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Relevant bibliographies by topics / Fashion designers - Japan

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Academic literature on the topic 'Fashion designers - Japan'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Fashion designers - Japan"

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OGATA, Michimasa. "The Transformation of Fashion Designers' Social Position in Japan:." Japanese Sociological Review 67, no. 1 (2016): 56–72. http://dx.doi.org/10.4057/jsr.67.56.

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Onohara, Noriko. "Japan as fashion: Contemporary reflections on being fashionable." Acta Orientalia Vilnensia 12, no. 1 (2011): 29–41. http://dx.doi.org/10.15388/aov.2011.0.1095.

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University of HyogoThis paper examines how Japanese contemporary fashion has been accepted globally, especially in the case of London. The popularity of Japanese fashion in the West started in the 19th century with kimono-style dressing gowns, but for the true design influence known as Japan-shock, we had to wait for the appearance of the avantgarde Japanese fashion designers who participated in the Paris collection in the 1970s and 1980s. A new keyword for ‘fashionable Japan’ today is kawaii, the notion of cute. This is intimately linked to street fashion and subculture and has been establish

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Takatera, Masayuki, Ran Yoshida, Julie Peiffer, et al. "Fabric retrieval system for apparel e-commerce considering Kansei information." International Journal of Clothing Science and Technology 32, no. 1 (2019): 148–59. http://dx.doi.org/10.1108/ijcst-03-2018-0035.

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Purpose The purpose of this paper is to create a fabric retrieval system for designers that is based on a database that includes designers’ criteria and Kansei (sense and feeling) information, designed for the selection of a fabric from a wide range in e-commerce. Design/methodology/approach The database included sensory expressions for each type of fabric taken from fashion journals and values of smoothness, softness, luster and thinness (referred to as Kansei values) for each fabric. The Kansei values were determined by a Japanese expert designer using standard fabric samples of a fabric typ

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Riyanti, Menul Teguh, and Melisha Rouselyn. "THE INFLUENCE OF ART MOTIF BATIK MEGA MENDUNG CIREBON TO FESYEN IN JAKARTA." International Journal of Research -GRANTHAALAYAH 6, no. 3 (2018): 105–25. http://dx.doi.org/10.29121/granthaalayah.v6.i3.2018.1504.

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Development of fashion and fashion is growing very rapidly. Indonesia's population of 242 million is a very large business opportunities in the field of fashion. This market share not only contested by foreign businessmen, as designers from France, Japan, Korea and even China. With increasing competition in the domestic fashion, then the local designers have to work hard to improve the competitiveness of both the face of the market share within and outside the country. Diverse effort is made to provide a reliable characteristic as an attraction by fashion designers in the country such as admin

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Szaradowski, Piotr. "FASHION AND CLOTHING EXHIBITIONS IN A MUSEUM – METHODOLOGICAL ISSUES AND PROBLEMS." Muzealnictwo 58, no. 1 (2017): 0. http://dx.doi.org/10.5604/01.3001.0010.1817.

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Presenting fashion in a museum involves not only technical but also methodological questions. For a long time, the presentation of clothing was dominated by a chronological approach which underlined stylistic changes. The 1980s and 1990s brought some change to the catwalks; designers from Japan suggested clothes which did not match the European canons. Many representatives of the Old Continent then followed in their footsteps. In order to describe those new phenomena, in the mid-1990s a new term appeared – deconstruction of fashion. This referred not only to aesthetics but also to the whole sy

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Koma, Kyoko. "Acculturation of French fashion in Japan after World War II: Fashion as a device constructing identity." Acta Orientalia Vilnensia 12, no. 1 (2011): 63–77. http://dx.doi.org/10.15388/aov.2011.0.1097.

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Vytautas Magnus University / Mykolas Romeris UniversityIn our paper, we discuss how French fashion was acculturated in Japan after WWII, a period in which Japan rushed to modernise/occidentalise. Through an analysis of the dominant discourse of Japanese fashion magazines, we focus on the followingFrench fashion trend that spread throughout Japan: a long, flared skirt inspired by a Paris fashion. The skirt was a new look by French fashion designer Christian Dior just after WWII. The other focus of this paper is on the soaring popularity of European brand Louis Vuitton in 1970 and 1999. Modernis

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Parkins, Wendy. "SILKWORMS AND SHIPWRECKS: SUSTAINABILITY IN DOMBEY AND SON." Victorian Literature and Culture 44, no. 3 (2016): 455–71. http://dx.doi.org/10.1017/s1060150316000115.

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Seeking to prepare her friend Lucretia Tox for the revelation of Mr Dombey's engagement, Louisa Chick, Dombey's sister, turns to the natural world to illustrate the inevitability of change: It's a world of change. . . .Why, my gracious me, what is there that does not change! Even the silkworm, who I am sure might be supposed not to trouble itself about such subjects, changes into all sorts of unexpected things continually. (434; ch. 29) For Mrs Chick, the silkworm seems to exemplify the truism that change is a natural and inevitable part of life but, in the context of global sericulture, her e

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DONZÉ, PIERRE-YVES, and RIKA FUJIOKA. "The Formation of a Technology-Based Fashion System, 1945–1990: The Sources of the Lost Competitiveness of Japanese Apparel Companies." Enterprise & Society, March 19, 2020, 1–37. http://dx.doi.org/10.1017/eso.2019.78.

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Over the past two decades, the Japanese apparel industry has lost its competitiveness after experiencing a period of fast growth from the postwar years to the early 1990s. In international literature in social sciences, most scholars offer ethnic-based explanations of fashion in Japan, stressing some specificities such as street fashion or star designers in Paris. This article, however, argues that such views are biased and cannot explain the current lack of competitiveness of the Japanese apparel industry. Using the concept of the “fashion system” and following a business history-oriented app

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King, Emerald L., and Denise N. Rall. "Re-imagining the Empire of Japan through Japanese Schoolboy Uniforms." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1041.

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Introduction“From every kind of man obedience I expect; I’m the Emperor of Japan.” (“Miyasama,” from Gilbert and Sullivan’s musical The Mikado, 1885)This commentary is facilitated by—surprisingly resilient—oriental stereotypes of an imagined Japan (think of Oscar Wilde’s assertion, in 1889, that Japan was a European invention). During the Victorian era, in Britain, there was a craze for all things oriental, particularly ceramics and “there was a craze for all things Japanese and no middle class drawing room was without its Japanese fan or teapot.“ (V&A Victorian). These pastoral depictions

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Man Hwa Lee, Milly, and Priscila Almeida Cunha Arantes. "Cultural memory and its influence on jewelry design - a case study." Link Symposium Abstracts 2020, December 4, 2020, 44–45. http://dx.doi.org/10.24135/linksymposium.vi.27.

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This work intends to demonstrate the importance of cultural memory, rescuing what was left to us as a historical and cultural legacy by our ancestors. In this approach, the proposal is to build a jewel as a case study, in order to disseminate and value the influence of Japanese culture, with a millenary heritage of a people who worship their ancestors and who value craftsmanship and manual techniques. In view of this proposal, it is intended to discuss these relations between jewelry design and Japanese culture, to establish a cross between memory, history and cultural symbols, an articulation

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Dissertations / Theses on the topic "Fashion designers - Japan"

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Keet, Philomena Benedicta Camelia. "Mimicking in a material world : negotiating stylish selves and networks in a Tokyo youth fashion scene." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602392.

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"A study of Miyake, Kawakubo and Yamamoto : identifying their success factors as revolutionary and innovative designers since the 1980s." Thesis, 2014. http://hdl.handle.net/10210/8806.

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M.Tech. (Fashion)<br>This study is an investigation of Japanese designers, Issey Miyake, Yohji Yamamoto and Rei Kawakubo, who are widely regarded as leading innovators in the fashion world (Kawamura 2004:36; Niessen 2003:216; Sudilc 1990:84). Collectively they have been described as avant-garde designers (Sudjic 1990:13; Breward and Gilbert 2006:58), creators of the Japanese fashion revolution in Paris (Kawamura 2005:96), and exponents of anti-fashion design (Kondo 1997:118). These designers defied the prevailing fashion norms and produced clothes referred to as "wearable art" through the use

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Books on the topic "Fashion designers - Japan"

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1945-, Jones Terry, ed. Yohji Yamamoto: Designer monographs. Taschen, 2012.

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1967-, Fujiwara Dai, Kries Mateo 1974-, and Vitra Design Museum, eds. A-Poc making: [Issey Miyake & Dai Fujiwara : Vitra Design Museum Berlin June 1-July 1, 2001]. Vitra Design Museum, 2001.

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Keet, Philomena. The Tokyo look book: Stylish to spectacular, goth to gyaru, sidewalk to catwalk. Kodansha International, 2007.

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Kazuko, Sato, Meier Raymond 1957-, Chandès Hervé 1957-, and Fondation Cartier, eds. Issey Miyake making things. Fondation Cartier pour l'art contemporain, 1999.

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Koren, Leonard. Mode au Japon. Herscher, 1985.

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Ishigaki Ayako: Watakushi no tsume ato. Nihon Tosho Sentā, 1998.

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1961-, Mitchell Louise, and Powerhouse Museum, eds. The cutting edge: Fashion from Japan. Powerhouse, 2005.

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Gotscho, Kawamura Yuniya 1963-, Mears Patricia, Golbin Pamela 1970-, Larson Liz, and Musée des arts asiatiques (Nice, France), eds. XXIèmeCiel: Mode in Japan. Musée des Arts asiatiques, 2003.

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9

Hiroshi Fujiwara. Rizzoli International Publications, 2014.

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Kitano, Takeshi, Yohji Yamamoto, Steve McQueen, Wim Wenders, and Charlotte Rampling. Yohji Yamamoto. Rizzoli International Publications, Incorporated, 2015.

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Book chapters on the topic "Fashion designers - Japan"

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Sugimoto, Seiko. "Woolen Cloths and the Boom of Fancy Kimono: Worsted Muslin and the Development of “Kawaii” Designs in Japan." In Fashion, Identity, and Power in Modern Asia. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97199-5_11.

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