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Relevant bibliographies by topics / Fashion Industry

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Academic literature on the topic 'Fashion Industry'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 June 2025

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Journal articles on the topic "Fashion Industry"

1

Rao, Akula Amruta. "Sustainability in Fashion Industry." International Journal of Research Publication and Reviews 5, no. 4 (2024): 5586–89. http://dx.doi.org/10.55248/gengpi.5.0424.1071.

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Oliveira, Rimena Canuto, Irenilza de Alencar Näas, and Solimar Garcia. "Fashion Industry 4.0: A Bibliometric Review in the Fashion Industry." Research, Society and Development 11, no. 12 (2022): e490111234203. http://dx.doi.org/10.33448/rsd-v11i12.34203.

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The fourth industrial revolution, or Industry 4.0 is characterized as information technology enabling complete digital connectivity, bringing together modern human life's physical, digital, and organic elements. In the competitive world of clothing, fashion and footwear, integrated technologies are constantly advancing, and the fashion industry needs to adapt to market standards. Given the above, this research aimed to search the literature in a bibliometric way on the evolution of the current situation of industry 4.0 fashion. In the present study, the research question that guided him is: What are the interventions of Industry 4.0 in the fashion industry? The bibliometric review is a contemporary view compared to the traditional bibliographic review, as the latter only allows an overview of specific subjects and is used as an argument for further research. A total of 16 articles demonstrated an overall performance of the technology in fashion, ranging from fabric production, eco-technology to reduce emissions and pollutants, technologies in production, distribution, marketing, and sales, in addition to having points for the sake of education. The application of IT in the structural organization of the form of production was the most highlighted by the studies and brought innovations in it, such as the application of 3D technology and intelligent and technological fabrics.

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Lasaiba, Mohammad Amin. "Eco-Fashion: An Eco-Friendly Lifestyle Trend." Lani: Jurnal Kajian Ilmu Sejarah dan Budaya 4, no. 2 (2024): 130–37. http://dx.doi.org/10.30598/lanivol4iss2page130-137.

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This research examines the phenomenon of eco-fashion as an eco-friendly lifestyle trend and its impact on the fashion industry and consumer behaviour. With a desk research method, this study analyzes literature from various relevant academic sources, including journals, books, and industry reports, to understand eco-fashion's development and challenges. The results show that eco-fashion has become essential in the global effort to create a more sustainable fashion industry, driven by increasing consumer awareness of conventional fashion's environmental and social impacts. Despite challenges such as higher prices and lack of clear certification standards, technological innovation and changes in consumer behaviour provide hope for the future growth of eco-fashion. The research also highlights the importance of sustainable business models such as slow fashion and circular economy in reducing the fashion industry's negative environmental impact. In conclusion, eco-fashion has excellent potential to redefine the fashion industry in the future, with continued support from government, industry and consumers, as well as further research and innovation to overcome existing barriers

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Titton, Monica. "OVERCOMING THE CREATIVE CRISIS OF THE FASHION INDUSTRY." Fashion Highlight, no. 2 (February 15, 2024): 44–50. http://dx.doi.org/10.36253/fh-2499.

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The paper uses the advent of generative AI in fashion to critically examine the tenets of contemporary fashion design. As an exemplary case study, the work of Demna Gvasalia’s at the helm of Balenciaga is critically scrutinized and discussed as the result of the fashion industry’s ever-increasing speed and high demand of products at every price range. Within a hyper-globalized industry, fashion designers are forced to accelerate their design process with low production costs and high profits in mind. Given the systematic denial of fashion design understood as intentional creation by mainstream luxury fashion labels, fashion’s creative process is already heavily revolving around self-reference and copying, much like generative AI. The integration of visual literacy and academic referencing competences in fashion design education are proposed as strategies to break the cycle of copying and self-reference in fashion and to expand, deepen and diversify the practice of fashion design.

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OKAKURA, SHINJI. "Fashion and Fiber Industry." Sen'i Gakkaishi 45, no. 1 (1989): P26—P29. http://dx.doi.org/10.2115/fiber.45.p26.

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Bertola, Paola, and Jose Teunissen. "Fashion 4.0. Innovating fashion industry through digital transformation." Research Journal of Textile and Apparel 22, no. 4 (2018): 352–69. http://dx.doi.org/10.1108/rjta-03-2018-0023.

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Purpose The on-going transition of societies and economies toward different organizational paradigms deeply informed by digital technologies is at the very center of current debates, involving scholars and impacting on a broad context of disciplines, ranging from humanities to science and technology. Therefore, the so-called “Fourth Industrial Revolution” has been described as a model where new modes of production and consumption will dramatically transform all major industrial systems; it has been targeted by many governmental plans as a goal for a sustainable future. While general frameworks describing 4.0 paradigm are codified and accessible, implementation strategies and their implications on specific local and sectorial systems are largely unexplored. Starting from this assumption, this paper aims to provide insights on the current state of the art and major trends of the “Fourth Industrial Revolution”, possibly identifying its impacts on the textile and apparel industry. Design/methodology/approach From a methodological standpoint, the study approaches the topic from the perspective of fashion domain experts which can contribute, with a positioning essay, to better understanding Industry 4.0 (I4.0) implementation within their specific domain. This experts’ perspective is enriched by several descriptive case studies (Yin, 1984) offering examples and insights on possible implementation of I4.0 solutions in fashion industry, also showing the potential of a design driven perspective. Findings Starting from a synthesis of I4.0 framework and principles, the paper aims at showing their impacts on business units, processes and components within the specific context of the fashion industry. Through emerging evidences detected by experts’ domain perspective and exemplified by several descriptive cases, it offers a comprehensive overview of the potential implications of the Forth Industrial Revolution on this specific business. The picture drafted clearly shows how digital transformation, properly driven, could reshape the fashion industry into a more sustainable and truly customer-driven business. But, it also underlines criticalities and slowness of adoption by traditional established brands and companies. As a result, being focused on on-going phenomena, highly unexplored, it shows possible trajectories, enabling an effective transformation of textile and apparel industry embracing the I4.0 paradigm. Originality/value The paper has a broad perspective and could offer insights to different audiences, which could effectively contribute to a positive transition, to scholars and academics, who might want to better address the implementation of I4.0 model into real economic and social context, focusing on medium – long-term implications and showing innovation pathways which are still unexplored, second to practitioners, who are usually immersed into strict silos of competences and business functions and can start to build new bridges and interconnection within the system, taking advantages of I4.0 potential, finally to policy-makers who can better shape development frameworks targeted to specific industries whose features require peculiar approaches and actions.

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Esteban-Santos, Laura, Irene García Medina, Lindsey Carey, and Elena Bellido-Pérez. "Fashion bloggers: communication tools for the fashion industry." Journal of Fashion Marketing and Management: An International Journal 22, no. 3 (2018): 420–37. http://dx.doi.org/10.1108/jfmm-10-2017-0101.

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Purpose The purpose of this paper is to investigate fashion blogs’ influence on Spanish Millennials’ buying behaviour. Design/methodology/approach This research is quantitative in nature, utilising a mono method consisting of structured self-administered questionnaires. Data were exported to IBM SPSS Statistics, where different types of analyses were combined – such as frequencies, means, hypothesis testing analyses, principal components analysis or K-means cluster. Findings Findings show that the most important motivations to follow a fashion blog are entertainment and information seeking. Besides, consumers’ attitudes seem to be influenced by how consumers assess credibility, which is determined by trustworthiness, para-social interaction (PSI), expertise and message credibility. Finally, after showing covert and overt marketing posts, both trustworthiness and PSI were lower than before, identifying PSI as a possible moderator in these cases. Research limitations/implications The main limitation of this study is the sample size, which does not make it possible to generalise conclusions. Practical implications From this research, it can be said that, due to the importance of establishing a strong relationship with the public, bloggers should try to connect with readers on an emotional level, and brands need to select bloggers very carefully. Originality/value This paper reveals Millennials’ attitudes whilst they are visiting a fashion blog and the influence that these attitudes can exercise on their purchase intention.

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Agusalim, Nadia Putri. "Fashion Business Sustainability for Fashion Designers in the Indonesian Fashion Industry." International Journal of Review Management Business and Entrepreneurship (RMBE) 1, no. 2 (2021): 144–52. http://dx.doi.org/10.37715/rmbe.v1i2.2423.

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The fashion industry remains as one of the most highly competitive industries where many fashion designers may find it difficult to establish sustainable fashion businesses. Navigating through the fashion business and ensuring business success, growth and long-term sustainability were generally considered to be the ultimate goal and biggest challenge many fashion designers continue to struggle with. This study was aimed to determine all key factors that are integral and contribute to fashion business sustainability by presenting findings provided by three Indonesian fashion designer’s responses to the issue of fashion business sustainability, the various challenges, and what factors are needed to ensure a long lasting through semi-structured in-depth interviews. Overall findings revealed the need for fashion designers to have an entrepreneurial mindset and for fashion businesses to possess all sustainable business key factors in various aspects ranging from design, business and the various qualities from the fashion designer themselves, while also taking account of the external state which was set in the Indonesian fashion industry for business sustainability and organic business growth. Fashion designers who controls all these factors will have a significantly higher chance of sustainability while competing with other fashion businesses.

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Purwanti, Indah. "POTRET INDUSTRI HALAL FASHION: RANTAI NILAI DAN DAMPAKNYA TERHADAP PEREKONOMIAN MASYARAKAT KOTA PEKALONGAN." Jurnal Econetica: Jurnal Ilmu Sosial, Ekonomi, dan Bisnis 5, no. 1 (2023): 1–10. http://dx.doi.org/10.69503/econetica.v5i1.357.

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Perkembangan industry menjadi pendongkrak pembangunan ekonomi karena dengan adanya alih fungsi lahan pertanian dan profesi, maka industry menjadi salah satu pengerak ekonomi masyarakat. Industri halal pada masa ini adalah ladang bagi para pengusaha dan tenaga kerja Indonesia, karena permintaan akan produk halal di dunia semakin banyak. Kota Pekalongan terkenal dengan produksi tekstil, batik dan fashion siap pakai dan menurut data, industry fashion mengerakan perekonomian masyarakat. Artikel ini bertujuan untuk mengetahui keterlibatan pelaku dalam skema rantai nilai industry halal fashion global dan untuk mengetahui kondisi perekonomian masyarakat kota dengan keberadaan industry halal fashion. Metode yang akan digunakan adalah studi literatur dan studi lapangan. Studi literatur untuk mencari pemahaman tentang rantai nilai industry global sedangkan studi lapangan untuk menelusuri rantai nilai halal fashion di Kota Pekalongan. Pengumpulan data berupa telaah literatur dan wawancara. Hasil telaah literatur ditemukan bahwa dalam industry fashion halal global, Indonesia mengimpor lebih banyak daripada melakukan ekspor. Nilai industry fashion halal juga tidak sebanyak industry pengolahan makanan dan minuman halal. Sedangkan dalam rantai nilai industry, setiap perusahaan menerapkan margin untuk kemudian digunakan sebagai keuntungan. Kondisi ekspor halal fashion di Kota Pekalongan baru merambah pasar dalam negeri dan sedikit yang berkecimpung di pasar ekspor. Sedangkan untuk ekosistem industry halal fashion saat ini ada dalam tahap perencanaan dan pengembangan

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Wibisono, Yohanes Priadi, Clara Hetty Primasari, and Danniel Setiawan. "Pendampingan dan Pembuatan Konten Video untuk Mendukung Pemasaran melalui Media Sosial Bagi UMKM Fashion." Jurnal Pengabdi 4, no. 2 (2021): 113. http://dx.doi.org/10.26418/jplp2km.v4i2.45995.

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Trend Fashion belakangan ini menjadi industry yang paling menguntungkan dan menjadi popular di Indonesia. Berdasarkan data dari CNBC Indonesia (2019), perkembangan industry fashion mampu berkontribusi sekitar 18,01% atau Rp. 116 Triliun. Meningkatnya jumlah pemain dalam industri fashion mengakibatkan semakin tinggi pula tingkat pesaingan pada industri tersebut. Persaingan dalam pemasaran produk fashion melalui media social dan marketplace menjadi salah satu tantangan tersendiri bagi para pelaku industri fashion. Hal ini berdampak pada UMKM khususnya di bidang fashion. Mereka membutuhkan metode pemasaran baru yang sebelumnya berupa foto, menjadi konten video. Dalam pemasaran yang dilakukan, tidak semua UMKM khususnya di bidang fashion menguasai metode pemasaran menggunakan konten video. Berdasarkan Situasi dan kondisi, maka disusunlah konsep Pengabdian Masyarakat ini untuk memberi pelatihan dan pembuatan konten video marketing.

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Dissertations / Theses on the topic "Fashion Industry"

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TANAKA, MICHIKO. "Sustainability in Fashion industry." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20152.

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In recent years Fair Trade’s People Tree has succeeded within the fashion industry by making ecological and ethical products fashionable, and subsequently fostering concern about ecological and ethical issues among consumers.There are two choices in our future when we buy clothes: we can buy ecological products to reduce the ecological foot print, -or we can reuse what we have now.In this thesis I take a close look at reuse of second-hand remade products.<br>Program: Magisterutbildning i Applied Textile Management

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JOHANSSON, ELEONOR. "Slow fashion : the answer for a sustainable fashion industry?" Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20182.

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The fashion industry is today a global industry and has huge effect on our environment as well as on people. It is dominated by fast fashion and just-in-time production that has lead to increased seasons and mini-collections in season, which generate new low price items in store every week and even every day. This in turn has lead to an escalation in fashion trends that spris our desires for new experiences and leads to overconsumption where consumers buy more than they need, which in the end results in fashion waste.<br>Program: Magisterutbildning i Applied Textile Management

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Гончаренко, Каріна, and Karina Honcharenko. "Fashion tech as the leading world fashion industry trend." Thesis, Національний авіаційний університет, 2020. http://er.nau.edu.ua/handle/NAU/43566.

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Nowadays modern technologies and innovations open new horizons for those who create products and services. New technological changes apply, in fact, to all areas of life and business, from the aerospace industry to medicine, education and even the arts. Virtual (VR) and augmented reality (AR), artificial intelligence (AI), blockchain, smart technologies, the Internet - at this stage these things have become or are gradually becoming ordinary and commonplace.

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Čmielová, Zuzana. "Marketing Strategies in Fashion Industry." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-162650.

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The goal of this thesis is to define the fashion industry and identify the key developments that the segment has undertaken over the last two to three decades including the drivers behind these changes. Specifically, the thesis will provide insights into the financial indicators of the industry and review some of the most recent trends such as globalisation of supply chains and internationalisation of fashion retailers. The second section of the theoretical part will try to identify what are the characteristics of fast fashion customers and what influences motivate their shopping behaviour. Specifically, some of the academic concepts will be examined and put into the context of fast fashion -- these include fashion involvement and fashion consciousness, the influence of opinion leadership and the trend of social shopping. The latest part of the theoretical section will examine the contemporary marketing strategies in the fast fashion segment some of which has been spread over the whole fashion market. Amongst the most vital ones is the change in supply chain management strategies, the shortening of the fashion life cycle and its impact on the frequency of stock replenishment. In addition, the theoretical part will examine the rising power of the internet, its effect on online shopping and the overall transformation of media towards digital communication with the growing influence of fashion bloggers. The goal of the practical part of the thesis is to conduct extensive analysis of the fashion strategies of the two selected fast fashion retailers -- Zara and H&M. These were chosen on the basis of their global success and outstanding financial performance even in the period of economic downturn which makes their strategies unique and worth analysing. Each brand has a distinct approach to its marketing strategy and in many of the elements they are fundamentally different, yet both approaches has enabled the brands to achieve international success and build highly profitable businesses. To review the complexity of different aspects of their strategies, the 7p's framework will be used.

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Populin, Alice <1992&gt. "Sustainable fashion and its possible developments in the Japanese fashion industry." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13532.

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The paper will first focus on the many dark spots in fashion’s glittering façade and its impact on the lives of both garment workers and consumers alike. By outlining the general situation of the current clothing market and how the modern fast fashion business model has come into being we will try to understand what makes said model so solid and successful in terms of economic effectiveness. The goal is also to explore the attempts made to change the fashion industry in the form of the so-called ‘sustainable fashion’: what is it and what are the chances this model will survive the competition of the infamous yet more than consolidated fast fashion model? After that, the focus will shift on the Japanese market and on the extent to which the idea of sustainability has been absorbed by the domestic clothing business, and also how Japanese customers perceive such concept as a whole. Case studies of Japanese sustainable businesses in the clothing sector will be analyzed in order to try and deliver a more thorough understanding on the matter. Through the analysis of the changes that occurred in the Japanese consumer society over the last century we will attempt to theorize what direction the Japanese fashion market will take in the future and what are the chances that Japan will turn out to be a driving force for the international development of an alternative, sustainable fashion business model.

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Baykal, Jacqueline, and Marjorie Delagarde. "Differentiation strategies in the fashion industry." Thesis, Linnéuniversitetet, Ekonomihögskolan, ELNU, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-13160.

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This essay looks at the various differentiation strategies for a company in the fashion industry. The chosen fashion company for this study is Zara. The reason for this is that Zara is a relatively new company which has grown quickly and today has a big market share. The aim of this thesis is to decide which differentiation strategies are the more relevant ones for Zara to attract new customers. This will be done through a discussion and analysis of all five of the differentiation strategies which are; product-, channel-, image-, service- and personnel differentiation. The theoretical framework gives an overview of the differentiation strategies; it also provides the reader with a description of branding, consumer decision process, competitive advantage, strategic customer and key competitors. These marketing factors can be describing and supporting factors to the most suitable differentiation strategy for Zara. The methodology chapter provides a description of the method choices for this thesis; this study is done by a qualitative approach. The methodology chapter also consists of a part about secondary sources, interviews, different question types used in the interviews and source criticism. The empirical findings consist of information gathered from face to face interviews. The interviews where done with three managers of Zara in France, Paris. In the analysis chapter there will be a discussion about the differentiations strategies that are mentioned in the theoretical framework, this will be combined with the empirical information gained through personal interviews with the managers at Zara. There will also be an analysis and discussion about the marketing factors mentioned above. The conclusion will conclude the analysis of the empirical and theoretical parts of this thesis and answer our research question. In the conclusion there is a description and summarize of the various differentiation strategies. In the conclusion there is a description and summarize of the various differentiation strategies discussed in the theoretical chapter. As a conclusion there is a need for improvements to the personnel-, service- and channel differentiation strategies. The needed future improvements will be discussed closely in the conclusion.

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Muslu, Deniz. "INNOVATION AND SUSTAINABILITY IN FASHION INDUSTRY." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17105.

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Abstract This research is designed to see the level of innovativeness of fashion brands in terms of being sustainable. It also aims to find out if there is a relation between business models and innovativeness within sustainability of fashion brands. Following the literature review, desk research, consumer survey and expert interviews are carried out. Desk research is made through web pages of fashion brands and some organizations. The information from the web pages revealed a lot about the current sustainability actions. In this desk research, 10 companies are examined in regard to their sustainability actions, to learn about what has been done and to see what can be considered as innovative in terms of sustainability. Following the desk research, a consumer survey is designed to explore the consumer opinion on the topics of sustainability and innovation. A consumer survey of 100 people is conducted at the Swedish School of Textiles. Due to the need for conscious knowledge about sustainability and innovation, people who studies or works in the textile school is specifically chosen as a cluster. The sample is called “Informed consumers” and is believed to have savvy about innovation and sustainability. How sustainability actions of brands are perceived, how consumers evaluate fashion brands and what they understand from “innovativeness” are some questions explored in the survey. Results are given via frequency distribution charts and maps. Following the survey, 5 interviews are made with contacts from the companies to study the issue also from the perspective of the business world. These expert interviews are verbally structured and are explained within the research. The method of interviews is qualitative research method and the result provides the reader an insight. To propose an assessment method for fashion companies, “The Innovation within Sustainability Index” is constructed. Although this index is inspired by some current environmental index models, the final model is original and includes the consumer perspective as well as author’s own evaluation on the innovative sustainability actions of the fashion companies. The companies which are evaluated in the index are: H&M, Lindex, Gina Tricot, Zara, Acne, Filippa K, Patagonia and Nike. At the end, it was not possible to point out significant relation between business models and innovativeness within sustainability. However, this result may differ when the model is applied to larger samples.<br>Program: Master Programme in Fashion Management

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Zaggia, Anna <1993&gt. "Sustainability in the Luxury Fashion Industry." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17205.

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A recent study conducted by McKinsey & Co. for the Italian Chamber of Fashion outlined as sustainability should be conceived as a genuine strategic factor for the development of luxury brands. Evidence from this study demonstrates as sustainability is becoming a necessary condition [for brands] to be able to operate within sophisticated markets. For instance, the average purchase share of sustainable products by department stores is set to double in the next 5 years (rising from 23% to 40%). Nowadays, consumers of luxury goods, including younger affluent generations, are paying more attention to the environmental and social impact of their purchase decisions and are more likely to buy from a brand that resonates with their own personal values. For 68% of the people interviewed by McKinsey, sustainable development is more directly linked to tangible elements like materials, production processes and working conditions, rather than to intangibles like marketing, brand reputation or philanthropy. Despite the claims of the luxury industry, many luxury megabrands are alleged to be not transparent about their supply chains especially when it comes to the tangible elements mentioned above. This thesis aims at investigating whether luxury is compatible with sustainability and to what extent the supply chain of luxury goods can be considered sustainable according to the three dimensions of performance of the Triple Bottom Line: social, environmental and financial. The research work will be developed as follow. The conceptual framework underpinning the definitions of luxury and sustainability will be outlined in order to identify potential points of contacts, on one side, and divergencies, on the other side. An extensive literature review on the concept of Triple Bottom Line will be then carried out. The findings of this analysis will be employed to critically examine the Sustainability Reports of luxury conglomerates Kering and LVMH to assess whether the path towards sustainability is proceeding in the right direction. Other factors will also be taken into account: the company’s social and environmental policies and their implementation; the availability of information on the suppliers it uses; its reaction to issues reported in supplier facilities, and initiatives taken to address issues such as gender equality, overproduction and the payment of living wages globally. Furthermore, it will be highlighted how many luxury megabrands, such as Chanel, Dolce & Gabbana, Versace, disclose from none to very few information about their supply chains demonstrating a tremendous lack of transparency. While certain aspects of the traditional definition of luxury match with the concept of sustainability, the continuous growth of the luxury sector imposes companies choices that are far from being sustainable. More often than not, a critical analysis of figures contained in sustainability reports show that despite the efforts of luxury companies to be fully sustainable, this goal is still far from be achieved.

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Jahnstedt, Johanna, and Olivia Sylvan. "How Sustainable is the Fashion Industry? : A case study exploring the sustainable transformation of the fashion industry." Thesis, Mälardalens högskola, Akademin för ekonomi, samhälle och teknik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-28427.

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Research Question: How can the concept of Greening Goliaths and Emerging Davids be applied to better understand the sustainabile transformation of the fashion industry? Purpose: This paper sets out to analyze two approaches to sustainability within the fashion industry; A firm adopting CSR initiatives into their business strategy versus a sustainable brand. These approaches are explored within the framework of Greening Goliaths and Emerging Davids to recognize their contribution to the sustainable transformation of the fashion industry. Method: A qualitative approach to our case study was taken in which we analyze and measure the Swedish fast fashion company, H&M and an American eco-friendly fashion label, Reformation. A semi-formal phone interview with an expert on sustainability in the fashion industry gave us further knowledge of how the two approaches can be combined for the industry to become more sustainable. A model was developed that aided the analysis as well as the discussion of the empirical findings. Conclusion: Our conclusions found that the sustainable brand, Reformation can be categorized as an Emerging David and is in the Take-off stage. In order to gain a larger market share an contribute to the sustainable transformation of the industry Reformation will need to continue process innovation to lower their price point. H&M was initially categorized as a Greening Goliath however upon further analysis we believe they are shifting to become and Environmental David leading the sustainable transformation of the industry. In order for a sustainable transformation of the fashion industry there needs to be a co-evolution of both Greening Goliaths and Emerging Davids working together for a sustainable future.

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Yezhova, Olga, Kalina Pashkevich, Olena Kolosnichenko, Olena Gerasymenko, and Maryna Kolosnichenko. "Forecasted labor functions of fashion industry specialists." Thesis, AIP Publishing LLC, 2022. https://er.knutd.edu.ua/handle/123456789/19420.

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The labor functions of the fashion industry workers during cutting of the garments in case of modern and forecasted productions for substantiation of the content of training of qualified workers have been analyzed. The labor functions have been characterized in the context of structuring the production operation as to its phases: preparatory, executive, and control and management. For the operation on cutting of the clothing, the models of the content of the workers` labor for three types of production have been prepared: for industrial, individual, and forecasted. It has been grounded that during the forecasted production the major changes in the content of the cutters` work would take place at the preparatory stage and at the executive stage. It is summarized that during the forecasted production of garments, the qualified workers will need the knowledge and skills on the use of new technologies and materials, computerized equipment, and professionally-oriented software.

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Books on the topic "Fashion Industry"

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1977-, Espejo Roman, ed. The fashion industry. Greenhaven Press, 2010.

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Gersten, Rita. Fashion art for the fashion industry. Fairchild Publications, 1989.

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Phizacklea, Annie. Unpacking the fashion industry. Routledge, 1990.

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Museum, Victoria and Albert, ed. Knitting: Fashion, industry, craft. V&A Pub., 2012.

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Rienda, Laura, Lorena Ruiz-Fernández, Lindsey Drylie Carey, and Irene García-Medina, eds. Firms in the Fashion Industry. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76255-1.

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Muthu, Subramanian Senthilkannan, and Miguel Angel Gardetti, eds. Sustainable Fibres for Fashion Industry. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0522-0.

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Muthu, Subramanian Senthilkannan, and Miguel Gardetti, eds. Sustainable Fibres for Fashion Industry. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0566-4.

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L, Hillery Julie, ed. Ethics in the fashion industry. Fairchild Publications, 2009.

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ha-Yiśreʼeli, Mekhon ha-yetsu. Israel fashion and textile industry. The Israel Export and International Cooperation Institute, 2007.

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Schramme, Annick, and Nathalie Verboven. Sustainability and the Fashion Industry. Routledge, 2024. http://dx.doi.org/10.4324/9781032659053.

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Book chapters on the topic "Fashion Industry"

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Bradford, Julie. "The fashion industry." In Fashion Journalism. Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-4.

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Lacy, Peter, Jessica Long, and Wesley Spindler. "Fashion Industry Profile." In The Circular Economy Handbook. Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-349-95968-6_14.

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Sinha, Pammi, Subramanian Senthilkannan Muthu, and Geetha Dissanayake. "The Remanufacturing Industry and Fashion." In Remanufactured Fashion. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0297-7_1.

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Linfante, Vittorio. "Fashion Resilience." In Technology, Sustainability and the Fashion Industry. Routledge, 2024. http://dx.doi.org/10.4324/9781032658506-4.

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Huggard, Emily. "The fashion industry context." In Communicating Fashion Brands. Routledge, 2020. http://dx.doi.org/10.4324/9780429464423-2.

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Clark, James. "A Review of the Fashion Industry." In Fashion Merchandising. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-41386-4_2.

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Korhonen, Aino, and Kirsi Niinimäki. "Framing Regenerative Fashion." In Sustainability and the Fashion Industry. Routledge, 2024. http://dx.doi.org/10.4324/9781032659053-1.

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Sinha, Pammi, Subramanian Senthilkannan Muthu, and Geetha Dissanayake. "Systems Requirements for Remanufactured Fashion as an Industry." In Remanufactured Fashion. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0297-7_5.

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Mackay, M. Elaine. "Three Thousand Stitches: The Development of the Clothing Industry in Nineteenth-Century Halifax." In Fashion. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442674806-010.

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Twigger Holroyd, Amy. "Writing Sustainable Fashion Worlds." In Sustainability and the Fashion Industry. Routledge, 2024. http://dx.doi.org/10.4324/9781032659053-2.

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Conference papers on the topic "Fashion Industry"

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Liu, Han, Xianfeng Tang, Tianlang Chen, et al. "Sequential LLM Framework for Fashion Recommendation." In Proceedings of the 2024 Conference on Empirical Methods in Natural Language Processing: Industry Track. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.emnlp-industry.95.

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Lee, Min-Young, RayeCarol Cavender, and Scarlett Wesley. "An Exploration of Consumer Accountability for Sustainability in the Fast Fashion Industry." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11397.

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Ranka, Dwaj, Ranvir Mehta, and Pratham Chopra. "AR In Fashion Industry." In 2022 4th International Conference on Advances in Computing, Communication Control and Networking (ICAC3N). IEEE, 2022. http://dx.doi.org/10.1109/icac3n56670.2022.10074580.

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Barrios Puerta, Camila Andrea, Angie Sophia Guardo Hernandez, and VERONICA TORDECILLA ACEVEDO. "Fashion Industry, a review literature." In 22nd LACCEI International Multi-Conference for Engineering, Education and Technology (LACCEI 2024): “Sustainable Engineering for a Diverse, Equitable, and Inclusive Future at the Service of Education, Research, and Industry for a Society 5.0.”. Latin American and Caribbean Consortium of Engineering Institutions, 2024. http://dx.doi.org/10.18687/laccei2024.1.1.1420.

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Cuffee, Sherita Mechelle, and Jin Su. "HBCU Fashion Program NASAD Accreditation and Fashion Industry DEI Reform." In Bridging the Divide. Iowa State University Digital Press, 2024. http://dx.doi.org/10.31274/itaa.17439.

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Paramita, Eristia. "Slow Fashion: Ethics and Sustainability in the Fashion Batik Industry." In Proceedings of the 3rd International Conference on Gender Equality and Ecological Justice, GE2J 2019, 10-11 July 2019, Semarang, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.10-7-2019.2298853.

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Yetmen, Gözde, and Banu Gürcüm. "Digital fashion concept: Digital fashion houses." In 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry – CT&ITI 2024. Union of Engineers and Technicians of Serbia, Belgrade, 2024. http://dx.doi.org/10.5937/ct_iti24043y.

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The paper presents fashion houses in the realm of digital fashion. This research considers the potential of cutting-edge digital technologies in fashion design, including the implications of digitalism in this field and the relationship between creativity and sustainability in a digital context. The focus is on the integration of digital technology and fashion design. It is importance to emphasize the positive impact that digital technologies have on sustainability. The expansion of digital technologies has facilitated the emergence of sustainable consumption alternatives.

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Voynilovych, Vita, and Nataliia Ilchenko. "SOCIAL MARKETING IN THE FASHION INDUSTRY." In PUBLIC COMMUNICATION IN SCIENCE: PHILOSOPHICAL, CULTURAL, POLITICAL, ECONOMIC AND IT CONTEXT. European Scientific Platform, 2020. http://dx.doi.org/10.36074/15.05.2020.v1.11.

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HuanzhangWang, Sang Jin Kim, and Kyung Hoon Kim. "SUSTAINABILITY INDEX MODEL IN FASHION INDUSTRY." In Bridging Asia and the World: Global Platform for Interface between Marketing and Management. Global Alliance of Marketing & Management Associations, 2016. http://dx.doi.org/10.15444/gmc2016.11.06.01.

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Naumova, Olena, and Antonina Kotova. "GREENWASHING MARKETING CONCEPT IN FASHION INDUSTRY." In 3rd International conference on corporation management. Scientific Center of Innovative Research OÜ, 2023. http://dx.doi.org/10.36690/iccm-2023-137.

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Reports on the topic "Fashion Industry"

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Boorady, Lynn M. Global Engagement: The fashion industry in Vietnam. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-325.

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Adams, Melinda K. P., and Cathryn Studak. The Impact of a Formal Partnership between Industry and Fashion. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-780.

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Quesenberry, Peggy P., and Doris H. Kincade. Copying and Product Development: Definitions and Practices by Fashion Industry Personnel. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8782.

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Boorady, Lynn M., Jane Ledbury, Nicholas Hall, Karen Webster, Grant Emerson, and Bingbing Du. CONNECT Project: A global learning experience on sustainability in the fashion industry. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1177.

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Noon, Virginia M., and Vera Bruce Ashley. Industry Connections: Linking Design Professionals to Fashion Students Using Real Time Technology. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-771.

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Chi, Ting, and Yini Chen. Omni-Channel Retailing in the Fashion Industry: A Literature Review of Empirical Evidences. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8256.

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Jean, Susan. Warwick & Warbler: Empowering Women and Challenging Beauty Standards in the Fashion Industry. Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1038.

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McCluskey, Dara, and Charles Freeman. Effect of fashion industry media on consumers attitudes and values for social responsibility. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-305.

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Ferrero-Regis, Tiziana, and Marissa Lindquist. Mapping South-East Queensland fashion and textile networks for circular communities. Queensland University of Technology, 2024. http://dx.doi.org/10.5204/rep.eprints.250775.

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The report Mapping South East Queensland fashion and textile networks for circular communities provides an analysis of the fashion and textile manufacturing industry in South East Queensland (SEQ), and a strategy to achieve circular communities in the sector. It responds to the urgent need for a solution that deals with textile waste in the clothing industry. The report reveals the geographical distribution of fashion and textile businesses, their concentration in specific areas of the Greater Brisbane Region (GBR), their businesses dimension and their practices in procuring textiles. Data is extended also to wider areas to include the South East areas. Queensland is the second largest Australian state by area, with industry and businesses concentrated in SEQ, and is the third largest state behind New South Wales and Victoria for cut and sewn textile production in Australia (AFC 2021). As for the rest of Australia, Queensland's clothing and textile industry is fragmented into micro businesses and SME. The report advocates for a strategy of implementation and support of circularity in regional areas where activities that focus on materials for sustainable transition, as well as solutions such as mobility and housing, maximise ecosystems and human well-being functioning in a sustainable way. It presents the case for a transition toward alternative urban regeneration where people are at the core of a sustainable and creative transformation.

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Christel, Deborah A. Plus Size Draping techniques: Normalizing Fat, Obese, and Plus Size Bodies in the Classroom to Enhance Fashion Design Students Versatility in the Fashion Industry". Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-786.

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