Relevant bibliographies by topics / Fashion editors

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fashion editors'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Fashion editors"

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Kaplan, Jonathan C., and Peter McNeil. "Letter from the editors." Critical Studies in Men's Fashion 10, no. 1 (2023): 3–6. http://dx.doi.org/10.1386/csmf_00062_2.

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The editorial introduces a Special Issue of Critical Studies in Men’s Fashion, ‘Fashion in the Age of AIDS’. Outlining the devastating impact of the emergence of Acquired Immunodeficiency Syndrome (AIDS) from the 1980s in the West on mainly gay men and minorities, the editors provide their rationale and introduce the contributors. As well as its effects on the fashion and styling industries, creating a ‘lost’ or ‘missing’ generation, AIDS and its rhetoric saw an array of new styles and looks developed by and for LGBTQI peoples in response to the crisis. Authors cover areas as diverse as fashion and music, fashion and intersectional homophobia, the fashion industry’s response to AIDS, ‘passing’ as straight, and fashion and body modification.
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Hancock II, Joseph Henry, and Vicki Karaminas. "Letter from the Editors." Journal of Bodies, Sexualities, and Masculinities 4, no. 1 (2023): 1–4. http://dx.doi.org/10.3167/jbsm.2023.040101.

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It has only been in the last twenty years that men's fashion has gained attention as a discreet disciplinary area of study across the arts and humanities. Up until as late as 1994, when fashion studies entered the academy, information about men's fashion was not included in studies of masculinities; if anything, a cursory mention was made in an occasional book chapter or academic article. This was because fashion was considered frivolous and narcissistic, and not worthy of any serious scholarly attention, unless you were a woman or queer. Fashion was regulated to the domain of the feminine and the body, as opposed to art and architecture, which were deemed masculine and placed in the sphere of the mind and the psyche. Up until the mid-eighteenth century, men's clothing was made of plush fabrics, constructed silhouettes, and refined forms that signaled wealth and aristocratic status. Influenced by the Enlightenment ideas of reason and rationality, men's clothing became more utilitarian and functional, abandoning wigs, stockings, and high heels in favor of garments such as the suit. Exaggerated forms were left to women's fashion, as men relinquished their claim to adornment and beauty and fashion became associated with femininity and frivolity. It was, as John Flügel claimed, the Great Male Renunciation that was to burden masculinity for the next four hundred years.
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Hancock, Joseph H. "Editorial." Fashion, Style & Popular Culture 10, no. 4 (2023): 455–63. http://dx.doi.org/10.1386/fspc_00215_2.

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Our ten-year celebration of Fashion, Style & Popular Culture (FSPC) ends with the arrival of new associate editors, editorial board members and innovative scholarship. Editor Joseph H. Hancock, II discusses how various state legislatures targeting gender identity, seeking to block health care for trans kids, and preventing young queer people from joining sports teams, among other issues. Retailers such as Target Corporation have become victims of right-wing conservative protestors who demand the retailer remove their 2023 pride shops in the front of their stores. Fashion is a driving force of gender identity and gender expression. By teaching others on the importance of fashion, style and popular culture in the LGBTQIA community is crucial for new generations to stop hate – this must end.
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Slade, Toby, and M. Angela Jansen. "Letter from the Editors: Decoloniality and Fashion." Fashion Theory 24, no. 6 (2020): 809–14. http://dx.doi.org/10.1080/1362704x.2020.1800983.

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Arnold, Rebecca. "Behind the Scenes with Louise Dahl-Wolfe and Toni Frissell: Alternative Views of Fashion Photography in Mid-Century America." Fashion Studies 1, no. 1 (2018): 1–35. http://dx.doi.org/10.38055/fs010110.

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This essay explores the process and labour involved in creating fashion editorials. It is focused on the work of Louise Dahl-Wolfe and Toni Frissell, as case studies of photographers who worked at America’s two leading fashion magazines: Harper’s Bazaar and Vogue. Images that show these women “backstage” form the basis of this analysis, to expose the images’ compositions and the teams of people involved in their creation. Both photographers worked at a key moment in American fashion, as designers such as Claire McCardell created a simple, interchangeable wardrobe of readymade clothes that catered to the increasingly active lives of middle-class women. They were significant to the “Modern Sportswear Aesthetic” that emerged during this period and which exploited Kodachrome’s rich tones to compose alluring images that showed sportswear as adaptable and fashionable. Frequently shot outside, or using carefully contrived sets, their imagery provides a case study for the ways fashion’s creative workers collaborated to construct convincing visions of sportswear’s emergent style. Drawing upon Bruno Latour’s theories of organization, this article examines these networks of people, working to varied briefs and deadlines to create each magazine issue. From contact sheets and shots of fashion editors and models, to glimpses of the photographers’ efforts to find the right angle, this essay uses Dahl-Wolfe and Frissell’s photobooks and archival materials, including memos between Bazaar Editor-in-Chief Carmel Snow and Frissell, to challenge the idea of the seamless fashion page and look at the professional work and negotiations necessary to create a successful image.
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Gerrie, Vanessa. "The Diet Prada effect: ‘Call-out culture’ in the contemporary fashionscape." Clothing Cultures 6, no. 1 (2019): 97–113. http://dx.doi.org/10.1386/cc_00006_1.

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Fashion criticism has found a new democratic platform in this technetronic age that has been impacted by the emergence of online ‘call-out culture’, a cultural phenomenon born of this digital age. Independent voices are finding traction within the famously hermetic fashion industry who are holding fashion designers, marketers, editors and all those gatekeepers in between, accountable not only for copycat fashion products but also for racist and bigoted appropriations that appear in campaigns and editorials. In examining ‘call-out culture’ in the fashion industry this article will extrapolate on how and why these cultural phenomena have gained traction in relation to the contemporary fashion industry and what this means for the future of the industry. I do so through the wider contextualization of looking at ideas of authenticity and transparency, effects of social media, and the role of cultural criticism in fashion. The methodology utilized in this article is in the form of the close analysis of two case studies, the independent fashion critic sites Diet Prada and The Fashion Law, which have both gained traction in the past two years for their unbiased and unrelenting agenda to call out fashion’s indiscretions.
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Fletcher, Kate, and Ingun Grimstad Klepp. "A Note from the Editors of Fashion Practice." Fashion Practice 10, no. 2 (2018): 133–38. http://dx.doi.org/10.1080/17569370.2018.1458500.

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Wang, Jinlan, and Chuer Zhang. "The Research on the Context and Style of Avant-garde Fashion on Chinese Social Media Platforms." Lecture Notes in Education Psychology and Public Media 4, no. 1 (2023): 1085–91. http://dx.doi.org/10.54254/2753-7048/4/2022814.

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The way the general public comprehends, and processes fashion has evolved as a direct result of the proliferation of social media platforms, particularly the growth of the "influencer" profession, which has steadily eroded the once-dominant position of fashion magazines and editors. This study does more than only close the gaps in the knowledge of avant-garde fashion's communication and style; it also delves into the curious phenomena of niche fashion trends shared on Chinese social media. The authors analyzed the contexts of fashion-related influencers on TikTok and Xiaohongshu, like @AHALOLO, @MetaArchive, and @Instantly to fill the gaps in the understanding of fashion subcultures. The study also addressed the phenomenon of "viral" fashion trends on Wechat, Bilibili, and Tiktok. It concluded that the continued existence of labels is primarily attributed to the media's efforts. By increasing brand awareness, audience engagement, customer service, advertising income, and app downloads, media has helped firms keep their operational costs and revenue high. As facilitated by new media, the rapid and varied dissemination of fashion ideas may increase both their societal and consumer worth. The exchange of knowledge made possible by new media is assisting the fashion industry in meeting the demands of its customers. Improved fashion industry demand forecasting and production planning may result from better internal communication and consumer assessment.
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Cohen, Andrew J., German Patino, Puneet Kamal, et al. "Perspectives From Authors and Editors in the Biomedical Disciplines on Predatory Journals: Survey Study." Journal of Medical Internet Research 21, no. 8 (2019): e13769. http://dx.doi.org/10.2196/13769.

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Background Predatory journals fail to fulfill the tenets of biomedical publication: peer review, circulation, and access in perpetuity. Despite increasing attention in the lay and scientific press, no studies have directly assessed the perceptions of the authors or editors involved. Objective Our objective was to understand the motivation of authors in sending their work to potentially predatory journals. Moreover, we aimed to understand the perspective of journal editors at journals cited as potentially predatory. Methods Potential online predatory journals were randomly selected among 350 publishers and their 2204 biomedical journals. Author and editor email information was valid for 2227 total potential participants. A survey for authors and editors was created in an iterative fashion and distributed. Surveys assessed attitudes and knowledge about predatory publishing. Narrative comments were invited. Results A total of 249 complete survey responses were analyzed. A total of 40% of editors (17/43) surveyed were not aware that they were listed as an editor for the particular journal in question. A total of 21.8% of authors (45/206) confirmed a lack of peer review. Whereas 77% (33/43) of all surveyed editors were at least somewhat familiar with predatory journals, only 33.0% of authors (68/206) were somewhat familiar with them (P<.001). Only 26.2% of authors (54/206) were aware of Beall’s list of predatory journals versus 49% (21/43) of editors (P<.001). A total of 30.1% of authors (62/206) believed their publication was published in a predatory journal. After defining predatory publishing, 87.9% of authors (181/206) surveyed would not publish in the same journal in the future. Conclusions Authors publishing in suspected predatory journals are alarmingly uninformed in terms of predatory journal quality and practices. Editors’ increased familiarity with predatory publishing did little to prevent their unwitting listing as editors. Some suspected predatory journals did provide services akin to open access publication. Education, research mentorship, and a realignment of research incentives may decrease the impact of predatory publishing.
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Zajko-Czochańska, Justyna. "Moda i praktyka. „Przyjaciółka” jako materiał do badań." Czasopismo Naukowe Instytutu Studiów Kobiecych, no. 2(15) (2023): 111–22. http://dx.doi.org/10.15290/cnisk.2023.02.15.06.

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The article discusses the way of presenting the issue of fashion by the editors of the most popular magazine for women of the Polish People’s Republic – Przyjaciółka. The years 1957–1975 were analyzed. The aim of the research was to answer the following questions: to what extent did the analyzed periodical take up the subject of fashion? What was the nature of the content presenting the issue related to fashion? Did the published articles have a real impact on shaping tastes, a sense of aesthetics and the need to follow fashion trends in rural women?
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Dissertations / Theses on the topic "Fashion editors"

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Lin, Ya-ting, and 林雅婷. "A Study of Tacit Knowledge of Fashion Magazine editor." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/60989279745332882321.

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碩士<br>世新大學<br>資訊傳播學研究所(含碩專班)<br>97<br>Abstract This study using the contents of fashion magazines to discuss the tacit knowledge during the editorial process in setting up issues in fashion magazine editors. The research uses a qualitative approach; interviewed five experienced fashion magazine editors and took the thick description concept into account. The results are summarized below: 1.The editorial process in setting up issues are gathering information on fashion, seeking out materials related to the topics , information organization, and innovation. 2. When fashion magazines set issues, the required information can be put into three categories. information on fashion, on human resource, and miscellaneous information. Those information help the editors determine the directions of issues and help bring out the topics. 3. In conclusion, this study suggests that there are five characters of tacit knowledge among the editors: fashion sensitivity, judgment by experience. informed decision making , innovation, and information organization.
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Books on the topic "Fashion editors"

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Baker, Sam. Fashion victim. Orion, 2005.

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MacSweeney, Eve, editor of compilation, ed. Vogue: The editor's eye. Abrams, 2012.

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Voss, Kimberly Wilmot. Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8.

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Elms, Robert. The way we wore: A life in threads. Picador, 2006.

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Elms, Robert. The way we wore: A life in threads. Picador, 2005.

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Weisberger, Lauren. The Devil wears Prada. Broadway Books, 2004.

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Weisberger, Lauren. The Devil wears Prada. Anchor Books, 2006.

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Weisberger, Lauren. Dʹ︠i︡avol nosit Prada: [roman]. AST, 2011.

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Weisberger, Lauren. The Devil wears Prada. Broadway Books, 2004.

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Weisberger, Lauren. D £i Łavol nosit Prada. AST, 2004.

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Book chapters on the topic "Fashion editors"

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Voss, Kimberly Wilmot. "National Fashion Editors, Public Relations Pioneers, and Fashion Designers." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_4.

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Voss, Kimberly Wilmot. "Local Fashion Editors, Business Impact, and Regional Fashion Shows." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_5.

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Voss, Kimberly Wilmot. "Ethics, Advertising, and the White House Fashion Show." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_6.

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Voss, Kimberly Wilmot. "Fashion Journalism in Newspapers during World War II, and Beyond." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_2.

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Voss, Kimberly Wilmot. "Who’s Wearing the Pants? How the New York Times Reported the Changing Dress of Women." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_1.

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Voss, Kimberly Wilmot. "Fashion Journalism in the 1960s and 1970s, and the End of the Women’s Pages." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_7.

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Voss, Kimberly Wilmot. "Post-World War II, Changing Dress in America, and Moscow Fashion Show." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_3.

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Graulund, Christian Uldal, Dmitrij Szamozvancev, and Neel Krishnaswami. "Adjoint Reactive GUI Programming." In Lecture Notes in Computer Science. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71995-1_15.

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AbstractMost interaction with a computer is via graphical user interfaces. These are traditionally implemented imperatively, using shared mutable state and callbacks. This is efficient, but is also difficult to reason about and error prone. Functional Reactive Programming (FRP) provides an elegant alternative which allows GUIs to be designed in a declarative fashion. However, most FRP languages are synchronous and continually check for new data. This means that an FRP-style GUI will “wake up” on each program cycle. This is problematic for applications like text editors and browsers, where often nothing happens for extended periods of time, and we want the implementation to sleep until new data arrives. In this paper, we present an asynchronous FRP language for designing GUIs called $$\lambda _{\mathsf {Widget}}$$ λ Widget . Our language provides a novel semantics for widgets, the building block of GUIs, which offers both a natural Curry–Howard logical interpretation and an efficient implementation strategy.
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Adburgham, Alison. "The Editor of ‘Vogue’." In View of Fashion. Routledge, 2023. http://dx.doi.org/10.4324/9781003361398-71.

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Strachan, John, and Claire Nally. "Oscar Wilde as Editor and Writer: Aesthetic Interventions in Fashion and Material Culture." In Advertising, Literature and Print Culture in Ireland, 1891–1922. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271242_8.

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Conference papers on the topic "Fashion editors"

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Hsiao, Wei-Lin, Isay Katsman, Chao-Yuan Wu, Devi Parikh, and Kristen Grauman. "Fashion++: Minimal Edits for Outfit Improvement." In 2019 IEEE/CVF International Conference on Computer Vision (ICCV). IEEE, 2019. http://dx.doi.org/10.1109/iccv.2019.00515.

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Conti, Flávia Pereira. "Design de sistemas para análise do ciclo de vida de um produto: slow fashion." In Systems & Design 2017. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/sd2017.2017.6649.

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O artigo descreve o processo de reavaliação e esmeração de um sistema de produção da microempresa de semijoias Cantrelle Design, com o objetivo de otimizar a estrutura organizacional e de produção por meio do design de sistemas e o slow fashion. O design de sistemas por considerar o produto como um conjunto inteiro, e o slow fashion, porque visa a democratização do processo de criação de peças de forma mais lenta, preocupando-se com o desenvolvimento dos processos. Para alcançar um resultado satisfatório, utilizou-se a metodologia desenvolvida por Ezio Manzini e Carlo Vezzoli, o Life Cycle Design (LCD), procurando reduzir os inputs e outputs o máximo possível, tanto em termos quantitativos quanto qualitativos. Ponderando assim, a nocividade de seus efeitos, por meio da avaliação de todas as fases do produto, que são subdivididas em pré-produção, produção, distribuição, uso e descarte. Por se tratar de semijoias, sendo, então, um bem durável, requere-se poucos recursos durante o uso e manutenção, concentra-se em reduzir o impacto nas fases antecedentes e posteriores ao uso. Como resultado, obteve-se uma potencialização na gestão da empresa, reduzindo os gastos energéticos e materiais. Atingiu-se tal solução por meio de uma melhor organização de etapas operacionais nas fases antecedentes ao uso do produto, buscando adequar-se ao sistema slow fashion, com a otimização do volume de compras e logística de vendas, reavaliação da embalagem e material aplicados. Percebeu-se que a matéria prima já em uso é a menos impactante para o ambiente por ser de alta durabilidade e passível de reaproveiramnento. Por fim, redesenhou-se a embalagem com tecido reciclado, de uma forma que possa ser reutilizada pelo consumidor final após ser adquirida. Conclui-se que é possível readequar um sistema já em andamento, adaptando-o de forma a reduzir seu impacto na natureza por meio do slow fashion e design de sistemas, valorizando o processo de produção, não só o lucro financeiro que a venda do produto proporciona, além de aperfeiçoar o sistema como uma unidade e repensar o conjunto para valorizar a qualidade e o modo de produção, expondo a possibilidade de renovar o sistema industrial vigente de modo sustentável e consciente, por meio de uma ação local, visando atingir um macrossistema de forma harmônica. Palavras-chave: slow fashion, design de sistemas, semijoias, sustentabilidade, metodologia.ReferênciasBASTAGNINO, Luigi. Design di Sistemi i Sistemi Industriali Aperti: un nuovo approccio al progretto, un nuovo modello di bussiness. Sem ano. 26 slides. Apresentação em Power-point. BUENO, Bárbara. Movimento slow life: desacelerando a vida. 2016. Disponível em &amp;lt; https://pt.linkedin.com/pulse/movimento-slow-life-desacelerando-vida-b%C3%A1rbara-mantovani-bueno&amp;gt;. Acesso em: 24 de maio de 2017.DELLA MEA, Luciana. A moda em [re]evolução: slow fashion. 2014. Disponível em &amp;lt;http://www.autossustentavel.com/2014/05/a-moda-em-revolucao-slow-fashion.html&amp;gt;. Acesso em 24 de maio de 2017.DELLA MEA, Luciana. Design de sistemas para a sustentabilidade. 2012. Disponível em &amp;lt;http://www.autossustentavel.com/2012/06/design-de-sistemas-para.html&amp;gt;. Acesso em 24 de maio de 2017. MANZINI, Ezio; VEZZOLI, Carlo. O desenvolvimento de produtos sustentáveis: os requisitos ambientais dos produtos industriais. São Paulo. Editora da Universidade de São Paulo, 2002. PAPANEK, Victor. Design do the Real World: human ecology and social change. Londres. Thames &amp;amp; Hudson Ltd, 1985.REVIDE. O conceito de fast fashion. 2010. Disponível em &amp;lt;https://www.revide.com.br/editorias/moda/o-conceito-de-fast-fashion/&amp;gt;. Acesso em 24 de maio de 2017. SARATE, Fernanda. O movimento slow life e a desaceleração da sociedade de consumo contemporânea. 2009. Disponível em &amp;lt; http://www.comunicacaoetendencias.com.br/wp-content/uploads/2011/04/TCC-Fernanda-Sarate.pdf&amp;gt;. Acesso em: 24 de maio de 2017. SILVA, Samantha; BUSARELLO, Raul. Fast fashion e slow fashion: o processo criativo na contemporaneidade. 2016.
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Soares Junior, Glauber, Ítalo José de Medeiros Dantas, Fabiano Eloy Atílio Batista, and Jailson Oliveira Sousa. "Fashion and sustainability - a progressive and permanent trend: analysis of the articles published in the 10 editions of ENSUS." In ENSUS2023 - XI Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/2596-237x.ensus2023.v11.n3.p269-281.

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This article aims to understand the perspectives and contributions of researches that interconnect fashion and sustainability, using as specific context the case of the scientific event Encontro de Sustentabilidade em Projeto - ENSUS. This is a study of quantitative-qualitative approach of exploratory-descriptive type, carried out through a systematic analysis of bibliography, in which, with support of the software IRaMuTeQ®, thematic networks were listed. As for the main results, 76 texts were found classified into three thematic networks: I) Sustainability, production processes and waste use; II) Fashion designer and sustainability; and III) Fashion, consumption and environmental impact. If in the past, the debates focused on the environmental impacts caused by the production and consumption of clothes in a fast and massive way, in the current contemporary context, the discussions are increasingly centered on the creation of strategies and the use of technologies that aim to reduce the socio-environmental consequences caused by the fashion industry.
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Blanco-Lorenzo, Enrique M., and Zaida Garcia-Requejo. "Enjoy FFD." In Contextos universitarios transformadores: a nova normalidade académica. Leccións aprendidas e retos de futuro. V Xornadas de Innovación Docente. Servizo de Publicacións. Universidade da Coruña, 2021. http://dx.doi.org/10.17979/spudc.9788497498180.067.

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From the subject Fundamentals of Fashion Design (FFD), first year first term of the Degree in Fashion Industry Management of the UDC we aspire the enjoyment of the student is an effective tool to achieve the established competencies. With a profile that approaches to studies from a business vision, the subjects working under the design world need an impulse to catch their attention and interest, handling in the importance of the coherence between thought and design deepening the importance of coherence between thoughts and design. In the first three editions of the degree the role game has been used as a strategy to promote their commitment, so entitled Ferrol Fashion Show, Premier and Gala, group activities have been proposed to guaranteed it. They consisted of assuming the role of a fashion company that deals with the launch of a collection or a historical film, or the design of a virtual gala. They developed works hybridizing individual activities, for the construction of a personal booklet, and group commissions to achieve a final presentation, as a large collective event extended by all the physical or virtual spaces, which became the main objective and milestone of the course. The process has been tested useful and effective, in order to achieve the planned objectives.
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Иванова, Нина. "The evolution of the image of Chisinau: the role of traditional culture." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.22.

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Traditional rural culture remains one of the constant elements of Chisinau image starting from the fi rst editions of photographic albums of the city. Despite its important role in the daily life of a major part of urban population it was rendered a somewhat transitional “festive” features specifi cally in the images of Chisinau of Soviet times. Nevertheless, in the editions of the fi rst decade of XXI the traditional culture gradually came to the fore and dag in to its positions in the following albums. Th e symbolic return to the ethnic roots in Chisinau and country in general and popularization of traditional culture became a real trend in a set of branches — from scientifi c events to art and fashion. Globalization played a certain part in this process, stimulating the identity search and actualizing the traditionally rural Moldovan culture, which is being viewed as the origins of nation. Th us, the ethnic rural culture became one of the sources of urban culture, contributing to the identifi cation processes from the one hand, though maintaining rurality of the major part of population in Chisinau, from the other, and thereaft er opposing in some of its aspects to modernization.
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Niki vlad, Mancasi, and Irina Cristian. "CAD/CAM FOR JACQUARD WEAVING: THE PATH FROM DESIGN TO WOVEN FABRIC." In eLSE 2020. University Publishing House, 2020. http://dx.doi.org/10.12753/2066-026x-20-213.

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Jacquard woven fabrics are a special type of textile materials, which distinguish themselves from regular woven fabrics by the bigger amount of detail that can go into a large-size design. The weaving principle is mostly the same, requiring at least a set of weft yarns (picks) and a set of warp yarns(ends), but the way the ends are handled is what actually makes the difference. In Jacquard weaving, each warp yarn is controlled individually by a hook, rather than by a frame which also incorporates several other yarns, as in normal weaving. Therefore, a difference in the technology needed is also noticeable. We stand on the brink of the fourth industrial revolution, that will fundamentally alter the way we live, work and relate to one another. With that being said, digitalisation is something one must be aware of at all times. The emergence of electronic Jacquard mechanisms has made possible the large-scale use of CAD/CAM(Computer Aided Design and Computer Aided Manufacturing) systems for creating and producing fabrics with complex designs. The introduction of software to this process was a major turning point, reducing the amount of time needed to create the design and generate the card which controls the weaving machine. Nevertheless, precision has also increased, meaning that the software is able to correct human errors, going through each and every binding point and float. Furthermore, IoT(Internet of Things) encompasses a better communication between machines and a seamless wireless exchange of data between the computer where everything is created and the machines. The paper focuses on the methodology of designing and production of original patterns for double weft jacquard woven fabrics, using the Affinity Designer software for designing the repeat unit and the NedGraphics bundle(Texcell, LoomEditor, Weave Editor and Product Creator) for generating the card. A detailed description of the whole process will be provided to the reader, from the initial design file(.jpg or .png) to the generation of the final card(.ep file).It stimulates the curiosity and imagination of both textile engineering and fashion design students through eLearning, giving them a better look inside the whole process of turning their creations into actual products. It also challenges their capability of dealing with several issues and limitations of both software and hardware. The designed fabrics were realised on a Picanol loom equipped with a Bonas electronic Jacquard head, using 2400 hooks.
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7

Piasecka, Magdalena, Mieczyslaw E. Poniewski, and Sylwia Hozejowska. "Experimental Error Analysis and Heat Polynomial Method Improvement for Boiling Heat Transfer Numerical Calculations in Minichannels." In ASME 3rd International Conference on Microchannels and Minichannels. ASMEDC, 2005. http://dx.doi.org/10.1115/icmm2005-75142.

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The paper continues the discussion of experimental and numerical investigations of forced convection boiling heat transfer in vertical minichannels covered by two former editions of this conference and our previous papers. Liquid crystal thermography technique was used for measuring the two-dimensional heating surface temperature distribution and boiling front detection. Influence of selected parameters on boiling heat transfer and nucleation hysteresis was observed and discussed. The two-dimensional heat transfer model and the analytic-numerical heat polynomial method were applied to solve the inverse boundary value problem and determine the temperature distributions in the heating foil and protecting glass and the boiling heat transfer coefficient as well. This paper shows how to modify and improve the heat polynomial method if we know the measurement errors and implement them into the numerical procedure. The accuracy of temperature measurements on the heating surface with liquid crystal method was estimated and the analysis of experimental results was given. The functions sought in numerical calculations describe temperature distribution in the protecting glass and the heating foil of the minichannel. They are presented in the form of linear combination of heat polynomials. The adopted boundary conditions and temperature measurements are used to construct error functionals. The latter express the root-mean-square errors, with which computed solutions satisfy relevant boundary conditions. On the basis of functional minimalisation unknown coefficients of linear combinations are determined. The solutions obtained satisfy the differential equations in the exact manner whereas the adopted boundary conditions are met in the approximate fashion. The unknown boiling heat transfer coefficient is the function computed from the boundary condition of the third kind. In the modified method, measurement errors are weights for individual temperature measurements. The more accurate is the measurement, i.e. has a smaller error, the greater is the weight put to it in further calculations. Therefore, it is possible to heighten the accuracy with which glass and foil temperature distributions, determined experimentally, fulfil the assumed equality conditions on the contact surface. Temperature distributions in the glass and the foil, computed on the basis of the modified method, are closer to real values than those obtained with the basic one. Local heat transfer coefficients obtained for two-dimensional boiling heat transfer model with both the basic and the modified heat polynomial methods are also compared.
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8

Bertea, Armand. "USE OF NEW FEATURES AND ADD-ONS IN POWERPOINT TO CREATE ANIMATIONS THAT STIMULATE LEARNING." In eLSE 2012. Editura Universitara, 2012. http://dx.doi.org/10.12753/2066-026x-12-068.

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E-learning has developed over the years into an crucial element of the modern teaching process, and the teaching methods have changed accordingly. In this context, animations and simulations play a significant role. As many students are mainly visuals learners, it is largely accepted that animations and simulations can help the student learning process, because they clarify more complicated concepts through visual means, complementing and simplifying the old-fashioned textual based presentation. In order to make the teaching content more attractive and interesting, E-learning authoring tools are used to integrate a large range of media in the course content. One of the most known and used unspecialized authoring tool is MS PowerPoint, a presentation software that has evolved significantly since his first edition in 1990. Through the years it has become the main technology platform in teaching, even though other options are presently available. The important role MS PowerPoint plays in developing course authoring is increased by the fact that many noteworthy professional course authoring tools use its structure. The latest editions of the MS PowerPoint allows the user to add audio and video clips in the presentation, and have enhanced animation capabilities, and these abilities can be enriched even more with the help of add-ons such as motion path add-on. The paper examines the new abilities of MS PowerPoint 2010, as it is and associated with some add-ons, to create animations that are used to increase the instruction level of the students. Besides the new improvements (the new Microsoft Office Backstage view, background removing capabilities, the ability to embed videos instead of linking them, new transition and animation options and the Animation Painter), some useful animating tools that do not appear in the latest version, such as flash once animation, are identified. Animations were developed for the Environmental protection course, a course usually regarded as challenging by textile chemistry students, and they were meant to transmit knowledge on processes that occur in wastewater treatment. To assess the students learning, graded quizzes (multiple choice) regarding the recently acquired knowledge have been created using iSping QuizMaker and inserted at the end of each presentation. Eventually, the students have been questioned in order to determine their opinions concerning computerized simulations and animations, and some advantages and drawbacks of this teaching method in higher education have been found. Changes in the students performance as a result of introducing animations and simulations into the Environmental protection course have been analyzed.
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