature review retrieved from Scopus and analyzed according to the aim of this paper. The results show that topics addressed in fashion PSS are related to potential drivers and barriers to adopt PSS fashion, business model, environmental impact, and life cycle analysis. The role of PSS in the fashion context is product and use-oriented. The consumer perception on adopting PSS fashion is classified as emotional, functional, social, financial, environmental, and psychological aspects.
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Tankard, Danae. "‘They tell me they were in fashion last year’: Samuel and Elizabeth Jeake and Clothing Fashions in Late Seventeenth-Century London and Rye." Costume 50, no. 1 (January 1, 2016): 20–41. http://dx.doi.org/10.1080/05908876.2015.1129857.
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This article examines high fashion culture in late seventeenth-century London and Rye, focusing on the ways that Rye merchant, Samuel Jeake (1652–1699), and his wife, Elizabeth (1667–1736), engaged with the London fashion market at a time when the transmission of fashion styles was still primarily by word of mouth. Both Samuel and Elizabeth were intensely concerned to appear fashionable in provincial Rye. Correspondence between Samuel and Elizabeth and their London relatives shows how fashion information was being communicated between London and Rye and the speed with which clothing fashions changed in the capital. The discussion of Samuel and Elizabeth’s engagement with fashion is framed by an analysis of contemporary satirical literature which takes the supposed obsession of the English with fashion as its theme.
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Domingos, Mariana, Vera Teixeira Vale, and Silvia Faria. "Slow Fashion Consumer Behavior: A Literature Review." Sustainability 14, no. 5 (March 1, 2022): 2860. http://dx.doi.org/10.3390/su14052860.
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This study aims to understand the dimensions associated with the behavior of the Slow Fashion consumer, their values, attitudes, and motivations, as well as to know in depth the literature related to Slow Fashion. The present article is a literature review related to the concept of “Slow Fashion”, and follows a qualitative methodology based on an in-depth literature review of 25 papers from the Scopus and Web of Science research databases. For this literature review, a content analysis was initially performed through a bibliometric analysis. Then, a mind map was developed where the five major dimensions related to Slow Fashion consumer behavior were identified: “ethical values”, “sustainable consumption”, “consumer motivations”, “consumer attitudes”, and “sustainability awareness”. We than related the mind map with the main conclusions of the literature review. The main limitation of this research results from the low number of published papers approaching the research concept. We were, however, able to identify the main concepts associated with the movement of Slow Fashion, thereby contributing to the available information on the variables that impact consumers’ purchasing decisions.
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Bieńkowska, Jolanta. "Virtual versus sustainable fashion: a systematic literature review." Scientific Papers of Silesian University of Technology. Organization and Management Series 2023, no. 178 (2023): 101–26. http://dx.doi.org/10.29119/1641-3466.2023.178.6.
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Purpose: The aim of the study was to determine the extent of convergence between the concepts of virtual and sustainable fashion. Virtual reality is gaining popularity due to its immersive nature, which enables “involvement of the senses”. Owing to dynamic technological development, it is expanding into numerous fields of application and provides the potential to offer innovative products. Among those is virtual fashion, i.e., clothes and accessories that have no physical equivalent, being available to “wear” only in virtual reality. Virtual clothing is part of the premium and exclusive product segment, to which, in particular, the value added by the consumer is attributed. These products are therefore communicated as an environmentally friendly alternative to physical clothing, as they do not require the consumption of materials, thus generating no waste, using less energy and water, etc. Design/methodology/approach: The research consisted of two phases. The main phase was conducted with a method of systematic literature review according to PRISMA standards, by means of data extracted from the databases: Scopus and Ebsco (n = 13). In a supplementary phase, there was used a method of co-occurrence keywords analysis via VOSviewer to compare the description of strictly virtual fashion (n = 218) and sustainable fashion (n = 402). Documents were searched in the Scopus database. The conclusion was reached using the induction method. Findings: The findings from the researched documents indicate that virtual fashion is predominantly presented accordingly to the new technological possibilities it offers. Indeed, its ecological qualities and its potential for fulfilling pro-environmental goals in the fashion industry are briefly stated in broad terms, without reference to the specific measures or data, mentioned, by comparison, in papers devoted solely to sustainable fashion. Originality/value: The findings from the researched documents indicate that virtual fashion is predominantly presented accordingly to the new technological possibilities it offers. Indeed, its ecological qualities and its potential for fulfilling pro-environmental goals in the fashion industry are briefly stated in broad terms, without reference to the specific measures or data, mentioned, by comparison, in papers devoted solely to sustainable fashion. Keywords: virtual reality, sustainable fashion, sustainability, fashion industry. Category of the paper: literature review.
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Pokhodenko, Kateryna. "Sustainable Fashion as a Research Object in Foreign Scientific Literature." Demiurge: Ideas, Technologies, Perspectives of Design 4, no. 2 (December 13, 2021): 244–53. http://dx.doi.org/10.31866/2617-7951.4.2.2021.246846.
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The concept of sustainability in fashion, having been developed on the basis of ecodesign concepts, takes an important place in scientific research all over the world. The aim of study is to analize and summarise foreign scientific researches about sustainability in fashion. The results were achieved by using methods of sources analysis, which refer to different research fields, in the context of sustainable fashion and their further synthesis according to areas. The main directions of research in each area were identified and summarized in the conclusions.
There were considered basic concept definitions – sustainable fashion and the principles of sustainable design, which are used in modern scientific works of foreign researchers. The analysis of foreign scientific sources in the context of sustainable fashion was provided in areas of: economics, marketing, management; sociology and psychology of consumer behavior; ecology; technologies based on the principles of sustainable design; design; aesthetics and art history; education; legislation; information technology. The scientific value of study. For the first time the systematization of foreign research in the context of sustainable fashion was carried out. The conclusions are given after the analysis of each area, underlining the main directions of foreign scientists` research.
Conclusions. Researchers from all over the world pay attention to the issues of sustainable fashion and explore problems of the integration of sustainable fashion into everyday life. Sustainable fashion sets up new values that actualize the issues of aesthetics of sustainable fashion in the theory of art history and design practice. However, it should be noted that the analized scientific works concerning fashion design in the context of sustainable fashion, do not reveal aspects of design related to the creative process and aesthetic perception. Sustainable fashion needs changes of existing design tools in the context of sustainable design principles. Therefore, there is a need for their further study.
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Thorisdottir, Thorey S., and Lara Johannsdottir. "Sustainability within Fashion Business Models: A Systematic Literature Review." Sustainability 11, no. 8 (April 13, 2019): 2233. http://dx.doi.org/10.3390/su11082233.
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Production, marketing, and consumption of fashion products result in negative environmental impacts due to the massive production volume of fashion items. However, there is limited literature on how the fashion industry integrates sustainability-related practices into business models, how sustainability is measured within the business models, or what drives the sustainability-emphasis of the fashion industry. Therefore, it is consequential to conduct a systematic review of the existing literature concerning how the fashion industry integrates sustainability into business models, if and how sustainability-related practices are measured to ensure transparency and lead to improvements, and to recognize what drives sustainability in fashion business models. The key aspects regarding sustainability integration into business models include organization values, entrepreneurship, innovation, and internationalization processes. With regards to measurement of impacts and reporting, it is evident that Corporate Social Responsibility, the Global Reporting Initiative, and the Apparel and Footwear Sector Supplement are of relevance for the industry, mainly with regards to the supply chain. The drivers influencing sustainability practices are government and regulatory pressure, market pressure, closed-loop pressure, value creation, innovation, equity, authenticity, functionality, localism, and exclusivity. The findings are of relevance both for academia and the fashion industry, as the paper provides evidence on what has already been studied by academia, but also highlights a need for further studies on the fashion industry with regards to sustainability practices. This paper; therefore, opens a path for academics to consider empirical studies on how to investigate the sustainability strategies of fashion businesses, elements of fashion business models, driving forces influencing actions, measurements, key performance indicators, transparency, and disclosure, just to name a few examples.
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Nuñez Martinez, Gisela, Miguel Angel Martínez Cruz, Mauricio Chávez Pichardo, Alfredo Trejo Martínez, and Tanya Arenas Reséndiz. "Comparative analysis: sustainable fashion vs. fast fashion." Revista Amazonia Investiga 13, no. 77 (May 30, 2024): 9–19. http://dx.doi.org/10.34069/ai/2024.77.05.1.
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Sustainable fashion is a philosophy centered on the ethical and environmentally responsible production of garments. However, currently prevailing in the market is a model known as fast fashion, which is characterized by mass production of low-quality garments at affordable prices. In this context, our article presents a comparative analysis between sustainable fashion and fast fashion, highlighting how these models represent two divergent approaches in the fashion industry. Overall, this work aims to contribute to the literature by exploring the differences, challenges, and advancements in the development of both trends. The study examines production speed, material usage, working conditions, and environmental awareness, developing a conceptual framework that provides an overview of the complexity of the fashion industry and its potential direction in terms of sustainability and responsible consumption.
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Joung, Hyun-Mee. "Fast-fashion consumers’ post-purchase behaviours." International Journal of Retail & Distribution Management 42, no. 8 (August 5, 2014): 688–97. http://dx.doi.org/10.1108/ijrdm-03-2013-0055.
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Purpose – The purpose of this paper is to explore fast-fashion consumers’ post-purchase behaviours and examine relationships among fast-fashion purchase, disposing, hoarding, participation in recycling, and environmental attitudes. Design/methodology/approach – A survey questionnaire was developed and a total of 335 college students completed it in a classroom setting. Of the data collected, 274 students who purchased fast-fashions were used for this study. Descriptive statistics were used to summarize the data and Pearson correlations were conducted to examine relationships among the variables. Findings – Results of Pearson correlations indicated that fast-fashion purchase was positively related to disposing and hoarding, but negatively related to participation in recycling. Apparel hoarding was positively related to recycling, but no relationships were found between environmental attitudes and any of the following: fast-fashion purchase, disposing, hoarding, or participation in recycling. Practical implications – Fast-fashion suppliers should encourage consumers’ participation in recycling and should take responsibility for collecting their post-purchase products. Originality/value – This paper provides important contributions to the literature about fashion retailing/marketing and post-purchase behaviours. Although young fashion-oriented consumers easily purchase and dispose of trendy and cheap fast-fashions, little is known about their post-purchase behaviours. Findings of this study showed that fast-fashion consumers had positive attitudes towards the environment, yet they did not participate in recycling. The finding implies that fast-fashion suppliers need to develop a culture to support sustainability of consumption.
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Ruseva, Mariya. "The Mirror of Fashion." Bulgarski Ezik i Literatura-Bulgarian Language and Literature 64, no. 4 (August 2, 2022): 423–28. http://dx.doi.org/10.53656/bel2022-4-8-nsm.
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The book “Adornments and Grimaces. Fashion and Modernity in Bulgarian literature of the 1920s and 1930s” (2022) by Nadezhda Stoyanova takes fashion out of the periphery and establishes it as a significant topic for Bulgarian interwar literature. Highlighted as an alternative to the traumatic experience of experiences of the 1920s and 1930s, fashion is conceived as an authentic expression of life – an expression of self-awareness and of the will to change the Self. The mirror of fashion reflects the various images of the modern man, in which the longing to anticipate the present and the desire to foresee the future can be recognized.
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Oliver, Sophie. "Fashion in Jean Rhys/Jean Rhys in Fashion." Modernist Cultures 11, no. 3 (November 2016): 312–30. http://dx.doi.org/10.3366/mod.2016.0143.
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This article proposes a reciprocal relationship between Jean Rhys's interwar fiction and the mass media that popularised her work in the 1960s and 1970s. Surveying the signs that Rhys and her writing had become fashionable – for example, press reviews and profiles, including in colour supplements and fashion magazines (even her own shoot), along with television adaptations of the work she wrote or set in the 1930s – the piece discusses how her postwar ‘readers’ interpreted this literature of an earlier period in a way that made sense of their own era. It argues that this use of the past to understand the contemporary moment follows the logic of fashion's cyclical temporality, and that it was prefigured in the fashion-conscious, modernist short stories of Rhys's first publication, The Left Bank (1927). The article ultimately suggests that Rhys's work was subject to fashion, an eventuality that it had always envisaged.
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Loura Christhia, Maria. "Optimizing Fashion Retail Shelf Management for Enhanced Consumer Experience: A Literature Review." Journal of E-business and Management Science 1, no. 1 (June 30, 2023): 51–58. http://dx.doi.org/10.61098/jems.v1i1.41.
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This study aims to optimize shelf display management in the fashion retail industry to cater to the evolving needs and desires of consumers for specific products. With the ever-expanding range of fashion items available in retail stores, the limited space on display shelves poses a significant challenge. Additionally, trendy, and high-demand fashion products often experience quick sell-outs, necessitating frequent restocking. Effective management of shelf displays is pivotal in enhancing consumer satisfaction and stimulating impulse purchases by maximizing product visibility and exposure. In the realm of fashion retail, shelf display management can be broadly categorized into macro and micro levels, encompassing strategic overall layout and precise product allocation within specific fashion categories. However, these approaches heavily rely on the availability of demand and transaction data, which can be challenging for small and medium-sized fashion enterprises with limited data resources. This literature review underscores the research opportunities for optimizing shelf display management, particularly in the context of fashion retail businesses facing data limitations. It recognizes that through thoughtful facility layout design, coupled with suitable adjustments and modifications, the challenges associated with shelf displays in fashion retail stores can be effectively addressed.
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Wu, Bo, Xiufen Xie, Weicheng Ke, Huiying Bao, Zhilan Duan, Zhenyu Jin, Xiaoqun Dai, and Yan Hong. "Merchandising for Sustainable Fashion: A Systematic Literature Review." Sustainability 14, no. 20 (October 18, 2022): 13422. http://dx.doi.org/10.3390/su142013422.
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With the emergence of environmental pollution and the excessive waste of resources, the traditional development of the pure pursuit of economic growth has encountered challenges. More and more people are advocating for the concept of sustainable development, which makes sustainable merchandising an urgent necessity. Clothing brands should adhere to the brand sustainability concept and sustainable management in the merchandising process, which can truly improve the competitiveness of the brand. For this reason, a series of studies on sustainable merchandising strategies has been conducted by apparel companies and academia. The existing reviews on sustainability aspects focus on material, recycling, and life-cycle aspects. However, less attention has been paid to the sustainable merchandising aspects of apparel. Therefore, this paper presents a systematic literature review of this topic. We summarize the relevant research on sustainable merchandising from a merchandising perspective and systematically review the relevant theories and cases of sustainable merchandising for the relatively blank field of sustainable brand merchandising for apparel. We have achieved the purpose of integrating the analysis of factors influencing sustainable merchandising, and merchandising strategies. Additionally, on this basis, we discuss how brands can combine social responsibility with merchandising to develop and enjoy the profit space brought by merchandising while assuming and promoting their own brand responsibility. This literature review is based on journal articles, book chapters, and conference papers from the Web of Science (WOS) database and Google Scholar. Through an in-depth analysis of the existing literature, this paper provides an overview of the research topic, the sustainable merchandising of apparel, from a merchandising perspective and discusses the shortcomings of existing merchandising strategies. The findings reveal that there are drawbacks to the current apparel merchandising strategies such as low feasibility, ignoring the driving power of the market, weak consumer awareness, consumer culture, and lack of government intervention and support. This has resulted in the slow development of clothing brands in the sustainable merchandising market. The results of this study provide direction for the development of future sustainable merchandising strategies. It guides policymakers and practitioners to develop relevant strategies for sustainable merchandising in order to provide better market space for sustainable merchandising of apparel.
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Leutnera, F., S. von Stummb, R. Akhtara, and T. Chamorro-Premuzic. "Fashion or literature? How values influence shopping preference." Personality and Individual Differences 101 (October 2016): 494–95. http://dx.doi.org/10.1016/j.paid.2016.05.209.
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Roberts, Maud. "Fashion literature collection development at Stockholm University Library." Art Libraries Journal 42, no. 3 (June 2, 2017): 169–74. http://dx.doi.org/10.1017/alj.2017.24.
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The Centre for Fashion Studies was established at Stockholm University in Sweden, in July 2006 through a generous donation from the Erling Persson Family Foundation, connected to clothing manufacturer H&M.Fashion Studies at Stockholm University is an independent, theoretical discipline with an interdisciplinary approach looking at the past, present and future, and it includes different areas of critical discourse within the humanities and social sciences. Stockholm University Library plays a key role in research and education conducted at the university, and the library works in close collaboration with all disciplines to provide adequate support to researchers and students in a rapidly changing information society. In this article I will focus on and describe the process of acquiring fashion literature at Stockholm University Library from 2006–2013.
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Roos, Bonnie. "Cold Modernism: Literature, Fashion, Art by Jessica Burstein." MFS Modern Fiction Studies 62, no. 1 (2016): 182–85. http://dx.doi.org/10.1353/mfs.2016.0012.
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Greene, Justin Russell. "Dressing up the author: Jonathan Franzen and David Foster Wallace branding their masculine authorial identities through fashion." Fashion, Style & Popular Culture 7, no. 4 (October 1, 2020): 421–41. http://dx.doi.org/10.1386/fspc_00037_1.
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This article explores the use of clothes and other accessories as markers of masculine authorial identity. Fashion and literature are contentious partners, with literature attempting to keep a firm distance from the popular trappings of the fashion world. However, writers have historically used fashion to create their identities beyond the printed word. This can be seen in examples such as Oscar Wilde and Mark Twain and the ways clothing items have become associated with their personae as men of letters. Contemporary writers are no different, yet many continue to exude ambivalence towards clothing having any effect on their images in the literary sphere. Jonathan Franzen and David Foster Wallace are two examples of writers who downplay fashion’s role in their public images. Franzen and Wallace establish their positions at the forefront of American literature not only with their fiction and non-fiction works but also in the ways they adorn their bodies and present them within visual media. Nevertheless, both Franzen and Wallace perform as specific types of masculine authors through their fashion choices. Ultimately, they use fashion to brand their authorial identities in accordance with their literary output. Franzen’s and Wallace’s willing participation in the stylization of their images to meet the masculine standards of authorial identity reveals the prevalence of gendered stereotypes regarding how authors should be represented within popular culture.
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Huang, Xin. "How Is Fashion Going: Structured Literature Review for Circular Economy in Fashion and Textile Industry." Frontiers in Business, Economics and Management 3, no. 3 (May 12, 2022): 114–18. http://dx.doi.org/10.54097/fbem.v3i3.358.
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In a time of global warming, sustainability claims are prevalent in the fashion and textile industry. Fashion industry is experiencing a shift from a linear economy to a circular economy. The circular economy shift in fashion textiles, however, has very many dilemmas due to the close connection with its value chain. This paper will take the form of a literature review to discuss the methods used in transforming the circular economy in fashion and textiles and the dilemmas it faces, as well as the social issues arising from the transformation, from the design to the distribution to the recycling of a fashion item.
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Huang, Jiamian, Qianer Lu, Yishen Qu, and Yuxuan Zhao. "AR in Fashion Retail Industry." Advances in Economics, Management and Political Sciences 11, no. 1 (September 13, 2023): 65–70. http://dx.doi.org/10.54254/2754-1169/11/20230512.
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This study introduces the application and impact of AR technology in fashion retailing and discusses the role of data and technology by analyzing its mechanism and effect. This research adopts the literature research method, analyzes many authoritative kinds of literature, and concludes that AR is still a project worth studying in the fashion retail industry. Furthermore, AR technology can quickly obtain the consumer database to improve the products and marketing strategies further to achieve profit.
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Idem, Magdalena. "Fashion Writing in Women’s Magazines of Interwar Poland : Influences of the American Press." Zeszyty Prasoznawcze 65, no. 4 (252) (December 16, 2022): 83–100. http://dx.doi.org/10.4467/22996362pz.22.040.16498.
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Dziennikarstwo modowe w czasopismach dla kobiet w międzywojennej Polsce: wpływy amerykańskiej prasy Artykuł przedstawia wpływ amerykańskiego dziennikarstwa modowego na polski rynek magazynów o modzie w okresie międzywojennym. Głównym jego celem jest zidentyfikowanie instrumentarium opisu mody w międzywojennych polskich magazynach o modzie lub w modowych rubrykach pism kobiecych oraz zmapowanie ich wariantywności według dwóch kategorii: elitarystycznej i demokratyzującej. W ramach tych kategorii omówione zostaną strategie opisu tekstualnego i wizualnego takie jak: „magiczne pisanie”, instruktaże poradnikowe, pisanie ironiczne oraz techniki właściwe dla literatury faktu, stosowane w ramach dyskursu modowego (fashion nonfiction). W badaniu zastosowano metodę opisowo-historyczną. Artykuł jest pierwszą w literaturze o dziennikarstwie międzywojennym w Polsce próbą wyeksponowania tezy, że dyskurs modowy w prasie krajowej naśladował sposób, w jaki o modzie pisano w pismach amerykańskich. This article examines the influence of American fashion journalism on the Polish market of fashion magazines in the interwar period. The main objective is to identify the strategies of fashion description in interwar Polish fashion magazines or fashion columns in women’s magazines and to map their variance according to two categories: elitist and democratising. Such tools of textual as well as visual description such as ‘magical writing,’ advice manuals, ironic writing and fashion non-fiction will be discussed. The article is the first attempt in the literature on interwar journalism in Poland to argue that fashion discourse in the domestic press mimicked the way fashion was covered in American fashion magazines.
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Juchniewicz, Andrzej. "Humanistyka wobec fashion studies." Teksty Drugie 5 (2022): 152–61. http://dx.doi.org/10.18318/td.2022.5.10.
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Maki, Rawan. "Local Ontology and Lived Experience of Fashion toward a Gulf Fashion “Sustainability”." English Language Notes 60, no. 2 (October 1, 2022): 106–20. http://dx.doi.org/10.1215/00138282-9890802.
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Abstract What makes fashion “local”? What makes it “sustainable”? Can non-Western fashion locales have the same definitions of sustainability espoused by the global industry? This article reflects on a fashion “sustainability” for Bahrain and the Arab Gulf that goes beyond a focus on product. Specifically, the article explores how fashion space is used in Bahrain by different groups, as well as equity of experience and phenomenology of these spaces in Bahrain. Fashion spaces—such as the mall or souk—are primary areas of public gathering in the Gulf. Based on the results of qualitative interviews and a Delphi study, this article puts forward the example of fashion spaces and tailoring in Bahrain, where an expanded definition of use is found in Gulf fashion practice when compared to the traditional “life cycle” view used in fashion sustainability discourse. These differences in fashion ontology compared to a Western context impact what could be considered true “innovation” in the case of the Arab Gulf. For instance, cocreation through tailoring in the Gulf is culturally prevalent and a default feature of existing material culture, whereas similar notions are classified in a context of “innovation” in Western discourse. Thus it becomes crucial to explore an Arab Gulf ontology of fashion as a precursor to its “sustainability” and honest discussion of its own transformation toward sustainability.
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Thilakarathne, S., S. Gopura, A. Wickramasinghe, and A. Payne. "Folklore in fashion- preserving intangible cultural heritage through fashion." Bolgoda Plains 3, no. 1 (August 2023): 61. http://dx.doi.org/10.31705/bprm.v3(1).2023.16.
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Folklore has been an integral part of Sri Lankan culture for centuries and the story of Kuweni is one such entrancing narrative with historical significance, since it is directly linked to the origin of the Sinhalese nation. Kuweni’s importance extends beyond folk narratives and is also evident in ancient literature, describing her as a superhuman being, yet her true identity remains shrouded in mystery. Her shape-shifting abilities, as described in various legends, make Kuweni a fascinating character worthy of contemplation from many perspectives. Folklore is distinct from mythology, as it contains factual elements such as practices and customs that have a solid sociological background. Therefore, it is essential to preserve them ensuring that future generations can benefit from the sociocultural and anthropological values embedded to narratives. Folklore in Fashion PhD study addresses the crucial question of how to preserve folklore in a way that resonates with contemporary society.
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Wardhana, Bayu. "PERANCANGAN POLA BARU PEMASARAN USAHA FASHION DI INDONESIA MELALUI FENOMENA CITAYAM FASHION WEEK." JEB17 : Jurnal Ekonomi dan Bisnis 7, no. 02 (September 30, 2022): 133–42. http://dx.doi.org/10.30996/jeb17.v7i02.7363.
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The Citayam Fashion Week phenomenon is a phenomenon that in recent months has become a hot topic of conversation among Indonesian people. This phenomenon is a phenomenon where teenagers from Jakarta and the surrounding area gather on Jalan Sudirman to show off their outfits or clothes to the general public. This phenomenon raises the economic potential to develop fashion SMEs in Indonesia. The purpose of this research is to design the concept of marketing and business branding in fashion SMEs in Indonesia. The research method used is descriptive qualitative with a literature and literature study approach. The results of this study are in the form of marketing and branding patterns in fashion SMEs. Not only that, this study also describes the landscape of the marketing and branding ecosystem for fashion SMEs in the era of the Citayam Fashion Week phenomenon
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Solino, Livia Juliana Silva, Breno Moore de Lima Teixeira, and Ítalo José de Medeiros Dantas. "sustainability in fashion." International Journal for Innovation Education and Research 8, no. 10 (October 1, 2020): 164–202. http://dx.doi.org/10.31686/ijier.vol8.iss10.2670.
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A reflexive movement around the universe of fashion shows alternatives to combat unrestrained consumption. The weakening of textile resources found in nature, and the devaluation of local production, seeking significantly, attributes that are applicable amid problematization caused since obtaining products. fashion items until their disposal. The slow fashion movement appears as a counterpoint to the fast-fashion model, seeking to add value in a rational way to clothing items in the globalized market, inserting sustainability as the main propagator of this dynamic that grows in a dizzying way over time. Thus, the objective of this research is to identify how slow fashion has been discussed in academic research. For this, a systematic literature search was carried from its first publication, in 2008, until the year 2019. The research is classified as descriptive with a qualitative-quantitative approach. As a result, 105 papers were obtained, ranging from articles in journals and congresses to master's thesis and doctoral dissertations. It is a review of literature on how this topic is being disseminated amid the informational flow of fashion and its easy democratic access and debate, as well as the systematization of data that prove its existence and its interfaces that are relevant in business competitive level. About the results, we identified mostly qualitative research, focusing on the conceptual development of the area until at least mid-2017, with a change to practice during the year 2019, with exponential growth in recent years, especially in countries like Brazil and United States. It was also possible to define the term movement to characterize slow fashion, as well as to determine a holistic concept that better defines the vision of researchers in the area, with special focus on the works of Kate Fletcher. With this review, the necessary knowledge is exposed to deal with the subject in question and expand this theme in other areas that are appropriate to it.
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Megawati, Ni Luh, I. Made Sendra, and Ni Luh Putu Ari Sulatri. "Representasi Fashion Era Taisho-Showa pada Film Animasi Kaze Tachinu Karya Hayao Miyazaki." Jurnal SAKURA : Sastra, Bahasa, Kebudayaan dan Pranata Jepang 3, no. 1 (February 27, 2021): 52. http://dx.doi.org/10.24843/js.2021.v03.i01.p05.
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This research is entitled “Fashion Representation of Taisho-Showa Era in Kaze Tachinu Animation Film by Hayao Miyazaki”. Fashion style transition from wasou to yosou was found in Taisho-Showa Era. This research aims to discover the form, function, and meaning of fashion in the Taisho-Showa era which are depicted in the film. This research used literature study method and the referral method for the data accumulation, descriptive analysis method for data analysis and for analysis results presented with informal method. For the theory, this research used literary anthropology theory by Poyatos (2008), fashion form theory by Pendergast and Tom (2004), fashion function theory by Barnard (1996), and semiotics theory by Barthes (1964). Based on the analysis results, can be seen that fashion’s form that represent in Taisho-Showa era are divided into two category, first is wasou which consists of hakama, haori, kimono, mandarin shirt, obi, shimada, comb, geta, tabi, and zori, and the second one is yosou that consists of men’s suit, stockings, trench coat, men’s hats, short hair for woman, waved hair for woman, clutch purse, patent leather shoes, and high heeled boots. For the fashion’s function that found in this research are 1) protection function; 2) politeness and concealment function; 3) communication function; 4) individualistic expression; 5) social worth or status; 6) economic worth or status; 7) magical-religious condition; and 8) recreational functions. And for the fashion’s meaning in the Taisho-Showa era, in denotation is refers to the form and design of fashion, while the connotation of fashion is formed by the influence of social and cultural values in Japanese society.
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Ketikidi, Evangelia, and Panayiota Alevizou. "SUSTAINABLE FASHION AND DIGITAL COMMUNICATIONS: A SYSTEMATIC LITERATURE REVIEW." Global Fashion Management Conference 2019 (July 11, 2019): 165–66. http://dx.doi.org/10.15444/gfmc2019.02.02.03.
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Fratocchi, Luciano, and Cristina Di Stefano. "Manufacturing reshoring in the fashion industry: a literature review." World Review of Intermodal Transportation Research 8, no. 4 (2019): 338. http://dx.doi.org/10.1504/writr.2019.10024864.
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Fratocchi, Luciano, and Cristina Di Stefano. "Manufacturing reshoring in the fashion industry: a literature review." World Review of Intermodal Transportation Research 8, no. 4 (2019): 338. http://dx.doi.org/10.1504/writr.2019.103289.
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Paulicelli, Eugenia. "Fashion, Gender and Cultural Anxiety in Italian Baroque Literature." Romance Notes 50, no. 1 (2010): 35–46. http://dx.doi.org/10.1353/rmc.2010.0027.
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YIYAN, WANG, and NORSAADAH ZAKARIA. "Designers’ potential in sustainable fashion: a systematic literature review." Industria Textila 74, no. 06 (December 22, 2023): 718–26. http://dx.doi.org/10.35530/it.074.06.2022139.
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Given the unsustainable issues of environmental pollution, resource waste, and industrial cycle blockage, the garment industry, has sought an innovation for sustainable development led by the linear economy. The circular economy (CE) advocates closing and correcting material and energy circuits, minimising resource entry and waste, and improving emissions and energy consumption. Most practices under the existing CE model address the outcome rather than comprehending the source. As one of the most critical players in the apparel industry, designers understand the source of product development. In this paper, existing sustainable design practices (SDPs) in the transition of the apparel industry to CE were summarised through a systematic literature review. The extent of designers’ involvement in CE was explored through a correlation study and data analysis between SDPs and the processes of product development (PDP) and production process (PP). Furthermore, the designers’ potential to contribute sustainably to the CE transformation within the apparel industry was discussed via qualitative analysis. The findings demonstrated infrequent involvement in PP by designers, whose voices were limited in the apparel industry, and that the possibility of more designer involvement in SDP. Therefore, this research only focused on the sustainability potential of designer-led PDPs. Lastly, the potential and limitations of applying PDP three-dimensional visualisation as a designer-led SDP were presented.
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Cooper, Katherine. "Fashion and Freedom." Women: A Cultural Review 28, no. 1-2 (April 3, 2017): 160–63. http://dx.doi.org/10.1080/09574042.2017.1301121.
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Mauluddin, Asep, Hamdil Khaliesh, and Irwin Irwin. "PUSAT FASHION PONTIANAK." JMARS: Jurnal Mosaik Arsitektur 9, no. 1 (February 11, 2021): 169. http://dx.doi.org/10.26418/jmars.v9i1.44810.
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West Kalimantan has a wide variety of cultures, ethnicities, and religions so that it has distinctive fashion products in each region such as cloth, songket, and also very varied weaving. The number of retail fashion also affects the interest and attractiveness of the community towards the development of fashion in Pontianak. Fashion is growing rapidly at this time due to technological developments where young people attach importance to fashion to support their appearance. Therefore, we need a fashion center in Pontianak that can be used to introduce, produce, market and most importantly promote West Kalimantan regional fashion. This building design uses a method that compares the results of observations with literature studies, comparative studies and standards applicable to fashion buildings and facilities, then analyzes the expected internal and external aspects. The design of the Pontianak Fashion Center building will be integrated with the surrounding area, and also the concept of the shape of the building which is applied from traditional clothing so that it can become a new icon of the city of Pontianak.
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Galef, David. "The Fashion Show in Ulysses." Twentieth Century Literature 37, no. 4 (1991): 420. http://dx.doi.org/10.2307/441655.
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Turner, Frederick. "Not a Slave to Fashion." Sewanee Review 121, no. 2 (2013): xxxv—xxxvii. http://dx.doi.org/10.1353/sew.2013.0048.
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Garelick, Rhonda. "Lagerfeld, Fashion, and Cultural Heritage." English Language Notes 60, no. 2 (October 1, 2022): 156–74. http://dx.doi.org/10.1215/00138282-9890835.
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Abstract When Karl Lagerfeld took over the Maison Chanel in 1983, its founder, Coco Chanel, had been dead for twelve years, and the iconic brand was foundering. Once the epitome of French glamour, history, and feminine luxury, the house was rapidly losing prestige and relevance. Lagerfeld revived the brand through a complex reinterpretation of its iconography, its founder’s persona, and especially its relationship to French identity and patrimoine culturel—cultural patrimony. His reign at Chanel amounted to a de facto commentary on nationality, personality, style, and gender, demonstrating how history and politics get filtered and expressed through fashion.
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Okasaki, Aymê. "Fashion in Așǫs." English Language Notes 60, no. 2 (October 1, 2022): 121–43. http://dx.doi.org/10.1215/00138282-9890813.
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Abstract This article discusses the concept of Afro-Brazilian fashion in Candomblé, considering their transatlantic symbolic exchanges in an aesthetics of dress, based on the four vectors proposed by Cunnington—fabric, color, shape, and mobility—through which fashion is expressed. In the eighteenth and nineteenth centuries, Brazil received ships from the African coast with așǫ oke, a handwoven fabric created by the Yorùbás to be used as head wraps or to be sewn and worn as shawls by Black women. This and other fabrics, such as wax prints, enter the terreiros as a search for aesthetic identity through clothing, especially during the second half of the twentieth century with the (re)Africanization movement. In this scenario, fabric and color join the shapes and silhouettes of Candomblé costumes to create aesthetic crossovers. While silhouettes common to Brazil’s colonial period meet the various forms of fabric binding in traditional Candomblé costumes, the (re)Africanized terreiros bring more rectangular shapes to their dress. Adorning these costumes are the insignias worn by the òrìṣàs, which act as an extension of their gestures. Wielding, wearing, and adorning themselves with different insignias on their arms, head, and legs, the òrìṣàs dramatize their mythical stories, in narrative and symbolic performances of dress. Thus the Afro-Atlantic fashion seen in these costumes escapes the boundaries of Euro-Western fashion.
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Yanev, Kristiyan. "Variations on Bulgarian Interwar Literature." Zeszyty Cyrylo-Metodiańskie 12 (December 15, 2023): 222–27. http://dx.doi.org/10.17951/zcm.2023.12.222-227.
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A review of two monographs on Bulgarian literature of the 1920s and 1930s: Stoyanova, Nadezhda. Adornments and Grimaces. Fashion and Modernity in Bulgarian Literature of the 1920s and 1930s. Sofia: Paradigma, 2022, 378 pp. [In Bulgarian: Стоянова, Надежда. Украси и гримаси. Мода и модерност в българската литература от 20-те и 30-те години на ХХ век. София: Парадигма, 2022.]; Ruseva, Maria. Poetics of the Road in Bulgarian Literature of the 1920s and 1930s. Sofia University Press, 2022, 348 pp. [In Bulgarian: Русева, Мария. Поетика на пътя в българската литература от 20-те и 30-те години на ХХ век. София: УИ Св. Климент Охридски, 2022.] The review analyzes the literary motives and themes, as well as theoretizations of Modernity common for both studies. It argues that however the authors focus on the dramatic context of the interwar period and questions on identity and self-expression, they propose different ways out of traumatic experieces, as well as paths to self-realization through fashion or travel.
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Mukendi, Amira, Iain Davies, Sarah Glozer, and Pierre McDonagh. "Sustainable fashion: current and future research directions." European Journal of Marketing 54, no. 11 (February 27, 2020): 2873–909. http://dx.doi.org/10.1108/ejm-02-2019-0132.
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Purpose The sustainable fashion (SF) literature is fragmented across the management discipline, leaving the path to a SF future unclear. As of yet, there has not been an attempt to bring these insights together or to more generally explore the question of “what is known about SF in the management literature and where could the SF field go from there?”. The purpose of this paper is to bring together the field to identify opportunities for societal impact and further research. Design/methodology/approach A systematic literature review was conducted from the first appearances of SF in the management literature in 2000 up to papers published in June 2019, which resulted in 465 included papers. Findings The results illustrate that SF research is largely defined by two approaches, namely, pragmatic change and radical change. The findings reveal seven research streams that span across the discipline to explore how organisational and consumer habits can be shaped for the future. Research limitations/implications What is known about SF is constantly evolving, therefore, the paper aims to provide a representative sample of the state of SF in management literature to date. Practical implications This review provides decision makers with insights that have been synthesised from across the management field. Originality/value This review identifies knowledge gaps and informs managerial decision making in the field, particularly through serving as a foundation for further research.
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Liang, Samuel Y. "Amnesiac Monument, Nostalgic Fashion." Wasafiri 23, no. 3 (September 2008): 47–55. http://dx.doi.org/10.1080/02690050802205357.
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Amin, Md Rohul, Mridha Younus, Shakhauat Hossen, and Ashikur Rahman. "ENHANCING FASHION FORECASTING ACCURACY THROUGH CONSUMER DATA ANALYTICS: INSIGHTS FROM CURRENT LITERATURE." ACADEMIC JOURNAL ON BUSINESS ADMINISTRATION, INNOVATION & SUSTAINABILITY 4, no. 2 (June 12, 2024): 54–66. http://dx.doi.org/10.69593/ajbais.v4i2.69.
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The fashion industry is characterized by its fast-paced nature and constant evolution of consumer preferences, making accurate fashion forecasting essential for brands to remain competitive. Traditional forecasting methods, which rely heavily on historical sales data and expert intuition, are increasingly being complemented or replaced by advanced consumer data analytics. This article explores the integration of consumer data analytics into fashion forecasting, drawing insights from recent literature. By examining methodologies such as machine learning, big data analytics, and AI, as well as utilizing diverse data sources including social media, online shopping behaviors, and mobile data, this study highlights the significant improvements in trend prediction accuracy and operational efficiency. Key findings indicate that data-driven approaches provide more precise and real-time insights into consumer preferences, enabling brands to better anticipate market demands and optimize inventory management. The discussion underscores the transformative potential of consumer data analytics in enhancing the overall effectiveness of fashion forecasting.
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Akou, Heather Marie. "Beyond Listening: Systemic Transformation in Fashion Studies and Fashion Collections." African Arts 55, no. 2 (2022): 6–7. http://dx.doi.org/10.1162/afar_a_00649.
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Goody, Alex. "Jessica Burstein Cold Modernism: Literature, Fashion, ArtCold Modernism: Literature, Fashion, Art. Jessica Burstein. University Park: Pennsylvania State University Press, 2012. Pp. ix+321." Modern Philology 112, no. 1 (August 2014): E126—E128. http://dx.doi.org/10.1086/675959.
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Aiolfi, Simone, and Edoardo Sabbadin. "Fashion and New Luxury Digital Disruption: The New Challenges of Fashion between Omnichannel and Traditional Retailing." International Journal of Business and Management 14, no. 8 (July 7, 2019): 41. http://dx.doi.org/10.5539/ijbm.v14n8p41.
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The digital transformation has changed the rules of the game even in the world of fashion, luxury and fast-fashion retail. The fashion system today faces the challenge of renewing business models to intercept changes in purchasing and consumption behavior. Competition is played in the ability to create multi and omnichannel business models. The present work, after a careful analysis of the literature and the changes that have taken place in the fashion world, aims to study some innovative business models in the fashion system and in particular to investigate the perspectives of the physical store threatened by the digital transformation. The research offers points for reflection on the future of omnichannel fashion retailing. Will technology be able to create value for new consumers in the future? Moreover, from the retailers’ perspective, case analysis will clarify which technologies are characterizing fashion sales points with the best performances in Retail 4.0. Finally, a section will be dedicated to the presentation of a theoretical framework on the adoption of omnichannel fashion retailing figured out through a review of the literature and managerial implications.
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Oliveira, Rimena Canuto, Irenilza de Alencar Näas, and Solimar Garcia. "Fashion Industry 4.0: A Bibliometric Review in the Fashion Industry." Research, Society and Development 11, no. 12 (September 22, 2022): e490111234203. http://dx.doi.org/10.33448/rsd-v11i12.34203.
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The fourth industrial revolution, or Industry 4.0 is characterized as information technology enabling complete digital connectivity, bringing together modern human life's physical, digital, and organic elements. In the competitive world of clothing, fashion and footwear, integrated technologies are constantly advancing, and the fashion industry needs to adapt to market standards. Given the above, this research aimed to search the literature in a bibliometric way on the evolution of the current situation of industry 4.0 fashion. In the present study, the research question that guided him is: What are the interventions of Industry 4.0 in the fashion industry? The bibliometric review is a contemporary view compared to the traditional bibliographic review, as the latter only allows an overview of specific subjects and is used as an argument for further research. A total of 16 articles demonstrated an overall performance of the technology in fashion, ranging from fabric production, eco-technology to reduce emissions and pollutants, technologies in production, distribution, marketing, and sales, in addition to having points for the sake of education. The application of IT in the structural organization of the form of production was the most highlighted by the studies and brought innovations in it, such as the application of 3D technology and intelligent and technological fabrics.
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Delimarta, Florencia Devina, and Raden Aswin Rahadi. "CUSTOMER PREFERENCES ON SUSTAINABLE FASHION PURCHASES: A CONCEPTUAL MODEL." International Journal of Entrepreneurship and Management Practices 4, no. 13 (March 10, 2021): 78–88. http://dx.doi.org/10.35631/ijemp.413006.
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This research purpose is to investigate customer motivation when purchasing sustainable fashion. These research objectives are to investigate customers' perception toward sustainable fashion, to determine the preferences of customers in buying sustainable fashion, and the range of price limits of customers in purchasing sustainable fashion. Therefore, for this research, there are several papers that are being reviewed and preliminary research being conducted. The literature analysis and preliminary studies have shown that customer preferences such as Price, Quality, Design, Brand Image, and Promotion influencing sustainable fashion purchases. Based on the literature review and preliminary study, this research was able to produce a simple conceptual framework. This research’ findings will be useful for fashion brand owners in developing their business. These findings can be useful to create pricing strategies, marketing strategies, and product strategies.
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de Aguiar Hugo, Andreza, Jeniffer de Nadae, and Renato da Silva Lima. "Can Fashion Be Circular? A Literature Review on Circular Economy Barriers, Drivers, and Practices in the Fashion Industry’s Productive Chain." Sustainability 13, no. 21 (November 5, 2021): 12246. http://dx.doi.org/10.3390/su132112246.
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Circular economy (CE) principles have gained prominence in the fashion industry since it is a highly polluting industry and requires sustainable changes. Even though there are several CE initiatives already in place within the fashion production chain, changes towards CE are still slow. This study seeks to identify the drivers, barriers, and practices that influence implementing circular economy concepts in the fashion industry production chain using a systematic literature review. The results show that some more barriers and criteria keep consumers away from circular fashion concepts than drivers. These barriers include fast fashion consumer culture, even though more consumers are environmentally conscious. This is because awareness has not reached large-scale populations, despite the world being more aware of social and environmental issues. Consumers still do not see ethical and ecological problems associated with the fashion industry and continue to be targeted for large fast fashion retailers that sell a misguided version of consumerism. This study contributes to both academia and new fashion business models that seek to become more sustainable since it presents opportunities for investments and the obstacles that must be overcome for reaching CE within this sector.