Relevant bibliographies by topics / Fashion Designer

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fashion Designer'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Fashion Designer"

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Guedes, M. G., and A. Buest. "Fashion designer, fashion consumer, fashion learner." IOP Conference Series: Materials Science and Engineering 459 (December 7, 2018): 012043. http://dx.doi.org/10.1088/1757-899x/459/1/012043.

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Hatef Jalil, Marzie, and Siti Shukhaila Shaharuddin. "Fashion Designer Behavior Toward Eco-Fashion Design." Journal of Visual Art and Design 12, no. 1 (2020): 1. http://dx.doi.org/10.5614/j.vad.2020.12.1.1.

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Jang, Namkyung. "Fashion Designer Competency Modeling." Fashion & Textile Research Journal 20, no. 4 (2018): 369–78. http://dx.doi.org/10.5805/sfti.2018.20.4.369.

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Kemeny, Richard. "Facebook's AI fashion designer." New Scientist 238, no. 3173 (2018): 8. http://dx.doi.org/10.1016/s0262-4079(18)30636-5.

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Picarelli, Enrica. "Selly Raby Kane: Surrealist Designer and Social Innovator." Fashion Studies 2, no. 1 (2019): 1–31. http://dx.doi.org/10.38055/fs020107.

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Selly Raby Kane is a renowned Senegalese fashion designer and artist involved in Africa’s booming art and design movement. Kane is an interesting case study to grasp fashion’s involvement in Africa’s current debate surrounding identity and empowerment through innovation. This article discusses Kane’s designs in light of her contribution not only to contemporary approaches to African fashion that emphasize individuality, but also to effecting change through fashion, examining the ways in which she mixes symbols, signs, and techniques of African and international cultures to inscribe Africa, and
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Geraffo, Monica. "The house of Van Dyne: Defining Marvel’s superhero fashion designer." Film, Fashion & Consumption 9, no. 2 (2020): 201–23. http://dx.doi.org/10.1386/ffc_00020_1.

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Marvel Comics superhero and founding member of The Avengers Janet Van Dyne, the Wasp, has been portrayed as an in-canon fashion designer not just of superhero costumes but also of civilian clothing. Through her continuous usage as a narrative device that functions as an authority on style and taste, the proliferous designs depicted as created by Van Dyne over her almost sixty-year history have expanded to be worn by so many heroes across the Marvel Universe that they subconsciously define our overall conceptions of superhero fashion. This article evaluates Van Dyne’s fictional fashion designs
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Ratna, S., N. Luthfiyah, and S. Sondang. "Analysis of skill fashion designer." Journal of Physics: Conference Series 1273 (November 2019): 012052. http://dx.doi.org/10.1088/1742-6596/1273/1/012052.

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Beazley, Tammy M. "Designer meshes metallursu with fashion." JOM 50, no. 11 (1998): 26–27. http://dx.doi.org/10.1007/s11837-998-0282-x.

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Dykhnych, Liudmyla. "Visual Art as a Means of Presenting a Fashion Designer's Creative Idea." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 213–26. https://doi.org/10.31866/2410-1915.24.2023.287699.

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<i>The aim of the article </i>is to identify the types and functions of fashion graphics as a means of visualising the ideas and concepts of a fashion designer. <i>Results</i>. The role of visual art in expressing the idea of a fashion designer is characterised; based on the systematisation and analysis of examples of fashion graphics that visualise clothing models of such designers as K. Dior, Y. Saint Laurent, H. Mepen, V. Nesmiian, A. Tan, V. Anisimov, as well as the author's graphics of K. Lagerfeld, the following types of using visual art in presenting designer's ideas are identified 1) f
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Vaughan, Heather A. "Natacha Rambova: Fashion Designer (1928–1931)." Dress 33, no. 1 (2006): 21–39. http://dx.doi.org/10.1179/036121106805252972.

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Dissertations / Theses on the topic "Fashion Designer"

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Smolenska, Bogdana. "Fashion designer – Karl Lagerfeld." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13165.

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Доброродня, А. О. "British fashion designer Stella Mccartney." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10659.

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Creigh-Tyte, Anne E. Davies. "British designer fashion in the late 1990s." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13277.

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At the end of the Second Millennium, the creative talent of British fashion designer 'stars' was considered so outstanding that they were frequently poached by leading European fashion houses; Dior, Givenchy, and Chloe, bastions of the French couture establishment were all headed by British designers. However, according to Kurt Salmon Associates (1991), there existed a paradox in that the British fashion designer sector was a 'cottage industry' characterised by poor commercial performance. Preliminary investigation revealed very little theory or scholarly research about the sector or its desig
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Palermo, Daina Erin. "Herman Patrick Tappe: American fashion designer and importer." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407485555.

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Ridler, Sophie Joyce. "The designer perspective: Opportunities and Obstacles toward circular fashion." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-417960.

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Circular fashion has become a favoured option for the fashion industry to transition toward as the fast fashion industry becomes unsustainable. Current research within academia, business and policy focuses on the lifecycle stages of the garments, with the designer and design phase in focus. Research on circular economy predominantly looks at material flows and the lifecycle. This however fails to acknowledge potential innovation and the capacity for this change to occur. This study uncovers the perspectives of the designer, who are largely absent from the current research agenda, in order to i
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Bland, Kasey Dawn. "The Life and Career of Fashion Designer, George Stavropoulos." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1217262462.

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Juggessur, Joshie. "Luxury designer handbag or counterfeit? An investigation into the antecedents influencing women’s purchasing behaviour of luxury designer and counterfeit brands." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/5453.

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The drive and appeal of luxury designer products has fuelled consumer desire for luxury designer brands and their counterfeit versions. Some women value luxury designer handbags just the way men value their cars. The luxury designer handbag market has witnessed a surge of counterfeit handbag versions. The study focused on women in London, which has been ranked at number one in relation to demand levels of fashion handbags. Several antecedents were investigated for the purpose of this research, which are as follows: •Social consumption factors which incorporates an investigation into brand mea
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Steffie, Muvira Johanna. "Sustainability communication : Trend institutes’ influence on thedecision-making of a fashion designer." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-972.

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Purpose &amp; research questions: The purpose of this paper is to investigate the roleand influence trend institutes have on the decision a designer makes in the designand development of a garment/product’s lifecycle. Theoretical approach: The theoretical framework is based on the theories ofsustainability and trends but also on previous studies and models concerning thefashion design process and the environmental aspects of a garment’s lifecycle. Research Approach: The research uses a qualitative method based on multiple casestudies as research design. Conclusion: This research reveals that t
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Surrarrer, Caroline A. "BEHIND THE LABELS: LIBBY PAYNE, FASHION DESIGNER FOR "MRS. MAIN STREET AMERICA"." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461236604.

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Ranathunga, Arachchilage Sumith Chandra Gopura. "Fashion education ecosystem: Bridging the fashion knowledge gap in the Sri Lankan apparel industry." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/123905/1/Sumith%20Chandra%20Gopura_Ranathunga%20Arachchilage_Thesis.pdf.

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The export apparel industry in Sri Lanka is seeking to develop higher value fashion products and services for overseas consumers with the support of locally trained fashion designers. This thesis investigates how Sri Lankan designers are prepared by higher education and the apparel industry to acquire the necessary knowledge and skills that can contribute to the industry's development. The thesis identifies the collaborative approach of developing Sri Lankan fashion designers through higher education and apparel industry forming a "Fashion Education Eco-system".
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Books on the topic "Fashion Designer"

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Wooster, Patricia. Fashion designer. Cherry Lake Pub., 2012.

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Springsteel, Lisa. Becoming a fashion designer. John Wiley & Sons, Inc., 2013.

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Lester, Richard. John Bates: Fashion designer. ACC Editions, 2008.

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Lester, Richard. John Bates: Fashion designer. ACC Editions, 2008.

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Rauf, Don. Virtual apprentice: Fashion designer. Ferguson, 2007.

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Riehecky, Janet. Carolina Herrera: International fashion designer. Childrens Press, 1991.

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Seeling, Charlotte. Mode: Das Jahrhundert der Designer : 1900-1999. Könemann, 1999.

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Lawrie, Alexander. Fashion designer development in Central London. Hillier Parker, 1996.

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NA. Fashion Designer. Igloo Books Ltd, 2012.

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Fashion Designer. Capstone Press, 2000.

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Book chapters on the topic "Fashion Designer"

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Thomas, Sue. "Design, ethics and the designer." In Fashion Ethics. Routledge, 2017. http://dx.doi.org/10.4324/9781315109367-2.

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Tonkin, Leanne, Katherine Townsend, Jake Kaner, and David Downes. "Designer Intent and Postmodern Fashion." In Sustainability and the Fashion Industry. Routledge, 2024. http://dx.doi.org/10.4324/9781032659053-5.

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Moradei, Clizia. "Fashion Education: Cultivating Fashion Designers-Plants." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_42.

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AbstractIn the context of the contemporary social and ecological crisis, this contribution proposes a reinterpretation of current fashion design educational programs through a bio-inspired perspective, with the intent of guiding next generation fashion designers to successfully face such issues. The investigation delineates the theoretical subsoil to frame the topic by illustrating some key concepts connected to ‘fashion futuring’, ‘making kin’, plant neurobiology, collective authorship and co-design, translated within fashion studies. Specific plant neurobiology and botanical definitions are
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Stecker, Pamela. "The Role of the Designer." In The Fashion Design Manual. Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-15162-2_7.

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Claridge, Brian, and Cary L. Cooper. "Jeff Banks CBE — International Fashion Designer." In Stress in the Spotlight. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137292353_20.

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Alabi, Serah, and Judith Ogbolu. "Technology and the Future of the Fashion Designer." In Technology, Sustainability and the Fashion Industry. Routledge, 2024. http://dx.doi.org/10.4324/9781032658506-3.

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Murphy, Choy. "Prabal Gurung challenges of being a fashion designer." In Singapore Inc.: A Century of Business Success in Global Markets. Routledge, 2023. http://dx.doi.org/10.4324/9781032660547-86.

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Bai, Yuli. "Projecting Authenticity with Cultural Heritage: Chinoiserie of Contemporary Chinese Fashion Designer Brands." In Fashion in 21st Century China. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2926-6_2.

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Rees-Roberts, Nick. "The master narrative: authorship, fame, and failure in the designer fashion film." In The Routledge Companion to Fashion Studies. Routledge, 2021. http://dx.doi.org/10.4324/9780429264405-38.

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Black, Sandy, Mila Burcikova, Dilys Williams, et al. "Fostering sustainable practices: The case of micro and small designer fashion enterprises." In Accelerating Sustainability in Fashion, Clothing and Textiles. Routledge, 2023. http://dx.doi.org/10.4324/9781003272878-12.

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Conference papers on the topic "Fashion Designer"

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Wickramarathne, Poorni, Minoli De Silva, Chathurangi Weerasinghe, Heshani Nanayakkara, Pradeep Abeygunawardhana, and Suranjini Silva. "TrendiTex: An Intelligent Fashion Designer." In 2019 International Seminar on Research of Information Technology and Intelligent Systems (ISRITI). IEEE, 2019. http://dx.doi.org/10.1109/isriti48646.2019.9034631.

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Suhartini, Ratna, Ekohariadi, Urip Wahyuningsih, Yulistiana, Yuhri Inang Prihatina, and Muchlas Samani. "The Partnership Model for The Diploma of Fashion Designer and The Fashion Industry." In International Joint Conference on Arts and Humanities 2021 (IJCAH 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211223.166.

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Takamitsu, Helen T., Andrea M. Zatta, and Marizilda dos S. Menezes. "The function of fashion designer face of new virtual consumers." In 6th Information Design International Conference. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-171.

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Wu, Di, Zhiwang Yu, Nan Ma, et al. "StyleMe: Towards Intelligent Fashion Generation with Designer Style." In CHI '23: CHI Conference on Human Factors in Computing Systems. ACM, 2023. http://dx.doi.org/10.1145/3544548.3581377.

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Min, Yoo Won, Naan Ju, and Kyu-Hye Lee. "Disclosing Sustainable Business Practices for the Fashion Industry: An Analysis of Fashion Designer Entrepreneurship." In Innovate to Elevate. Iowa State University Digital Press, 2022. http://dx.doi.org/10.31274/itaa.15941.

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Lohia, Joan Valerie, Maria Florencia, and Rudy Trisno. "Home studio design for fashion designer in new-normal era." In SIXTH INTERNATIONAL CONFERENCE OF MATHEMATICAL SCIENCES (ICMS 2022). AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0126602.

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Kertakova, Marija. "Sustainable design and its importance in contemporary fashion: An analysis of the work of fashion designer Stella McCartney." In 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry – CT&ITI 2024. Union of Engineers and Technicians of Serbia, Belgrade, 2024. http://dx.doi.org/10.5937/ct_iti24038k.

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The question of sustainable design and sustainable fashion is a part of the daily life of every modern or (non)modern individual, and it integrates and subconsciously imposes the question of the way of life of a modern man in the new century. Therefore, we can say that sustainable fashion is an aspect of sustainable design and supports sustainability and modernity. Sustainable design is a design that is in function of sustainable functioning and living in clothes, which supports and benefits nature and natural laws. In relation to the latter, emphasis is placed on ecology as a driving force an
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Zhang, Mingyuan, and Shui Jin. "Fashion Designer Brand Operation Strategy Analysis Based on Internet." In 2017 2nd International Seminar on Education Innovation and Economic Management (SEIEM 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/seiem-17.2018.113.

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WANG, YI-YAN. "THE SURVIVAL OF FASHION LUXURY BRAND WHEN THE DESIGNER CHANGING: HOW TO BALANCE DESIGN AND MARKET IN ORDER TO MAINTAIN BRAND VALUE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35705.

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Fashion designer is one of dominate role in a fashion luxury brand. There are many cases that luxury fashion brand via recruiting a creative designer to revive their commercial empire. For example, Tom Ford capitalizes on ten years to make nearly bankrupt Gucci resurge, even become a bellwether that value 4.3 billion market cap in the luxury industry[1]. But, that is not mean every designer could be lucky to cooperate with a brand that match his or her design style, such as the transitory cooperation of Kalvin Klein and Raf Simons. Thus, except the cooperation situation of designer and company
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Kuo, Ta-Chang, and Huann-Ming Chou. "Estimation of the output of designer fashion industry in Taiwan." In 2016 International Conference on Advanced Materials for Science and Engineering (ICAMSE). IEEE, 2016. http://dx.doi.org/10.1109/icamse.2016.7840329.

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Reports on the topic "Fashion Designer"

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Lapolla, Kendra, Jaclyn Gordyan, and Brian Lapolla. Critiquing Design Aesthetics in Collaborative Fashion Creation: Design Conversations with a Fashion Designer, an Architect, and Art Director. Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-901.

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Jones, Katie Baker, and Jana Hawley. The house always wins: Designer appointments at historic fashion houses. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-539.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan tech
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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Wool Evening Suit. Fall 1984. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/6gzv-pb45.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening suit is from Galanos Fall 1984 collection. The skirt and bodice of the jacket are black and white plaid wool. The jacket sleeves are black mink with leather inserts that contrast the sheen of the leather against the luster of the mink and reduce some of the bulk of the sleeve. The suit is part of The James G. Galanos Archive at Drexel University gifted to Drexel University in 2
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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan tech
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Martin, Kathi, Nick Jushchyshyn, and Daniel Caulfield-Sriklad. 3D Interactive Panorama Jessie Franklin Turner Evening Gown c. 1932. Drexel Digital Museum, 2015. http://dx.doi.org/10.17918/9zd6-2x15.

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The 3D Interactive Panorama provides multiple views and zoom in details of a bias cut evening gown by Jessie Franklin Turner, an American woman designer in the 1930s. The gown is constructed from pink 100% silk charmeuse with piping along the bodice edges and design lines. It has soft tucks at the neckline and small of back, a unique strap detail in the back and a self belt. The Interactive is part of the Drexel Digital Museum, an online archive of fashion images. The original gown is part of the Fox Historic Costume, Drexel University, a Gift of Mrs. Lewis H. Pearson 64-59-7.
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Martin, Kathi, Nick Jushchyshyn, and Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished wit
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Woo, Hongjoo, Kassandra Ross, and Wi-Suk Kwon. Fashion Design Piracy and Consumers� Brand Perceptions: The Case of Corporate Copying of Independent Fashion Designers. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8791.

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Min, Seoha, and Jennifer L. Wilson. Exploring entrepreneurial processes of emerging fashion designers. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-444.

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Wei, Bingyue. Sustainable Fashion Development: Applying Transformational Design. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-269.

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