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Journal articles on the topic 'Fashion editors'
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1
Kaplan, Jonathan C., and Peter McNeil. "Letter from the editors." Critical Studies in Men's Fashion 10, no. 1 (2023): 3–6. http://dx.doi.org/10.1386/csmf_00062_2.
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The editorial introduces a Special Issue of Critical Studies in Men’s Fashion, ‘Fashion in the Age of AIDS’. Outlining the devastating impact of the emergence of Acquired Immunodeficiency Syndrome (AIDS) from the 1980s in the West on mainly gay men and minorities, the editors provide their rationale and introduce the contributors. As well as its effects on the fashion and styling industries, creating a ‘lost’ or ‘missing’ generation, AIDS and its rhetoric saw an array of new styles and looks developed by and for LGBTQI peoples in response to the crisis. Authors cover areas as diverse as fashion and music, fashion and intersectional homophobia, the fashion industry’s response to AIDS, ‘passing’ as straight, and fashion and body modification.
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Hancock II, Joseph Henry, and Vicki Karaminas. "Letter from the Editors." Journal of Bodies, Sexualities, and Masculinities 4, no. 1 (2023): 1–4. http://dx.doi.org/10.3167/jbsm.2023.040101.
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It has only been in the last twenty years that men's fashion has gained attention as a discreet disciplinary area of study across the arts and humanities. Up until as late as 1994, when fashion studies entered the academy, information about men's fashion was not included in studies of masculinities; if anything, a cursory mention was made in an occasional book chapter or academic article. This was because fashion was considered frivolous and narcissistic, and not worthy of any serious scholarly attention, unless you were a woman or queer. Fashion was regulated to the domain of the feminine and the body, as opposed to art and architecture, which were deemed masculine and placed in the sphere of the mind and the psyche. Up until the mid-eighteenth century, men's clothing was made of plush fabrics, constructed silhouettes, and refined forms that signaled wealth and aristocratic status. Influenced by the Enlightenment ideas of reason and rationality, men's clothing became more utilitarian and functional, abandoning wigs, stockings, and high heels in favor of garments such as the suit. Exaggerated forms were left to women's fashion, as men relinquished their claim to adornment and beauty and fashion became associated with femininity and frivolity. It was, as John Flügel claimed, the Great Male Renunciation that was to burden masculinity for the next four hundred years.
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Hancock, Joseph H. "Editorial." Fashion, Style & Popular Culture 10, no. 4 (2023): 455–63. http://dx.doi.org/10.1386/fspc_00215_2.
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Our ten-year celebration of Fashion, Style & Popular Culture (FSPC) ends with the arrival of new associate editors, editorial board members and innovative scholarship. Editor Joseph H. Hancock, II discusses how various state legislatures targeting gender identity, seeking to block health care for trans kids, and preventing young queer people from joining sports teams, among other issues. Retailers such as Target Corporation have become victims of right-wing conservative protestors who demand the retailer remove their 2023 pride shops in the front of their stores. Fashion is a driving force of gender identity and gender expression. By teaching others on the importance of fashion, style and popular culture in the LGBTQIA community is crucial for new generations to stop hate – this must end.
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Slade, Toby, and M. Angela Jansen. "Letter from the Editors: Decoloniality and Fashion." Fashion Theory 24, no. 6 (2020): 809–14. http://dx.doi.org/10.1080/1362704x.2020.1800983.
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Arnold, Rebecca. "Behind the Scenes with Louise Dahl-Wolfe and Toni Frissell: Alternative Views of Fashion Photography in Mid-Century America." Fashion Studies 1, no. 1 (2018): 1–35. http://dx.doi.org/10.38055/fs010110.
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This essay explores the process and labour involved in creating fashion editorials. It is focused on the work of Louise Dahl-Wolfe and Toni Frissell, as case studies of photographers who worked at America’s two leading fashion magazines: Harper’s Bazaar and Vogue. Images that show these women “backstage” form the basis of this analysis, to expose the images’ compositions and the teams of people involved in their creation. Both photographers worked at a key moment in American fashion, as designers such as Claire McCardell created a simple, interchangeable wardrobe of readymade clothes that catered to the increasingly active lives of middle-class women. They were significant to the “Modern Sportswear Aesthetic” that emerged during this period and which exploited Kodachrome’s rich tones to compose alluring images that showed sportswear as adaptable and fashionable. Frequently shot outside, or using carefully contrived sets, their imagery provides a case study for the ways fashion’s creative workers collaborated to construct convincing visions of sportswear’s emergent style. Drawing upon Bruno Latour’s theories of organization, this article examines these networks of people, working to varied briefs and deadlines to create each magazine issue. From contact sheets and shots of fashion editors and models, to glimpses of the photographers’ efforts to find the right angle, this essay uses Dahl-Wolfe and Frissell’s photobooks and archival materials, including memos between Bazaar Editor-in-Chief Carmel Snow and Frissell, to challenge the idea of the seamless fashion page and look at the professional work and negotiations necessary to create a successful image.
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Gerrie, Vanessa. "The Diet Prada effect: ‘Call-out culture’ in the contemporary fashionscape." Clothing Cultures 6, no. 1 (2019): 97–113. http://dx.doi.org/10.1386/cc_00006_1.
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Fashion criticism has found a new democratic platform in this technetronic age that has been impacted by the emergence of online ‘call-out culture’, a cultural phenomenon born of this digital age. Independent voices are finding traction within the famously hermetic fashion industry who are holding fashion designers, marketers, editors and all those gatekeepers in between, accountable not only for copycat fashion products but also for racist and bigoted appropriations that appear in campaigns and editorials. In examining ‘call-out culture’ in the fashion industry this article will extrapolate on how and why these cultural phenomena have gained traction in relation to the contemporary fashion industry and what this means for the future of the industry. I do so through the wider contextualization of looking at ideas of authenticity and transparency, effects of social media, and the role of cultural criticism in fashion. The methodology utilized in this article is in the form of the close analysis of two case studies, the independent fashion critic sites Diet Prada and The Fashion Law, which have both gained traction in the past two years for their unbiased and unrelenting agenda to call out fashion’s indiscretions.
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Fletcher, Kate, and Ingun Grimstad Klepp. "A Note from the Editors of Fashion Practice." Fashion Practice 10, no. 2 (2018): 133–38. http://dx.doi.org/10.1080/17569370.2018.1458500.
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Wang, Jinlan, and Chuer Zhang. "The Research on the Context and Style of Avant-garde Fashion on Chinese Social Media Platforms." Lecture Notes in Education Psychology and Public Media 4, no. 1 (2023): 1085–91. http://dx.doi.org/10.54254/2753-7048/4/2022814.
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The way the general public comprehends, and processes fashion has evolved as a direct result of the proliferation of social media platforms, particularly the growth of the "influencer" profession, which has steadily eroded the once-dominant position of fashion magazines and editors. This study does more than only close the gaps in the knowledge of avant-garde fashion's communication and style; it also delves into the curious phenomena of niche fashion trends shared on Chinese social media. The authors analyzed the contexts of fashion-related influencers on TikTok and Xiaohongshu, like @AHALOLO, @MetaArchive, and @Instantly to fill the gaps in the understanding of fashion subcultures. The study also addressed the phenomenon of "viral" fashion trends on Wechat, Bilibili, and Tiktok. It concluded that the continued existence of labels is primarily attributed to the media's efforts. By increasing brand awareness, audience engagement, customer service, advertising income, and app downloads, media has helped firms keep their operational costs and revenue high. As facilitated by new media, the rapid and varied dissemination of fashion ideas may increase both their societal and consumer worth. The exchange of knowledge made possible by new media is assisting the fashion industry in meeting the demands of its customers. Improved fashion industry demand forecasting and production planning may result from better internal communication and consumer assessment.
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Cohen, Andrew J., German Patino, Puneet Kamal, et al. "Perspectives From Authors and Editors in the Biomedical Disciplines on Predatory Journals: Survey Study." Journal of Medical Internet Research 21, no. 8 (2019): e13769. http://dx.doi.org/10.2196/13769.
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Background Predatory journals fail to fulfill the tenets of biomedical publication: peer review, circulation, and access in perpetuity. Despite increasing attention in the lay and scientific press, no studies have directly assessed the perceptions of the authors or editors involved. Objective Our objective was to understand the motivation of authors in sending their work to potentially predatory journals. Moreover, we aimed to understand the perspective of journal editors at journals cited as potentially predatory. Methods Potential online predatory journals were randomly selected among 350 publishers and their 2204 biomedical journals. Author and editor email information was valid for 2227 total potential participants. A survey for authors and editors was created in an iterative fashion and distributed. Surveys assessed attitudes and knowledge about predatory publishing. Narrative comments were invited. Results A total of 249 complete survey responses were analyzed. A total of 40% of editors (17/43) surveyed were not aware that they were listed as an editor for the particular journal in question. A total of 21.8% of authors (45/206) confirmed a lack of peer review. Whereas 77% (33/43) of all surveyed editors were at least somewhat familiar with predatory journals, only 33.0% of authors (68/206) were somewhat familiar with them (P<.001). Only 26.2% of authors (54/206) were aware of Beall’s list of predatory journals versus 49% (21/43) of editors (P<.001). A total of 30.1% of authors (62/206) believed their publication was published in a predatory journal. After defining predatory publishing, 87.9% of authors (181/206) surveyed would not publish in the same journal in the future. Conclusions Authors publishing in suspected predatory journals are alarmingly uninformed in terms of predatory journal quality and practices. Editors’ increased familiarity with predatory publishing did little to prevent their unwitting listing as editors. Some suspected predatory journals did provide services akin to open access publication. Education, research mentorship, and a realignment of research incentives may decrease the impact of predatory publishing.
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Zajko-Czochańska, Justyna. "Moda i praktyka. „Przyjaciółka” jako materiał do badań." Czasopismo Naukowe Instytutu Studiów Kobiecych, no. 2(15) (2023): 111–22. http://dx.doi.org/10.15290/cnisk.2023.02.15.06.
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The article discusses the way of presenting the issue of fashion by the editors of the most popular magazine for women of the Polish People’s Republic – Przyjaciółka. The years 1957–1975 were analyzed. The aim of the research was to answer the following questions: to what extent did the analyzed periodical take up the subject of fashion? What was the nature of the content presenting the issue related to fashion? Did the published articles have a real impact on shaping tastes, a sense of aesthetics and the need to follow fashion trends in rural women?
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Smelik, Anneke, and Susan B. Kaiser. "Crisscrossing through critical fashion studies: Inclusive and interdisciplinary intersections." Critical Studies in Fashion & Beauty 12, no. 2 (2021): 155–61. http://dx.doi.org/10.1386/csfb_00033_2.
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In this introduction to the 12.2 issue of Critical Studies in Fashion & Beauty, the editors preview and consider several crisscrossing themes across the articles and reviews: affect, the body and gender, as well as class, race, nationality and other subject positions. The articles and reviews also represent a range of places and times. Diversity and heterogeneity of themes and objects of enquiry are distinctive characteristics of critical fashion studies today. The crisscrossing of themes reflects an equal amount of crisscrossing of theories, methodologies and epistemologies in our highly interdisciplinary field. Crisscrossing can be described as intersecting paths that diverge in different directions at each crossroad or intersection. Imagine for example an irregular embroidery cross-stitch pattern: while emphasizing intersections, there may be differences in the lengths of the stitches and the ways in which they are arranged. The cross-stitches may be shaped in nonlinear formats, even more so when they are not so tidy and ‐ instead ‐ are random, abstract or ambiguous. The editors argue that the importance of ambiguity has long been a theme in critical fashion studies.
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Twigg, Julia. "Fashion, the media and age: How women’s magazines use fashion to negotiate age identities." European Journal of Cultural Studies 21, no. 3 (2017): 334–48. http://dx.doi.org/10.1177/1367549417708432.
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The article explores the role of women’s magazines in the negotiation of later life identities, focussing on the treatment of fashion and dress. It locates the analysis in debates about the changing nature of later years with the emergence of Third Age identities, and the role of consumption in these. Focussed on the treatment of fashion and age, it analyses four UK magazines: three chosen to represent the older market ( Woman & Home, Saga, Yours), and one to represent mainstream fashion ( Vogue). It is based on interviews with four editors and analysis of the content of the magazines. The article analyses the media strategies that journalists use to negotiate tensions in the presentation of fashion for this group and their role in supporting new formations of age. This article forms part of ‘Media and the Ageing Body’ Special Issue.
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Bailey, Lauren R., and Yoo‐Kyoung Seock. "The relationships of fashion leadership, fashion magazine content and loyalty tendency." Journal of Fashion Marketing and Management: An International Journal 14, no. 1 (2010): 39–57. http://dx.doi.org/10.1108/13612021011025429.
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PurposeThe purpose of this study is to examine the influence of fashion magazine content on consumer loyalty behavior and to analyze the differences in fashion magazine content preference and loyalty tendency toward fashion magazines among the identified fashion consumer groups according to their level of fashion innovativeness and opinion leadership.Design/methodology/approachA structured questionnaire was developed to collect data on the variables in the study. The data analysis consisted of exploratory factor analysis, multiple regression, multivariate analysis of variance (MANOVA), analysis of variance (ANOVA), and descriptive statistics including means, frequencies, and percentiles.FindingsSix fashion magazine content dimensions were identified. The results revealed that fashion magazine content was significantly related to loyalty tendency toward a fashion magazine. In addition, respondents' preference for fashion magazine content and their loyalty tendency varied according to fashion consumer group and their level of fashion innovativeness and opinion leadership.Research limitations/implicationsThe study has practical implications for fashion magazine editors and marketers regarding how to incorporate fashion magazine readers' wants and needs in relation to the magazine's content, how to position their magazines for targeting different groups of shoppers, and how to allocate the features of fashion magazines in order to promote readership and loyalty toward the fashion magazine.Originality/valueDespite the importance of fashion magazines as an information source, little research has been conducted to analyze fashion magazine content and its influence on loyalty tendency.
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Gaugele, Elke, and Monica Titton. "Letter from the Editors: Fashion as Politics: Dressing Dissent." Fashion Theory 23, no. 6 (2019): 615–18. http://dx.doi.org/10.1080/1362704x.2019.1657257.
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Luvaas, Brent. "Post No Bill: The Transience of New York City Street Style." Fashion Studies 1, no. 1 (2018): 1–20. http://dx.doi.org/10.38055/fs010101.
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The sidewalks outside New York Fashion Week are lined with makeshift plywood walls. They are designed to keep pedestrians out of construction zones, but they have become the backdrops of innumerable “street style” photographs, portraits taken on city streets of self-appointed fashion “influencers” and other stylish “regular” people. Photographers, working to build a reputation within the fashion industry, take photos of editors, bloggers, club kids, and models, looking to do the same thing. The makeshift walls have become a site for the staging and performance of urban style. This photo essay documents the production of style in urban space, a transient process made semi-permanent through photography.
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McNeil, Peter, and Melissa Bellanta. "Letter from the Editors: Fashion, Embodiment and the “Making Turn”." Fashion Theory 23, no. 3 (2019): 325–28. http://dx.doi.org/10.1080/1362704x.2019.1603856.
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Astaptseva, Khrystyna. "The Genesis of «Zhinocha Storinka»/«Women’s Page» Through the Prism of Fashion and Feminism (the Case of the Newspaper «Novyi ChaS»/«New Time» (1926–1939))." Scientific notes of the Institute of Journalism, no. 1 (74) (2019): 95–111. http://dx.doi.org/10.17721/2522-1272.2019.74.9.
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The objective of the study is to examine the genesis of «Women’s Page»/«Zhinocha Storinka» in the newspaper «New Time»/«Novyj Chas») in the context of fashion and feminism issues and to actualize the working experience of editors and journalists of this thematic column. The methods of research applied in this study are the following: the descriptive (ideographic) method used for recording individual characteristics of work of editors in this column; the periodization method combined with chronological method was applied to trace differences between the content and artistic-technical design of «Women’s Page»/ «Zhinocha Storinka» issues for the period from 1926 till 1939. Also the biographical method was used to study the creative heritage of the editors Mariia Strutynska and Stefaniia Martyniuk. In terms of this method, their worldviews were analyzed as well as their life histories were compared to the time and living conditions in which they lived. For the first time it is represented the comprehensive retrospective study of «Women’s Page»/ «Zhinocha Storinka» in the newspaper «New Time»/«Novyj Chas» from the beginning of its foundation until complete termination of its distribution. This study aims to understand the particularities of foundation of «Women’s Page»/ «Zhinocha Storinka» and its further functioning within the harsh Polish occupation policy. It describes the tasks and objectives of «Women’s Page»/ «Zhinocha Storinka» set by the editors of this thematic column. In this study we ascertain the names and determine the cryptonyms of editors and journalists of «Women’s Page»/ «Zhinocha Storinka» column and reflect the main milestones of their biographies. Also it is studied and analyzed the information content and editing methods of the woman’s column. The content of «Women’s Page»/ «Zhinocha Storinka», its rubrication and structure are researched. A special attention is paid to fashion and feminism related publications and their sociocultural significance.
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Chatterji, Joya, and Norbert Peabody. "A Note from the Editors." Modern Asian Studies 51, no. 4 (2017): 1222. http://dx.doi.org/10.1017/s0026749x17000695.
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As the Editors of Modern Asian Studies, we are sorry that Professor Sundar is disappointed that Professor Verghese's article, ‘British Rule and Tribal Revolts in India’, does not engage with her work in the manner she would have wished. We are in agreement with the reviewers of the article that Verghese sets out a problematic for his study that is posed in a significantly different fashion from Sundar's work. As Verghese explains below, his line of enquiry emerged from comparative questions that had their origins in the field of political science. These questions address issues that do not easily map onto Sundar's ethno-historical work on Bastar.
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Mora, Emanuela, and Agnès Rocamora. "Letter from the Editors: Analyzing Fashion Blogs—Further Avenues for Research." Fashion Theory 19, no. 2 (2015): 149–56. http://dx.doi.org/10.2752/175174115x14168357992274.
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Wubs, Ben, Mariangela Lavanga, and Alice Janssens. "Letter from the Editors: The Past and Present of Fashion Cities." Fashion Theory 24, no. 3 (2020): 319–24. http://dx.doi.org/10.1080/1362704x.2020.1732012.
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Dennaya, Irene Anggita, and Barli Bram. "LANGUAGE STYLE IN FASHION ADVERTISEMENTS OF ONLINE VOGUE MAGAZINE." JOALL (Journal of Applied Linguistics and Literature) 6, no. 2 (2021): 277–89. http://dx.doi.org/10.33369/joall.v6i2.14549.
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In advertising, one of the purposes of communication is to offer a particular product. Advertisements display the advantages, features, and values of the products. This paper aimed to analyse the language styles used in online Vogue Magazine fashion advertisements. The data were collected by selecting ten advertisements collected from Vogue Magazine’s compilation entitled “The Fall 2020 Trends Vogue Edition Editors are Shopping This Season” published on 18 September 2020. The researchers employed mixed methods to analyse the language styles used in the fashion advertisements based on nine types of language styles proposed by Wells, Burnett, and Moriarty (1995). The results showed that there were three language styles found from ten online fashion advertisements in Vogue Magazine advertisements, namely the hard sell style (three times), soft sell style (three times), and mixed style or the combination of the hard sell and soft sell styles (four times). Each advertisement style has its specific features and functions in fashion promotion.
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Korobtseva, N., L. Karshakova, and M. Obetkovskaya. "Development of Digital Show Methodology." Bulletin of Science and Practice 10, no. 5 (2024): 408–16. http://dx.doi.org/10.33619/2414-2948/102/51.
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The article proposes a method for creating a digital display of a clothing collection using modern information technologies. The authors analyzed technologies that can be used to display the collection in a digital environment. Particular attention is paid to 3D modeling and animation, as well as the integration of virtual models and scenes into videos. An algorithm is proposed that includes the stages of creating the image of the collection and selecting avatars, animation of the process of passing models in designed clothes across the stage in three-dimensional space. The purpose of this work is to consider the features of using neural networks for generating images, online resources and three graphic editors: a general-purpose 3D editor Blender, a 3D editor for designing and visualizing clothing Clo3D and a program for color correction, editing and video processing DaVinci Resolve. The main task was to study the possibilities of these technological solutions for creating motion design for a virtual fashion show of a clothing collection. Development algorithms are described at different stages: from searching for an artistic image using neural networks and digital design to developing animation design and video post-processing. The research materials contribute to understanding the possibilities of digital design in the field of fashion. The described tools allow you to create realistic clothing models, demonstrate animation and fabric simulation, and present collections in a dynamic format. In conclusion, recommendations are offered for the use of computer graphics for the effective development of virtual screenings. The article is intended for specialists in the field of costume and fashion design, computer graphics, virtual reality, as well as for anyone interested in innovative approaches to the organization and presentation of digital products.
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Chapdelaine de Montvalon, Sophie. "Labouring up and down Prisunic’s styling streams: The creative studio of a retail chain in 1960s France." International Journal of Fashion Studies 8, no. 2 (2021): 213–36. http://dx.doi.org/10.1386/infs_00051_1.
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This article looks at the French retail chain Prisunic’s fashion production in the 1960s and, in particular, at the collective and invisible labour of its creative studio established in 1953. It examines the processes by which Prisunic evolved from selling clothes, infamous for their shabbiness, to selling fashion during the 1960s. First, this article focuses on the organization of Prisunic. Second, it turns to the interactions between Prisunic as a fashion producer and cultural intermediaries such as forecasting agencies. Specifically, it analyses how Maïmé Arnodin’s ‘colour books’ became instrumental to Prisunic’s design process. Third, it considers the diversity of occupations within the studio, including stylist, fashion designer, fashion photographer, graphic designer and typographer, and considers their interactions. Fourth, the article delves into the interpersonal relations of studio members with fashion journalists and editors, as well as structural interactions between fashion producers and fashion media. Especially, it questions the role of French Elle in the visual and discursive construction of Prisunic’s commodities as the product of creative labour. The article draws on sociologist Michel Callon’s focus on ‘agencies’ and ‘material devices’, which are instrumental in shaping markets and the cultural economy. Further, it builds on sociologist Liz McFall’s characterization of material devices as shaped by the interaction of institutional, organizational and technological arrangements to analyse the studio’s labour practices within Prisunic, upstream with its suppliers and downstream with the press. This article traces the processes, interactions and arrangements that make up Prisunic’s styling streams.
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Van de Casteele, Marlène. "Collaboration, competition and conflict: The collective labour of fashion photography at US Vogue (1940‐42)." International Journal of Fashion Studies 8, no. 2 (2021): 195–211. http://dx.doi.org/10.1386/infs_00050_1.
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While the figure of the fashion photographer has been widely discussed, little has been written on image-making as a collective endeavour. Fashion photography indeed results from technical innovations, publishing strategies, editorial policies, behind-the-scenes negotiations and, ultimately, decision-making. This article analyses ‘The Condé Nast Papers’ ‐ a series of internal documents held at the Condé Nast archives in New York ‐ together with US Vogue and Harper’s Bazaar’s editorials and covers to explore how fashion photographs resulted from the collective labour of photographers, editors, artistic directors and many others in the early 1940s. Through these unique historical sources, this article gives a voice to the workers involved in the making of fashion images and shows how decision-making and creativity were distributed across occupations. It also unpacks the negotiations, arbitrations and power relations that underpinned work relations at US Vogue, showing the collaboration, competition and conflict between the different actors. Drawing on art sociologist Howard Becker’s concept of ‘art worlds’ while combining methods from fashion history and visual and material culture, I question the respective status of the multiple authors involved in this activity and the conventions of fashion image-making. In doing so, I argue that fashion photographs are the product of the interactions of a multitude of workers who are embedded in the power structures of the fashion media industry, and whose collective labour is made invisible. My goal is to rethink the ways in which collective labour has been evidenced and produced in the fashion industry.
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Meneley, Anne. "Review of Emma Tarlo and Annelies Moors, editors, Islamic Fashion and Anti-Fashion: New Perspectives from Europe and North America." Contemporary Islam 9, no. 3 (2014): 401–4. http://dx.doi.org/10.1007/s11562-014-0309-8.
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Van Remoortel, Marianne. "Women Editors and the Rise of the Illustrated Fashion Press in the Nineteenth Century." Nineteenth-Century Contexts 39, no. 4 (2017): 269–95. http://dx.doi.org/10.1080/08905495.2017.1335157.
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Sayan-Cengiz, Feyda. "Eroding the symbolic significance of veiling? The Islamic fashion magazineÂlâ, consumerism, and the challenged boundaries of the “Islamic neighborhood”." New Perspectives on Turkey 58 (May 2018): 155–78. http://dx.doi.org/10.1017/npt.2018.9.
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AbstractIslamic fashion and lifestyle magazines enable the global circulation and consumption of newly emerging images of, narratives about, and discourses on Muslim women across the globe. Such magazines also trigger debates by making visible the language of commodification and consumerism that is increasingly shaping Muslim subjectivities. In particular,Âlâ—the pioneering Islamic fashion magazine in Turkey—has been the target of extensive criticism by Islamic intellectuals and columnists. This study contextualizes these criticisms within the broader debate on veiling fashion and Islamic consumerism in the context of 2010s Turkey, a context in which the Islamic bourgeoisie has been strengthened and class cleavages among veiled women have been further sharpened. The study analyzes the opinion columns focusing onÂlâpublished in the Islamic, pro-government newspaperYeni Şafak, as well as the responses ofÂlâ’s editors and producers to such criticisms. The findings demonstrate that the magazine is criticized for making visible the surge of consumerism among the Islamic bourgeoisie, for blurring the boundaries between Islamic and secular identities, and for fragmenting an idealized imagination of Islamic collectivity by emphasizing class cleavages among veiled women. I argue that these criticisms ofÂlâin Islamic circles reflect a concern with the erosion of the symbolic connotations of veiling in Turkey, particularly in terms of marking the boundaries that define the imagination of an Islamic collectivity.
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Boltanski, Luc, and Arnaud Esquerre. "Grappling with the Economy of Enrichment." Valuation Studies 3, no. 1 (2015): 75–83. http://dx.doi.org/10.3384/vs.2001-5592.153175.
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In a conversation with Fabian Muniesa from the board of editors of Valuation Studies, Luc Boltanski and Arnaud Esquerre unravelled a few of the distinguishing features of their new work on the sociology of valuation. Combining an updated view on the pragmatics of justification and a more recent preoccupation with the problem of prices, their proposal appears as both a suitable contribution and a timely challenge to current threads in valuation studies. It also interacts in a stimulating fashion with their concomitant analysis of the political atmosphere in France, and more widely of the shift to identity that so vividly informs the critique of capitalism today.
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Marinelli, Lydia, and Andreas Mayer. "Editors' Introduction: Forgetting Freud? For a New Historiography of Psychoanalysis." Science in Context 19, no. 1 (2006): 1–13. http://dx.doi.org/10.1017/s0269889705000736.
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How does the advancement of the sciences relate to the ways in which their founding figures are remembered? According to the stark picture painted by Alfred N. Whitehead in 1917, “the establishment of a reverential attitude towards any statement made by a classical author” had barred the progress of logic for several centuries: “Scholars became commentators on truths too fragile to bear translation. A science which hesitates to forget its founders is lost” (Whitehead 1917, 115). In the eyes of many critics (who often tend to equate science and logic in similar fashion), Sigmund Freud's psychoanalysis may well be an example of such a lost cause. From the founding book The Interpretation of Dreams ([1899] 1900) to his very last statements, Freud never ceased to affirm that psychoanalysis was a science: “What else can it be?” (Freud 1940, 282). Yet not only the fact that he has become one of the classic authors of the twentieth century, but also a number of very specific traits of psychoanalytic institutions (such as the numerous schisms resulting from personal fights between their members) have nourished the suspicion that Freud was less the founder of a science than of a sort of quasi-religious movement, a secular sect thriving on a personality cult.
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Ramadana, Reimia. "Hadis Hijab Pandangan Kontemporer: Studi terhadap Pemahaman Fatima Mernissi, Quraish Shihab, dan Muhammad Syahrur." Jurnal Penelitian Ilmu Ushuluddin 2, no. 1 (2022): 86–112. http://dx.doi.org/10.15575/jpiu.13562.
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This study aims to discuss the hadith about hijab in a contemporary view. This research is a qualitative type through literature study using the takhrij and syarah hadith methods with a contemporary approach. The results and discussion of this research include the definition of hijab, the term hijab in history, the term hijab today, hadith editors about hijab, hijab according to hadith, and hijab in a contemporary view. This study concludes that there is no hadith that states the term hijab as Muslim clothing, and when referring to today's era the term hijab is understood as a means of covering the genitals for women, whether it is a headscarf, headscarf, or clothes. Today's hijab is also understood not only as a tool to cover the genitals but has also developed into fashion (life style).
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Van Cleave, Kendra. "“The Desire to Banish Any Constraint in Clothing”." French Historical Studies 43, no. 2 (2020): 197–221. http://dx.doi.org/10.1215/00161071-8018469.
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Abstract Led by Jean-Jacques Rousseau, Enlightenment concerns about the negative consequences of luxury and artifice, as well as clothing's physical and moral effects, meant that by the late eighteenth century naturalism, simplicity, comfort, health, and morality had become the bywords of dress. In the newly invented French fashion press, editors adopted philosophes' arguments to resolve potential conflicts between consumption and Enlightenment ideas. However, they did so primarily with Ottoman-inspired French fashions rather than with the English styles that have thus far been the primary scholarly concern. Turquerie—Turkish-focused Orientalism—allowed the creators of these magazines to connect fashion to Enlightenment principles while reinforcing consumption through more subtle promotions of luxury; moreover, unlike the democratically linked English-inspired styles that followed, turquerie did not challenge France's autocratic monarchy. Dans la seconde moitié du dix-huitième siècle, le mouvement des Lumières a eu des effets considérables sur la culture française, notamment sur l'habillement et l'apparence. Soulevées par le philosophe Jean-Jacques Rousseau, les préoccupations des Lumières au sujet des méfaits du luxe et de l'artifice, ainsi que les conséquences physiques et morales du port du vêtement, ont fait du naturalisme, de la simplicité, du confort, de la santé et de la moralité les maîtres mots du vêtement à la fin du dix-huitième siècle. Dans la presse de mode française, nouvellement créée, les éditeurs adoptèrent les arguments des philosophes afin de résoudre les conflits potentiels entre la consommation et les idées des Lumières. Cependant, ils le firent principalement à travers la promotion des modes françaises d'inspiration ottomane, plutôt qu'avec les styles anglais qui jusque-là ont fait l'objet de nombreuses études. La turquerie—l'orientalisme turc—permit en effet aux éditeurs des journaux de réconcilier la mode avec les principes des Lumières tout en renforçant l'incitation à la consommation via la promotion du luxe par des moyens plus subtils. Contrairement aux styles d'inspiration anglaise liés à la démocratie qui s'en suivirent, la turquerie ne remettait pas en cause la monarchie autocratique française.
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The Editors. "Notes from the Editors, September 2015." Monthly Review 67, no. 4 (2015): 2. http://dx.doi.org/10.14452/mr-067-04-2015-08_0.
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<div class="buynow"><a title="Back issue of Monthly Review, September 2015 (Volume 67, Number 3)" href="http://monthlyreview.org/back-issues/mr-067-04-2015-08/">buy this issue</a></div> In the U.S. case, imperialism has always been closely tied to a system of racial domination at home. As W.E.B. Du Bois wrote some sixty years ago in "<a href="http://dx.doi.org/10.14452/MR-004-12-1953-04_4" target="_blank">Negroes and the Crisis of Capitalism in the United States</a>" (<em>Monthly Review</em>, April 1953; reprinted in <a href="http://archive.monthlyreview.org/index.php/mr/article/view/MR-054-11-2003-04_3" target="_blank">April 2003</a>),<div class="blockquote">The United States, with its existing social structure, cannot abolish the color line despite its promises. It cannot stop injustice in the courts based on color and race. Above all, it cannot stop the exploitation of black workers by white capital, especially in the newest South. White North America beyond the urge of sound economics is persistently driving black folk toward socialism. It is the United States which is straining every effort to enslave Asia and Africa, and educated and well-to-do black Americans are coming to know this just as well as anybody. They may delay their reaction; they may hold ominous silence. But in the end, if this pressure keeps up, they will join the march to economic emancipation [the struggle against capitalism], because otherwise they cannot themselves be free.</div>Despite the gains of the civil rights era, the reemergence of what is now called the "New Jim Crow," based on the mass incarceration and repeated police killings of unarmed black men, shows that the old systems of racial control have been "modernized" in the present, maintaining the color line, if in modified fashion: not only in relation to black Americans&mdash;though they have a special position emerging out of the whole legacy of slavery&hellip;&mdash;but also with respect to all other people of color as well.<p class="mrlink"><p class="mrpurchaselink"><a href="http://monthlyreview.org/index/volume-67-number-4" title="Vol. 67, No. 4: September 2015" target="_self">Click here to purchase a PDF version of this article at the <em>Monthly Review</em> website.</a></p>
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Trussler, Simon. "Remembering Arnold Wesker: Loose Connections from Left Field." New Theatre Quarterly 32, no. 4 (2016): 391–94. http://dx.doi.org/10.1017/s0266464x16000452.
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Arnold Wesker, who died in April 2016, denied having been an ‘angry young man’ and, though the cliché clung, he declared, ‘But I am an angry old man.’ In this memoir, Simon Trussler, while reflecting on causes for the anger, does not attempt an analysis of the life and works, but recollects the times when their shared interests and intentions brought them into contact, and explores some of the reasons why the youthful climb to a peak of success was followed by a slow decline not in output or activity but in the critical response to a writer perceived as having gone out of fashion. NTQ's former co-editor, the late Clive Barker, was closely involved with Wesker in the early Centre Forty-Two project and its aim to open wider access to the arts, while Trussler helped to initiate Wesker's later involvement in the International Theatre Institute. Other ‘loose connections’ with Wesker's life and career here flesh out the facts and received opinions of the formal obituaries. Simon Trussler was one of the founding editors of the old Theatre Quarterly , as later of New Theatre Quarterly. He conducted two major interviews with Wesker in the original TQ, both later reprinted in book form, and with Glenda Leeming co-authored the first full-length study of Wesker's plays (Gollancz, 1981). Among many other publications, he is author of the award-winning Cambridge Illustrated History of British Theatre (1994).
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Viires, Piret. "End of Irony? Estonian Literature after Postmodernism." Interlitteraria 16, no. 2 (2011): 451–63. http://dx.doi.org/10.12697/il.2011.16.2.5.
Full textAbstract:
In their work published in 2001, “After Postmodernism” (López, Potter 2001), the editors Garry Potter and José López claim that postmodernism was the most influential intellectual trend of the last third of the 20th century, and one of the central trends in the Western cultural-theoretical thinking since the 1960s. Postmodernism managed to grasp the spirit of the time and at the same time challenge self-confidence, presented by the mind, objectivity and knowledge (ib. 3). At the same time the authors have to admit that by the beginning of the 21st century the heyday of postmodernism had passed, postmodernism was in the “stage of decline” and “out of fashion” (ib. 4). Today, in 2011, we have to admit that the early-decade prediction of Potter and López has come true; postmodern society is retreating and the postmodernist theory is on the decline and losing its central role.
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Guran, Letitia. "Cosmopolitanism and Planetary Studies: Paradigms for Rewriting the Past." University of Bucharest Review. Literary and Cultural Studies Series 11, no. 1 (2021): 114–28. http://dx.doi.org/10.31178/ubr.11.1.10.
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This paper discusses recent models of world literature rewriting in light of the 2018 Romanian Literature as World Literature, which remaps some of the most representative Romanian authors and movements according to the intersectional frameworks advanced by Immanuel Wallerstein’s world systemstheory, Pascale Casanova’s world republic of letters, and others. In their plea for what the book’s editors call planetary, cosmopolitan studies, the sixteen contributors reread canonical Romanian texts and advocate for a new literary world order, within which Romanian literature is regarded in a less hierarchical/dichotomic fashion, as a literature of the world. This initiative seeks to reposition Romanian literature as a diverse, active, and dynamic partner in the world’s cultural dialogue. My essay addresses a paradox which is very much at the centre of the book: how can one promote intercultural, non-hegemonic models of dialogue when translation and marketability still restrict the participation of “marginal” cultures in the planetary, cosmopolitan exchange of ideas?
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Armstrong, Thomas. "Wright, African Americans in the Colonial Era." Teaching History: A Journal of Methods 16, no. 1 (1991): 50–51. http://dx.doi.org/10.33043/th.16.1.50-51.
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Historians familiar with the Harlan Davidson American History Series have come to expect succinct summary statements and strong bibliographic essays. Donald Wright's book will thus be a welcome addition to the series. The series' editors identified a gap in the survey literature on African-American history. Colonial America has simply not been addressed in a meaningful fashion. The monographic literature is often too widely scattered to be of much value to the undergraduate reader, and when the subject of slavery is broached, it has all too often been the slavery of the cotton belt between 1830 and 1860. Wright ably summarizes the origins of slavery and the mechanics of slave trade; he looks sensitively at the issue of the origins of slavery as well as the origins of racism, carefully addressing both the presence of Anthony Johnson and other free blacks like him, but noting that patterns of discrimination toward blacks existed from the beginning of European and African colonization of the New World.
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Classen, Albrecht. "The Cambridge History of Welsh Literature, ed. Geraint Evans and Helen Fulton. Cambridge: Cambridge University Press, 2019, xxix, 825 pp., 8 maps." Mediaevistik 32, no. 1 (2020): 265–66. http://dx.doi.org/10.3726/med.2019.01.19.
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According to the two editors, it has been a long time since the entire history of Welsh literature was treated in one volume, so the new effort by Geraint Evans and Helen Fulton must be certainly welcomed. But for a little housekeeping, so to speak, they only refer to the volume Hanes Llenyddiaeth Gymraeg hyd 1900, published by Thomas Parry in 1953, translated into English in 1955. A simple search in any online catalog, however, unearths other valuable studies, such as Bobi Jones’s The Dragon’s Pen: A Brief History of Welsh Literature (1986), Mathias Roland’s Anglo-Welsh Literature: An Illustrated History (1986), The Oxford Companion to the Literature of Wales, ed. Meic Stephens (1986), and Dafydd Johnston, The Literature of Wales (1994), none of which are included in the final cumulative bibliography. Of course, this does not mean at all that new efforts in that regard could be dismissed, on the contrary. In fact, as Evans and Fulton correctly emphasize, both with respect to the use of English and the use of Welsh, the time has come to approach the entire corpus of literary texts as produced in Wales from the early Middle Ages until today in a holistic fashion, although this work was here divvied up among a larger number of scholars responsible for individual literary-historical periods. It would have been helpful, however, if the editors had reviewed critically the previous efforts to write a literary history of Wales in order to highlight better the new approaches and methodologies, which are explained subsequently, but not clearly enough in contrast to previous publications.
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Trott, Barry. "From the Editor: Trusted Information in an Age of Uncertainty." Reference & User Services Quarterly 57, no. 3 (2018): 156. http://dx.doi.org/10.5860/rusq.57.3.6596.
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Public and academic libraries alike are facing a variety of challenges surrounding information, facts, and trust. These challenges arise from a societal shift that has been building over the half century since Richard Hofstadter published Anti-Intellectualism in American Life in 1964. Though scholars may disagree on the actual level of anti-intellectualism in the United States, there seems to be little doubt that many of our library users increasingly encounter opinion presented as fact, disturbing dismissals of science, and a lack of critical thinking on social media and in the news. Unfortunately, this disturbing trend also seems to be making an appearance in information available from formerly reliable sources. As this issue’s editors, David A. Tyckoson and Nicolette Sosulski, noted in their proposal for a special issue of RUSQ on information trustworthiness, “Professional organizations, educational institutions, [and] government agencies have always been trustworthy providers of quality information. But now that we are living in a time when government speech is inhibited, and some agencies are removing or revising their own publications, where do we find accurate and authentic information?” The columns and articles in this special issue of RUSQ have all been selected by Dave and Nicolette or by the RUSQ column editors to reflect in some fashion on the topics of information, authority, and trust, especially in regard to government information. Librarians as information professionals have always sought to provide access to accurate and authoritative information. Now, we need to be at the forefront of ensuring not only that access is preserved, but also that information itself does not become lost in the culture wars.
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Resimic, Milos. "Media coverage of violence against women in the family and in an intimate partner relationship in Serbia." Temida 19, no. 1 (2016): 63–82. http://dx.doi.org/10.2298/tem1601063r.
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This article examines the media coverage of violence against women in the family and in an intimate partner relationship in Serbia. The goal of this article is to point to the potential that implementing the relevant state policies might have on the quality of the media coverage, by analysing the effects of state policies on the media coverage of violence against women in the family and in an intimate partner relationship. This study utilizes quantitative content analysis and qualitative framing analysis on a sample of 330 articles of Serbian daily newspapers Blic, Kurir and Politika in two time periods (three months in 2006 and three months in 2013). The results of the quantitative content analysis show a significant increase in the number of articles containing information on statistics, services for victims and expert sources. Qualitative framing analysis points to the conclusion that the nature of the media frame has not meaningfully changed. Namely, under the pressure of editors, journalists continue with framing violence against women in a stereotyped fashion which reflects the suppressed position of women in the Serbian society.
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Bochkarev, Sergei Aleksandrovich. "What the actualization of the question leads about philosophy of branches of law?" Russian Journal of Legal Studies 6, no. 2 (2019): 9–16. http://dx.doi.org/10.17816/rjls18469.
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The article analyzes the prospects and state of the philosophy of law and philosophy of the branches of law. This topic was discussed for the first time in the history of modern legal science after in 2017 the editorial staff of the Russian Journal of Legal Research put it out for wide discussion by publishing a number of articles on the subject in the journal (No. 1, 2017). The proposal to pay attention to this topic received the response of leading scientists from different regions of the country and neighboring countries. As a result of an active and interested attitude of specialists, a thorough and collective discussion of the problems, a kind of intersectoral and “brainstorming,” was obtained. Only on the journal’s website (russianjls.ru) over 18 thousand downloads of articles by the authors of this issue were made. The editors received a significant number of reviews, and the publication itself was highly appreciated among practicing and theorizing lawyers. Updating the philosophical understanding of the branches of law is not a tribute to fashion. It is due to a long overdue need.
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Jakob, Joachim. "Dionysius Bar alībī’s Treatise Against the Jews. Edited and Translated with Notes and Commentary, ed. Rifaat Y. Ebied, Malatius M. Malki, and Lionel R. Wickham †. Texts and Studies in Eastern Christianity, 15. Leiden and Boston: Brill, 2020, XVIII, 169 pp." Mediaevistik 35, no. 1 (2022): 457–58. http://dx.doi.org/10.3726/med.2022.01.98.
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Abstract: This volume is part of “a major research project of publishing a comprehensive corpus of the Polemical Treatises of Bar alībī” (X) which “have only been published in a partial and piecemeal fashion” and “have never been translated as an entirety nor have they received systematic comment” (XI), as the editors state in their preface. Dionysius bar alībī (d. 1171) was a scholar and prolific writer of the period of the so-called Syriac Renaissance (11th–13th centuries). He first became the Syriac Orthodox bishop of Marash and later, in 1167, the metropolitan of Amid (Diyarbakır in Turkey). The volume offers an edition and English translation of Bar alībī’s Treatise Against the Jews (37–141), with a few short introductory chapters (1–36). The treatise was probably composed between 1165 and 1168 C.E. (12). It is part of a series of polemical treatises authored by Bar alībī that are directed also against Muslims (ed. and trans. Joseph P. Amar, Dionysius Bar alībī: A Response to the Arabs. CSCO 614–15. Louvain: Éditions Peeters, 2005), differing Christian traditions, and idolaters.
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Ilhan, Prof Dr Ayse Cakir. "EDITORIAL." New Trends and Issues Proceedings on Humanities and Social Sciences 6, no. 4 (2019): I. http://dx.doi.org/10.18844/prosoc.v5i6.4577.
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It is the great honor for me to edit proceedings of “8th World Conference on Design and Arts (WCDA- 2019)”, 27 –29 June 2019, Tirana International Conference Centre, Tirana, Albania. This privileged scientific event has been contributing to the field of educational research for eight years.
 As the guest editor of this issue, I am glad to see variety of articles focusing on Art Management, Art and Corporate Identiy, Art and Media, Art and Advertising Design, Art and Globalization, Civil Society and Art, Community Arts, Experimental Typography, Fashion Design, Game Design and Cinema, Game Design and Art, Gastoronomy and Art, Industrial Design, Interactive Arts, Interactive Sound Design, Interior Design, Jewelry Design, New Media for Learning and Teaching, Packaging Design, Performing Arts, Sonic Sculptures, Sound Installations, Teacher Training, The Science of Arts, Typeface Design, Urban Culture and Art, Visual Culture and Art, etc..
 Furthermore, the conference is getting more international each year, which is an indicator that it is getting world widely known and recognized. Scholars from all over the world contribute to the conference. Special thanks are to all the reviewers, the members of the international editorial board, thepublisher, andthose involved in technicalprocesses.Wewouldlike tothank all whocontributed to every process to make this issue actualized. A total of 47 full papers or abstracts were submitted for this conference and each paper has been peer reviewed by the reviewers specialized in the related field. At the end of the review process, a total of 14 high quality research papers were selected and accepted for publication.
 
 I hope that you will enjoy reading the papers. Best Regards
 
 Guest Editors
 Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey
 Editorial Assistant
 Zeynep Genc, Phd. Istanbul Aydin University, Istanbul, Turkey
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Ilhan, Prof Dr Ayse Cakir. "EDITORIAL." New Trends and Issues Proceedings on Humanities and Social Sciences 6, no. 4 (2019): I. http://dx.doi.org/10.18844/prosoc.v6i4.4577.
Full textAbstract:
It is the great honor for me to edit proceedings of “8th World Conference on Design and Arts (WCDA- 2019)â€, 27 –29 June 2019, Tirana International Conference Centre, Tirana, Albania. This privileged scientific event has been contributing to the field of educational research for eight years.
 As the guest editor of this issue, I am glad to see variety of articles focusing on Art Management, Art and Corporate Identiy, Art and Media, Art and Advertising Design, Art and Globalization, Civil Society and Art, Community Arts, Experimental Typography, Fashion Design, Game Design and Cinema, Game Design and Art, Gastoronomy and Art, Industrial Design, Interactive Arts, Interactive Sound Design, Interior Design, Jewelry Design, New Media for Learning and Teaching, Packaging Design, Performing Arts, Sonic Sculptures, Sound Installations, Teacher Training, The Science of Arts, Typeface Design, Urban Culture and Art, Visual Culture and Art, etc..
 Furthermore, the conference is getting more international each year, which is an indicator that it is getting world widely known and recognized. Scholars from all over the world contribute to the conference. Special thanks are to all the reviewers, the members of the international editorial board, thepublisher, andthose involved in technicalprocesses.Wewouldlike tothank all whocontributed to every process to make this issue actualized. A total of 47 full papers or abstracts were submitted for this conference and each paper has been peer reviewed by the reviewers specialized in the related field. At the end of the review process, a total of 14 high quality research papers were selected and accepted for publication.
 
 I hope that you will enjoy reading the papers. Best Regards
 
 Guest Editors
 Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey
 Editorial Assistant
 Zeynep Genc, Phd. Istanbul Aydin University, Istanbul, Turkey
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Luyt, Brendan. "The early years of Philippine Studies, 1953 to 1966." Journal of Southeast Asian Studies 50, no. 2 (2019): 202–21. http://dx.doi.org/10.1017/s0022463419000237.
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The academic journal has been a key element of the scholarly world for some time and as a key component of this world it deserves historical examination. But this has not often been forthcoming, especially for regions of the world outside the Anglo-American core. In this article I examine the content of the early years of Philippine Studies. Founded in 1953, it has survived and prospered up to the present day as a vehicle for scholarly studies of the Philippines. The content of the early years of Philippine Studies (1953–66) reflected a desire on the part of its editors and many of its authors and supporters to create a Philippine society based on the teachings of the Catholic Church, one that would be strong enough to create a middle path between communism and liberalism. Articles published during this period advocated social reform based on the teachings of the Catholic Church; these articles also aired warnings about the communist threat to the Philippines and the world. But alongside these materials were literary and historical studies that also, but in a more indirect fashion, supported the project of Catholic-inspired social reform.
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Shaw, Jamie, and Hakob Barseghyan. "Problems and Prospects with the Scientonomic Workflow." Scientonomy: Journal for the Science of Science 3 (December 22, 2019): 1–14. http://dx.doi.org/10.33137/js.v3i0.33509.
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While the scientonomic workflow guiding the development of a general theory of scientific change has been practiced for nearly four years, it has yet to be formally evaluated. The goal of this paper is to fill this gap with a critical appraisal of the practice and theoretical underpinnings of the workflow currently used in scientonomy. First, we consider the traditional workflow which uses publications as the primary vehicle for substantive epistemic change and find that it fails to be sufficiently transparent or inclusive and is ambiguous at decisive points. Conversely, as we argue, the scientonomic workflow has the potential to succeed where the traditional workflow fails and thus provides a promising alternative workflow. We then go on to note a number of practical and theoretical problems that have arisen upon reflection on the scientonomic workflow and suggest some modifications to the workflow and to our practices. This paper takes the first steps in improving the workflow to reach its maximum potential.
 Suggested Modifications
 [Sciento-2019-0001]: Accept that the goal of peer-reviews in the scientonomic workflow is evaluation for pursuitworthiness rather than acceptability.
 [Sciento-2019-0002]: Accept that the discussions concerning a suggested modification are to be published once a communal verdict is available. The discussions are to be published in the journal as special commentary articles co-authored by all participants of the discussion or in special edited collections.
 [Sciento-2019-0003]: Accept that the commentators of suggested modifications are allowed to suggest reformulations of the original formulations.
 Also accept that, by default, the new formulation should bear the original author’s name, unless the author decides to give credit to those who significantly contributed to the new reformulation. This should be decided collegially by the author, the commentators, and the editors on a case-by-case basis. 
 [Sciento-2019-0004]: Accept that an annual book prize is to be offered for extensive participation on the encyclopedia. The winner(s) are to be decided by the encyclopedia editors.
 [Sciento-2019-0005]: Accept that star-ratings are to be introduced for commentators who comment on suggested modifications on the encyclopedia.
 [Sciento-2019-0006]: Accept that the encyclopedia editors are to be granted official housekeeping rights to handle the ripple effects.
 Also accept that if the additional required changes are implicit in the suggested modification, the editors should create and alter encyclopedia pages to ensure that the accepted body of scientonomic knowledge is properly documented; if it is conceivable to accept the modification without accepting the ripple effect change in question, the editors should register these changes as new suggested modifications so that the community can discuss and evaluate them in an orderly fashion.
 [Sciento-2019-0007]: Accept that the verdict on suggested modifications is to be decided by a communal vote that will follow the discussion period.
 Have a communal discussion and decide as to what percentage of votes it should take for a modification to be accepted – a simple majority (50% +1), or supermajority of three fifths (60%), two thirds (67%), or three quarters (75%). Also discuss to decide as to how long the discussion period and the voting period should be.
 This modification is incompatible with modification [Sciento-2019-0008].
 [Sciento-2019-0008]: Accept that a countdown mechanism is to be introduced, where a modification is accepted by default if there are no objections within a 90-day period following its publication.
 This modification is incompatible with modification [Sciento-2019-0007].
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Thompson, Roger R. "Rethinking the 1898 Reform Period: Political and Cultural Change in Late Qing China. Edited by Rebecca E. Karl and Peter Zarrow. [Cambridge, MA and London: Harvard University Asia Center, distributed by Harvard University Press, 2002. x+273 pp. £29.95; $45.00. ISBN 0-674-00854-5.]." China Quarterly 176 (December 2003): 1112–14. http://dx.doi.org/10.1017/s0305741003380634.
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In their introduction to this excellent collection of nine essays, most of which were presented at the 1998 Annual Meeting of the Association for Asian Studies, historians Rebecca Karl and Peter Zarrow write convincingly that the “1898 period” in particular and the late Qing in general mark the moment when “Chinese experiences of modernity” (p. 10) began. Recognizing that many of the elements we associate with the May Fourth paradigm first appeared in the under-studied late-Qing period, the editors decry how the late Qing “continues to be treated in an isolated fashion and is seldom drawn into the main currents of ‘Chinese modernity,’ which are seen as more properly placed in the later May Fourth period” (p. 7). The reason to study 1898 now is that we can see and compare China's confrontations with two global capitalisms (late 19th and late 20th centuries). We don't need a “functionalist exhumation of 1898;” we need an approach that helps us understand the “local effects of globalizing trajectories” (p. 7). In sum: “[We need to] rethink 1898 not as an event per se but, more important, as a vital conjunctural historical moment, as an extended moment during and through which Chinese intellectuals and society consciously confronted and began to reformulate the Chinese historical problematic” (p. 7).
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Santana, Maria Cristina. "Traditional or Digital Photojournalism Education? A Survey of Four-Year Photo Programs and Small Dailies' Photo Needs." Journal of Educational Technology Systems 25, no. 4 (1997): 351–61. http://dx.doi.org/10.2190/1746-t2pm-9b1t-tma2.
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This article is based on a national survey of schools with a four-year, photography program under a Communication Department, and of national daily newspapers with a circulation under 50,000. The researcher was interested in defining the knowledge needed by a graduate from a photo program to find employment at a small daily newspaper. Department chairs or sequence heads of each college program were asked to fill out the same survey given to the photo editors of the dailies selected. The questions ranged from photo equipment to instruction in digital and word processing software. The results showed both colleges and newspapers are embracing the new technology of computer enhanced instruction. Dailies rated the use of negative or slide scanners as most important, while colleges rated the use of computer software for photography most important. Another result of the survey is that both groups place little significance on medium and large format photography and photography assignments such as food or fashion illustration. Educators rated having a journalism background ninth in importance. This result is interesting when one considers that more than 85 percent of photography programs belong to Journalism Departments. This article explores possible curriculum changes to a Photojournalism/Visual Communication program.
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Wilson, N. G. "Two textual problems in Aristophanes." Classical Quarterly 50, no. 2 (2000): 597. http://dx.doi.org/10.1093/cq/50.2.597.
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In 1023ff. the poet explains that he has not been spoiled by success. The verb ༐κτελσαι in 1024 has been suspected, and though recent editors accept it, taking it as absolute, I am far from convinced that it is what the author wrote. Blaydes, in his usual fashion, records conjectures and makes some of his own, but though he hits the mark quite often in Aristophanes as he does in Sophocles, in this passage his efforts, e.g. ༐κγελσαι, fail to satisfy. I propose instead ༐κχαλσαι, ‘relax’. It might be transitive, but I slightly prefer to take it as intransitive. It is a rare word and all the more likely to be corrupted. The best parallel I can find is Hippocrates, De Octimestri Partu 1.2 (ed. Joly, 5 ed. Grensemann): οἱυες ༐υ oἶσι τυ ρχυ ༐τρøη, ὣσπερ τυ σταχωυ, ζεχλασαυ πρσθευ υαγκαζώμευου 祴 τελεως ζαδρυυθυαι τυ καρπυ.The verb is correctly transmitted in the best MS, Marc.gr. 269, while the other main source of the treatise, Vat.gr. 276, offers ζεκλεσαυ9, which is clearly due to an error by a scribe who did not recognize the unusual word required by the context. As to the date of this treatise, it is believed by one of the best modern authorities to be no later than the end of the fifth century and is therefore nearly contemporary with Aristophanes.
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Klees, June. "External Threats and Consequences: John Bull Rhetoric in Northern Political Culture during the United States Civil War." Journal for the History of Rhetoric 10, no. 1 (2007): 73–104. http://dx.doi.org/10.5325/jhistrhetoric.10.1.0073.
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Abstract Throughout the Civil War, editor-politicians fashioned Britain as a threat to the Union via the use of “John Bull rhetoric.” As purveyors of partisan expression, leading editors exploited precedents, historic memories and popular symbols, contemporary relations, and conspiracy theories related to Britain and its governing classes as a condensation symbol in the rhetoric of intra/inter-party politics. The direct effect on voters is impossible to quantify, but the editors' persistent and deliberative use of John Bull rhetoric to create a dangerous, external consequence to opponents' positions reveals that it was important in the wartime power struggle to control the country's ideological destiny.
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Grzesiak, Zofia. "The Theme of Outsiderness in Chicanx and Latinx Young Adult Literature: Self-Fashioning Identities, Canons, and Fields of Study." Dzieciństwo. Literatura i Kultura 4, no. 2 (2022): 112–20. http://dx.doi.org/10.32798/dlk.955.
Full textAbstract:
This review article focuses on the critical anthology Nerds, Goths, Geeks and Freaks: Outsiders in Chicanx and Latinx Young Adult Literature, edited by Trevor Boffone and Cristina Herrera (2020). The goal of this collection of essays is to fill the gap that exists in both Latinx cultural studies and children’s and young adult (YA) literature scholarship: the focus on US Latinx children’s and YA literature. Its second goal is to concentrate on Latina and Latino outsiders, who are also ignored in the above-mentioned fields of study, even when it comes to nerds, goths, geeks, and freaks. The anthology offers a necessary exploration of the double marginalisation of Latinx and queer, nerdy, geeky, or otherwise non-conformist teenagers and young adults. The authors analyse Latinx YA texts to capture the strategies and practices the protagonists use to reject or question the dominant Latinx/Chicanx identity scripts, self-fashion a new identity, or, simply, to survive. The article outlines the key problems and themes of the anthology and describes two additional goals of the editors: to create and reaffirm an emerging Latinx YA literary canon as well as to establish an academic field of Latinx YA literature studies. Moreover, key concepts from Latinx cultural theory are sketched out, and special emphasis is placed on the difference between theme and theory, which serves as the starting point for evaluating the collection’s achievements and shortcomings.