Relevant bibliographies by topics / Fashion and visual art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fashion and visual art'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Fashion and visual art"

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Miller, Sanda. "Fashion as Art; is Fashion Art?" Fashion Theory 11, no. 1 (March 2007): 25–40. http://dx.doi.org/10.2752/136270407779934551.

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Beltrán-Rubio, Laura. "Reading Fashion in Art." Dress 47, no. 1 (January 2, 2021): 103–5. http://dx.doi.org/10.1080/03612112.2021.1872973.

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Durst, Elizabeth. "Russian Art Nouveau Fashion." Experiment 7, no. 1 (2001): 209–32. http://dx.doi.org/10.1163/2211730x-00701009.

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Genç, Çağlar, Oğuz Turan Buruk, Oğuzhan Özcan, Sejda Inal Yilmaz, and Kemal Can. "Forming Visual Expressions With Augmented Fashion." Visual Communication 16, no. 4 (September 26, 2017): 427–40. http://dx.doi.org/10.1177/1470357217714652.

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Wearable devices have a crucial impact on our bodies since they directly affect our appearance. However, wearable design practitioners focus more on the practical functionalities of the technology, leaving more investigation needed on what kind of visual expressions the technology might enable on wearable devices. With a critical approach on this functional perspective, the authors conducted a design workshop with fashion design and engineering students in which they first created art expressions and then wearable devices by using technological components. This practitioner’s essay reflects on
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Goodrum, Alison L. "Exhibition Review: Flaunt: Art/Fashion/Culture." Fashion Theory 9, no. 1 (March 2005): 89–94. http://dx.doi.org/10.2752/136270405778051482.

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Radford, Robert. "Dangerous Liaisons: Art, Fashion and Individualism." Fashion Theory 2, no. 2 (May 1998): 151–63. http://dx.doi.org/10.2752/136270498779571103.

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Duncan, Alexandra. "Digitization after a fashion: The art of compromise." Art Libraries Journal 42, no. 1 (December 15, 2016): 55–60. http://dx.doi.org/10.1017/alj.2016.47.

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A case study concerning the in-house digitization of a small collection of Central Saint Martins graduate fashion shows. The background of the collection is outlined (VHS and DVD recordings spanning from 1979 to present), as well as the workflow put in place to deal with the technical aspects of recording, cataloguing, processing and archiving an audio-visual collection with minimal budget and staffing.
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Szkoda, Ena. "Exhibition Review: Art/Fashion. Guggenheim Museum SoHo." Fashion Theory 1, no. 3 (August 1997): 321–27. http://dx.doi.org/10.2752/136270497779640107.

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Loreck, Hanne. "De/constructing Fashion/Fashions of Deconstruction: Cindy Sherman's Fashion Photographs." Fashion Theory 6, no. 3 (August 2002): 255–75. http://dx.doi.org/10.2752/136270402790577604.

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Kim, Dong Ok, and Jung Hwa Choi. "Analysis of Fashion Design Reflected Visual Properties of the Generative Art." Journal of the Korean Society of Clothing and Textiles 41, no. 05 (October 31, 2017): 825–39. http://dx.doi.org/10.5850/jksct.2017.41.5.825.

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Dissertations / Theses on the topic "Fashion and visual art"

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Lee, Youjung. "A study on the application of contemporary visual art into flagship stores of luxury fashion brands." Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/8568.

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Luxury fashion brands face a new challenge as to how to sustain brand growth while maintaining the exclusivity of brands due to the democratisation of the luxury phenomenon which is mainly driven by the emergence of ‘new luxury’ and changes of consumption style ‘trading up’. Luxury consumers are becoming disillusioned with the vulgarisation of luxury goods and prefer exclusive luxurious experiences. In order to keep pace with the changes in luxury consumer needs and promote an image with creative and luxurious connotations, luxury brands increasingly associate with contemporary visual art thro
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Silberstein, Rachel. "Embroidered figures : commerce and culture in the late Qing fashion system." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:3f170232-4836-47ee-a535-901834528b21.

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Contrary to Westerners' long-maintained denial of fashion in Chinese dress, recent scholarship has provided convincing textual evidence of fashion in early modern China. Research into this fashion commentary has complicated our understanding of Chinese consumption history, yet we still know little about fashion design, production, or dissemination. By prioritising the textual over the visual or material, this history remains confined to the written source, rather than asking what objects might tell us of Qing fashions. Though many fashionable styles of dress survive in Western museums, these a
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Kim, Pielah. "A New Approach to Co-branding: Visual Artist and Fashion Retailer Ingredient Branding and Hedonic Brand Extension." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436882468.

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Du, Preez Martelize. "The construction of multiple identites in the display of women as objects of desire and submission." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1731.

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Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006.<br>As manufacturing jewellery artist, I have found that it is now most often women rather than men who commission or purchase jewellery. These women often earn substantial salaries and therefore they are in a position to indulge freely in what traditionally was considered the frivolous pursuit of beauty. Consequently, women are challenging expectations that they be submissive and desirable display objects, thereby signifying their dependence on male economical power. The aim of this research is to encourage transformation a
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Söderström, Carina. "Garderobstaktik som visuell retorik : En kvalitativ studie av tre Youtube-influencers argumentation för en hållbar personlig still." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444268.

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Under det senaste årtiondet har sociala medier använts av mode-influencers till att sprida sina budskap om personlig stil. Med de senaste årens klimatintresse har början till ett skifte skett från att uppmuntra till konsumtion till att i stället skapa medvetenhet om textilindustrins negativa påverkan på miljön. Syftet med denna masteruppsats är att göra en visuell kulturstudie av tre av dessa influencers argumentation genom de filmer de publicerar på Youtube. Den undersöker hur de använder visuell retorik i filmerna för att göra ett trovärdigt intryck och på så vis locka till sig en allt störr
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Söderström, Carina. "Garderobstaktik som visuell retorik : En kvalitativ studie av tre Youtube-influencers argumentation för en hållbar personlig stil." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444268.

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Under det senaste årtiondet har sociala medier använts av mode-influencers till att sprida sina budskap om personlig stil. Med de senaste årens klimatintresse har början till ett skifte skett från att uppmuntra till konsumtion till att i stället skapa medvetenhet om textilindustrins negativa påverkan på miljön. Syftet med denna masteruppsats är att göra en visuell kulturstudie av tre av dessa influencers argumentation genom de filmer de publicerar på Youtube. Den undersöker hur de använder visuell retorik i filmerna för att göra ett trovärdigt intryck och på så vis locka till sig en allt störr
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Larsson, Josefin. "Exquisite corpse : Exploring the methods of surrealism to challenge the hierarchies of body, dress and accessories." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-13011.

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Just as the surrealistic movement challenged our perception of reality, the present work applies surrealistic methods to challenge our preconceived hierarchies between body, dress, and accessory. Adding to past surrealistic work in fashion design, the present work does not only strive to create surrealistic expressions, but to enhance the creative process through surrealistic methods. Three surrealistic methods were tested: Entopic Graphomani, Frottage, and Exquisite Corpse. The methods ability to challenge hierarchies between body, dress, and accessory was assessed through their ability to re
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Greenidge, Giselle C. M. "The Role of Male Fashion in Protests against the Majority Culture: An Exploratory Study." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538656/.

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Throughout history, the Black Diaspora has used fashion as a form of protest. The element of fashion is often overlooked when considering the history and struggle for Black equality, because it is less tangible or definable in terms of its influence and effect, but it is still important because Black males resist the dominant culture via dress by dressing in military uniforms, creating their own style, and using different colors in their dress. Studying the Black struggle in American history during specific periods is one way to better understand opposition to the majority culture through fash
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Diliwi, Avesta, and Josefin Bäcker. "Are You Creating Socially Responsible Visual Communication? : An Exploratory Study of Fashion Companies’ External Social Responsibility on Instagram: A Marketer’s Perspective." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-21905.

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Background: Following the development of digitalization and the emergence of social media a lot of attention has been drawn upon how these platforms are influencing the fashion industry and fashion marketing. As society is becoming more ethics and health conscious, fashion companies’ visual representations in social media are drawing more attention - who is represented and how are these representations portrayed. Previous research has shown that white and thin models are a recurrent over-representation in media, consumers through these see the ‘ideal’ or stereotypical body types or norms, and
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Corrêa, Clecius Campos. "Agentes da modernização: os artistas plásticos e suas atuações na arte, na moda e na imprensa brasileiras dos anos 1950 e 1960." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/4061.

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Books on the topic "Fashion and visual art"

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1956-, Huang Martha Elizabeth, ed. China chic: A visual memoir of Chinese style and culture. New York: ReganBooks, 2000.

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Finkelstein, Joanne. The art of self invention: Image and identity in popular visual culture. London: I.B. Tauris, 2007.

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Germano, Celant, and Guggenheim Museum Soho, eds. Art/fashion. New York: Distributed Art Publishers, 1997.

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Art & fashion. London: Thames & Hudson, 2000.

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Lussier, Suzanne. Art deco fashion. Boston: Bulfinch Press, 2003.

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Art deco fashion. Boston: Bulfinch Press, 2003.

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Art and fashion. London: Batsford, 2005.

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Gersten, Rita. Fashion art for the fashion industry. New York: Fairchild Publications, 1989.

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1952-, Doonan Simon, ed. Fashion. San Francisco: Chronicle Books, 2004.

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Weber, Edith. Art nouveau & art deco fashion postcards. Atglen, PA: Schiffer Pub., 2009.

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Book chapters on the topic "Fashion and visual art"

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Weinstein, Jeff. "Is Clothing Art?" In Fashion Statements, 69–72. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230115408_10.

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Liu, Si, Lisa M. Brown, Qiang Chen, Junshi Huang, Luoqi Liu, and Shuicheng Yan. "Visual Attributes for Fashion Analytics." In Visual Attributes, 215–43. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50077-5_9.

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Allen, Rob, and Nina Krebs. "Visual Art." In Dramatic Psychological Storytelling, 82–92. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230800557_9.

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Hickman, Richard, and Rebecca. "Visual Art." In The SAGE Handbook of Curriculum, Pedagogy and Assessment: Two Volume Set, 343–57. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2016. http://dx.doi.org/10.4135/9781473921405.n22.

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Taylor, Jeffrey. "Art history, art criticism, and the art press." In Visual Arts Management, 103–10. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315543666-12.

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Taylor, Jeffrey. "Art fairs." In Visual Arts Management, 71–78. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315543666-8.

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"Art Direction." In The Visual Dictionary of Fashion Design, 24. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2007. http://dx.doi.org/10.5040/9781474218573.0012.

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Mayer, Hylton R., and Marc L. Weitzman. "Automated Perimetry in Glaucoma." In Visual Fields. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780195389685.003.0009.

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Clinical experience and multiple prospective studies, such as the Collaborative Normal Tension Glaucoma Study and the Los Angeles Latino Eye Study, have demonstrated that the diagnosis of glaucoma is more complex than identifying elevated intraocular pressure. As a result, increased emphasis has been placed on measurements of the structural and functional abnormalities caused by glaucoma. The refinement and adoption of imaging technologies assist the clinician in the detection of glaucomatous damage and, increasingly, in identifying the progression of structural damage. Because visual field defects in glaucoma patients occur in patterns that correspond to the anatomy of the nerve fiber layer of the retina and its projections to the optic nerve, visual functional tests become a link between structural damage and functional vision loss. The identification of glaucomatous damage and management of glaucoma require appropriate, sequential measurements and interpretation of the visual field. Glaucomatous visual field defects usually are of the nerve fiber bundle type, corresponding to the anatomic arrangement of the retinal nerve fiber layer. It is helpful to consider the division of the nasal and temporal retina as the fovea, not the optic nerve head, because this is the location that determines the center of the visual field. The ganglion cell axon bundles that emanate from the nasal side of the retina generally approach the optic nerve head in a radial fashion. The majority of these fibers enter the nasal half of the optic disc, but fibers that represent the nasal half of the macula form the papillomacular bundle to enter the temporal-most aspect of the optic nerve. In contrast, the temporal retinal fibers, with respect to fixation, arc around the macula to enter the superotemporal and inferotemporal portions of the optic disc. The origin of these arcuate temporal retinal fibers strictly respects the horizontal retinal raphe, temporal to the fovea. As a consequence of this superior-inferior segregation of the temporal retinal fibers, lesions that affect the superotemporal and inferotemporal poles of the optic disc, such as glaucoma, tend to cause arcuateshaped visual field defects extending from the blind spot toward the nasal horizontal meridian.
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Lucey, Patrick, Gerasimos Potamianos, and Sridha Sridharan. "Visual Speech Recognition Across Multiple Views." In Visual Speech Recognition, 294–325. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-186-5.ch010.

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It is well known that visual speech information extracted from video of the speaker’s mouth region can improve performance of automatic speech recognizers, especially their robustness to acoustic degradation. However, the vast majority of research in this area has focused on the use of frontal videos of the speaker’s face, a clearly restrictive assumption that limits the applicability of audio-visual automatic speech recognition (AVASR) technology in realistic human-computer interaction. In this chapter, the authors advance beyond the single-camera, frontal-view AVASR paradigm, investigating various important aspects of the visual speech recognition problem across multiple camera views of the speaker, expanding on their recent work. The authors base their study on an audio-visual database that contains synchronous frontal and profile views of multiple speakers, uttering connected digit strings. They first develop an appearance-based visual front-end that extracts features for frontal and profile videos in a similar fashion. Subsequently, the authors focus on three key areas concerning speech recognition based on the extracted features: (a) Comparing frontal and profile visual speech recognition performance to quantify any degradation across views; (b) Fusing the available synchronous camera views for improved recognition in scenarios where multiple views can be used; and (c) Recognizing visual speech using a single pose-invariant statistical model, regardless of camera view. In particular, for the latter, a feature normalization approach between poses is investigated. Experiments on the available database are reported in all above areas. This chapter constitutes the first comprehensive study on the subject of visual speech recognition across multiple views.
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"Overview and Benefits of Visual Assessments." In Cross-Cultural Analysis of Image-Based Assessments, 1–17. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-2691-9.ch001.

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This chapter presents a motivation for why it is essential that assessments move toward incorporating images, whether in conjunction with text, or instead of text. A discussion of the motivation stemming from a technologically savvy and media saturated generation with limited attention span general creates a need to update the thinking around assessments. This discussion is followed by an overview of what visual assessments are, and how they have been used historically. The benefits of visual assessments are detailed along with the limitations of visual assessments. A discussion of the power of images over text are presented along with familiar examples of how we use images to communicate information in a clear, concise and quick fashion are presented. The chapter concludes with examples of some visual assessments in use, although greater detail is reserved for Chapter 2.
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Conference papers on the topic "Fashion and visual art"

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Ningsih, Yosepin, and Jeani Widjaja. "Analysis of Fashion Product using Traditional Woven Textile and The Correlation with The Trend in Indonesia." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294882.

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Hou, Min, Le Wu, Enhong Chen, Zhi Li, Vincent W. Zheng, and Qi Liu. "Explainable Fashion Recommendation: A Semantic Attribute Region Guided Approach." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/650.

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In fashion recommender systems, each product usually consists of multiple semantic attributes (e.g., sleeves, collar, etc). When making cloth decisions, people usually show preferences for different semantic attributes (e.g., the clothes with v-neck collar). Nevertheless, most previous fashion recommendation models comprehend the clothing images with a global content representation and lack detailed understanding of users' semantic preferences, which usually leads to inferior recommendation performance. To bridge this gap, we propose a novel Semantic Attribute Explainable Recommender System (S
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Fan, Zhihao, Zhongyu Wei, Piji Li, Yanyan Lan, and Xuanjing Huang. "A Question Type Driven Framework to Diversify Visual Question Generation." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/563.

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Visual question generation aims at asking questions about an image automatically. Existing research works on this topic usually generate a single question for each given image without considering the issue of diversity. In this paper, we propose a question type driven framework to produce multiple questions for a given image with different focuses. In our framework, each question is constructed following the guidance of a sampled question type in a sequence-to-sequence fashion. To diversify the generated questions, a novel conditional variational auto-encoder is introduced to generate multiple
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Košak, Karin, Deja Muck, Marjeta Čuk, and Tanja Nuša Kočevar. "3D printed jewellery design process based on sculpture inspiration." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p57.

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In the article we present the educational process in which design students were guided through their design process, creating 3D printed jewellery inspired by the Forma Viva sculptures of the outdoor gallery Kostanjevica na Krki. The assignment was part of the international project Cumulus Re/Forma Viva, whose main goal was to implement digitization using 3D technology in the field of education for the preservation of cultural heritage. The task given to the 1st year masters students of Fashion and Textile Design at the Department of Textiles, Graphic arts and Design at the University of Ljubl
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Taube, M. V., A. N. Goltsova, and T. M. Borisova. "TRANSFORMATION OF NATIONAL MOTIVES IN MODERN SKIN ACCESSORIES." In TWEET-FENTS. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-266-0-2020-1005.

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Modern approaches to the formation of a new assortment of leather products are considered. The methods of transformation of the initial visual material are shown on the example of the ornament used in the national costume. The integration processes in the fashion industry are based on the borrowings of that il other national costume, national attributes. For a stably sought-after assortment of leather goods, a mental design is preferable.
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Bekk, N. V., A. N. Goltsova, A. V. Rajapova, and T. Sh Safiev. "TRANSFORMATION OF NATIONAL MOTIVES IN MODERN SKIN ACCESSORIES." In TWEET-FENTS. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-266-0-2020-1025.

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Modern approaches to the formation of a new assortment of leather products are considered. The methods of transformation of the initial visual material are shown on the example of the ornament used in the national costume. The integration processes in the fashion industry are based on the borrowings of that il other national costume, national attributes. For a stably sought-after assortment of leather goods, a mental design is preferable.
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Suo, Wei, MengYang Sun, Peng Wang, and Qi Wu. "Proposal-free One-stage Referring Expression via Grid-Word Cross-Attention." In Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. California: International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/143.

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Referring Expression Comprehension (REC) has become one of the most important tasks in visual reasoning, since it is an essential step for many vision-and-language tasks such as visual question answering. However, it has not been widely used in many downstream tasks because it suffers 1) two-stage methods exist heavy computation cost and inevitable error accumulation, and 2) one-stage methods have to depend on lots of hyper-parameters (such as anchors) to generate bounding box. In this paper, we present a proposal-free one-stage (PFOS) model that is able to regress the region-of-interest from
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Feng, Ranran, and Balakrishnan Prabhakaran. "Facilitating fashion camouflage art." In the 21st ACM international conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2502081.2502121.

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Guo, Dan, Yang Wang, Peipei Song, and Meng Wang. "Recurrent Relational Memory Network for Unsupervised Image Captioning." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. California: International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/128.

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Unsupervised image captioning with no annotations is an emerging challenge in computer vision, where the existing arts usually adopt GAN (Generative Adversarial Networks) models. In this paper, we propose a novel memory-based network rather than GAN, named Recurrent Relational Memory Network (R2M). Unlike complicated and sensitive adversarial learning that non-ideally performs for long sentence generation, R2M implements a concepts-to-sentence memory translator through two-stage memory mechanisms: fusion and recurrent memories, correlating the relational reasoning between common visual concept
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Al-Halah, Ziad, Rainer Stiefelhagen, and Kristen Grauman. "Fashion Forward: Forecasting Visual Style in Fashion." In 2017 IEEE International Conference on Computer Vision (ICCV). IEEE, 2017. http://dx.doi.org/10.1109/iccv.2017.50.

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Reports on the topic "Fashion and visual art"

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Galenson, David. Language in Visual Art: The Twentieth Century. Cambridge, MA: National Bureau of Economic Research, March 2008. http://dx.doi.org/10.3386/w13845.

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Reeves-DeArmond, Genna. Visual rhetoric: Significance and application to fashion and dress scholarship. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-541.

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Lapolla, Kendra, Jaclyn Gordyan, and Brian Lapolla. Critiquing Design Aesthetics in Collaborative Fashion Creation: Design Conversations with a Fashion Designer, an Architect, and Art Director. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-901.

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Gorea, Adriana, and Katya Roelse. Criteria Decision Matrix Applied to Pedagogy: A Pilot Study for Fashion Art Studio. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1134.

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Galenson, David. Portraits of the Artist: Personal Visual Art in the Twentieth Century. Cambridge, MA: National Bureau of Economic Research, April 2008. http://dx.doi.org/10.3386/w13939.

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Jang, Ju Yeun, So-Yeon Yoon, Eunsoo Baek, and Ho Jung Choo. The Effects of Visual Complexity in a Fashion Store Environment on Consumer Emotions and Approach Behavior. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1328.

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Leslie, Catherine Amoroso, and Diane G. Scillia. Northern Renaissance: Art and the Birth of Fashion, a collaborative progression from multidisciplinary through interdisciplinary to transdisciplinary. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-367.

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Huang, Ran, and Sejin Ha. The Role of Need for Cognition in Consumers' Mental Imagery: A Study of Visual Social Media of Fashion Brands. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1307.

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Jung, Dongjin, Hyosun An, and Minjung Park. Analysis of Gucci Runway Images Using an Artificial Intelligence Based Visual Search Tool: A Comparison of Fashion Styles by Creative Directors. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8264.

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Magie, Anna A., and Deborah D. Young. Building Bookstore Displays: A Collaboration Between University Fashion Students and Campus Bookstore to Develop Merchandising, Management, and Leadership Skills Through the Development of Visual Displays. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1839.

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