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Journal articles on the topic 'Fashion journalism'
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Flamiano, Dolores. "The History of Fashion Journalism." American Journalism 34, no. 3 (July 3, 2017): 373–74. http://dx.doi.org/10.1080/08821127.2017.1344071.
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Радионцева, Екатерина Сергеевна. "The Vogue of Fashion: Specifics of Development of Fashion-journalism in Russia." Philology & Human, no. 4 (2019): 154–60. http://dx.doi.org/10.14258/filichel(2019)4-13.
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Wylie, Shannon. "Fashion meets journalism: Mapping and evaluating Australian fashion media." Cultural Science Journal 5, no. 2 (July 4, 2012): 47. http://dx.doi.org/10.5334/csci.46.
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LAURELL, CHRISTOFER, and CHRISTIAN SANDSTRÖM. "DISRUPTION AND SOCIAL MEDIA — ENTRANT FIRMS AS INSTITUTIONAL ENTREPRENEURS." International Journal of Innovation Management 18, no. 03 (May 19, 2014): 1440006. http://dx.doi.org/10.1142/s1363919614400064.
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Technological change often leads to competitive turbulence in established industries. Little is known about how the introduction of social media affects incumbent and entrant firms. This paper explores the impact of social media on the fashion journalism industry. Our findings show that entrant fashion bloggers have toppled incumbent fashion journalists. Through a netnographic analysis of published blog content, we argue that entrants have become dominant by transforming the profession of fashion journalism and in doing so, they have acted as institutional entrepreneurs. We argue that entrants are less bound by established institutional practices and that their ability to redefine the dominant logic of an industry can explain why they have outperformed incumbents.
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Suprun, V. "СОЦІАЛЬНА ДЕТЕРМІНАЦІЯ ТЕЛЕВІЗІЙНОЇ FASHION-ЖУРНАЛІСТИКИ." State and Regions. Series: Social Communications, no. 1(45) (July 17, 2021): 24. http://dx.doi.org/10.32840/cpu2219-8741/2021.1(45).4.
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<p><strong><em>The purpose</em></strong><em> of the research is analytical and synthetic study of the television representation of modern fashion journalism and its social impact on the mass audience. </em><em></em></p><p><strong><em>Research methodology.</em></strong><em> The realization of the goal is possible due to general scientific (analysis and synthesis) and special scientific methods of journalism studies (descriptive, comparative), which together form the idea of television journalism of fashion of the XXI century. </em><em></em></p><p><strong><em>Results.</em></strong><em> It was developed that modern television is a valid tool, which provides a full-scale understanding of certain fashion trends. Influencing factors of fashion and journalism together perform a formative function: to make a person a full-fledged member of society, with all its external manifestations and internal indicators. Therefore, the synthesized format of fashion journalism, assimilating the features of both industries, despite the entertaining nature of the content, has an important social impulse</em><em> </em><em>– </em><em>it becomes not only a unifying construct in society, but also provides the opportunity to create together within a certain society. We have identified five main social functions performed by television fashion journalism: information-adaptational, social-grouping, social-balancing, social-worldview, social-educational. </em><em></em></p><p><strong><em>Novelty.</em></strong><em> For the first time the social significance of fashion journalism, its influence on the mass audience in the projection on social and evolutionary progress is determined. </em><em></em></p><p><strong><em>Practical</em></strong><strong><em> significance</em></strong><strong><em>. </em></strong><em>The conclusions obtained during the study will expand the idea of modern Ukrainian television fashion journalism, will shape the vision of its social mission. The obtained results can be used in scientific and educational practice, in publishing activities during the compilation of reference books on social communications. </em><em></em></p><p><strong><em>Key words:</em></strong><em> fashion journalism, society, television content, mass audience.</em><em></em></p>
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Bradford, Julie. "Kate Nelson Best, The History of Fashion Journalism." Costume 53, no. 1 (March 2019): 137–38. http://dx.doi.org/10.3366/cost.2019.0108.
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Van de Peer, Aurélie. "Ghost-busting fashion: Symbolic boundaries and the politics of time in fashion journalism." International Journal of Cultural Studies 18, no. 6 (August 14, 2014): 595–611. http://dx.doi.org/10.1177/1367877914544732.
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Bueno, Thaisa Cristina, and Yanna Duarte Arraes. "Textos Jornalísticos Nas Revistas De Moda: Um Estudo Das Publicações Usuais na Vogue E Harper´s Bazaar." Cambiassu: Estudos em Comunicação 16, no. 27 (June 25, 2021): 64. http://dx.doi.org/10.18764/2176-5111v16n27.2021.3.
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Este estudo tem por objetivo identificar os textos mais comuns produzidos no jornalismo de moda nacional. Deste modo buscou-se levantar os tipos mais usuais, tendo como foco a classificação de Joffily (1991) e Flores (2018). O recorte de pesquisa elegeu duas revistas de importante circulação no país: Vogue e Harper´s Bazaar. Ao todo foram analisados 517 textos publicados em seis meses nos dois veículos. Conclusivamente o estudo mostra que o texto de jornalismo de moda, ainda que abarque marcas textuais exclusivas, tem focado na produção noticiosa, explorando pouco o viés opinativo e, investido em produções que se encaixam no jornalismo de serviço e no perfil. Journalistic Texts in Fashion Magazines: A study of usual publications in Vogue and Harper ́s BazaarAbstractThis study aims to identify the most common texts produced in national fashion journalism. We sought to identify the most usual types, focusing on the Joffily (1991) and Flores (2018) classification. The research selected two magazines of major circulation in the country: Vogue and Harper ́s Bazaar. In all, 517 texts published during six months in both media outlets were analyzed. In conclusion, the study shows that the fashion journalism text, despite exclusive discourse marks, has focused on news production, exploring little opinion and investing in productions that fit the service and profile journalism. Keywords: Journalistic genres; fashion journalism; fashion magazine.
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Oak, Arlene, and Julia Petrov. "Makeover media as fashion journalism: What Not To Wear, fashion, authority, and Gonzo subjectivity." Popular Communication 18, no. 4 (October 1, 2020): 313–26. http://dx.doi.org/10.1080/15405702.2020.1839079.
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Carlson, Matt, and Seth C. Lewis. "Temporal reflexivity in journalism studies: Making sense of change in a more timely fashion." Journalism 20, no. 5 (March 14, 2018): 642–50. http://dx.doi.org/10.1177/1464884918760675.
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Journalism studies is a relatively young field trying to make sense of a relatively fast-moving scholarly object – news. The matter of time is emerging as a particularly vexing challenge: When so much seems to be changing, and so quickly, how are journalism studies researchers to discern meaningful developments as opposed to short-term ephemera? This essay argues for ‘temporal reflexivity’, a way of fostering critical judgment about whether some phenomenon is indeed a break from what came before, a continuation of what has existed, or some middle-ground mutation. Such thinking reveals how temporality is embedded within journalism studies, driving assumptions and incentives about how and what to research – as well as what not to research. In particular, we apply the lens of temporal reflexivity to discuss issues of time and attention across three key areas of concern for journalism studies’ development as a field: first, the need for an analytical approach that balances change and stasis; second, the need to address issues of scale in which it is difficult to discern passing fads from deeper shifts that may lead to new institutional forms; and third, the need to understand the complicated and circular role of journalism education, both in reinforcing discourses of ‘crisis’ and ‘innovation’ and in lending stability to the boundaries of journalism as professionalized practice. In all, this essay opens up ways of considering the taken-for-granted temporal implications of research questions and pedagogical practices in journalism studies.
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Idem, Magdalena. "Fashion Writing in Women’s Magazines of Interwar Poland : Influences of the American Press." Zeszyty Prasoznawcze 65, no. 4 (252) (December 16, 2022): 83–100. http://dx.doi.org/10.4467/22996362pz.22.040.16498.
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Dziennikarstwo modowe w czasopismach dla kobiet w międzywojennej Polsce: wpływy amerykańskiej prasy Artykuł przedstawia wpływ amerykańskiego dziennikarstwa modowego na polski rynek magazynów o modzie w okresie międzywojennym. Głównym jego celem jest zidentyfikowanie instrumentarium opisu mody w międzywojennych polskich magazynach o modzie lub w modowych rubrykach pism kobiecych oraz zmapowanie ich wariantywności według dwóch kategorii: elitarystycznej i demokratyzującej. W ramach tych kategorii omówione zostaną strategie opisu tekstualnego i wizualnego takie jak: „magiczne pisanie”, instruktaże poradnikowe, pisanie ironiczne oraz techniki właściwe dla literatury faktu, stosowane w ramach dyskursu modowego (fashion nonfiction). W badaniu zastosowano metodę opisowo-historyczną. Artykuł jest pierwszą w literaturze o dziennikarstwie międzywojennym w Polsce próbą wyeksponowania tezy, że dyskurs modowy w prasie krajowej naśladował sposób, w jaki o modzie pisano w pismach amerykańskich. This article examines the influence of American fashion journalism on the Polish market of fashion magazines in the interwar period. The main objective is to identify the strategies of fashion description in interwar Polish fashion magazines or fashion columns in women’s magazines and to map their variance according to two categories: elitist and democratising. Such tools of textual as well as visual description such as ‘magical writing,’ advice manuals, ironic writing and fashion non-fiction will be discussed. The article is the first attempt in the literature on interwar journalism in Poland to argue that fashion discourse in the domestic press mimicked the way fashion was covered in American fashion magazines.
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Le Masurier, Megan. "Like Water & Oil? Fashion photography as journalistic comment." Journalism 21, no. 6 (July 3, 2019): 821–37. http://dx.doi.org/10.1177/1464884919860926.
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In its August issue 2010, Vogue Italia ran a 24-page fashion editorial by photographer Steven Meisel. Entitled ‘Water & Oil’, it was inspired by the Deepwater Horizon oil disaster in the Gulf of Mexico that began in April that year. The shoot caused an uproar in both new and old media. Across the journalistic coverage of the shoot and the attendant commentary from digital readers and bloggers was an underlying sentiment that a boundary had been crossed, that high fashion photography had no right to use environmental catastrophe as a backdrop for the promotion of fashion. Much of the online commentary echoed Angela McRobbie’s argument, that fashion media (and especially Vogue) can only conceive of political reality as ‘gestures of style … they can never take the form of social analysis’. This essay poses two questions: can fashion photography sometimes perform the usually journalistic work of cultural and political comment? And how can we understand the resistance to such a function, especially in a commercial women’s magazine like Vogue? Sitting at the intersection of cultural studies and journalism studies, it will draw on the work of John Hartley to answer these questions. Laying out the discourse surrounding the controversial photo spread, this essay explains how the images created by Meisel are ‘matter out of place’. They provoke us to re-evaluate what journalism is and who is allowed to perform it.
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Saira, Miss. "The Socio-Linguistic Functions of Code-switching in the Pakistani Fashion Journalism." Pakistan Social Sciences Review 4, no. II (June 30, 2020): 1030–46. http://dx.doi.org/10.35484/pssr.2020(4-ii)82.
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Vänskä, Annamari, and Olga Gurova. "The fashion scandal: Social media, identity and the globalization of fashion in the twenty-first century." International Journal of Fashion Studies 00 (July 1, 2021): 1–23. http://dx.doi.org/10.1386/infs_00045_1.
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During the latter part of the 2010s, many fashion brands – e.g., Gucci, Burberry, Dolce & Gabbana, Prada, Dior – have been caught up with scandals and called out for racism, cultural appropriation and other types of insensitivity towards vulnerable groups. This article will unpack, through critical analysis of some of these examples, the changing landscape of the ‘fashion scandal’ in the late-2010s. We understand fashion scandals as the fuel of fashion. They are debated in social media and they are controversial actions, statements or events that cause strong emotional responses. Even though scandal has been proven effective in fashion marketing for decades, and despite it is still frequently used, there might be a change on the way. Our examples suggest that with the rise of social media and its so-called ‘citizen journalism’ the tactics of creating scandals may have lost their lustre and can easily turn against the brand. We will also discuss new tactics that brands have adopted to escape undesired scandals by establishing new roles such as the ‘diversity consultant’.
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Crawford Camiciottoli, Belinda. "‘My almost-leggings-so-I’m-kind-of-cheating jeans’: Exploring hyphenated phrasal expressions in fashion discourse." Text & Talk 39, no. 1 (December 19, 2018): 1–24. http://dx.doi.org/10.1515/text-2018-2016.
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Abstract The language of fashion was first investigated by Roland Barthes in his influential book Système de la Mode, but it has since received scant attention from linguists, perhaps due to perceptions of frivolousness associated with the fashion world. This study explores contemporary fashion discourse through a systematic analysis of hyphenated phrasal expressions as linguistic features that are analytically challenging, but with strong expressive potential. The Fashion Discourse Corpus consists of 396,125 words compiled from the traditional fashion press (Vogue, Women’s Wear Daily, Harper’s Bazaar) and two leading fashion blogs, representing both American and British English. For comparative purposes, a reference corpus was extracted from American and British benchmark corpora. The quantitative analysis revealed that hyphenated phrasal expressions were considerably more frequent in the Fashion Discourse Corpus. Follow-up qualitative analysis identified conventional, semi-conventional, and non-conventional types, along with recurring structural patterns and communicative functions used to describe and evaluate fashion phenomena. The fashion blogs in particular contained richly expressive items that seemed to reflect the writer’s unique voice and identity within the discourse community. The findings can be applied in journalism and communication courses to help aspiring writers learn to use hyphenated phrasal expressions effectively.
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Bird-Meyer, Matthew, Sanda Erdelez, and Jenny Bossaller. "The role of serendipity in the story ideation process of print media journalists." Journal of Documentation 75, no. 5 (September 9, 2019): 995–1012. http://dx.doi.org/10.1108/jd-11-2018-0186.
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Purpose The purpose of this paper is to build upon the studies of journalism from an LIS perspective by exploring and differentiating the purposive behavior of newspaper reporters from their serendipitous encounters with information that lead to new story ideas. This paper also provides a path toward pedagogical improvements in training the modern journalism workforce in being more open to creative story ideas. Design/methodology/approach This study utilized semi-structured telephone interviews. Participants were recruited via e-mail after collecting contact information through the Cision database. The study sample was drawn from newspaper reporters who work at or freelance for the top 25 metropolitan newspapers in the USA, in terms of circulation size, based on data from the Alliance for Audited Media. A total of 15 participants were interviewed. Findings This paper provides insight into the story ideation process of journalists in that the study participants generally do not think about how they are coming up with story ideas as much as they are striving to place themselves in situations where, based on their experience and interests, they know they are more likely to encounter a good idea. Each encounter proved meaningful in some powerful fashion, which speaks to the historical importance of serendipity in achieving breakthroughs and discoveries in a wide variety of fields. Research limitations/implications The sampling frame for this study was relatively small, representing 8 percent of the total number of working newspaper journalists from the top 25 newspapers in the USA, in terms of circulation size. Therefore, the findings are not generalizable to the entire population of journalists in this country. Practical implications The findings point to the importance of a prepared mind in facilitating serendipitous episodes. In the case of journalism, that means developing a heightened news sense and cultivating routines where they place themselves in trigger-rich environments. Pedagogically, journalism education must include courses in creative storytelling to help train the modern newspaper workforce in an ever-expanding and competitive media landscape. These courses, ideally paired with techniques and models from the field of information science and learning technologies, could help train young journalists in methods that enhance their ability to identify, seek and pursue serendipitous stories. Originality/value This paper fulfills a need in journalism studies in finding variability in news routines by utilizing an interdisciplinary approach that combines journalism studies and library and information science models to probe how journalists encounter ideas incidentally. Previous research in this area has focused on how news consumers serendipitously encounter information. This paper takes a fresh approach to explore how creative ideas are encountered serendipitously in the construction of news.
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Raykhlina, Yelizaveta. "Physiological Illustration and a Women’s Fashion Magazine: Vasilii Timm’s Satirical Cartoons in Listok dlia svetskikh liudei, 1843–1844." Experiment 28, no. 1 (December 21, 2022): 24–43. http://dx.doi.org/10.30965/2211730x-12340033.
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Abstract The women’s fashion magazine Listok dlia svetskikh liudei (1839–1845) printed satirical lithographs by the Russo-Baltic artist Vasilii Fedorovich Timm in 1843–1844, providing an important forum for merging the physiological sketch with the fashion press. Listok presented Timm with a serialized format, whereby his satirical cartoons adapted the physiological sketch to a largely female readership, commenting on courtship, relationships, male vices, as well as social ills, urban life, and the state of journalism in the 1840s. Listok offered visual commentary on issues important to female readers as well as broader observations of Petersburg life and Russian society.
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Astuti, Santi Indra. "Patologi Kekerasan dalam Berita Televisi: antara Kontroversi dan Regulasi." MIMBAR, Jurnal Sosial dan Pembangunan 29, no. 1 (June 20, 2013): 41. http://dx.doi.org/10.29313/mimbar.v29i1.365.
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Indonesia television journalism is growing rapidly, yet, a close observation has revealed a domination of violence as reflected in its content. Violence even became a kind of appeal to seduce audience and influence them to watch the whole teather of media violence. Ignoring this circumstance will led to a huge sacrifice. Studies concerning mass media impact have showed range of influences between violence content and audience’s mental state of health. In order to control the violence on journalism television, a strict law enforcement must be perpetrated. But, to do so, several arguments often recited by media in order to prevent law enforcement efforts must be identified and be replied in most sophisticated fashion by preparing ellegant counter arguments.
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Muhammad Zubair Iqbal and Shabbir Hussain. "Conflict and Peace Journalism: Role of Media in Pakistan." Strategic Studies 37, no. 2 (July 10, 2017): 90–108. http://dx.doi.org/10.53532/ss.037.02.00226.
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This study aims to investigate the reporting of major conflicts in Pakistan by two leading TV channels i.e. Geo TV and Dunya TV, to ascertain the nature of the coverage in terms of being escalatory or de-escalatory. It aims to explore these conflicts from a peace journalism perspective. The conflicts include: the Taliban conflict, Balochistan conflict, sectarian conflict and ethno-political conflict in Karachi. The study is primarily a quantitative content analysis to explore the media coverage of conflicts during both high and low intensity periods from 2014 to 2015. The findings suggest that Pakistan news TV channels reported the Taliban and the ethno-political conflict in Karachi in an escalatory fashion, ridden in a de-contextualised pattern. While, on the other hand, the Balochistan and the sectarian conflict were mainly reported in de-escalatory terms owing to various socio-cultural reasons impacting the coverage. The findings are quite consistent with the existing literature on conflict journalism, which suggests that the media, in general, adopts a more propagandist and nationalistic stance, when the threats to national security are highest whereas it adopts a more humanistic stance, when the threats to national security are assumed to be low.
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Astaptseva, Khrystyna. "Fashion Referentiality of Stefaniia Martyniuk on the Pages of the Daily Newspaper “Novyi Chas”/”New Time” (1935-1939)." Scientific notes of the Institute of Journalism, no. 2 (75) (2019): 95–109. http://dx.doi.org/10.17721/2522-1272.2019.75.7.
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The objective of this paper is to introduce into scientific discourse the factual material about journalistic and editorial heritage of Stefaniia Martyniuk who is an unknown person up to the present day in world of fashion, turning to one more page in the forgotten history of the Ukrainian fashion-journalism. For reconstruction of social experience of Stefaniia Martyniuk it was used the biographical method. Analysis of documents, namely all issues of the newspaper “Novyi Chas”/”New Time” from 1926 till 1939, helped us to identify those numbers of the paper in which the thematic column “Nashym chytachkam”/“To our readers” was published. Using the method of periodization, we were able to trace the qualitative changes in development of the women’s column “Nashym chytachkam”/“To our readers”. The linguistic and stylistic (philological) method was used to analyze the stylistics and language of the column materials. For classification of journalistic heritage of Stefaniia Martyniuk, the genre method was applied. As well we used rhetorical analysis to study linguistic means in the editor’s texts. The discursive analysis was used to reveal correlation between publications and political, social and cultural preferences of Stefaniia Martyniuk. This paper focuses on the history of the women’s thematic column “Nashym chytachkam”/“To our readers” issued in 1935-1939. The main genres of the column were selected. All issues of the column were studied and a detailed description of the editor’s work process was represented. All publications were analyzed and the stylistic features of this thematic column were studied. The conceptual peculiarities of graphic design of the column and its illustrative material were highlighted. A fashion-glossary of the most commonly used fashion terms and meanings traced in the publications of the column “Nashym chytachkam”/“For our readers” was compiled.
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Davies, Kayt. "A global evolution in risk reporting." Pacific Journalism Review : Te Koakoa 16, no. 1 (May 1, 2010): 216–18. http://dx.doi.org/10.24135/pjr.v16i1.1021.
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Looking around a lecture theatre of students majoring in journalism in an Australian university, it may seem fair enough to ask how important it is to teach them about war reporting. How many of these music, fashion and sport-inspired kids are going to find themselves on a frontline? Reading through Owen and Purdy;s book two rationales emerge. The first is that the era of battle-weary foreign correspondents is waning. The second is that the book brings home importance of our profession's reputation for being unbiased.
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Astaptseva, Kh A. "Galicianisms in Lviv’s interbellum fashion-journalism: remarks for galician lexicon protection (on the materials of the “Dilo” and “Novyi Chas” daily newspapers)." Printing and Publishing 2, no. 78 (2019): 126–40. http://dx.doi.org/10.32403/0554-4866-2019-2-78-126-140.
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Chang, Ho-Chun Herbert, Allissa Richardson, and Emilio Ferrara. "#JusticeforGeorgeFloyd: How Instagram facilitated the 2020 Black Lives Matter protests." PLOS ONE 17, no. 12 (December 7, 2022): e0277864. http://dx.doi.org/10.1371/journal.pone.0277864.
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We present and analyze a database of 1.13 million public Instagram posts during the Black Lives Matter protests of 2020, which erupted in response to George Floyd’s public murder by police on May 25. Our aim is to understand the growing role of visual media, focusing on a) the emergent opinion leaders and b) the subsequent press concerns regarding frames of legitimacy. We perform a comprehensive view of the spatial (where) and temporal (when) dynamics, the visual and textual content (what), and the user communities (who) that drove the social movement on Instagram. Results reveal the emergence of non-institutional opinion leaders such as meme groups, independent journalists, and fashion magazines, which contrasts with the institutionally reinforcing nature of Twitter. Visual analysis of 1.69 million photos show symbols of injustice are the most viral coverage, and moreover, actual protest coverage is framed positively, in contrast with combatant frames traditionally found from legacy media. Together, these factors helped facilitate the online movement through three phases, culminating with online international solidarity in #BlackOutTuesday. Through this case study, we demonstrate the precarious nature of protest journalism, and how content creators, journalists, and everyday users co-evolved with social media to shape one of America’s largest-ever human rights movements.
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Astaptseva, Kh. "Genre palette of fashion journalism through a retrospective review (based on the materials of Lviv women's press of the third decade of the 20th century)." Science and Education a New Dimension VIII(237), no. 41 (September 20, 2020): 63–66. http://dx.doi.org/10.31174/send-hs2020-237viii41-12.
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Santana, Maria Cristina. "Traditional or Digital Photojournalism Education? A Survey of Four-Year Photo Programs and Small Dailies' Photo Needs." Journal of Educational Technology Systems 25, no. 4 (June 1997): 351–61. http://dx.doi.org/10.2190/1746-t2pm-9b1t-tma2.
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This article is based on a national survey of schools with a four-year, photography program under a Communication Department, and of national daily newspapers with a circulation under 50,000. The researcher was interested in defining the knowledge needed by a graduate from a photo program to find employment at a small daily newspaper. Department chairs or sequence heads of each college program were asked to fill out the same survey given to the photo editors of the dailies selected. The questions ranged from photo equipment to instruction in digital and word processing software. The results showed both colleges and newspapers are embracing the new technology of computer enhanced instruction. Dailies rated the use of negative or slide scanners as most important, while colleges rated the use of computer software for photography most important. Another result of the survey is that both groups place little significance on medium and large format photography and photography assignments such as food or fashion illustration. Educators rated having a journalism background ninth in importance. This result is interesting when one considers that more than 85 percent of photography programs belong to Journalism Departments. This article explores possible curriculum changes to a Photojournalism/Visual Communication program.
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Idem, Magdalena. "Non-fiction w piśmie o modzie? Wariantywność form reportażowych w Vogue Polska." Zeszyty Prasoznawcze 65, no. 1 (249) (March 31, 2022): 75–94. http://dx.doi.org/10.4467/22996362pz.22.006.15336.
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Celem opracowania jest w pierwszej kolejności zidentyfikowanie ilościowe i dystynktywne reportaży ukazujących się na łamach współczesnych pism dla kobiet (jako przykład służy Vogue Polska – czasopismo reprezentujące cechy mediów starego i nowego typu), a kolejno zaprezentowanie wariantywności tych form reporterskich oraz ich analiza poziomie literacko-krytycznym. W procesie badawczym wyróżniono dwa wzorce adaptacyjne reportażu: sylwetkę stylizowaną na reportaż literacki oraz relację reporterską. Wskazany tytuł przeanalizowano metodą ilościową i jakościową analizą treści opartą na skonstruowanym polu odniesień genologicznych. Artykuł omawia także relacje zachodzące między klasyczną teorią reportażu (wzorzec kanoniczny i adaptacyjny, redukcjonizm genologiczny, cechy pogranicza) a identyfikatorami retoryki mody i koncepcji dziennikarstwa modowego. Konsekwencjami tego oddziaływania są reorientacje genologiczne i pragmatyczne. Can non-fiction be found in fashion magazine? Variation of reporter’s patterns in Vogue Polska The aim of this paper is to identify quantitative and distinctive features of reports published in contemporary women’s magazines first of all and then to present the variability of reporting patterns and their literary-critical analysis. Two alternative patterns of reporting were distinguished in the research process: profiles representing non-fiction and a press report. The article presents the result of quantitative and qualitative content analysis of Vogue Polska which was used as an example of a magazine representing the features of both old and new media. It also touches upon the connotations between the classical theory of reporting (canonical and alternative pattern, genological reductionism, inter-genre features) and the identifiers of fashion rhetoric and the concept of fashion journalism. The consequences of this influence are genological and pragmatic re-orientations.
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Ramos Palomo, María Dolores, and Víctor José Ortega Muñoz. "Mujeres Gladiadoras. Prensa republicana femenina y movilización política en los inicios de la cultura mediática en España (1896-1922)." RIHC. Revista Internacional de Historia de la Comunicación 2, no. 15 (2020): 16–41. http://dx.doi.org/10.12795/rihc.2020.i15.02.
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: The enormous potential of the Spanish republican female press at the junction of the 19th-20th centuries acquires historical interest due to the renewal of the journalistic market aimed at women, which, transcending the framework of beauty, fashion, home and domestic economy magazines welcomes a political, doctrinaire, militant and radical journalism, directed and written by women, although it had male collaborations. This press - El Progreso, La Conciencia Libre, El Gladiador, El Gladiador del Librepensamiento and Redención, among other publications- conferred recognition and intellectual authority on its promoters, by giving them the possibility of spreading their ideals, create opinion, influencing the public sphere and articulating a political tradition and culture that has been largely neglected in the history of the press. Keywords: Republican press, women, media culture, Spain, 19th - 20th centuries.
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Juodytė, Aurelija, and Ng Zhen Xiang Colin. "Media Restrictions as the Image Formation Tool: the Case Study of Singapore’s Prime Minister Lee Kuan Yew Popularity." Žurnalistikos Tyrimai 6 (January 1, 2015): 141–62. http://dx.doi.org/10.15388/zt/jr.2013.6.7406.
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We live in the world full of nice people. The media make us think so as we are surrounded by the images of sport, pop culture, fashion industry, entertainment media, and business leaders. We face them even in the news programs and the press. Of course, the photos and other visual outlets of politicians join the general publicity of personality cult. How do these people appear in the journalist media? Why are they exposed in a positive manner while the crucial role of journalism’s “watchdog” function is to demonstrate weaknesses in order to get them into political agenda and improve? We live in the world where there is a huge business of personality promotion and selling beneath the media, and this business is called celebrity branding and news management. The media skip it from exposure. Journalism too, but why? Who is in charge that people in the media become celebrities? Who, the source or the media, is related to the fact that their audience becomes attached to the celebrities and is involved into a never-ending follow-up communication with them? These questions arise when we focus on journalism’s role in the public opinion formation process in general and image management in particular. The issue may be approached by various ways, but the present article narrows the scope of analyses mainly to the issue of political environment impact on the image of the political actor. Such a choice is made due on the factor that political environment covers both the macro (institutional) and micro (content) levels of restrictions the traditional media encounter, and due to the reason that the scope of mediated politics enables the holistic view of the media field professionals (public relations practitioners, sources, and journalists) performance and its influence on the final product. The disclosure of how the personality campaign is organised in order to reach a wide coverage and depict a positive image is of cognitive value also because the case study is made with the Singapore Prime Minister’s example – the international aspect introduces the global patterns of the celebrity phenomenon and also allows to discuss the media regulation in Singapore. First of all, the present article introduces the theoretical background for the case study, then it examines the state of the media in Singapore, showing the ownership specifics, regulation peculiarities and free speech constraints arising from regulation rather than from professionalism. The psychologically fair factor is disclosed through the analysis of legal acts, especially the Internal Security Act. The spiral of silence theory explains the supporters of such political environment that enables a long-lasting positive attitude towards the Singapore Prime Minister Lee Kuan Yew and explains his popularity and a successful image-making job.
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Larsson, Anders Olof, and Christian Christensen. "From showroom to chat room." Convergence: The International Journal of Research into New Media Technologies 23, no. 6 (April 27, 2016): 587–602. http://dx.doi.org/10.1177/1354856516644564.
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Whilst social media like Twitter and Facebook carry with them the potential for the practice of journalism, novelties like these are also associated with adaptation difficulties – perhaps especially when it comes to the interactive capabilities that services like these afford. This study employs a multi-method approach to study the different uses of Twitter and Facebook by one media company – the Swedish public service broadcaster (PSB) Sveriges Television – during the 2014 election year. Utilizing both quantitative and qualitative data, we find that Twitter was used more extensively and in a comparably more interactive fashion than Facebook. Hence we suggest Twitter, used more for interaction, functions as a ‘chat room’; whilst Facebook, used more for broadcasting messages, can be viewed as functioning like a ‘showroom’. As Twitter is often associated with societal elites in the Swedish context, it raises a question about the suitability for a PSB to engage to such a degree on this particular platform.
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Martinelli, Fernanda. "#VOCÊNACAPA: moda e representação feminina na edição comemorativa da revista Elle Brasil." Revista Observatório 2, no. 5 (December 25, 2016): 364. http://dx.doi.org/10.20873/uft.2447-4266.2016v2n5p364.
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Resumo
Este artigo analisa a representação feminina relacionada a estéticas contra-hegemônicas na edição comemorativa da revista ELLE Brasil publicada em maio de 2015. O objetivo é pensar de que forma a diversidade está conquistando espaço na indústria da moda e nos meios de comunicação que a representam. Tomando como ponto de partida o conceito de representação social em Hall e Moscovici, discutimos aqui o significado desse conteúdo, que se distingue do padrão de beleza normativo da mulher branca, loira, ocidental e extremamente magra, considerando a forma concreta que o significado simbólico dessas representações assumem na revista.
Palavras-chave: jornalismo de moda; gênero; representação
Resumen
Este artículo analiza la representación femenina relacionada a estéticas contra-hegemónicas en la edición conmemorativa de la revista ELLE Brasil de mayo de 2015. El objetivo es pensar cómo la diversidad está conquistando espacios en la industria de la moda y los medios de comunicación que abordan el tema. A partir del concepto de representación social de Hall y Moscovici, discutimos el significado de ese contenido que se distingue del patrón de belleza normativo de la mujer blanca, rubia, occidental y flaca, considerando las formas prácticas que el significado simbólico de esas representaciones asumen en la revista.
Palabras-clave: periodismo de moda, género, representación
Abstract
This article analyzes female representations related to counter-hegemonic aesthetics in the commemorative edition of Elle Brazil magazine published in may 2015. We aim to discuss how diversity is gaining ground in the fashion industry and in the specialized media that addresses this issue. Taking the concept of social representation as presented in Hall and Moscovici, we discuss the meanings of this content that differ from the normative standard of beauty represented by white, blond, Western and thin women, considering the pratical forms that the symbolic meaning of these representations take in the magazine.
Keywords: fashion journalism, gender, representation.
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Waade, Anne Marit. "Travel Series as TV Entertainment: Genre characteristics and touristic views on foreign countries." MedieKultur: Journal of media and communication research 25, no. 46 (June 19, 2009): 17. http://dx.doi.org/10.7146/mediekultur.v25i46.505.
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Why is it not the deprived developing country, but rather the tempting destination the host arrives in when guiding the audience in a travel series? And how can we explore the specific combination of entertainment and education that travel series represent? Basically the travel series genre is a hybrid of journalistic documentary, entertaining lifestyle series and TV ads and the different series put different emphasis on the different genre elements. Travel series represent a certain kind of mediated consumption and they reflect lifestyle identity in relation to touristic consumer cultures. Like other lifestyle series dealing with consumption products and lifestyle markers encompassing fashion, food, garden, design and interior that balance somewhere between journalism and advertising, travel series typically deal with destinations, travel modes, cultural experiences and food as commodities. To understand the cultural and democratic value of travel series as a popular TV genre in the context of public service broadcasting, it is not the fact that the series contain educative and enlightening information about foreign cultures told in an entertaining and popular way that are of my interest. Rather it is tourism and media consumer culture as such, one has to expound as valuable democratic and cultural practice. The article presents different matrices of the respectively cultural and consumer knowledge that the different types of travel series include.
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LUCAS, PETER. "Communication, stereotypes and dignity: The inadequacy of the liberal case against censorship." Empedocles: European Journal for the Philosophy of Communication 2, no. 2 (December 8, 2011): 255–65. http://dx.doi.org/10.1386/ejpc.2.2.255_1.
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J. S. Mill's case against censorship rests on a conception of relevant communications as truth apt. If the communication is true, everyone benefits from the opportunity to exchange error for truth. If it is false, we benefit from the livelier impression truth makes when it collides with error. This classical liberal model is not however adequate for today's world. In particular, it is inadequate for dealing with the problem of stereotyping. Much contemporary communication is not truth apt. Advertising and journalism, film and fashion portray images that can be neither verified nor refuted. Moreover, where these images do bear some relation to reality, any truth they may possess is not necessarily beneficial. Cultural stereotypes, for example, can be harmful even when true, to the extent that they reflect a distorted reality (the realities of life under conditions of injustice and exploitation). Exposure to such stereotypes affects a community's self-conception. The resulting harms may be direct or indirect. Indirect harm is done when a stereotype affects a community's capacity for self-determination, perpetuating existing inequalities by restricting the options its members understand to be available to them. Direct harm is done when a stereotype induces a distorted self-conception. Pace Kant, human dignity is not purely a function of our capacity to be authors of a universal moral law. It also resides in our capacity to achieve an undistorted self-conception. Thus true communications that reflect a distorted historical reality may threaten our dignity, through their effects on our self-conception, independent of any consequences they may have for self-determining action.
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Bullock, Katherine. "Modest Fashion." American Journal of Islam and Society 32, no. 3 (July 1, 2015): 121–23. http://dx.doi.org/10.35632/ajis.v32i3.996.
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Finally it seems the academic study of hijab has come of age. The contributorsto this collection neither treat it as an object of curiosity or derision, nor wonderat Muslimahs’ “false consciousness”; rather, they treat this “piece of cloth” andthe accompanying dress code as a “normal” object of academic enquiry. Forexample, they expand the investigation to include attire for modest Jewish andChristian women, as well as for secular women who dress in similar ways albeitfor different reasons. The title captures this broad focus by using modest, ratherthan limiting the focus to the hijab. While some Jewish and Christian womenalso dress modestly, discursive politics only label the hijab as oppressive.It is refreshing to read academic studies that treat the hijab with the samerespect that they do modest Jewish or Christian dress codes. This is not to saythat the book necessarily endorses or advocates modest dress, which it mostcertainly does not, but only that its contributors (e.g., a journalist and a paneldiscussion with bloggers, designers, and entrepreneurs) study in a sociologicalway the different meanings behind religious dress while maintaining respectfor those they study. Even Elizabeth Wilson’s “Can We Discuss This?,” whichfinds secular women’s recourse to modest dress depressing (“the human body,clothed or unclothed, is a cause for celebration” [p. 171]) and asks secular feministsto “fight their corner” (p. 171), respectfully summarizes the rationale behindmodest dress in order to argue against that very rationale.The contributors also link the study of modest dress with the concept of“fashion,” which is a matter of women who want to dress modestly but haveto look long and hard for nice, fashionable clothing that meets their standards.But as Lewis (“Introduction”) and others, like arts journalist Liz Hoggard(“Modesty Regulators: Punishing and Rewarding Women’s Appearances inMainstream Media”) note, the mainstream fashion industry does not treatmodest dress as “fashion.” Therefore, some Jewish, Christian, and Muslimwomen entrepreneurs have opened stores as well as designed and sold theirown creations to those who want to dress modestly and yet be stylish and fashionable.By investigating the link between fashion and modest dress moreclosely, the book provides a very refreshing analysis of modest dress. Afterall, we receive the obfuscations of “oppressed” or “false consciousness”through the mainstream fashion lens.Lewis argues that the Internet has allowed this niche market to blossom ...
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Lee, Se-Young, and Young-Sam Kim. "An Analysis of Aesthetic Characteristics in Fashion Style of Fashion Journalist Anna Wintour." Fashion & Textile Research Journal 18, no. 6 (December 31, 2016): 787–99. http://dx.doi.org/10.5805/sfti.2016.18.6.787.
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Eum, Jung-Sun, and Young-Sun Yoo. "Content Analysis of Articles of Korean Fashion in Domestic and Foreign Fashion Journals." Journal of the Korean Society of Clothing and Textiles 36, no. 1 (January 31, 2012): 27–35. http://dx.doi.org/10.5850/jksct.2012.36.1.27.
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Gama, Maria. "Michelle Lee (2003) Fashion victim: our love-hate relationship with dressing, shopping and the cost of style, New York: Broadway Books." Comunicação e Sociedade 24 (December 30, 2013): 321–25. http://dx.doi.org/10.17231/comsoc.24(2013).1793.
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Van de Peer, Aurélie. "Re-artification in a World of De-artification: Materiality and Intellectualization in Fashion Media Discourse (1949–2010)." Cultural Sociology 8, no. 4 (July 14, 2014): 443–61. http://dx.doi.org/10.1177/1749975514539799.
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Through a grounded theory analysis of 1301 collection reviews from The New York Times and The International Herald Tribune, issued between 1949 and 2010, the article discusses the shift in the themes that journalists employ to make sense of the latest collections. Contemporary journalists pay far less attention to the materiality of fashion than their earlier colleagues did. In the late 20th century they construed designer fashion as an intellectual practice. The article traces this shift to developments in the structural organization of the field of high-end fashion production, which today is involved in a process of de-artification, as the commercial aspects of the fashion system became more apparent in the later 20th century. In the 1990s leading fashion journalists drew on the new intellectual conception of designer fashion to engage in a process of re-artification. Hereby they seek to create an image of cultural worth for their object of criticism and for themselves, while they also seek to reinforce the long-standing but challenged division between mass market and high-end fashion.
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Johnson, Kim K. P., Sharron J. Lennon, Jung Mee Mun, and Dooyoung Choi. "Fashion/clothing research: an analysis of three journals." Journal of Fashion Marketing and Management 19, no. 1 (March 9, 2015): 41–55. http://dx.doi.org/10.1108/jfmm-10-2013-0115.
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Purpose – entailed assessing directions in subject matter content and the types of research strategy employed. In research using human participants, the purposes were to assess: sampling strategy, statements limiting generalizability, incentive use, and the use of undergraduates (UGs) as participants. Finally, with studies utilizing UG participants, the purpose of this paper was to assess: directions in subject matter content, research strategy, sampling strategy, justification of participants, statements limiting generalizability, and incentive use. Design/methodology/approach – A content analysis of fashion/clothing research articles (n=963) appearing in three scholarly journals between 1996 and 2013. Findings – Consumer behavior was the most frequent research topic and survey methodology dominated the research strategy employed. Majority of samples were nonprobability, slightly over half of the authors provided statements limiting generalizability of their findings, use of incentives was routinely not reported, and a little over a third used UGs as participants. Of researchers using UGs, consumer behavior was the most frequent topic, UGs were justified as participants, and when both UGs and nonstudents were included as participants, comparisons in responses were typically not made. Research limitations/implications – Articles included were limited to those published in three journals. Practical implications – Author/reviewer guidelines should suggest providing: an appropriate rationale for UG use; descriptive population statistics; statements limiting generalization; information describing the sampling technique; and information on the use of incentives. Also when authors have UGs and nonstudent adults as participants it would be useful to analyze for significant differences between the two groups. Originality/value – First investigation of use of UGs as participants in clothing/fashion research.
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A, Witch. "Presubmission enquiries - taking fashion to its extreme." Journal of Cell Science 113, no. 11 (June 1, 2000): 1839–40. http://dx.doi.org/10.1242/jcs.113.11.1839.
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Twigg, Julia. "Fashion, the media and age: How women’s magazines use fashion to negotiate age identities." European Journal of Cultural Studies 21, no. 3 (June 2, 2017): 334–48. http://dx.doi.org/10.1177/1367549417708432.
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The article explores the role of women’s magazines in the negotiation of later life identities, focussing on the treatment of fashion and dress. It locates the analysis in debates about the changing nature of later years with the emergence of Third Age identities, and the role of consumption in these. Focussed on the treatment of fashion and age, it analyses four UK magazines: three chosen to represent the older market ( Woman & Home, Saga, Yours), and one to represent mainstream fashion ( Vogue). It is based on interviews with four editors and analysis of the content of the magazines. The article analyses the media strategies that journalists use to negotiate tensions in the presentation of fashion for this group and their role in supporting new formations of age. This article forms part of ‘Media and the Ageing Body’ Special Issue.
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Pooh, Ritsuko K. "‘See-through Fashion’ in Prenatal Diagnostic Imaging." Donald School Journal of Ultrasound in Obstetrics and Gynecology 9, no. 2 (2015): 111. http://dx.doi.org/10.5005/jp-journals-10009-1397.
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ABSTRACT Three-dimensional (3D) ultrasound has remarkably contributed to prenatal diagnosis in fetal medicine. New applications of HDlive silhouette and HDlive flow show an inner cystic structure through the outer surface structure of the body and it can be appropriately named as ‘see-through fashion’. Picture of the month demonstrates the premature brain cavity of forebrain, midbrain and hindbrain as well as the fetal premature central nervous system vascularity toward the brain inside the outer surface structure of an 8-week-fetus. Thus, the advantages of this ‘see-through fashion’ imaging are comprehensive orientation and persuasive localization of inner morphological structure as well as of fetal angiostructure, and more accurate clinical information for prenatal diagnoses and proper perinatal management can be added. How to cite this article Pooh RK. ‘See-through Fashion’ in Prenatal Diagnostic Imaging. Donald School J Ultrasound Obstet Gynecol 2015;9(2):111.
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Solino, Livia Juliana Silva, Breno Moore de Lima Teixeira, and Ítalo José de Medeiros Dantas. "sustainability in fashion." International Journal for Innovation Education and Research 8, no. 10 (October 1, 2020): 164–202. http://dx.doi.org/10.31686/ijier.vol8.iss10.2670.
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A reflexive movement around the universe of fashion shows alternatives to combat unrestrained consumption. The weakening of textile resources found in nature, and the devaluation of local production, seeking significantly, attributes that are applicable amid problematization caused since obtaining products. fashion items until their disposal. The slow fashion movement appears as a counterpoint to the fast-fashion model, seeking to add value in a rational way to clothing items in the globalized market, inserting sustainability as the main propagator of this dynamic that grows in a dizzying way over time. Thus, the objective of this research is to identify how slow fashion has been discussed in academic research. For this, a systematic literature search was carried from its first publication, in 2008, until the year 2019. The research is classified as descriptive with a qualitative-quantitative approach. As a result, 105 papers were obtained, ranging from articles in journals and congresses to master's thesis and doctoral dissertations. It is a review of literature on how this topic is being disseminated amid the informational flow of fashion and its easy democratic access and debate, as well as the systematization of data that prove its existence and its interfaces that are relevant in business competitive level. About the results, we identified mostly qualitative research, focusing on the conceptual development of the area until at least mid-2017, with a change to practice during the year 2019, with exponential growth in recent years, especially in countries like Brazil and United States. It was also possible to define the term movement to characterize slow fashion, as well as to determine a holistic concept that better defines the vision of researchers in the area, with special focus on the works of Kate Fletcher. With this review, the necessary knowledge is exposed to deal with the subject in question and expand this theme in other areas that are appropriate to it.
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Balda, Ana. "Balenciaga: Addressing misconceptions concerning his fashion press policies." International Journal of Fashion Studies 00, no. 00 (August 20, 2021): 1–20. http://dx.doi.org/10.1386/infs_00046_1.
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This article interrogates the reputation, prevalent to this day, of Balenciaga as being anti-advertising and anti-media, according to some of his contemporary journalists as well as some of his employees and clients. The study contextualizes Balenciaga in the framework of the influence of the fashion press and the reality of the French couture licensing business in the North American fashion market from 1937 to 1968, his years on the international scene. Based on the analysis of the issues of Vogue, Harper’s Bazaar and Women’s Wear Daily for the same period, the research demonstrates that the designer had not always been so scornful of the media. He really was a discreet man, but this does not mean he hated the press, as his designs often appeared in the most influential fashion magazines. The article argues that the negative view in the media’s perception of him was generalized after his veto to the press in January 1956 – a decision he took for business reasons – and was retroactively attributed to his entire professional life.
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Waller, Margaret. "Disembodiment as a Masquerade: Fashion Journalists and Other "Realist" Observers in Directory Paris." L'Esprit Créateur 37, no. 1 (1997): 44–54. http://dx.doi.org/10.1353/esp.0.0102.
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Hughes, Harriet. "Performing postcolonial identity: The spectacle of Lagos Fashion Week." International Journal of Fashion Studies 9, no. 2 (October 1, 2022): 281–98. http://dx.doi.org/10.1386/infs_00072_1.
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Throughout the fashion year in Lagos, events take place across the city. The pre-eminent event is Lagos Fashion Week (LFW). A key event in the fashion calendar on the African continent, this is where designers are consecrated in the fashion field, and where social and economic capital is delineated. This article describes the strategies employed by the designers and attendees to realize and self-represent their creations. To some degree, LFW is more accessible than the dominant western fashion weeks (New York, etc.) and offers the potential for actors to destabilize that system and its inherited colonial ideologies. LFW provides a platform for self-representation and for legitimizing alternative identities, some of which challenge an embedded patriarchy. A vibrant competitive display of street fashion, covered by international journalists and photographers, offers further possibilities for the articulation of contemporary identities, which challenge the legacies of stereotypical colonial representations of African dress. At the same time, certain western conventions are reproduced, such as the celebration and legitimization of individual designers over the hidden labour of artisans. The article suggests that LFW might serve to facilitate decolonial processes once designers employ equitable fashion practices and represent the voices of the artisans.
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Venter, Dirk, and Bosman Olivier. "How the industrial journalist can promote good relations." Communicare: Journal for Communication Studies in Africa 3, no. 2 (November 21, 2022): 82–89. http://dx.doi.org/10.36615/jcsa.v3i2.2156.
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The industrial journalist has a basic responsibility to promote good relationships between employer and employee. Efficient two-way communication through the house journal is of vital interest to the modern company or organisation to ensure mutual understanding goodwill and appreciation. Managements must inform and motivate their employees at all times, drawing them closer to the heart of the company or organisation through messages conveyed by management supporting their job security, remuneration and recognition and increasing their insight and knowledge of the total work environment. Managements should also be susceptible to their fears or desires in the labour context, allowing the employee to express his views and opinions in a responsible, loyal fashion to his fellow-employees and to management. Silence in the work situation no longer implies consent.
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Marcus, Jaclyn. "An Interview with The Fashion Studies Journal." Fashion Studies 1, no. 1 (2018): 1–20. http://dx.doi.org/10.38055/010113.
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The following article is built on an interview with two of the co-founders of The Fashion Studies Journal (FSJ), Lauren Downing Peters, Editor-in-Chief, and Laura Snelgrove, Editor-at Large. The interview was conducted and article was written by the editorial assistant at Fashion Studies, and is the first step towards creating a collaborative partnership between the two publications. FSJ began in 2012 as a traditional academic outlet and was relaunched in 2016 as an online journal, with a focus on taking a thoughtful approach to fashion from a range of perspectives while representing diverse voices. Meanwhile, in 2017 Fashion Studies launched as the first open-access journal in the transdisciplinary field of fashion studies, celebrating work that is focused on refashioning the world into a more equitable, just, and inclusive place. Connected through their similar journal names, the two publications soon realized that there were endless ways they could work together to further the field of fashion studies. In particular, the journals are united through their shared values of taking a critical approach to fashion, making fashion studies accessible, and building a fashion studies community. What follows are excerpts from the interview conducted between Fashion Studies and FSJ. Topics include how FSJ began, why the study of fashion is important, and advice for others hoping to establish themselves within the field.
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Papalas, Marylaura. "Flânerie in the Time of Covid-19." French Politics, Culture & Society 40, no. 2 (June 1, 2022): 75–89. http://dx.doi.org/10.3167/fpcs.2022.400205.
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Flânerie, or the practice of urban strolling described in nineteenth-century French print and visual culture, has evolved throughout modernity, expanding its reach into more global literary traditions and becoming an important topic of research in numerous fields of academic study. Various phenomena have shaped the evolution of how we walk in the city and how artists, essayists, and journalists record it, none more so than the forced lockdowns associated with the global Covid-19 pandemic. Journalists in France invented expressions like flânerie inversée, impossible flânerie, and librairie flânerie to describe new city practices. They looked to figures like the fashion flâneuse on the catwalk as a means of sublimating the stillness and monotony of the coronavirus confinement. This article traces the emergence between March 2020 and April 2021of these variations in shopping and fashion contexts, which underscore the enduring legacy of the practice and its everlasting presence in French culture.
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Hasan, Agus Suaidi, and Baitul Hamdi. "Perkembangan dan Tantangan Halal Fashion Indonesia Dalam Menjadi Produsen Utama Industri Halal Global." Al-Azhar Journal of Islamic Economics 4, no. 2 (June 23, 2022): 71–83. http://dx.doi.org/10.37146/ajie.v4i2.134.
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The purpose of this research is to find out the developments and challenges faced in the halal fashion industry in Indonesia. This research is library research using a qualitative approach. This research was conducted by reading, studying, and analyzing various existing literature, in the form of books, journals, news and research results. The results of the study show that the development of halal fashion in Indonesia continues to increase and progress from year to year and has a positive impact on Indonesia's economic growth. However, behind its development, there are challenges that must be faced by Indonesia to become the center of global halal fashion, fierce competition with foreign countries, the absence of halal competition that applies globally, categorization of halal fashion that is still united with general or conventional fashion, there are still problems in The JPH Law is still low and lacks raw materials, only the competitive spirit of the Indonesian people, and adapting to the COVID-19 pandemic
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Cuzovic-Severn, Marina. "Early spanish fashion journals for women as catalysts of afrancesamiento and female subordination." RIHC. Revista Internacional de Historia de la Comunicación, no. 10 (2018): 8–29. http://dx.doi.org/10.12795/rihc.2018.i10.02.
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