Log in

Relevant bibliographies by topics / Fashion Designer / Journal articles

To see the other types of publications on this topic, follow the link: Fashion Designer.

Journal articles on the topic 'Fashion Designer'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Fashion Designer.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Guedes, M. G., and A. Buest. "Fashion designer, fashion consumer, fashion learner." IOP Conference Series: Materials Science and Engineering 459 (December 7, 2018): 012043. http://dx.doi.org/10.1088/1757-899x/459/1/012043.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Hatef Jalil, Marzie, and Siti Shukhaila Shaharuddin. "Fashion Designer Behavior Toward Eco-Fashion Design." Journal of Visual Art and Design 12, no. 1 (2020): 1. http://dx.doi.org/10.5614/j.vad.2020.12.1.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Jang, Namkyung. "Fashion Designer Competency Modeling." Fashion & Textile Research Journal 20, no. 4 (2018): 369–78. http://dx.doi.org/10.5805/sfti.2018.20.4.369.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Kemeny, Richard. "Facebook's AI fashion designer." New Scientist 238, no. 3173 (2018): 8. http://dx.doi.org/10.1016/s0262-4079(18)30636-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Picarelli, Enrica. "Selly Raby Kane: Surrealist Designer and Social Innovator." Fashion Studies 2, no. 1 (2019): 1–31. http://dx.doi.org/10.38055/fs020107.

Full text

Abstract:

Selly Raby Kane is a renowned Senegalese fashion designer and artist involved in Africa’s booming art and design movement. Kane is an interesting case study to grasp fashion’s involvement in Africa’s current debate surrounding identity and empowerment through innovation. This article discusses Kane’s designs in light of her contribution not only to contemporary approaches to African fashion that emphasize individuality, but also to effecting change through fashion, examining the ways in which she mixes symbols, signs, and techniques of African and international cultures to inscribe Africa, and

APA, Harvard, Vancouver, ISO, and other styles

6

Geraffo, Monica. "The house of Van Dyne: Defining Marvel’s superhero fashion designer." Film, Fashion & Consumption 9, no. 2 (2020): 201–23. http://dx.doi.org/10.1386/ffc_00020_1.

Full text

Abstract:

Marvel Comics superhero and founding member of The Avengers Janet Van Dyne, the Wasp, has been portrayed as an in-canon fashion designer not just of superhero costumes but also of civilian clothing. Through her continuous usage as a narrative device that functions as an authority on style and taste, the proliferous designs depicted as created by Van Dyne over her almost sixty-year history have expanded to be worn by so many heroes across the Marvel Universe that they subconsciously define our overall conceptions of superhero fashion. This article evaluates Van Dyne’s fictional fashion designs

APA, Harvard, Vancouver, ISO, and other styles

7

Ratna, S., N. Luthfiyah, and S. Sondang. "Analysis of skill fashion designer." Journal of Physics: Conference Series 1273 (November 2019): 012052. http://dx.doi.org/10.1088/1742-6596/1273/1/012052.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Beazley, Tammy M. "Designer meshes metallursu with fashion." JOM 50, no. 11 (1998): 26–27. http://dx.doi.org/10.1007/s11837-998-0282-x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Dykhnych, Liudmyla. "Visual Art as a Means of Presenting a Fashion Designer's Creative Idea." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 213–26. https://doi.org/10.31866/2410-1915.24.2023.287699.

Full text

Abstract:

<i>The aim of the article </i>is to identify the types and functions of fashion graphics as a means of visualising the ideas and concepts of a fashion designer. <i>Results</i>. The role of visual art in expressing the idea of a fashion designer is characterised; based on the systematisation and analysis of examples of fashion graphics that visualise clothing models of such designers as K. Dior, Y. Saint Laurent, H. Mepen, V. Nesmiian, A. Tan, V. Anisimov, as well as the author's graphics of K. Lagerfeld, the following types of using visual art in presenting designer's ideas are identified 1) f

APA, Harvard, Vancouver, ISO, and other styles

10

Vaughan, Heather A. "Natacha Rambova: Fashion Designer (1928–1931)." Dress 33, no. 1 (2006): 21–39. http://dx.doi.org/10.1179/036121106805252972.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Honigman, Ana Finel. "Torn designer jeans against fast fashion." Critical Studies in Fashion & Beauty 6, no. 2 (2015): 187–205. http://dx.doi.org/10.1386/csfb.6.2.187_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Braithwaite, Naomi. "Materializing fashion: Designers, materials, ideas and the creation of designer shoes." Critical Studies in Fashion & Beauty 5, no. 1 (2014): 53–66. http://dx.doi.org/10.1386/csfb.5.1.53_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Dykhnych, Liudmyla. "Visual Art as a Means of Presenting a Fashion Designer’s Creative Idea." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 213–26. http://dx.doi.org/10.31866/2410-1915.24.2023.287699.

Full text

Abstract:

The aim of the article is to identify the types and functions of fashion graphics as a means of visualising the ideas and concepts of a fashion designer. Results. The role of visual art in expressing the idea of a fashion designer is characterised; based on the systematisation and analysis of examples of fashion graphics that visualise clothing models of such designers as K. Dior, Y. Saint Laurent, H. Mepen, V. Nesmiian, A. Tan, V. Anisimov, as well as the author’s graphics of K. Lagerfeld, the following types of using visual art in presenting designer’s ideas are identified 1) fashion illustr

APA, Harvard, Vancouver, ISO, and other styles

14

Almond, Kevin, and Caroline Riches. "Gerald McCann: The Rediscovery of a Fashion Designer." Costume 52, no. 1 (2018): 97–122. http://dx.doi.org/10.3366/cost.2018.0049.

Full text

Abstract:

This article was prompted by the discovery of the archive of international fashion designer Gerald McCann, hidden in a garage in Fleetwood, Lancashire, UK. The contents of the archive revealed a treasure trove of press cuttings, photographs, fashion drawings and interviews as well as designs and costings from a once well-known designer, whose significance to the global fashion industry is sparsely documented and largely forgotten. The article reveals the history of the designer, who graduated from the Royal College of Art in London in the 1950s, during the tenure of Professor Madge Garland, an

APA, Harvard, Vancouver, ISO, and other styles

15

Luneva, Irina. "Problems of style in modern fashion art on the example of Ianis Chamalidy's creativity." European Scientific e-Journal 1, no. 1 (2020): 47–66. https://doi.org/10.47451/art2020-08-002.

Full text

Abstract:

The article is devoted to the problems of modern Russian fashion on the example of the creative work of St Petersburg designer Ianis Chamalidi. Who is now a prominent participant in the modern art process in the field of fashion? Many magazine articles have been written about the work of this famous St Petersburg designer. Ianis Chamalidi is actively involved in creative projects. He cooperates with the State Hermitage Museum, where many of his works are kept in the collection. The author concludes that St. Petersburg designers are in a situation where they have to compete not only with repres

APA, Harvard, Vancouver, ISO, and other styles

16

Agusalim, Nadia Putri. "Fashion Business Sustainability for Fashion Designers in the Indonesian Fashion Industry." International Journal of Review Management Business and Entrepreneurship (RMBE) 1, no. 2 (2021): 144–52. http://dx.doi.org/10.37715/rmbe.v1i2.2423.

Full text

Abstract:

The fashion industry remains as one of the most highly competitive industries where many fashion designers may find it difficult to establish sustainable fashion businesses. Navigating through the fashion business and ensuring business success, growth and long-term sustainability were generally considered to be the ultimate goal and biggest challenge many fashion designers continue to struggle with. This study was aimed to determine all key factors that are integral and contribute to fashion business sustainability by presenting findings provided by three Indonesian fashion designer’s response

APA, Harvard, Vancouver, ISO, and other styles

17

Mintorwati, Mintorwati, and Irwan Yudha Hadinata. "ESMOD MODE SCHOOL IN BANJARMASIN." LANTING JOURNAL OF ARCHITECTURE 10, no. 1 (2021): 221–31. http://dx.doi.org/10.20527/lanting.v10i1.753.

Full text

Abstract:

The Design of Fashion Schools in Banjarmasin is in the background by the rapid increase of fashion needs. Some potential young designers in Indonesia also show that fashion products in Indonesia have a great potential. However, in South Kalimantan, especially Banjarmasin, does not yet have a Fashion Design high school, it makes the local people who want to become a fashion designer must study outside the island of Kalimantan. With the existence of a fashion school in Banjarmasin, it is expected that Banjarmasin and the surrounding communities who have aspirations to become a Fashion Designer o

APA, Harvard, Vancouver, ISO, and other styles

18

Mintorwati, Mintorwati, and Irwan Yudha Hadinata. "ESMOD MODE SCHOOL IN BANJARMASIN." JURNAL TUGAS AKHIR MAHASISWA LANTING 10, no. 1 (2021): 221–31. http://dx.doi.org/10.20527/jtamlanting.v10i1.753.

Full text

Abstract:

The Design of Fashion Schools in Banjarmasin is in the background by the rapid increase of fashion needs. Some potential young designers in Indonesia also show that fashion products in Indonesia have a great potential. However, in South Kalimantan, especially Banjarmasin, does not yet have a Fashion Design high school, it makes the local people who want to become a fashion designer must study outside the island of Kalimantan. With the existence of a fashion school in Banjarmasin, it is expected that Banjarmasin and the surrounding communities who have aspirations to become a Fashion Designer o

APA, Harvard, Vancouver, ISO, and other styles

19

Kim, Sun Young. "Storytelling and Meaning in Fashion Designer Documentary." Korean Journal of Human Ecology 30, no. 5 (2021): 819–36. http://dx.doi.org/10.5934/kjhe.2021.30.5.819.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Jerrard, Bob, and Sylvia Bell. "The fashion designer in the technological workplace." Digital Creativity 9, no. 2 (1998): 91–100. http://dx.doi.org/10.1080/14626269808567113.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Biragyn, Arya, and Larry W. Kwak. "Designer cancer vaccines are still in fashion." Nature Medicine 6, no. 9 (2000): 966–68. http://dx.doi.org/10.1038/79649.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Bugg, Jessica. "Fashion at the Interface: Designer—Wearer—Viewer." Fashion Practice 1, no. 1 (2009): 9–31. http://dx.doi.org/10.2752/175693809x418676.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Bartus, Raymond T. "Designer genes: Current fad or lasting fashion?" Neurobiology of Aging 10, no. 5 (1989): 415. http://dx.doi.org/10.1016/0197-4580(89)90081-x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Arutcheva, Daria D. "Transformation of Graphic Fashion Techniques in the Context of the History of Costume Design." Sphere of culture 6, no. 1 (2025): 51–60. https://doi.org/10.48164/2713-301x_2025_19_51.

Full text

Abstract:

The change in the person’s appearance in works of fine art has been accompanied by the historical evolution of a fashion drawing, its approaches and graphic techniques. This article reveals the interaction of the designer’s sketch with the embodiment of the finished costume at various points in the history of the costume. A fashion drawing is seen as a major graphic skill for a designer or a costume designer. The emergemce of illustration and magazine graphics in fashion is traced, as well as the evolution of fashion graphics in world culture. The creativity of the most outstanding fashion des

APA, Harvard, Vancouver, ISO, and other styles

25

Jocić, Sonja. "Sustainability in fashion: The role of a fashion designer in shaping a future that is ecologically acceptable and socially responsible." Tekstilna industrija 70, no. 1 (2022): 12–22. http://dx.doi.org/10.5937/tekstind2201012j.

Full text

Abstract:

In this paper the relationship between the current global crisis of environmental protection, the modern vision of sustainability in fashion and the creative process of realization of clothing items in the fashion industry is investigated from the aspect of fashion design. The fashion industry is expected to change the way garments are produced and designed, the way it communicates with consumers, and the way garments are handled at the end of a product's lifespan. In addition to all the usual aspects of creativity, a fashion designer nowadays and especially in the future is expected, to have

APA, Harvard, Vancouver, ISO, and other styles

26

Yao, Jia Hui, and Se Hwa Kim. ""Research on ‘We Media’ Use Motivation of Emerging Independent Fashion Designer - focused on Fashion Designers from Shanghai China-"." Journal of Basic Design & Art 21, no. 6 (2020): 323–37. http://dx.doi.org/10.47294/ksbda.21.6.25.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Soronen, Anne, and Tiina Mäntymäki. "Gendering of success: fashion designers in designer stories in the Finnish lifestyle magazineGloria." Feminist Media Studies 18, no. 2 (2017): 173–90. http://dx.doi.org/10.1080/14680777.2017.1358202.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Jung, Jaewoo. "Research on Employment in Korean Designer Fashion Industry." Fashion & Textile Research Journal 18, no. 3 (2016): 282–88. http://dx.doi.org/10.5805/sfti.2016.18.3.282.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Vangkilde, Kasper Tang. "Foretelling the future: The fashion designer as shaman." Anthropology Today 33, no. 2 (2017): 15–18. http://dx.doi.org/10.1111/1467-8322.12336.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Liu, Ziming. "Fashion Designer Application Based on Generative Adversarial Network." Highlights in Science, Engineering and Technology 34 (February 28, 2023): 127–35. http://dx.doi.org/10.54097/hset.v34i.5434.

Full text

Abstract:

Embodying the design from scratches has been a common problem for all designers. In some situation, clothes designers have trouble creating works that match their idea the most. Creating a fine work from a simple sketch is a tedious process of endless try-and-error. Designers spend days, weeks, or even months drawing drafts and discard them, because they need to draw the picture that best embodies the idea in their head. This study proposes a deep learning method that can generate clothes images from human sketch input, explores the effect of different image to sketch translators, different Ge

APA, Harvard, Vancouver, ISO, and other styles

31

Dalal Abdullah Al-Harthy Al-Shareef, Dalal Abdullah Al-Harthy Al-Shareef. "Technology and Conceptual Art in Fashion Shows and Designs by Iris Van Herpen." المجلة العربية للعلوم و نشر الأبحاث 7, no. 1 (2021): 31–59. http://dx.doi.org/10.26389/ajsrp.l081020.

Full text

Abstract:

The research aims to study the role of technology and conceptual art in enriching and distinguishing Iris Van Herpen designs through analysis of display information, expressive input (source of inspiration - concept - artistic vision), performance. The plastic and technological methods and treatments that the designer undertook in those shows. The research followed the descriptive and analytical approach according to the method of content analysis, by preparing a list to analyze the content of eleven of the most prominent and important fashion shows of Iris van Herpen from (2010) to (2020). A

APA, Harvard, Vancouver, ISO, and other styles

32

Guo, You Nan, and Xiao Wei Xu. "Talking Designer's Emotional State in the Fashion Creation." Advanced Materials Research 796 (September 2013): 538–41. http://dx.doi.org/10.4028/www.scientific.net/amr.796.538.

Full text

Abstract:

Designer's emotional state in the fashion creation process is the subject of long-term concern. This article attempts to clothing fabrics, clothing brand fashion and clothing design goal level, attempts to explore how designers will infuse art and technology into the fabric material and fashion design, turning it into a designer emotion materialized form..

APA, Harvard, Vancouver, ISO, and other styles

33

Millspaugh, Jennifer, and Anthony Kent. "Co-creation and the development of SME designer fashion enterprises." Journal of Fashion Marketing and Management 20, no. 3 (2016): 322–38. http://dx.doi.org/10.1108/jfmm-10-2015-0085.

Full text

Abstract:

Purpose – The purpose of this paper is to examine the co-creation of small and medium enterprise (SME) designer fashion brands during internationalisation. Design/methodology/approach – As an exploratory study, this research utilises grounded theory methodology and incorporates the use of 38 semi-structured in-depth interviews with designer fashion enterprises (DFEs) and their support network of sales and PR agencies. Findings – Co-creation was identified as an important element for the successful integration of the entrepreneurial DFE into the global fashion industry network. Within relations

APA, Harvard, Vancouver, ISO, and other styles

34

YIYAN, WANG, and NORSAADAH ZAKARIA. "Designers’ potential in sustainable fashion: a systematic literature review." Industria Textila 74, no. 06 (2023): 718–26. http://dx.doi.org/10.35530/it.074.06.2022139.

Full text

Abstract:

Given the unsustainable issues of environmental pollution, resource waste, and industrial cycle blockage, the garment industry, has sought an innovation for sustainable development led by the linear economy. The circular economy (CE) advocates closing and correcting material and energy circuits, minimising resource entry and waste, and improving emissions and energy consumption. Most practices under the existing CE model address the outcome rather than comprehending the source. As one of the most critical players in the apparel industry, designers understand the source of product development.

APA, Harvard, Vancouver, ISO, and other styles

35

Faerm, Steven. "Evolving ‘places’: The paradigmatic shift in the role of the fashion designer." Fashion, Style & Popular Culture 8, no. 4 (2021): 399–417. http://dx.doi.org/10.1386/fspc_00099_1.

Full text

Abstract:

This study examines the concept of ‘place’ in the design process and the evolving role of the fashion designer. The contemporary fashion marketplace has reached unprecedented levels of abundance. This is altering society’s relationship with design. Consumers’ basic needs are being over-met and have moved well beyond the material realm; consumers are increasingly driven by their search for meaning and emotional fulfilment through design. The result of this process is the altering of their perception of design ‘value’ from the tangible to the intangible. While the traditional values of aesthetic

APA, Harvard, Vancouver, ISO, and other styles

36

Smith, Gaye. "Inspiration and information: sources for the fashion designer and historian." Art Libraries Journal 14, no. 4 (1989): 11–16. http://dx.doi.org/10.1017/s0307472200006465.

Full text

Abstract:

A number of sources of inspiration and information, in addition to books on costume history, are invaluable to the fashion designer and the historian of fashion. They include predictions of style and market trends, visual sources of creative inspiration, and a variety of forms of historical evidence. Sources of information on style and market trends include forecasting services, trade magazines, newspapers, advertising material, and fashion magazines. Sources from which the designer can draw inspiration include paintings and visual imagery from the theatre, cinema, and popular culture. Histori

APA, Harvard, Vancouver, ISO, and other styles

37

Astaptseva, Khrystyna. "Interwar Lviv fashion designer, fashion editor and columnist Elia Olesnytska: materials for biography." Rukopisna ta knižkova spadŝina Ukraïni, no. 27 (August 11, 2021): 250–69. http://dx.doi.org/10.15407/rksu.27.250.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Rosihan, Mursyida, and Asliza Aris. "The Influence of Cultural Values Towards Creativity Enhancement: The Case of Malaysian Fashion Designers." International Journal of Art and Design 6, no. 1 (2022): 93–107. http://dx.doi.org/10.24191/ijad.v6i1.1354.

Full text

Abstract:

Malaysian fashion designers face difficulties and challenges in competing in the fashion industry due to the emerging international brands that exist in the market. Cultural values have influenced fashion designers in the process of design concept and use of textiles over time. This paper attempts to analyse the influence of cultural values on Malaysian fashion designer creativity and the elements that provide for creativity enhancement. The scope of this study was based on fashion designers located around the Klang Valley area. A qualitative approach is adopted using semi structured questions

APA, Harvard, Vancouver, ISO, and other styles

39

Mateus Felippe, Alessandro, Sandra Regina Rech, Icleia Silveira, and Lucas Da Rosa. "Fashion lab as a factor of innovation in fashion authoring design." Modapalavra e-periódico 13, no. 30 (2020): 40–69. http://dx.doi.org/10.5965/1982615x13302020040.

Full text

Abstract:

The post-industrial revolution transformations continue to echo in our society, allowing advances in the area of technology, production, and consumption of products in different segments, especially fashion. In view of this, this article proposes to understand, in an initial and conceptual way, the use of space Fashion lab by fashion designer designers. It is considered that the use of this laboratory can qualify the innovation process during the production of new products. In this work, the basic research was used with a descriptive qualitative approach and the theoretical foundation contempl

APA, Harvard, Vancouver, ISO, and other styles

40

Dykhnych, Liudmyla. "The Backstage Creative Process as a Practice of Fashion Design." Bulletin of KNUKiM. Series in Arts, no. 48 (June 24, 2023): 162–72. https://doi.org/10.31866/2410-1176.48.2023.282480.

Full text

Abstract:

The aim of the article is to analyse the functions of backstage participants in embodying the designer’s creative concept and the features of highlighting the creative process in the information and media space. Results. An analysis of the backstage creative process is presented, its time peculiarity is highlighted and analysed. The functions performed by backstage participants such as project manager or show producer, media group or PR manager, photographer, designer, stylist, beauty stylist (hairstylist and makeup artist), and model are clarified and identified. After analysi

APA, Harvard, Vancouver, ISO, and other styles

41

Másdóttir, Vigdís Þóra. "Fashion and Neoliberalism: How Self-commodification Becomes Integral to the Entrepreneurial Ethical Fashion Designer." Journal of Extreme Anthropology 1, no. 2 (2017): 54–58. http://dx.doi.org/10.5617/jea.4899.

Full text

Abstract:

A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. This essay discusses the challenges faced by fashion designers within the contemporary neoliberal fashion and art market, in particular the neccessity to self-commodify and brand oneself if one wishes to succeed. The article builds also on interviews with the New York based fashion designer Arna Lísa.

APA, Harvard, Vancouver, ISO, and other styles

42

Nagdevani, Dev, Bhavya Petel, Pooja Jaju, et al. "Understanding Youth Attraction to Designer Clothing." Greenation International Journal of Tourism and Management 2, no. 4 (2025): 315–24. https://doi.org/10.38035/gijtm.v2i4.310.

Full text

Abstract:

This research paper investigates the impact of designer clothing on youngsters, focusing on their perceptions, motivations, and the associated social dynamics. Through an analysis of variance (ANOVA), the study explores key questions surrounding the appeal of designer brands, common criticisms, and potential negative consequences of such consumption. The results indicate that while many youths are attracted to designer apparel for its status and quality, they also express concerns regarding its exclusivity and the pressure to conform to social expectations. Notably, the analysis reveals signif

APA, Harvard, Vancouver, ISO, and other styles

43

Cruchinho, Alexandra, Neel Naik, and Selma Pereira. "Fashion and New Technologies: From Fashion Film to Expanded Reality - Castelo Branco Moda." International Journal of Film and Media Arts 7, no. 2 (2022): 110–24. http://dx.doi.org/10.24140/ijfma.v7.n2.06.

Full text

Abstract:

One of the ways that the designers and the fashion brands select to present and advertise their new collection to the market, the press and the consumer is through the fashion show. In a national context, these fashion shows, which can be for the brand or the designer or multi-brand, have very similar formats, however, at the international level, we can find numerously diverse approaches to the aesthetics of the fashion show of a brand or a designer. The use of digital technologies has become an already adopted alternative in some fashion shows of international reference. Digital technologies

APA, Harvard, Vancouver, ISO, and other styles

44

Cruchinho, A., N. Naik, and S. Pereira. "Fashion and New Technologies: From Fashion Film to Expanded Reality - Castelo Branco Moda." International Journal of Film and Media Arts 7, no. 2 (2022): 110–24. https://doi.org/10.24140/ijfma.v7.n2.06.

Full text

Abstract:

One of the ways that the designers and the fashion brands select to present and advertise their new collection to the market, the press and the consumer is through the fashion show. In a national context, these fashion shows, which can be for the brand or the designer or multi-brand, have very similar formats, however, at the international level, we can find numerously diverse approaches to the aesthetics of the fashion show of a brand or a designer. The use of digital technologies has become an already adopted alternative in some fashion shows of international reference. Digital technologies

APA, Harvard, Vancouver, ISO, and other styles

45

Schiavone, Scott William. "Re-defining a decade: Marc Jacobs, Tony Viramontes and the vocabulary of 1980s fashion." Fashion, Style & Popular Culture 7, no. 4 (2020): 407–20. http://dx.doi.org/10.1386/fspc_00036_1.

Full text

Abstract:

Historian James Laver described the cyclical nature of fashion as taking almost 50 years for a particular style or decade to be remembered as romantic. The 1980s are often overlooked by fashion historians as garish or vulgar, best left to the confines of history. During the global financial crisis of 2007‐08, direct quotations from the 1980s and television show Dynasty (1981‐89) appeared on the catwalks of major designers. An interest in the decade of greed and excess was revived in a time of economic austerity: were we dressing up to cover up our financial shortcomings? Fashion is yet again i

APA, Harvard, Vancouver, ISO, and other styles

46

Im, Min Jung. "Scaffolding to Enhance Practical Education for Fashion Technical Designer." Korean Society of Fashion Design 19, no. 1 (2019): 91–109. http://dx.doi.org/10.18652/2019.19.1.6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Holt, Fabian, and Maria Mackinney-Valentin. "Can Anyone Be a Designer? Amateurs in Fashion Culture." Artifact 3, no. 4 (2015): 6. http://dx.doi.org/10.14434/artifact.v3i4.6200.

Full text

Abstract:

This article offers an analytical perspective on the implications of recent media evolutions for the conventional roles of the designer, with a particular emphasis on the changing relation between amateur and professional design in fashion culture. The article builds on the recent media studies literature on the intensification of media communications in the early 21st century and how it involves deeper transformations — mediatizations — of many areas in business and society. There are already extensive literatures on the mediatization of finance, politics, food, and religion, for instance, bu

APA, Harvard, Vancouver, ISO, and other styles

48

Kargól, Marta. "Restoring the Memory of the Forgotten Dutch Embroidery Designer Nellie van Rijsoort." Costume 55, no. 1 (2021): 74–96. http://dx.doi.org/10.3366/cost.2021.0183.

Full text

Abstract:

In 1932, Nellie van Rijsoort (1910–1996), the Dutch embroidery maker and designer, opened her atelier in Rotterdam. Among her clients were prestigious fashion stores in the Netherlands as well as wealthy middle-class customers. After the Second World War, van Rijsoort left Rotterdam and continued her career in Melbourne in the rapidly developing fashion network of Australia. Today, samples of embroidered fabrics and fashion drawings by Nellie van Rijsoort are part of the collections of the Museum Rotterdam and the National Trust of Australia in Melbourne. These collections provide insight into

APA, Harvard, Vancouver, ISO, and other styles

49

Kurokawa, Yuko. "Vivienne Westwood's ‘Seditionaries’ Clothes and the Change in Japanese Girls' Cute Fashions in the Early 1990s." Costume 47, no. 1 (2013): 63–78. http://dx.doi.org/10.1179/0590887612z.00000000015.

Full text

Abstract:

A major change overtook Japanese girls' fashion in the early 1990s. Influenced by the fashion magazine Cutie, a version of the young girl-oriented subculture publication Takarajima, girls began to aggressively express themselves with individualistic clothing that did not go out of its way to pander to the opposite sex. Girls' fashions up until then tended to be imbued with a very Japanese childlike girlishness, but the ‘new’ cute look added boyish elements. This early 1990s trend in Japanese fashion was related to the popularity among Japanese youth at that time of the ‘Seditionaries’ clothing

APA, Harvard, Vancouver, ISO, and other styles

50

Shandrenko, Olha, Kateryna Kyselova, and Olena Radchuk. "Artistic Means of Expression in the Clothing Collections of Ukrainian Designers in 2009–2019." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 227–33. https://doi.org/10.31866/2410-1176.44.2021.235439.

Full text

Abstract:

The purpose of the article is to identify and analyse the most characteristic artistic means of expression in the creative works of Ukrainian fashion designers in 2009-2019. Research methodology. The authors of the article apply general scientific research methods of analysis, synthesis, and generalization of artistic means of expression in clothing design. Scientific novelty. The article demonstrates the main silhouettes, the main colour scheme, types of fabrics, types of decoration and trimming, types of accessories inherent in the creative works of Ukrainian fashion designers during 2009-20

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!