Relevant bibliographies by topics / Fashion journalism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fashion journalism'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Fashion journalism"

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Flamiano, Dolores. "The History of Fashion Journalism." American Journalism 34, no. 3 (July 3, 2017): 373–74. http://dx.doi.org/10.1080/08821127.2017.1344071.

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Радионцева, Екатерина Сергеевна. "The Vogue of Fashion: Specifics of Development of Fashion-journalism in Russia." Philology & Human, no. 4 (2019): 154–60. http://dx.doi.org/10.14258/filichel(2019)4-13.

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Wylie, Shannon. "Fashion meets journalism: Mapping and evaluating Australian fashion media." Cultural Science Journal 5, no. 2 (July 4, 2012): 47. http://dx.doi.org/10.5334/csci.46.

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LAURELL, CHRISTOFER, and CHRISTIAN SANDSTRÖM. "DISRUPTION AND SOCIAL MEDIA — ENTRANT FIRMS AS INSTITUTIONAL ENTREPRENEURS." International Journal of Innovation Management 18, no. 03 (May 19, 2014): 1440006. http://dx.doi.org/10.1142/s1363919614400064.

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Technological change often leads to competitive turbulence in established industries. Little is known about how the introduction of social media affects incumbent and entrant firms. This paper explores the impact of social media on the fashion journalism industry. Our findings show that entrant fashion bloggers have toppled incumbent fashion journalists. Through a netnographic analysis of published blog content, we argue that entrants have become dominant by transforming the profession of fashion journalism and in doing so, they have acted as institutional entrepreneurs. We argue that entrants are less bound by established institutional practices and that their ability to redefine the dominant logic of an industry can explain why they have outperformed incumbents.
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Suprun, V. "СОЦІАЛЬНА ДЕТЕРМІНАЦІЯ ТЕЛЕВІЗІЙНОЇ FASHION-ЖУРНАЛІСТИКИ." State and Regions. Series: Social Communications, no. 1(45) (July 17, 2021): 24. http://dx.doi.org/10.32840/cpu2219-8741/2021.1(45).4.

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<p><strong><em>The purpose</em></strong><em> of the research is analytical and synthetic study of the television representation of modern fashion journalism and its social impact on the mass audience. </em><em></em></p><p><strong><em>Research methodology.</em></strong><em> The realization of the goal is possible due to general scientific (analysis and synthesis) and special scientific methods of journalism studies (descriptive, comparative), which together form the idea of television journalism of fashion of the XXI century. </em><em></em></p><p><strong><em>Results.</em></strong><em> It was developed that modern television is a valid tool, which provides a full-scale understanding of certain fashion trends. Influencing factors of fashion and journalism together perform a formative function: to make a person a full-fledged member of society, with all its external manifestations and internal indicators. Therefore, the synthesized format of fashion journalism, assimilating the features of both industries, despite the entertaining nature of the content, has an important social impulse</em><em> </em><em>– </em><em>it becomes not only a unifying construct in society, but also provides the opportunity to create together within a certain society. We have identified five main social functions performed by television fashion journalism: information-adaptational, social-grouping, social-balancing, social-worldview, social-educational. </em><em></em></p><p><strong><em>Novelty.</em></strong><em> For the first time the social significance of fashion journalism, its influence on the mass audience in the projection on social and evolutionary progress is determined. </em><em></em></p><p><strong><em>Practical</em></strong><strong><em> significance</em></strong><strong><em>. </em></strong><em>The conclusions obtained during the study will expand the idea of modern Ukrainian television fashion journalism, will shape the vision of its social mission. The obtained results can be used in scientific and educational practice, in publishing activities during the compilation of reference books on social communications. </em><em></em></p><p><strong><em>Key words:</em></strong><em> fashion journalism, society, television content, mass audience.</em><em></em></p>
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Bradford, Julie. "Kate Nelson Best, The History of Fashion Journalism." Costume 53, no. 1 (March 2019): 137–38. http://dx.doi.org/10.3366/cost.2019.0108.

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Van de Peer, Aurélie. "Ghost-busting fashion: Symbolic boundaries and the politics of time in fashion journalism." International Journal of Cultural Studies 18, no. 6 (August 14, 2014): 595–611. http://dx.doi.org/10.1177/1367877914544732.

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Bueno, Thaisa Cristina, and Yanna Duarte Arraes. "Textos Jornalísticos Nas Revistas De Moda: Um Estudo Das Publicações Usuais na Vogue E Harper´s Bazaar." Cambiassu: Estudos em Comunicação 16, no. 27 (June 25, 2021): 64. http://dx.doi.org/10.18764/2176-5111v16n27.2021.3.

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Este estudo tem por objetivo identificar os textos mais comuns produzidos no jornalismo de moda nacional. Deste modo buscou-se levantar os tipos mais usuais, tendo como foco a classificação de Joffily (1991) e Flores (2018). O recorte de pesquisa elegeu duas revistas de importante circulação no país: Vogue e Harper´s Bazaar. Ao todo foram analisados 517 textos publicados em seis meses nos dois veículos. Conclusivamente o estudo mostra que o texto de jornalismo de moda, ainda que abarque marcas textuais exclusivas, tem focado na produção noticiosa, explorando pouco o viés opinativo e, investido em produções que se encaixam no jornalismo de serviço e no perfil. Journalistic Texts in Fashion Magazines: A study of usual publications in Vogue and Harper ́s BazaarAbstractThis study aims to identify the most common texts produced in national fashion journalism. We sought to identify the most usual types, focusing on the Joffily (1991) and Flores (2018) classification. The research selected two magazines of major circulation in the country: Vogue and Harper ́s Bazaar. In all, 517 texts published during six months in both media outlets were analyzed. In conclusion, the study shows that the fashion journalism text, despite exclusive discourse marks, has focused on news production, exploring little opinion and investing in productions that fit the service and profile journalism. Keywords: Journalistic genres; fashion journalism; fashion magazine.
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Oak, Arlene, and Julia Petrov. "Makeover media as fashion journalism: What Not To Wear, fashion, authority, and Gonzo subjectivity." Popular Communication 18, no. 4 (October 1, 2020): 313–26. http://dx.doi.org/10.1080/15405702.2020.1839079.

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Carlson, Matt, and Seth C. Lewis. "Temporal reflexivity in journalism studies: Making sense of change in a more timely fashion." Journalism 20, no. 5 (March 14, 2018): 642–50. http://dx.doi.org/10.1177/1464884918760675.

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Journalism studies is a relatively young field trying to make sense of a relatively fast-moving scholarly object – news. The matter of time is emerging as a particularly vexing challenge: When so much seems to be changing, and so quickly, how are journalism studies researchers to discern meaningful developments as opposed to short-term ephemera? This essay argues for ‘temporal reflexivity’, a way of fostering critical judgment about whether some phenomenon is indeed a break from what came before, a continuation of what has existed, or some middle-ground mutation. Such thinking reveals how temporality is embedded within journalism studies, driving assumptions and incentives about how and what to research – as well as what not to research. In particular, we apply the lens of temporal reflexivity to discuss issues of time and attention across three key areas of concern for journalism studies’ development as a field: first, the need for an analytical approach that balances change and stasis; second, the need to address issues of scale in which it is difficult to discern passing fads from deeper shifts that may lead to new institutional forms; and third, the need to understand the complicated and circular role of journalism education, both in reinforcing discourses of ‘crisis’ and ‘innovation’ and in lending stability to the boundaries of journalism as professionalized practice. In all, this essay opens up ways of considering the taken-for-granted temporal implications of research questions and pedagogical practices in journalism studies.
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Dissertations / Theses on the topic "Fashion journalism"

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Wylie, Shannon M. "Fashion meets journalism : mapping and evaluating Australian fashion journalism." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/73088/1/Shannon_Wylie_Thesis.pdf.

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Fashion journalism can be understood as a complex, inter-dependent set of professional practices that have arisen in a variety of media at the intersection of fashion and journalism. This thesis, Fashion Meets Journalism: Mapping and Evaluating Australian Fashion Journalism, answers the question, 'What is Australian fashion journalism?' in three stages: First, it maps the extent of fashion journalism across media in Australia to locate the field and focus on the sites of fashion journalism; second, it foregrounds practices of the journalism branch, evaluating how and why the field is pitted against other types of journalism when they share an inter-dependent set of professional practices. The opinions of leading industry producers are also sought regarding the matter. Then, considering the current position of fashion journalism, implications for fashion media and journalism are explored in order to improve the visibility of fashion journalism and solidify it as a professional practice.
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Haggerty, Valerie Maureen. "FASHION MINDED: EXPLORING THE INFLUENCE OF FASHION JOURNALISM ON THE SELF-CONCEPT." Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/192475.

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RUFINO, CARINA BORGES. "THE GAROTAS DO ALCEU: FASHION JOURNALISM AND FEMALE CONSUMPTION IN BRAZIL (1938-1964)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32095@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
O presente estudo busca compreender o modo como se dá a representação da moda e do consumo femininos no Brasil, tendo como objeto de análise a colu-na Garotas do Alceu , criada pelo ilustrador Alceu Penna, veiculada entre 1938 e 1964 na revista O Cruzeiro e tida como uma referência essencial de moda e comportamento para as mulheres daquele período. Para isso, realizou-se uma pesquisa de caráter qualitativo através de análise textual de conteúdo, com base em referenciais teóricos que abordam discursos sobre moda, consumo, jornalismo e sociabilidade feminina a partir de uma perspectiva cultural. A pesquisa tem como referência ainda, os elementos históricos relacionados às práticas de moda e consumo femininos no Brasil, bem como à imprensa feminina e ao jornalismo de moda praticado no país. Por ser o Rio de Janeiro a cidade responsável por ditar padrões de moda e comportamento no Brasil no período pesquisado, sendo inclusive a cidade escolhida como cenário para a coluna Garotas do Alceu , tomamos a capital carioca como referência para esta pesquisa.
The present study seeks to understand the way in which the representation of women s fashion and consumption is presented in Brazil, having as object of analysis the Garotas do Alceu column, created by the illustrator Alceu Penna, published between 1938 and 1964 in the O Cruzeiro magazine and considered as an essential reference of fashion and behavior for women of that period. For this, a qualitative research was conducted through content textual analysis, based on theoretical references that approach discourses about fashion, consumption, journalism and female sociability from a cultural perspective. The research also has historical references related to women s fashion and consumption practices in Brazil, as well as the women s press and fashion journalism practiced in the country. Because Rio de Janeiro is the city responsible for dictating fashion and behavior patterns in Brazil during the period studied, including the city chosen as the setting for the Garotas do Alceu column, we took the capital of Rio de Janeiro as a reference for this research.
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Tay, Jinna. "Looking modern : fashion journalism and cultural modernity in Shanghai, Singapore and Hong Kong." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16455/1/Jinna_Tay_Thesis.pdf.

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This thesis examines the development of Asian cultural modernity in the cities of Singapore, Hong Kong and Shanghai through their fashion magazines. These three cities have positioned themselves as aspirants to global city status, concurrently facilitating their ambitions by relaxing media laws and emphasising cultural production. One outcome is a growth in the production and consumption of fashion magazines. There has been a parallel growth in the consumption of and interest in fashion and self-adornment in these cities, particularly through global brand names. This thesis investigates these cultural transformations by examining the production of fashion texts in the context of their cities. It does this by utilising the concept of fashion journalism (as a product of fashion, journalism and the city) as a means of identifying the contemporary social, cultural and political articulations of these fashion texts. To do so, this research draws together a framework that takes into account different fields (fashion, journalism, modernity, city, Asia) that contribute to the concept of fashion journalism, thereby approaching fashion texts through a multi-disciplinary perspective anchored by establishing the contexts of each city and its specific magazine. The subsequent analyses of Vision (Shanghai), WestEast (Hong Kong) and Harper's Bazaar Singapore reflect and capture an evolution of these cities coming into their own. With particular emphasis on the cultural assertions of global Chinese identities in WestEast, an escape from national discourses through participating in cosmopolitanism in Harper's, and the emphasis on popular visual culture as a form of popular literacy and knowledge formation in Vision. These findings contribute firstly, towards an understanding of the issues occurring in the cultural modernisation of these cities and secondly, of fashion journalism as a promoter of the experiences of cultural modernity in Asia.
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Tay, Jinna. "Looking modern : fashion journalism and cultural modernity in Shanghai, Singapore and Hong Kong." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16455/.

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This thesis examines the development of Asian cultural modernity in the cities of Singapore, Hong Kong and Shanghai through their fashion magazines. These three cities have positioned themselves as aspirants to global city status, concurrently facilitating their ambitions by relaxing media laws and emphasising cultural production. One outcome is a growth in the production and consumption of fashion magazines. There has been a parallel growth in the consumption of and interest in fashion and self-adornment in these cities, particularly through global brand names. This thesis investigates these cultural transformations by examining the production of fashion texts in the context of their cities. It does this by utilising the concept of fashion journalism (as a product of fashion, journalism and the city) as a means of identifying the contemporary social, cultural and political articulations of these fashion texts. To do so, this research draws together a framework that takes into account different fields (fashion, journalism, modernity, city, Asia) that contribute to the concept of fashion journalism, thereby approaching fashion texts through a multi-disciplinary perspective anchored by establishing the contexts of each city and its specific magazine. The subsequent analyses of Vision (Shanghai), WestEast (Hong Kong) and Harper's Bazaar Singapore reflect and capture an evolution of these cities coming into their own. With particular emphasis on the cultural assertions of global Chinese identities in WestEast, an escape from national discourses through participating in cosmopolitanism in Harper's, and the emphasis on popular visual culture as a form of popular literacy and knowledge formation in Vision. These findings contribute firstly, towards an understanding of the issues occurring in the cultural modernisation of these cities and secondly, of fashion journalism as a promoter of the experiences of cultural modernity in Asia.
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Sullivan, Amy. "First Impressions| An Analysis of Media Coverage of First Ladies and Their Inaugural Gowns from Jackie Kennedy in 1961 to Michelle Obama in 2009." Thesis, The University of Alabama, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10824199.

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The Presidential Inaugural Ball is a special moment for every president’s wife because it is her first official public appearance as first lady of the United States. Historically, the manner in which the first lady presents herself in the way she dresses often contributes to her public image. Scrutiny from the media includes a focus on what she wears to the inauguration, as well as examination and analysis of her inaugural ball gown that evening. The gowns have a tradition of setting the tone for the first lady in the new administration as well as providing glimpses of a first lady’s personality. The gown gives the world a look at her personal style and a glimpse at her potential influence on fashion trends. Most first ladies recognize and understand the expectations of the role and what it means to the public. Some, however, have questioned why their appearance should matter so long as they are true to themselves. In positions of power, though, appearances are important because the media can use fashion as a lens to filter and interpret information to the public. Research on the news media coverage of first ladies and their inaugural gowns identified four themes: Feminism and the media’s reflection of society’s changing views of the first lady’s role; the media’s descriptions of first ladies, specifically references to their dress sizes and their physique; ethnocentrism and the fashion industry’s unbridled interest in and reliance on what the first lady wears; and the perspective of moderation in that the inaugural gown should be nice but not too expensive. Each theme has an intrinsic news value interjected into that coverage as revealed by Herbert J. Gans: Individualism, altruistic democracy, ethnocentrism, and moderatism, respectively. The media’s tendency to fixate on the first lady’s fashion style and clothing choices is best described as a fascination, almost an obsession at times, beginning with her selection of the inaugural gown. This thesis examines newspaper and magazine coverage and reaction to inaugural gowns from First Ladies Jackie Kennedy in 1961 to Michelle Obama in 2009.

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Garavito, Ramírez Adriana Rosario. "¿Cómo se escribe de moda en distintos espacios sociales?: Una comparación del discurso en las revistas Gamarra Modas y Viú (setiembre 2017- agosto 2018)." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/625856.

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Esta tesis explora teorías sobre el rol del periodismo de moda en distintos espacios sociales en Lima, Perú. Por un lado, se explica los fundamentos teóricos en los cuales se sustenta que el concepto de la moda es mucho más amplio del que normalmente se percibe. Se detalla cómo es que esta puede funcionar como un campo de acción político; y es un fenómeno social que puede reflejar los aspectos económicos, sociales, de raza y género de un hábitat social. Por otro lado, se realiza un análisis detallado del discurso de dos revistas. Cada una representa un espacio social y entiende y expone la moda a partir de este.
These research explore theories about fashion writing in different social spaces in Lima, Perú. On one side, the theories are explained in order to corroborate that the concept of fashion is greater that is usually known. It is detailed how fashion works also as a political field; it can also reflect economical aspects, social, race and genre. On the other size, the speech of two magazines it is deeply analyzed. Each one represents a social space and how fashion it is understood and exposed.
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Stang, Katy Leigh. "The role of fashion and fatshion blogging in college women's negotiation of identity." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1762.

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In recent years, the salience of obesity and body image in society has given rise to a "fat activist" movement dedicated to defending non-normative body types. This activism has extended to the online environment, in which groups who are ostracized from the traditional realm have taken to blogging as a form of resistance and expression. The term "fat" has been reclaimed by the movement as a term of emancipation and defiance. The so-called "fatshion" blogs have a growing audience, and there is a burgeoning scholarly literature on this phenomenon. The aim of this research was to investigate college-aged females who identify as "fat," who may or may not have been exposed to the online fatshion (fat fashion) market or blogs. Are these blogs being used as resources for these women? Do they even know these websites exist? Thus, the aim of this study was to discover what the current fashion sector is like for those who may not participate as heavily within these communities. The main objective of this study was to find how plus-size women's fashion choices are shaped by the dominant discourses of the body and how this, in turn, influences their shopping experiences. By conducting semi-structured interviews along with participants filling out a small questionnaire, an in-depth look at the personal thoughts and feelings of fat women outside of this movement was explored. Fatshion was studied through four theoretical lenses: as a counter-discourse, as a place for identity construction, as a mode of gender performativity, and how fatshion is informed by intersectionality of race, class, and gender. Based on the interview data, the study found that the messages found on fatshion blogs have the potential to spark opposition in ways that mobilize a more positive self-image as well as nonconformist self-presentations through a heightened awareness of the possibilities for opposing dominant ideologies.
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Hägglund, Charina Montemar. "Market Orientation as a Branding Strategy." Thesis, Uppsala University, Department of Business Studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-88950.

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Rocha, Felipe Soares. "Celebração midiática e cultura: o "olhar ilustrado" da Folha de S. Paulo sobre a São Paulo Fashion Week 2006." Universidade Metodista de São Paulo, 2007. http://tede.metodista.br/jspui/handle/tede/777.

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Made available in DSpace on 2016-08-03T12:30:30Z (GMT). No. of bitstreams: 1 Felipe Soares Rocha.pdf: 714038 bytes, checksum: 06687f2d0ea4469a887d504ec2d37be6 (MD5) Previous issue date: 2007-04-11
To understand the fashion field as a universe that reflects attitudes and feelings of the social life of the man-common one if constitutes the base of this research. To better understand of that it forms the fashion it appears configured thus, becomes necessary to unmask the adornments with which the media of the mass culture works in this field. With the proposal of perceive as the transforming values of the field they are operating in the media, from a interpretative reading, we opt to analyzing the approach given for the Ilustrada of the Folha de S. Paulo to the biggest event of fashion of Brazil - the São Paulo Fashion Week, in its edition of July of 2006. Of this form, we present the aspects of the culture of mass that directly are related to the fashion field and how these aspects had been fit in the texts of the Folha, in the process of celebration of the event. (AU)
Entender o campo da moda como um universo que reflete atitudes e sentimentos da vida social do homem-comum se constitui a base desta pesquisa. Para compreender melhor de que forma a moda aparece assim configurada, faz-se necessário desvendar os adornos com os quais a mídia da cultura de massa trabalha neste campo. Com a proposta de enxergar como os valores transformadores do campo estão atuantes na mídia, a partir de uma leitura interpretativa, optamos por analisar o enfoque dado pelo caderno Ilustrada da Folha de S. Paulo ao maior evento de moda do Brasil a São Paulo Fashion Week, na sua edição de julho de 2006. Desta forma, apresentamos os aspectos da cultura de massa que estão diretamente relacionados ao campo da moda e de que maneira estes aspectos foram enquadrados nos textos da Folha, no processo de celebração do evento.(AU)
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Books on the topic "Fashion journalism"

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Bradford, Julie. Fashion Journalism. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626.

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Findlay, Rosie, and Johannes Reponen. Insights on Fashion Journalism. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003035688.

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Peggy, Nicoll, ed. Rock angelz: Ready to rock! New York: Grosset & Dunlap, 2005.

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Gaputina, Violetta. Mediadiscourse of fashion: processes, phenomena, effects. ru: Publishing Center RIOR, 2021. http://dx.doi.org/10.29039/02079-1.

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The monograph is devoted to the study of the Russian-language discourse of fashion, actualized in the space of modern mass media: in television broadcasts and glossy magazines, blogs and social networks. The main attention is paid to the processes of hybridization of fashion discourse and media discourse and their linguistic and speech manifestations, reflecting the intersection of fashion discourse with other types of discourse. The book is addressed to specialists in the field of media linguistics and journalism, students, teachers and researchers, employees of the fashion industry, as well as all those who are interested in fashion and style issues.
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A sagração da aparência: O jornalismo de moda na Bahia. Salvador: Edufba, 2011.

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Clarke, Nicole. Issues. New York: Grosset & Dunlap, 2006.

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Issues. New York: Grosset & Dunlap, 2006.

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French twist. New York: Grosset & Dunlap, 2007.

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Copycat. New York: Grosset & Dunlap, 2007.

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Hogan, Mary. Susanna covers the catwalk. New York: Delacorte Press, 2008.

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Book chapters on the topic "Fashion journalism"

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McNeil, Peter. "Fashion Journalism." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–7. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_144-1.

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McNeil, Peter. "Fashion Journalism." In The Palgrave Encyclopedia of Victorian Women’s Writing, 548–54. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_144.

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Bradford, Julie. "The fashion industry." In Fashion Journalism, 69–93. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-4.

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Bradford, Julie. "Introduction *." In Fashion Journalism, 1–10. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-1.

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Bradford, Julie. "Styling." In Fashion Journalism, 213–32. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-10.

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Bradford, Julie. "Video and podcasting." In Fashion Journalism, 233–53. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-11.

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Bradford, Julie. "Fashion bloggers and influencers." In Fashion Journalism, 254–82. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-12.

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Watson, Carole. "Fashion journalism and PR." In Fashion Journalism, 283–98. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-13.

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Watson, Carole. "Law and ethics." In Fashion Journalism, 299–311. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-14.

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Bradford, Julie. "Conclusion." In Fashion Journalism, 312–16. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-15.

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Conference papers on the topic "Fashion journalism"

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Astaptseva, Kh. "Unknown Persons of Lviv Fashion Journalism of the 1930s: Mika Drohomyretska." In VI Tyktor’s Readings “Publishing in Ukraine: At the Crossroads of Traditions and Innovations”. Ukrainian Academy of Printing, 2021. http://dx.doi.org/10.32403/978-966-322-528-9-2021-40-45.

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Kazan, Hüseyin. "Medical Journalism in Women’s Magazine: The Case of Cosmopolitan." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.036.

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Health is a most common topic discussed in women magazine ranking from fashion to beauty, sexuality to art and culture. Biological health, mental health, fertility and sexual health are the most common topics which are given wide coverage. Whether this news, having quantitatively audience, is qualitatively health news is the primarily problem. The most of the news deals with particular subject such as medical selling, aesthetic advertisement and prototypes imposed on popular life. A large number of news reaching the audience read for health purposes cannot go beyond triggering the consumption culture. That is the starting point of this study. The study limited to 52 issues of Cosmopolitan Turkey published between June 2014- September 2018 analyses Dr. Cosmo, which falls into the health news category. In this study, content analysis is used to examine to what extent the news qualitatively and quantitatively contributes to medicine journalism. At the end of the study, it is found that the most of the health news is published on the purposes of commercial concerns, consolidates aesthetic perception and generally stuck between certain topics.
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Martins, Paulo, Rui Miguel, Liliana Pina, José Lucas, and Madalena Pereira. "Co-Creation and its Relationship with the Supply Chain: A Theoretical Approach." In 20th AUTEX World Textile Conference - Unfolding the future. Switzerland: Trans Tech Publications Ltd, 2022. http://dx.doi.org/10.4028/p-n97x5a.

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The purpose of this paper is to understand which the best methods are to interconnect co-creation and supply chains in the fashion business. For this theoretical study was considered published work. The most interesting contents reviewed where from the 2000’s on. A research was made having into account scientific papers from journals as this is still a theme that hasn’t been much studied. A review of the sales methodology of several brands/suppliers working on the supply chain was also made to contextualize sourcing possibilities. This paper will be divided in three parts. First it will be made a literature review to understand how supply chains work, secondly about co-creation and third will be made a contextualization about practices in other concepts and suppliers. This theoretical research made the author raise a series of concerns and possibilities that could make this study being developed empirically, in the future to access the manufacturers’ opinion over the best practices that can be applied. This study could be a plus for future investigators in the fashion field as well as brands and fashion designers, to understand how co-creation can simplify its relationship with its supply chain. As for the limitations there was no opportunity for an empirical study to be made with the focus on manufacturers, although this could be important for the future. Also, it would be interesting to better understand the positive and negative impacts of the co-creation development and implementation in fashion, namely on the supply chain and manufacturing industries of fashion products as this has been barely studied.
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Folomeeva, Tatiana V., and Ekaterina N. Klimochkina. "SOCIAL METACOGNITION IN THE PROCESS OF DECISION MAKING." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact057.

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"Individual metacognitions are responsible for monitoring and controlling our knowledge, emotions and actions, while social metacognitions are included in the process of monitoring and controlling each other’s knowledge, emotions and actions by group members. The distribution of metacognitive responsibilities among group members increases the visibility of individual metacognitive abilities. The study aimed to investigate the role of social metacognitions in the decision process of choosing current fashion trends: to compare how participants interact and social metacognitions influence their decisions in contradiction to the decisions made in individual work, where only individual metacognitions were available. The study consisted of several stages: starting from current trends analysis and follow up interviews, as well as, filling in individual journals. The last step was group work: discussion. The sample was 40 participants (M=24,35, Sd=2,27). Gathered data was processed through a descriptive qualitative analysis using the phenomenological method. Lack of knowledge or confidence to make a decision about which trends represent what is current in fashion in individual work, participants compensate with knowing about their own metacognition. Thus, in teamwork, these individuals’ level out limitations on knowledge or confidence by choosing the behaviour that can increase their knowledge. Choice of the behaviour strategy relies on individual metacognition. Therefore, teamwork provides individuals with additional resources as other team members, which increases the overall significance of work due to the contribution of individual metacognition. Social metacognitions help to distribute responsibilities among group members according to individual metacognitions. In group work, the visibility of individual metacognitions increases and favourably affects learning between participants, facilitates interaction and improves cognitive processes. Due to social metacognitions, participants who lack knowledge or confidence to make an individual decision solve their difficulties in a social situation, where limitations of individual metacognition are mitigated with social metacognitions."
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Maranelli, Francesco. "Engineering Melbourne’s “Great Structural- Functional Idea”: Aspects of the Victorian Post-war “Rapprôchement” between Architecture and Engineering." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3998puxe9.

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In 1963, Robin Boyd wrote about a post-war “rapprôchement” between the disciplines of structural engineering and architecture. Etymologically, the term suggests the movement of two entities that draw closer to each other, either in an unprecedented fashion or resuming a suspended interaction. World War II and the “anxieties and stimulations” of the post-war period, to use Boyd’s expression, accelerated the process of overcoming longstanding educational and professional disciplinary barriers. They were the driving forces behind what he denominated the “great structural-functional idea” of the 1950s. Architecture schools embraced modernist/functionalist ideals, producing graduates with considerable technical knowledge - true “romantic engineers.” The global post-war fascination with unconventional structures played its part. Occasionally, Antoine Picon argues, architecture’s “symbolic and aesthetic discourses” walk a “strictly technical path.” Under the banner of Le Corbusier’s Esthétique de l’Ingénieur, architecture and engineering converged. New technologies made collaborations with engineers habitual. According to Andrew Saint, however, partnerships were rarely affairs of equals since “architectural jobs came to architects first.” The diversification and growing number of engineers also transformed them into a labour force, Picon suggests, affecting their prestige and, possibly, their historiographical fortune. Scholarship on post-war Melbourne architecture has generally privileged the architect as the protagonist in the creation of innovative structures, only occasionally acknowledging consultants. This does not reflect the concerted nature of design commissions and frequent evanescence of disciplinary boundaries. This paper aims to highlight the major playing grounds for this alignment within design professions. It also hints at the complex relationship between the contributions of Victorian engineers and their recognition by post-war newspapers and architectural journals, opening the analysis of Melbourne’s post-war architecture to the discourse of professional representation and arguing the importance of “unbiased” histories of the built environment.
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