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Relevant bibliographies by topics / Fashion – History

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Academic literature on the topic 'Fashion – History'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Fashion – History"

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Price, Sally. "Maroon Fashion History." New West Indian Guide / Nieuwe West-Indische Gids 94, no. 1-2 (June 3, 2020): 1–38. http://dx.doi.org/10.1163/22134360-09401050.

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Abstract Fashion has long been a dynamic aspect of Maroon culture in Suriname and French Guiana (Guyane). The textile arts that carry it through from one generation to the next were totally ignored by early writers, who lavished praise on the men’s art of woodcarving but said virtually nothing about the artistic gifts of women—most importantly in calabash carving (referred to by one of them as “doodling”) and clothing. This article, based on more than fifty years of ethnographic work with Maroons, focuses on textile arts and clothing fashions, running briefly through styles of the past before focusing on current directions. Today, with Maroons participating increasingly in life beyond the traditional villages of the rain forest, the women—like their mothers and grandmothers—have continued to enjoy adopting newly available materials and inventing novel techniques. In the process, they have been producing clothing that reflects both their cultural heritage of innovative artistry and their new place in the multicultural, commoditized society of the coast. The illustrations give an opening hint of the remarkable vibrancy of this aspect of Maroon life in the twenty-first century.

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Attfield, Judith. "Is Fashion History?" Textile History 35, no. 2 (November 2004): 212–16. http://dx.doi.org/10.1179/004049604225015756.

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Polese, Francesca, and Regina Lee Blaszczyk. "Fashion forward: The business history of fashion." Business History 54, no. 1 (February 2012): 6–9. http://dx.doi.org/10.1080/00076791.2011.617206.

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Yuksel, Sukriye. "An Outlook of the Fashion Industry Through Fashion History." Procedia - Social and Behavioral Sciences 51 (2012): 1016–21. http://dx.doi.org/10.1016/j.sbspro.2012.08.280.

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Rubinstein, Ruth P., and Valerie Steele. "Paris Fashion: A Cultural History." Woman's Art Journal 11, no. 1 (1990): 49. http://dx.doi.org/10.2307/1358390.

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Martin, Linda, and Elizabeth Ewing. "History of Twentieth-Century Fashion." Journal of Interdisciplinary History 19, no. 2 (1988): 369. http://dx.doi.org/10.2307/204712.

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Flamiano, Dolores. "The History of Fashion Journalism." American Journalism 34, no. 3 (July 3, 2017): 373–74. http://dx.doi.org/10.1080/08821127.2017.1344071.

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Matthews, Rachel. "Redrawing the Timeline: Teaching the History of Fashion in the Networked Conditions of the Twenty-First Century." Arts 8, no. 1 (February 20, 2019): 24. http://dx.doi.org/10.3390/arts8010024.

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It is important for the history of fashion curriculum, to acknowledge the post-digital environment within which fashion and education now operate. One way to address this, is to move concepts of change in fashion beyond the singular narrative of fashion’s evolution that is visualised in the fashion timeline. This paper describes an approach to developing historical consciousness in fashion students who are native to the networked conditions of the twenty-first century. These students need frameworks capable of analysing the increasingly decentralised drivers of change in fashion, as well as developments in the fashion system that do not show themselves in garment styles and silhouettes. The study describes how visual metaphors have been used in the study of the history of fashion, to encourage students to view the changing characteristics of fashion from a range of viewpoints. It is an approach designed to open alternative discourses on change, as an inherent feature of fashion. Using these alternative perspectives, it becomes possible for today’s students to engage with the history of fashion in a more critical and reflexive manner, and better understand the interconnected and contingent nature of change in fashion, both, in the past and in the current context.

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Garrity, Jane, and Celia Marshik. "Fashion’s Borders." English Language Notes 60, no. 2 (October 1, 2022): 1–20. http://dx.doi.org/10.1215/00138282-9890736.

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Abstract The introduction traces the long history of fashion’s movement across cultural, national, and political borders. After brief case studies of early twentieth-century French and Spanish styles imagining fashion as an engine of transnational amity, the introduction highlights how fashion navigates some of the most troubled borders of recent years, including the conflict between Russia and Ukraine and racial violence. Fashion forces viewers and consumers to choose sides, whether through national identification or through recognition of the long history of black and brown bodies producing fashionable objects. To advance the global history of fashion, the introduction briefly discusses the work of designers Rawan Maki (Bahrain), Laurence Leenaert (Belgium), and Kim Jones (Great Britain), examining how each upends gender, race, class, or fashion binaries, and analyzes how LVMH and Uniqlo, brands at opposite ends of the contemporary style spectrum, underline the very different ways in which fashion traverses the globe in the twenty-first century. The introduction concludes with the hope that this issue will raise questions about fashion’s articulation of the relation among the local, the national, and the global, as well as about the human experience of interacting with the fashion industry in one national context while living in a globalized world.

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Peirson-Smith, Anne, and Ben Peirson-Smith. "Fashion archive fervour: the critical role of fashion archives in preserving, curating, and narrating fashion." Archives and Records 41, no. 3 (September 1, 2020): 274–98. http://dx.doi.org/10.1080/23257962.2020.1813556.

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Dissertations / Theses on the topic "Fashion – History"

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Maksymets, P. V. "Interesting facts about fashion history." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/11378.

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Колле, Софія Михайлівна. "The History of the Iconic Hermes Fashion Empire." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7350.

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Мисаковець, Надія Валеріївна. "Facts from the History of Fashion Design Development." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7372.

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Edwards, Jennifer Somerville 1967. "Louise Dahl-Wolfe: A fashion photographer redefined." Thesis, The University of Arizona, 1996. http://hdl.handle.net/10150/291450.

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Dahl-Wolfe (1895-1989) is best-known as a fashion photographer, her photographic life encompassed a pattern of art and documentary ideas interwoven over a forty-year period. This thesis describes her early art influences and explores her photography career in regards to the historical and cultural developments from World War I through the 1950s. Dahl-Wolfe is compared with her contemporaries such as Consuelo Kanaga, Dorothea Lange, Edward Weston, Richard Avedon, and Henri Cartier-Bresson. The study reveals how Dahl-Wolfe's work reflects photography's evolution over a specific period and how traditional constructions affect the reception of commercial photographers. Conclusively, Dahl-Wolfe's oeuvre straddles such an array of constructed arenas that she virtually fell through the cracks and has been narrowly defined as a result of art historical definitions.

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HENRY, HEATHER FRENCH. "SOCIALLY CONSCIOUS FASHION." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin990735146.

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Товмасян, А. М. "A history of the world‘s most famous fashion magazine — Vogue." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10796.

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Sancaktar, Aslı Kipöz Şölen. "An analysis of shoe within the context ofsocial history of fashion/." [s.l.]: [s.n.], 2006. http://library.iyte.edu.tr/tezlerengelli/master/endustriurunleritasarimi/T000364.pdf.

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Tolley, Rebecca. "Review of Fashion Fads through American History: Fitting Clothes into Context." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/5623.

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Butler-Roberts, Jessica. "Fashioning distinction| construction of identity through dress and photography in nineteenth-century Paris." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10252491.

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In mid-nineteenth-century Paris those associated with the intellectual and artistic sectors used distinction in dress as a defining characteristic in the creation of their social image and identity. With the growing bourgeois masses due to the vast expansion and modernization of the city, distinction became the way in which one could separate from the crowd to emerge as an individual. This notion grew out of two specific factions: the awareness of dress as an outward reflection of the self, and the newly developed medium of photography as a tool for capturing one’s likeness. This thesis will trace the utilization of these concepts by examining Nadar’s portraits of Charles Baudelaire, Théophile Gautier, and Sarah Bernhardt, as well as Countess de Castiglione’s collaborative portrait work with the photographer Pierre-Louise Pierson.

Baudelaire and Gautier, both prolific poets and art critics, were some of the first to bring about critical discourse on the distinction of clothing, as well as the importance of inserting modern dress into art. Both men implemented these methods when making their individual choices for representation, with Gautier often presenting himself far outside the sartorial norm. While most women of Parisian society abided by strict moral rules of dressing, Bernhardt and Castiglione instead challenged these norms and used dress to represent themselves as individuals apart from family or a husband. More than solely focusing on everyday dress, this thesis will concentrate on the utilization of distinction in their public image captured through photography.

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Vuletich, Clara. "Transitionary textiles : a craft-based journey of textile design practice towards new values and roles for a sustainable fashion industry." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12402/.

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The current fashion textiles industry is based on an outdated, exploitative system that encourages fast consumption, generates huge amounts of textile waste, creates toxic impacts to ecosystems and causes significant social impacts to production workers. The move towards a more sustainable industry is a complex challenge and will be based on circular and social systems that prioritise values, collaboration and empathy for the environment and all stakeholders. This research defines the move towards a more sustainable fashion textiles industry as a transition that operates across environmental, social, and human domains. At the human level, the transition is an emergent process that involves both ‘inner’ and ‘outer’ dimensions (Maiteny & Reed 1988). For fashion textile designers, this process will demand new ways to practice and engage with the sustainability agenda, including the ‘outer’ dimensions of better materials or more ethical production models; and the ‘inner’, reflective dimensions of values and the self. This research proposes new roles for designers in these transitionary contexts, through craft-based fashion textile design practice. The practice projects presented in the thesis demonstrate three new roles that evolve through the sustainable design continuum to the highest level of Design for Social Equity (Manzini & Vezzoli 2008), where designers will support all stakeholders towards systemic, sustainable change. The practice projects reveal a collaborative and inter-disciplinary approach to fashion textile design practice in industry, local communities and the global supply chain. The research draws on a range of literature from sustainability theory, design/craft thinking, and psychology. The mixed methodology includes an action–research phase of collaborative practice projects, facilitation of workshops with designers in industry, and a reflective phase of textile making and writing. A model for the Transitionary Textile Designer is presented as a final outcome. In order for fashion textile designers to practice in transitionary contexts ‘beyond the swatch’, the research presents new methods and tools to connect individual values to social values inherent in the transition towards sustainability.

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Books on the topic "Fashion – History"

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Kyōto Fukushoku Bunka Kenkyū Zaidan, ed. Fashion: A fashion history of the 20th century. Köln: Taschen, 2012.

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Slee, Natasha. History of women's fashion. Somerville, Massachusetts: Candlewick Press, 2015.

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Carter, Alison. Underwear: The fashion history. London: Batsford, 1992.

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Black, J. Anderson. A history of fashion. 2nd ed. London: Orbis, 1985.

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Lehnert, Gertrud. Fashion. London: Laurence King, 1998.

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author, Yi Chong-uk, Kim Hŭi-ra author, and Ha O.-sŏn author, eds. Fashion. Kyŏnggi-do P'aju-si: Yangsŏwŏn, 2015.

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John, Rocha, and Mcllveen Verity, eds. Fashion. Bath: Absolute, 1999.

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Rouse, Elizabeth. Understanding fashion. Oxford: BSP Professional, 1989.

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1974-, Boyé Marie, ed. In fashion. London: Cassell & Co, 2001.

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Ewing, Elizabeth. History of twentieth century fashion. Lanham, Md: Barnes & Noble Books, 1992.

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Book chapters on the topic "Fashion – History"

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Benda, Camille. "Conscious Fashion History." In New Approaches to Decolonizing Fashion History and Period Styles, 34–44. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003278184-4.

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Way, Elizabeth. "Restoring Fashion History." In The Routledge History of Fashion and Dress, 1800 to the Present, 167–84. London: Routledge, 2023. http://dx.doi.org/10.4324/9780429295607-12.

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Meyersohn, Rolf, and Elihu Katz. "The Natural History of Fads *." In Fashion Marketing, 391–400. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003424208-24.

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Learson, Julie Leavitt. "Fashion Forward." In New Approaches to Decolonizing Fashion History and Period Styles, 45–70. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003278184-5.

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Cantista, Isabel, Damien Delille, and Ana Sousa. "Second-Hand History and Algorithms: The Case of Sellpy." In Fashion Heritage, 289–314. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06886-7_12.

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Flower, William Henry. "Fashion in Defoemity." In The History of Museums Vol 7, 315–53. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003100966-23.

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Miranda, José Antonio, and Alba Roldán. "Fast Fashion." In The Routledge History of Fashion and Dress, 1800 to the Present, 266–85. London: Routledge, 2023. http://dx.doi.org/10.4324/9780429295607-18.

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Merlo, Elisabetta, and Ivan Paris. "The History of Italian Fashion." In Palgrave Studies in Economic History, 1–46. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-52375-5_1.

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Oliver, Sarah M. "Fashion and Costume." In New Approaches to Decolonizing Fashion History and Period Styles, 156–72. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003278184-11.

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Merlo, Elisabetta, and Ivan Paris. "Fashion: A Matter of Governance." In Palgrave Studies in Economic History, 47–95. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-52375-5_2.

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Conference papers on the topic "Fashion – History"

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Stazhkova, S. Yu. "FASHION ILLUSTRATION: HISTORY AND PROSPECTS." In Месмахеровские чтения - 2022. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604789377_275.

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Zhu, Chenxu, Peng Du, Weinan Zhang, Yong Yu, and Yang Cao. "Combo-Fashion: Fashion Clothes Matching CTR Prediction with Item History." In KDD '22: The 28th ACM SIGKDD Conference on Knowledge Discovery and Data Mining. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3534678.3539101.

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Amaro, Ana, Rui Miguel, and José Lucas. "Fashion Activism: Jeans as a Statement." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0129.

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Ribeiro, Liliana, Rui Miguel, Madalena Pereira, João Barata, Isabel Trindade, and José Lucas. "Modular design: development of fashion accessories." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0130.

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GOTO, Hiroka. "Consuming the image of “Japan” in British Art Deco fashion." In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-02_010.

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Martins, Leilane Rigatto, and Sérgio Régis Moreira Martins. "Hybridization between Fashion and Art and Aesthetics Renovation." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0017.

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Assis Peres Silva, Camila, and Gisela Costa Pinheiro Monteiro. "THE CONTRIBUTION OF HISTORY OF DESIGN FOR THE FASHION LEARNING." In 11th International Conference on Education and New Learning Technologies. IATED, 2019. http://dx.doi.org/10.21125/edulearn.2019.1049.

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MARTIN, Kathi, and Hyeong-Seok KO. "Sewn or Simulated: transformational fashion realizations." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-069.

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Norogrando, Rafaela, and João A. Mota. "Fashion Design at V&A. Museum Studies, Case IV." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0119.

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Andrade, Ana Beatriz Pereira de, and Giulia Muñoz Gushikem. "The Hijab And The Muslim Woman: a relation between freedom, fashion, and religion." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0124.

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Reports on the topic "Fashion – History"

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Dong, Huanjiao. History of Fashion Photography in America Teaching Portfolio. Ames (Iowa): Iowa State University, January 2021. http://dx.doi.org/10.31274/cc-20240624-833.

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Sanders, Eulanda A. Film, Fashion and Form: A Combined Means to Teach Costume History and Fashion Illustration. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-544.

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Kwon, Yumi, and Sook Jin Kim. Study on Development of Convergence Subjects for Software Education in Fashion Design: Convergence Education of Western Costume History and 3D Virtual Costume Programs. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1698.

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Anzillotti Zamorano, Marta. ECMI Minorities Blog. The Cultural Appropriation of Flamenco: Views of Gitanos from Jerez de la Frontera. European Centre for Minority Issues, May 2023. http://dx.doi.org/10.53779/aapl9656.

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With discussions surrounding cultural appropriation ongoing in numerous spheres including music, fashion, and language, this blogpost explores the ever-changing nature of culture through the first-hand accounts of Gitanos from Jerez de la Frontera. The presence of the Gitano minority in Jerez has historically had – and continues to have – a significant impact on the city. This is especially true regarding flamenco, an artform encompassing centuries of history and culture. In this blogpost, the author uses interviews and a survey conducted for her MA thesis, as well as two case studies (namely that of Lola Flores and Rosalía), to explore the various ways of approaching and contextualizing theoretical understandings of cultural appropriation.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.

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Jones, Katie Baker, and Jana Hawley. The house always wins: Designer appointments at historic fashion houses. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-539.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Wool Evening Suit. Fall 1984. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/6gzv-pb45.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening suit is from Galanos Fall 1984 collection. The skirt and bodice of the jacket are black and white plaid wool. The jacket sleeves are black mink with leather inserts that contrast the sheen of the leather against the luster of the mink and reduce some of the bulk of the sleeve. The suit is part of The James G. Galanos Archive at Drexel University gifted to Drexel University in 2016. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished with a handkerchief edge, accentuate the asymmetrical draping of the gown. Ruching, controlled by internal drawstrings and ties, creates volume and a slight pouf, a nod to 'le pouf' silhouette Lacroix popularized in his collection for Patou in 1986. Decorative boning on the front of the bodice reflects Lacroix's early education as a costume historian and his sartorial reinterpretation of historic corsets. It is from the private collection of Mari Shaw. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan technology we are able to create an archival quality digital record of the dress and exhibit it virtually at life size in 3D panorama. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.

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Martin, Kathi, Nick Jushchyshyn, and Daniel Caulfield-Sriklad. 3D Interactive Panorama Jessie Franklin Turner Evening Gown c. 1932. Drexel Digital Museum, 2015. http://dx.doi.org/10.17918/9zd6-2x15.

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Abstract:

The 3D Interactive Panorama provides multiple views and zoom in details of a bias cut evening gown by Jessie Franklin Turner, an American woman designer in the 1930s. The gown is constructed from pink 100% silk charmeuse with piping along the bodice edges and design lines. It has soft tucks at the neckline and small of back, a unique strap detail in the back and a self belt. The Interactive is part of the Drexel Digital Museum, an online archive of fashion images. The original gown is part of the Fox Historic Costume, Drexel University, a Gift of Mrs. Lewis H. Pearson 64-59-7.

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