Relevant bibliographies by topics / Fashion – History – 19th century

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fashion – History – 19th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Fashion – History – 19th century"

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Coote, Anne. "Science, Fashion, Knowledge and Imagination: Shopfront Natural History in 19th-Century Sydney." Sydney Journal 4, no. 1 (2013): 1–18. http://dx.doi.org/10.5130/sj.v4i1.2794.

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Natural history dealers' shops offered colour, interest and occasional sensation to the people of mid-nineteenth century Sydney. This essay examines the nature of shop-front natural history enterprise in this period, and its significance in the history of the city and the wider colony. It begins by discussing dealers and their businesses, going on to argue for the role both played in the ongoing process of colonisation. In particular, it highlights the contribution made to those aspects of territorial appropriation which were taking place in the imaginations of Sydney's inhabitants.
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Murillo, Edwin. "Existencial Poetics in the 19th Century Latin America." Revista de Filología y Lingüística de la Universidad de Costa Rica 45, no. 1 (2019): 115–32. http://dx.doi.org/10.15517/rfl.v45i1.36674.

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Typically, the origin story of Existentialism has depicted Latin America’s contributions as subsequent and tributary to its European counterpart. Nevertheless, a select few critics have approached this history in Hispanic America from a chronologically inclusive perspective, by calling attention to an Existential Poetics in modernismo. This article expands the borders of Existential Poetics to fashion a Latin American literary imaginary. Given the work already done on Rubén Darío and José Martí, both of whom have been studied independently, my analysis will be collective, favoring philopoetic works by Manuel Gutiérrez Nájera, Julián del Casal, José Asunción Silva, and João Cruz e Sousa. The purpose of examining Hispanic-American poets in conjunction with a Brazilian is to accentuate the Pan-American quality of this Existentialism avant la lettre. As I will discuss, all these poems deal with a crisis of irrelevance and overtly question being in the world, classic motifs of Existentialism. Together, these poems allow for the synchronized inclusion of Latin American voices to the universal history of Existentialism, an approached not explicitly carried out by most philosophical and literary historiographers.
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Rasche, Adelheid. "The culture of clothing: On the history of the Fashion Image Collection – Lipperheide Costume Library in Berlin." Art Libraries Journal 42, no. 3 (2017): 162–68. http://dx.doi.org/10.1017/alj.2017.23.

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In the last third of the 19th century, Berlin was the undisputed capital of the German clothing and fashion industry on an international scale. Several publishing houses specialized in the production of fashion magazines for different target groups. One of the success stories in this context is that of the publisher Franz Lipperheide and his wife Frieda. In 1865, they founded their own company, publishing the journal Die Modenwelt: Illustrirte Zeitung für Toilette und Handarbeiten. This journal quickly became the most-read fashion journal in Berlin. By the company's 25th anniversary in 1890, a total of 12 international editions of the journal was published with around 500,000 subscribers. The economic success of their company allowed the Lipperheides to create extensive private collections that reflected their deep interest in cultural-historical topics as well as textile art.This paper focuses on their collection of source material for costume studies, which is now known as the ‘Sammlung Modebild—Lipperheidesche Kostümbibliothek’ (Fashion Image Collection—Lipperheide Costume Library), a department of the Kunstbibliothek at the Staatliche Museen zu Berlin. The paper presents its history, some collection highlights and the various means of access (catalogues, exhibition catalogues and online access).
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Zhabreva, Anna E. "Male Costume of Serbia and Montenegro on the Frontispieces of 19th Century Books (From the Slavic Literature Fund of the Russian Academy of Sciences Library)." Vestnik of Saint Petersburg University. Arts 11, no. 1 (2021): 83–101. http://dx.doi.org/10.21638/spbu15.2021.106.

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The article analyzes eight frontispiece portraits of Serbian and Montenegrin statesmen from the 12–19th century as well as one collective ethnographic image of an inhabitant of the Bay of Kotor. These consist of prints found in seventeen Serbian and Montenegrin 19th century publications which were found in the Slavic Literature Fund of the Russian Academy of Sciences (Saint Petersburg). The portraits are considered as works of book graphics, as historical and ethnographic sources. They were compared with other pictorial sources — originals of portraits, images of genuine clothing and jewelry, as well as ethnographic materials. There are detailed descriptions of the costumes depicted in the portraits, the names and characteristics of the clothes, hats and decorations. As a result of the comparison, it was found that some engravings are fictitious images, while others, made from pictorial lifetime originals, can serve as important material for the reconstruction of Serbian and Montenegrin appearance and costume, including specific historical figures. An attempt was made to reveal the relationship of the costume of the ruler at the end of the 18th — first half of the 19th century both with the fashion trends of the era, and with his national identity and political views. These aspects manifested themselves with particular vividness in the portraits of Milos Obrenovich, Karageorgy, Vladyka Daniel and Peter Petrovich Njegos. The analysis of portraits in chronological order made it possible to touch upon the theme of Serbian and Montenegrin costume history, which has been insufficiently studied in the Russian press.
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Priebe, Stefan. "Psychiatry in the future." Psychiatric Bulletin 28, no. 9 (2004): 315–16. http://dx.doi.org/10.1192/pb.28.9.315.

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European nations – including Britain – have a common pattern in their history of mental health care. Most western and central European countries established large asylums in the 19th century and engaged in some form of de-institutionalisation during the second half of the 20th century. Since the 1950s, major mental health reforms have significantly improved the quality of care. Although time of onset, pace, fashion and outcomes of reforms varied greatly between countries, throughout western Europe community-based services have been established and become part of routine service provision (Becker & Vázquez-Barquero, 2001). Compared with the heyday of the reform spirit in the 1970s, we now appear to be experiencing a relatively calm period. Developments currently seem to be dominated by fragmented pragmatism rather than by dreamy visions. This may reflect a wider trend in politics: throughout Europe, ambitious long-term visions appear less relevant as drivers for political change than was the case a few decades ago.
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Assad, Maria. "Time and Uncertainty: A Metaphorical Equation." KronoScope 3, no. 2 (2003): 185–97. http://dx.doi.org/10.1163/156852403322849233.

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AbstractMy first argument posits that concepts of temporality are discursive strategies to harness uncertainty understood as an innate human condition. Saint Augustine's question of time and some poetic quotes serve as examples to demonstrate the metaphoric use of time in order to attenuate the effects of uncertainty in human affairs. The long history of this substitution is interrupted, however, by Newtonian celestial mechanics, which reduced the metaphoric power of time to quantifiable temporal increments within the construct of differential equations. While classical science continued creating models to explain nature within the conceptual limits of a perfectly reversible and therefore redundant time, poetry, and literature in general, re-discovered the power of time, but through an increasingly radical shift in its relationship to uncertainty. Therefore, using examples from writings by Stéphane Mallarmé and Honoré de Balzac, my second argument explores the possibility that uncertainty is time, not in a metaphoric mode, but as a conceptual identity. Bonding time and uncertainty in this fashion, the examples show further that literary discourse of the 19th Century projects the nonlinear dynamical thinking that dominates late 20th Century scientific debate.
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Bessonova, Tatyana V., and Aigul F. Khanova. "Clothes in Kazan Petty Bourgeoisie of the First Half of the 19 Century as a Marker of Sociocultural Identity." Journal of History Culture and Art Research 6, no. 4 (2017): 460. http://dx.doi.org/10.7596/taksad.v6i4.1114.

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<p>The article is devoted to the study of a Kazan philistine costume of the first half of the 19th century as an integral feature of social quality in the conditions of the class system. This period in Russian history is the time of transition to a bourgeois society, during which the views on fashion and beauty changed, which was reflected in the dress and appearance of people. The main source that allows to recreate a philistine image of that period is the description of the Kazan philistine property, drawn up during the transfer to the trusteeship or sold for debts. The analysis of archival materials, most of which were introduced into scientific circulation for the first time, made it possible to reconstruct a Russian petty bourgeois suit and to present a visual image of an ordinary citizen and the townspeople of the period under study. The approaches to the study of this issue are based on the methods used in microhistory and historical anthropology with the use of lexical-semantic analysis elements. The study showed that philistine clothing is a social marker reflecting the social-cultural identity of an urban commoner, taking into account gender and ethnic-confessional features. The costume of an urban commoner as a whole retained a traditional image for Russia, which was formed during the era prior to Peter I, which was reflected, among other things, in lexical archaisms. In the first half of the 19th century the social-cultural mentality of a petty bourgeois remained generally at the level of a class-based mentality.</p>
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Clark, James S. "Stratigraphic Charcoal Analysis on Petrographic Thin Sections: Application to Fire History in Northwestern Minnesota." Quaternary Research 30, no. 1 (1988): 81–91. http://dx.doi.org/10.1016/0033-5894(88)90089-0.

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Results of stratigraphic charcoal analysis from thin sections of varved lake sediments have been compared with fire scars on red pine trees in northwestern Minnesota to determine if charcoal data accurately reflect fire regimes. Pollen and opaque-spherule analyses were completed from a short core to confirm that laminations were annual over the last 350 yr. A good correspondence was found between fossil-charcoal and fire-scar data. Individual fires could be identified as specific peaks in the charcoal curves, and times of reduced fire frequency were reflected in the charcoal data. Charcoal was absent during the fire-suppression era from 1920 A.D. to the present. Distinct charcoal maxima from 1864 to 1920 occurred at times of fire within the lake catchment. Fire was less frequent during the 19th century, and charcoal was substantially less abundant. Fire was frequent from 1760 to 1815, and charcoal was abundant continuously. Fire scars and fossil charcoal indicate that fires did not occur during 1730–1750 and 1670–1700. Several fires occurred from 1640 to 1670 and 1700 to 1730. Charcoal counted from pollen preparations in the area generally do not show this changing fire regime. Simulated “sampling” of the thin-section data in a fashion comparable to pollen-slide methods suggests that sampling alone is not sufficient to account for differences between the two methods. Integrating annual charcoal values in this fashion still produced much higher resolution than the pollen-slide method, and the postfire suppression decline of charcoal characteristic of my method (but not of pollen slides) is still evident. Consideration of the differences in size of fragments counted by the two methods is necessary to explain charcoal representation in lake sediments.
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KOCKA, JÜRGEN. "How can one make labour history interesting again?" European Review 9, no. 2 (2001): 201–12. http://dx.doi.org/10.1017/s1062798701000187.

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First, this paper sketches the development of labour history as a historical subdiscipline up to the 1970s and 1980s when it became a booming field, an area of great excitement and high productivity. Why this should have been the case is an interesting question to ask in hindsight. Secondly, I discuss certain trends in the last 10–15 years that are related to a decline in this field, not in terms of sophistication, but certainly with regard to the field's popularity among historians, students and the public. Dealing with this rather dramatic change might tell us something about the way my discipline – modern history with a stress on social history – works, where it gets its vitality from, its conjunctures and fashions. Thirdly, I present some personal ideas about how one could, and perhaps should, deal with the present situation, its problems and its opportunities. I am presently working on the third volume of a history of labour in 19th century Germany – a project to which I have returned after many years. Some of the general problems I have encountered in this project will also be dealt with, indirectly, in this paper.
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Llanos, Eugenio J., Wilmer Leal, Duc H. Luu, Jürgen Jost, Peter F. Stadler, and Guillermo Restrepo. "Exploration of the chemical space and its three historical regimes." Proceedings of the National Academy of Sciences 116, no. 26 (2019): 12660–65. http://dx.doi.org/10.1073/pnas.1816039116.

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Chemical research unveils the structure of chemical space, spanned by all chemical species, as documented in more than 200 y of scientific literature, now available in electronic databases. Very little is known, however, about the large-scale patterns of this exploration. Here we show, by analyzing millions of reactions stored in the Reaxys database, that chemists have reported new compounds in an exponential fashion from 1800 to 2015 with a stable 4.4% annual growth rate, in the long run neither affected by World Wars nor affected by the introduction of new theories. Contrary to general belief, synthesis has been the means to provide new compounds since the early 19th century, well before Wöhler’s synthesis of urea. The exploration of chemical space has followed three statistically distinguishable regimes. The first one included uncertain year-to-year output of organic and inorganic compounds and ended about 1860, when structural theory gave way to a century of more regular and guided production, the organic regime. The current organometallic regime is the most regular one. Analyzing the details of the synthesis process, we found that chemists have had preferences in the selection of substrates and we identified the workings of such a selection. Regarding reaction products, the discovery of new compounds has been dominated by very few elemental compositions. We anticipate that the present work serves as a starting point for more sophisticated and detailed studies of the history of chemistry.
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Dissertations / Theses on the topic "Fashion – History – 19th century"

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Villafranca, Brooke. "Fashioning the Domestic Ideology: Women and the Language of Fashion in the Works of Elizabeth Stoddard, Louisa May Alcott, and Elizabeth Keckley." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33208/.

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Women authors in mid to late nineteenth century American society were unafraid to shed the old domestic ideology and set new examples for women outside of racial and gender spheres. This essay focuses on the ways in which Elizabeth Stoddard's The Morgesons, Louisa May Alcott's Behind a Mask, and Elizabeth Keckley's Behind the Scenes, or, Thirty Years a Slave, and Four Years in the White House represent the function of fashion and attire in literature. Each author encourages readers to examine dress in a way that defies the typical domestic ideology of nineteenth century America. I want my readers to understand the role of fashion in literature as I progress through each work and ultimately show how each female author and protagonist set a new example for womanhood through their fashion choices.
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Mayo-Bobee, Dinah. "Shaping the Nation: Early 19th Century America." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/731.

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El-Khouri, Klink Zeina. "Beyond the tantur : female attire traditions in 19th-century Mount Lebanon." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310511.

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Aubé, Carole. "La naissance du Sentier : l'espace du commerce des tissus à Paris dans la première moitié du XIXe siècle." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0168/document.

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Situé en plein cœur de Paris, le Sentier reconnu depuis la seconde moitié du XXe siècle comme le centre le plus actif du commerce international des tissus, s’est construit dans la continuité d’un ‘’Sentier ancien ‘’ qui trouve ses origines dans la première moitié du XIXe siècle. En nous appuyant sur les Almanachs du Commerce de Paris pour reconstruire l’infrastructure économique de cet espace, nous avons pu mettre en évidence les caractéristiques de cet ensemble originaire et plus particulièrement la croissante centralité du quartier Montmartre dans le commerce des tissus. Placé à la lisière des grands boulevards et des lieux de la « nouvelle modernité » parisienne, ce quartier était le véritable noyau central du commerce des tissus en gros, animé par un négoce important et solidement implanté dans les rues du Sentier, Saint-Fiacre et des Jeûneurs. Il s’agit prioritairement, au début du siècle, du commerce des articles de toiles de coton et des châles, rejoints à partir des années 1830, par la vente de dentelles, de tissus mérinos et de tissus de nouveautés.Dans notre recherche pour saisir l’ensemble des éléments à l’œuvre dans la construction identitaire de cet espace original, l’exploitation de diverses sources, telles que les sources cadastrales, la composition des listes électorales ou les archives notariales, nous ont permis de restituer une image précise de ces dynamiques, de dégager l’importance de cette sphère professionnelle et ses multiples conséquences sur l’espace physique et social de ce quartier<br>Located in the very heart of Paris, the SENTIER which prevails in the second half of the 19th century as the most active center of the business of international trade of fabrics, built itself in the continuity of a " former SENTIER " which has its origins in the first half of the 19th century. Relying on the Almanachs of the Trade of Paris to reconstruct the economic infrastructure of this space, we were able to highlight the characteristics of this first socio-economic group and the increasing centrality of the Montmartre neighborhood in the trade of fabrics. Located at the edge of the places of the "new Parisian modernity ", this district became the central point of the wholesale fabrics trade, led by an important trade firmly established in the streets of the Sentier, Saint Fiacre and Jeuneurs. It mainly concerns, at the beginning of the century, the trade of articles of cotton cloths and shawls, joined from 1830s, by the sale of laces, merino fabrics and fashionable fabrics. In our search to seize all the elements in action in the identity construction of this original space, the exploitation of diverse sources, such as the cadastral sources, the composition of electoral rolls or the notarial archives, allowed us to restore a precise image of these dynamics to express the importance of this professional sphere and its multiple consequences on the physical and social space of this district
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Bloom, Kelly. "Orientalism in French 19th Century Art." Thesis, Boston College, 2004. http://hdl.handle.net/2345/477.

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Thesis advisor: Jeffery Howe<br>The Orient has been a mythical, looming presence since the foundation of Islam in the 7th century. It has always been the “Other” that Edward Said wrote about in his 1979 book Orientalism. The gulf of misunderstanding between the myth and the reality of the Near East still exists today in the 21st century. Napoleon's invasion of Egypt in 1798 and the subsequent colonization of the Near East is perhaps the defining moment in the Western perception of the Near East. At the beginning of modern colonization, Napoleon and his companions arrived in the Near East convinced of their own superiority and authority; they were Orientalists. The supposed superiority of Europeans justified the colonization of Islamic lands. Said never specifically wrote about art; however, his theories on colonialism and Orientalism still apply. Linda Nochlin first made use of them in her article “The Imaginary Orient” from 1983. Artists such as Jean-Auguste-Dominique Ingres, Eugène Delacroix and Jean-Léon Gérôme demonstrate Said's idea of representing the Islamic “Other” as a culturally inferior and backward people, especially in their portrayal of women. The development of photography in the late 19th century added another dimension to this view of the Orient, with its seemingly objective viewpoint<br>Thesis (BA) — Boston College, 2004<br>Submitted to: Boston College. College of Arts and Sciences<br>Discipline: Fine Arts<br>Discipline: College Honors Program
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Schneider, Ulrich Johannes. "Teaching the history of philosophy in 19th-century Germany." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-161196.

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What does it mean to do philosophy historically, and when does the legend of philosophy begin? When Hegel tried to give a logical explanation of philosophy's history, was he doing the same thing as Eduard Zeller in his account of Creek thought, or Kuno Fischer in his narrative of modern philosophy? l do not believe so, and I shall sugges t in the following that we should carefully differentiate between the different activities commonly referred to as the history of philosophy. I will point out the enormous productivity of the 19th century in terms of printed books devoted to the history of philosophy. I will also point to the context in which these were produced and used rather than examining individual works or authors. There is an entirely new context in the 19th century, which is the study of philosophy. A proper culture developed around the historical interest in philosophy, and it is this culture I want to sketch here.
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Schneider, Ulrich Johannes. "Teaching the history of philosophy in 19th-century Germany." Teaching new histories of philosophy / ed. by J. B. Schneewind. Princeton 2004, S. 275 - 295 ISBN 0-9763726-0-6, 2004. https://ul.qucosa.de/id/qucosa%3A12120.

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What does it mean to do philosophy historically, and when does the legend of philosophy begin? When Hegel tried to give a logical explanation of philosophy''s history, was he doing the same thing as Eduard Zeller in his account of Creek thought, or Kuno Fischer in his narrative of modern philosophy? l do not believe so, and I shall sugges t in the following that we should carefully differentiate between the different activities commonly referred to as the history of philosophy. I will point out the enormous productivity of the 19th century in terms of printed books devoted to the history of philosophy. I will also point to the context in which these were produced and used rather than examining individual works or authors. There is an entirely new context in the 19th century, which is the study of philosophy. A proper culture developed around the historical interest in philosophy, and it is this culture I want to sketch here.
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Schulz, Carsten-Andreas. "On the standing of states : Latin America in nineteenth-century international society." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:05459d05-0dfa-4220-bbdc-42e3df63d71a.

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The present dissertation offers a critical examination of the place accorded to Latin American states in the English School account of the expansion of international society. It pursues two aims. First, the study contributes to understanding the nature and scope of international order, and its historical transformation over the course of the 'long nineteenth century'. Because of the profound impact that European colonization had on the region, the English School has conventionally treated the entry of Latin American states into international society as an unproblematic historical fact achieved with diplomatic recognition in the 1820s. The crucial cases of Argentina, Brazil, and Mexico, however, indicate that more attention needs to the paid to the hierarchical nature of the international order. The central argument of this historical-comparative study posits that the three Latin American states were recognized diplomatically, but they were not regarded as fully-fledged members of the community of 'civilized' states. Second, the dissertation examines the implications of hierarchy in international politics. Building on a critique of the legal-formalist conception of 'standing' in English School theorizing, three ideal-typical dimensions of international stratification are identified: the distribution of material capabilities (stature), the function states perform in international society (role), and estimations of honour and prestige (status) among states. The interpretative framework sheds light on how agents understand international society, and the way in which they deal with its hierarchical nature. The study analyzes how Latin American elites perceived the standing of their state, and how these perceptions shaped politics through their corresponding 'logics of social action'. The study finds that nineteenth-century elites in Argentina, Mexico, and Brazil conceived of the standing of their states predominantly in terms of status, and demonstrates how these perceptions informed politics.
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Volz, Jessica A. "Vision, fiction and depiction : the forms and functions of visuality in the novels of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4438.

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There are many factors that contributed to the proliferation of visual codes, metaphors and references to the gendered gaze in women's fiction of the late-eighteenth and early-nineteenth centuries. This thesis argues that the visual details in women's novels published between 1778 and 1815 are more significant than scholars have previously acknowledged. My analysis of the oeuvres of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney shows that visuality — the nexus between the verbal and visual communication — provided them with a language within language capable of circumventing the cultural strictures on female expression in a way that allowed for concealed resistance. It conveyed the actual ways in which women ‘should' see and appear in a society in which the reputation was image-based. My analysis journeys through physiognomic, psychological, theatrical and codified forms of visuality to highlight the multiplicity of its functions. I engage with scholarly critiques drawn from literature, art, optics, psychology, philosophy and anthropology to assert visuality's multidisciplinary influences and diplomatic potential. I show that in fiction and in actuality, women had to negotiate four scopic forces that determined their ‘looks' and manners of looking: the impartial spectator, the male gaze, the public eye and the disenfranchised female gaze. In a society dominated by ‘frustrated utterance,' penetrating gazes and the perpetual threat of misinterpretation, women novelists used references to the visible and the invisible to comment on emotions, socio-economic conditions and patriarchal abuses. This thesis thus offers new insights into verbal economy by reassessing expression and perception from an unconventional point-of-view.
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Lindfield, Peter Nelson. "Furnishing Britain : Gothic as a national aesthetic, 1740-1840." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3490.

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Furniture history is often considered a niche subject removed from the main discipline of art history, and one that has little to do with the output of painters, sculptors and architects. This thesis, however, connects the key intellectual, artistic and architectural debates surfacing in 'the arts' between 1740 and 1840 with the design of British furniture. Despite the expanding corpus of scholarly monographs and articles dealing with individual cabinet-makers, furniture making in geographic areas and periods of time, little attention has been paid to exploring Gothic furniture made between 1740 and 1840. Indeed, no body of research on 'mainstream' Gothic furniture made at this time has been published. No sustained attempt has been made to trace its stylistic evolution, establish stylistic phases, or to place this development within the context of contemporary architectural practice and historiography — except for the study of A.W.N. Pugin's 'Reformed Gothic'. Neither have furniture historians been willing to explore the aesthetic's connection with the intellectual and sentimental position of 'the Gothic' in the period. This thesis addresses these shortcomings and is the first to bridge the historiographic, cultural and architectural concerns of the time with the stylistic, constructional and material characteristics of Gothic furniture. It argues that it, like architecture, was charged with social and political meanings that included national identity in the eighteenth century — around a century before Charles Barry and A.W.N. Pugin designed the Palace of Westminster and prominently associated the Gothic legacy with Britishness.
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Books on the topic "Fashion – History – 19th century"

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Philip, Steele. A history of fashion and costume. Facts on File, 2005.

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Philip, Steele. A history of fashion and costume. Facts On File, 2005.

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Miyako no mōdo: Kimono no jidai = Kyoto style : trends in 16th-19th century kimono. Shibunkaku Shuppan, 2001.

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Orlińska-Mianowska, Ewa. Fashionable world of the 18th century: Catalogue of 18th- and early 19th-century costumes from the collection of the National Museum in Warsaw. National Museum in Warsaw, 2003.

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Orlińska-Mianowska, Ewa. Modny świat XVIII i początku XIX wieku =: Fashion world of the 18th and early 19th century. Bosz, 2003.

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Scharer, Laura Lynne. An old-fashioned Christmas: A 19th century holiday in Jefferson County. Minuteman Press, 1993.

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Museum, McCord, ed. Formes et modes: Le costume à Montréal au XIXe siècle = Form and fashion : nineteenth-century Montreal dress. Musée McCord d'histoire canadienne, 1992.

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Beaudouin-Ross, Jaqueline. Formes et modes : le costume a Montreal au XIXe siecle =: Form and fashion : nineteenth-century Montreal dress. McCord Museum of Canadian History, 1992.

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Harwood, Buie. Architecture and interior design from the 19th century: An integrated history, volume 2. Pearson Prentice Hall, 2009.

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Dress and identity in British culture, 1870-1914. Ashgate, 2010.

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Book chapters on the topic "Fashion – History – 19th century"

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Hall, Robert A. "19th-Century Italian." In The History of Linguistics in Italy. John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.11jal.

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Driel, Lodewijk van. "19th-Century Linguistics." In The History of Linguistics in the Low Countries. John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.64.10dri.

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Roberts, Adam. "Early 19th-Century SF." In The History of Science Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_6.

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Vannatta, Seth. "The 19th Century and History." In Conservatism and Pragmatism. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137466839_4.

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Gallarotti, Giulio M. "The 19th century conferences." In A History of International Monetary Diplomacy, 1867 to the Present. Routledge, 2021. http://dx.doi.org/10.4324/9781315732435-3.

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Green, Michael D., and Theda Perdue. "Native-American History." In A Companion to 19th-Century America. Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch16.

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Kay, A. Barry. "Landmarks in Allergy during the 19th Century." In History of Allergy. S. KARGER AG, 2014. http://dx.doi.org/10.1159/000358477.

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Franco, Raquel Campos, Lili Wang, Pauric O’Rourke, et al. "Civil Society History V: 19th Century." In International Encyclopedia of Civil Society. Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-93996-4_529.

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DiCristina, Bruce. "Criminology in 19th-Century France." In The Handbook of the History and Philosophy of Criminology. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119011385.ch4.

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Sawaie, Mohammed. "An Aspect of 19th-Century Arabic Lexicography." In History and Historiography of Linguistics. John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.51.1.20saw.

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Conference papers on the topic "Fashion – History – 19th century"

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Ismail, Amnah Saay, B. Jalal, M. Md Saman, and Wan Kamal Mujani. "19th Century Pahang Islamic Scholars in 'A History of Pahang'." In 2017 International Conference on Education, Economics and Management Research (ICEEMR 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iceemr-17.2017.49.

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NECHITA, Constantin. "DECLINE HISTORY OF OAKS IN 20TH CENTURY FOR ROMANIAN EXTRA-CARPATHIAN REGIONS." In 19th SGEM International Multidisciplinary Scientific GeoConference EXPO Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgem2019/3.2/s14.087.

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Tleubekova, G. "Late 19th – early 20th century European travelers account of the nomadic people of Central Asia." In Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-01-07-2020-05.

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Васильева, Ж. В. "Vestimental Fashion-Trends in the Context of Culture of the late XIX – early XX century: Experience of Inclusion in the Process of Teaching the History of World Culture." In Современное образование: векторы развития. Роль социально-гуманитарного знания в подготовке педагога: материалы V международной конференции (г. Москва, МПГУ, 27 апреля – 25 мая 2020 г.). Crossref, 2020. http://dx.doi.org/10.37492/etno.2020.75.60.051.

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вопросы взаимодействия моды и сферы искусства, аспекты сближения их позиций в области репрезентации базовых эстетических установок конца XIX – начала XX вв. долгое время оставались вне поля исследовательского внимания культурологов и искусствоведов. Между тем, для преподавания курса мировой художественной культуры (МХК) анализ динамики взаимопроникновения моды и искусства в период модерна, выявление параллелей в развитии фэшн-трендов и художественных направлений конца XIX – начала ХХ в. имеет принципиальное значение. Обосновать необходимость включения учебного материала по вестиментарным фэшн-трендам в курс МХК – наша задача. questions of interaction between fashion and art, aspects of convergence of their positions in the field of representation of basic aesthetic attitudes of the late XIX – early XX centuries for a long time remained out of the field of attention of researchers. Meanwhile, for teaching the history of world culture, the analysis of the dynamics of the interpenetration of fashion and art in the modern period, the identification of parallels in the development of fashion trends and artistic trends of the late XIX – early XX century is of fundamental importance. Our task is to justify the need to include educational material on vestigial fashion trends in the course of world art culture.
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Stansfield, Billy, and William B. Ouimet. "HISTORY, MAPPING, AND PHYSICAL PROPERTIES OF 18TH – 19TH CENTURY RELICT CHARCOAL HEARTHS IN EASTERN CONNECTICUT." In 54th Annual GSA Northeastern Section Meeting - 2019. Geological Society of America, 2019. http://dx.doi.org/10.1130/abs/2019ne-328410.

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Shaidurov, Vladimir. "MIGRATIONS AND THEIR INFLUENCE ON THE ETHNIC COMPOSITION OF THE NORTHERN ASIAN POPULATION IN THE SECOND HALF OF THE 19TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.068.

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Mitina, Rimma. "STAGES OF FORMATION AND DEVELOPMENT OF OFFICIAL PERIODICALS IN RUSSIAN PROVINCES IN THE 19TH CENTURY (FOR EXAMPLE NEWSPAPERS PERM PROVINCIAL GAZETTE)." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.076.

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Wozniakowski, Arkadiusz. "THE EASTERN BATTERY IN SWINOUJSCIE, POLAND � HISTORY AND ARCHITECTURE OF A PRUSSIAN COASTAL FORT FROM THE 19th CENTURY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.077.

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FONSECA, Letícia Pedruzzi. "Graphic innovations implemented in the Brazilian press by Julião Machado in the end of the 19th Century." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-075.

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Tsydene, Shirap. "Pre-Revolutionary Historiography of the History of Local Self-Government in Buryat." In Irkutsk Historical and Economic Yearbook 2020. Baikal State University, 2020. http://dx.doi.org/10.17150/978-5-7253-3017-5.53.

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With the inclusion of Buryats in the Russian state, the need arose to create management mechanisms and inclusion are of the Buryats in Russian culture. This need became the subject of research by theoreticians of scientific thought and state building, which formed over the 19th century, the historiographic foundation. The article highlights the issues formed and the development of historiography on the history of local self-government.
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