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Relevant bibliographies by topics / Fashion media

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Academic literature on the topic 'Fashion media'

Author: Grafiati

Published: 24 April 2022

Last updated: 22 February 2023

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Journal articles on the topic "Fashion media"

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Wylie, Shannon. "Fashion meets journalism: Mapping and evaluating Australian fashion media." Cultural Science Journal 5, no. 2 (July 4, 2012): 47. http://dx.doi.org/10.5334/csci.46.

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Ferrero-Regis, Tiziana. "Fashion Media: Past and Present." Fashion Theory 19, no. 4 (August 19, 2015): 445–51. http://dx.doi.org/10.1080/1362704x.2015.1058039.

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Hauth, Chanez, Carolina Palm, Carolin Eisner, and Hassib Hamid. "Sustainable Fashion on Social Media." Kiel Journal of Consumer Studies 1, no. 1 (February 2023): 32–38. http://dx.doi.org/10.38071/2022-00862-4.

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The sustainable fashion tribe is interested in ethical and ecological fashion consumption. To inform and reach various people, they use social media networks. However, as fashion consumption is often being used as a representation of wealth and status, the question arises, whether the underlying motives of the tribe to communicate on social media are altruistic or, on the contrary, promote conspicuous consumption. This qualitative study explores the underlying motives of the tribe communicating about sustainable fashion consumption on social media. The analysis of the nine interviews show, that there are four main motives: altruistic, social, egoistic and prestige-related motives. Even though the altruistic motives can be reconciled with the tribes’ principal values, the results also show signs of conspicuous consumption in terms of prestige-related motives. When posting on social media the tribe wants to inform about and influence its followers to a more sustainable fashion consumption, but also wants to gain reputation and recognition for it. Still, it is concluded that conspicuous consumption of sustainable fashion on social media can promote sustainable consumption overall and having a positive effect on the environment.

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Kim, Sejin, and Jisoo Ha. "Analysis of New Media Fashion Image Types in Fashion Films." Journal of the Korean Society of Clothing and Textiles 41, no. 06 (December 31, 2017): 1085–97. http://dx.doi.org/10.5850/jksct.2017.41.6.1085.

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Palandri, Lucrezia. "Fashion as Art: Rights and Remedies in the Age of Social Media." Laws 9, no. 1 (March 11, 2020): 9. http://dx.doi.org/10.3390/laws9010009.

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Today’s increasingly widespread recognition of fashion’s artistic value has revamped the debate on the appropriateness of rights and remedies provided by IP law to fashion designs. From an Italian–US comparative perspective, this article inquires whether copyright protection, traditionally accorded to artists, is eligible and applied for fashion, detecting that rights and remedies are better accessible to major fashion companies and for iconic items, while they are not easily attainable by smaller designers. Analyzing a number of case studies, this article describes a growing phenomenon in the age of the digital revolution, that is, controversies regarding the fashion world tend to be disputed on social media rather than in courtrooms. Beyond the debate on which existing formal legal tools are suitable for fashion, the purpose is to bring the phenomenon of informal self-regulation out of court into conversation, examining advantages and disadvantages. Social media platforms are more suitable to fashion’s nature and dynamics, and ultimately, their verdicts seem to obtain better results than litigation, balancing the unequal positions of established and emerging brands.

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Sutantio, Maradita. "Fashion Sebagai Perlawanan dan Media Komunikasi." JURNAL RUPA 5, no. 2 (February 16, 2021): 74. http://dx.doi.org/10.25124/rupa.v5i2.2384.

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Artikel ini mengulas fungsi pakaian dan produk fashion, yang tidak hanya berfungsi sebagai alat pelindung tubuh – namun juga dapat menjadi suatu alat komunikasi dan perlawanan. Fashion secara simbolik menyusun mitos-mitos yang secara kolektif memaparkan suatu penanda situasi dalam berbagai era. Hal ini termasuk munculnya fenomena slow fashion dan sustainable fashion yang kerap muncul sebagai bentuk perlawanan terhadap gelombang fast fashion dalam dunia fashion. Sistem ini muncul dari negara-negara maju dari Amerika, Inggris, Eropa dan Australia dengan standar-standar yang disusun dalam sistem sirkular. Sustainable fashion dianggap sebagai solusi dari timpangnya sistem industri produk fashion. Dalam kesadaran budaya kolektif, fashion yang menggunakan bahasa dan penanda khusus di luar fungsi utamanya sebagai pelindung tubuh, fashion juga mengkonstruksi tanda dalam diri pemakainya sebagai suatu entitas yang mampu berkomunikasi secara utuh. Sehingga ia diidentifikasi menjadi sebuah produk mandiri dan tunggal yang diasosiasikan dengan pemaknaan tersendiri. Dengan kajian teoritis dari Roland Barthes, artikel ini menunjukan bahwa fashion terdiri dari bentukan bahasa dan ekspresi konsumen dalam selubung konsumerisme, materialisme, komersialisme, dan gelombang marketing tentang fashion, sehingga kita hampir tidak menyadari bahwa kita telah mengesampingkan hal-hal primordial manusia.

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Kusumasari, Adita Ayu. "Perancangan Perancangan In Store Media Sebagai Inovasi Media Promosi Couple Distro." Jurnal Desain Komunikasi Visual Asia 3, no. 1 (August 31, 2019): 21. http://dx.doi.org/10.32815/jeskovsia.v3i1.368.

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The development of the fashion business is currently experiencing rapid development. This was marked by profileration of innovative and quality fashion products and a variety of loyal fashion followers. A paradigm shifts towards the function of clothing occurs, clothing function does not only to cover and protect the body, but as a reflection of personality, lifestyle, and social status. This has a broad impact on the fashion industry in Indonesia, especially distros. The word distro stands for various kinds of fashion products. Couple Distro is on of the distro located in Malang City. The TOWS method is used to analyze data that has been collected and will be used as a concept for design. The purpose of this study was to design t-shir hang tags, hang tag accessories, shirt hangers, business cards, sales notes, packagin boxes, stuffler, shopping bags, flyers, flyer dispensers, pins, mini banners, x banners, poster in stores, in store catalog, store assistant uniform, cashier table design, room fittings, window display, interior display, and exterior tabel

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Totu, Andreas. "Kadazan-Dusun Youth Consumerist Culture: Social Media, Clothing and Fashion." Journal of Advanced Research in Dynamical and Control Systems 12, SP7 (July 25, 2020): 671–80. http://dx.doi.org/10.5373/jardcs/v12sp7/20202157.

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Ilmi, Assayyidah Bil Ichromatil. "Analysis of Society Perspective about Vintage Fashion Using Deconstruction Approach." JURNAL RUPA 6, no. 1 (August 31, 2021): 9. http://dx.doi.org/10.25124/rupa.v6i1.3010.

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Nowadays, society perspective about vintage fashion as old-fashioned can be changed. This study aims to discuss the alteration perspective of society about vintage fashion. This discussion is conducted to see the other side of vintage fashion. This research is different from other fashion studies because it wants to show how to view the value of a fashion not in general way, especially using deconstruction approach. This study used qualitative methods in the form of interviews to get the data. The interviewees of this research were four young women who like to follow fashion development through social media. Their opinions are used as society representatives about vintage fashion. It will be connected with the theory of deconstruction like 'Differance.' In this case, people's perspective on vintage fashion changes due to the influence of influencers from various social media so that vintage fashion can be juxtaposed with modern style today. Therefore, vintage can get an identity as nowadays's clothes.

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Kontu, Hanna. "BUILDING FASHION BRANDS THROUGH SOCIAL MEDIA." Global Fashion Management Conference 3, no. 3 (June 30, 2015): 342–47. http://dx.doi.org/10.15444/gfmc2015.03.03.04.

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Dissertations / Theses on the topic "Fashion media"

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LIU, MINGYUAN. "Disabled: Media, Fashion and Identity." Thesis, Sydney College of the Arts, 2019. http://hdl.handle.net/2123/20106.

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Antonova, Alexandra. "Reading Fashion? Exploring Fashion Media Use Among American Young Adults." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22520.

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Modern media environment is characterized by extreme diversification and fragmentation. Fashion news are provided not only by magazines but also in social media, various websites, blogs. This affected media practices and experiences with fashion media consumption. Therefore, understanding the role of fashion media in individuals’s everyday life in this new environment is important for the industry. This research explores consumption of fashion media, media practices and experiences with it among American young adults. This involves answering following questions: What are American young adults doing in relation to fashion media across different contexts? What experiences they have with it?Media practices and media engagement are used as main blocks of theoretical framework as they complement each other. The data was gathered by the use of semi-structured interviews, communicative ecology mapping was applied to analyze and visualize the results. It is believed that all these provided comprehensive theoretical and methodological framework to explore fashion media use among American young adults. The results suggest that fashion media is ingrained in individuals everyday life activities. Also the set of experiences that are strongly connected to fashion media use were identified. The study generated understanding of media practices of reading fashion among American young adults in various contexts and experiences with it which has both empirical and theoretical implications.

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Wylie, Shannon M. "Fashion meets journalism : mapping and evaluating Australian fashion journalism." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/73088/1/Shannon_Wylie_Thesis.pdf.

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Fashion journalism can be understood as a complex, inter-dependent set of professional practices that have arisen in a variety of media at the intersection of fashion and journalism. This thesis, Fashion Meets Journalism: Mapping and Evaluating Australian Fashion Journalism, answers the question, 'What is Australian fashion journalism?' in three stages: First, it maps the extent of fashion journalism across media in Australia to locate the field and focus on the sites of fashion journalism; second, it foregrounds practices of the journalism branch, evaluating how and why the field is pitted against other types of journalism when they share an inter-dependent set of professional practices. The opinions of leading industry producers are also sought regarding the matter. Then, considering the current position of fashion journalism, implications for fashion media and journalism are explored in order to improve the visibility of fashion journalism and solidify it as a professional practice.

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Glogorovska, Kristina. "EXPLORATION OF THE GENDER MYTH VIA FASHION MEDIA : ANDROGYNY AND DANDYISM IN CONTEMPORARY FASHION MAGAZINES." Thesis, Stockholms universitet, Centrum för modevetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62780.

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This paper attempts to analyze different representations of "androgyny‟ as fashion tendency in contemporary fashion magazines (Vogue, i-D and LOVE Magazine) for the period of 2010 and 2011. In order to show the development of "androgyny‟ as fashion tendency, this study first explores how androgyny metamorphosed from a "hidden‟ signifier of unconventional sexuality to "visible‟ postmodern teaser for sexual identities. Currently, we live in the "Age of Androgyny‟ where the modern androgynous dandy is being seen as an aphrodisiac for the fashion industry. This study also tries to provide explanation of how "androgyny‟ and "dandyism‟ evolved from concepts to parallel trends in fashion due to their frequent and simultaneous reappearance in fashion media. In order to create nuanced portrayal in the understanding of androgyny and dandyism, qualitative method was used by describing, analysing and interpreting the representation of these trends in three different fashion and art publications. The fact that this tendency for "gender fusion‟ is increasingly finding its way into mainstream culture, with emphsis on the fashion industry, raises the question of whether the society is more open towards different gender expressions or is "androgyny‟ just another exploitative form for the fashion industry.

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Ublova, Tamara. "FASHION BRANDS ON SOCIAL MEDIA : Why consumers engage with companies via social media." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-162.

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The online consumer engagement is becoming very significant for companies striving to build their relationship with their consumers. Social media gives an opportunity not only to reach consumers in a passive way, but to engage them in active communication and to upload content that is consequently updated and drawing followers´ attention. Successful online consumer engagement can improve consumers’ loyalty and trust in the brand. Therefore, it is important for a company to be aware of actions that can encourage consumer engagement on social media. The goal of this study is to help marketers achieve higher consumer engagement that will consequently lead to more loyal customers.

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Hellgren, Amanda, and Anastasia Partanen. "Becoming-Fashion : Begäret efter övermänniskan." Thesis, Blekinge Tekniska Högskola, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-12350.

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Vi vill med det här kandidatarbetet ifrågasätta begäret efter övermäniskan som vi menar att reklam för modeindustrin idag porträtterar. Med hjälp av Guy Debords skådespelssamhälle och Gilles Deleuze och Felix Guattaris teorier ifrågasatter vi vad det är vi begär och varför vi gör det. Vi ifrågasätter övermänniskan som modeindustrin producerar med förhoppningen att det ökar medvetenheten för personer i samhället. Ifrågasättandet av begäret har resulterat i två gestaltningar, en klänning av sönderrivna sidor ur boken Mein Kampf och en kreation av hönsnät formad som en naken kvinna. Vi känner oss fångade av modeindustrin och känner oss illa till mods över hur den mänskliga kroppen porträtteras i reklam för mode. Vi menar att det i klädreklam snarare handlar om avsaknaden av den mänskliga kroppen då bilderna retuscheras till en artefakt. Vi ser vår undersökning som en grund till en fortsatt undersökning om ett alternativ och förhoppningsvis kommer vårt begär i framtiden förflyttats från övermänniskan till något mer mänskligt.
In this Bachelor thesis we question the desire for the übermensch that we mean advertising for the fashion industry portrays today. With help of Guy Debord's “Society of the Spectacle” and Gilles Deleuze and Felix Guattari's theories we question our desire and why we desire it. We question the übermensch that the the fashion industry produces with the hope that it will increase the society’s awareness. The questioning of desire has resulted in two designs, a dress of torn pages from the book Mein Kampf and the creation of chicken wire shaped like a naked woman. We feel trapped by the fashion industry and feel uneasy about how the human body is portrayed in advertisements for fashion. We believe that the advertising for clothing is more about the lack of the human body when the images are retouched into an artifact. We see our study as a basis for a continued research for an option and in the future hopefully our desire will be moved from the übermensch into something more human. In this Bachelor thesis we question the desire for the übermensch that we mean advertising for the fashion industry portrays today. With help of Guy Debord's “Society of the Spectacle” and Gilles Deleuze and Felix Guattari's theories we question our desire and why we desire it. We question the übermensch that the the fashion industry produces with the hope that it will increase the society’s awareness. The questioning of desire has resulted in two designs, a dress of torn pages from the book Mein Kampf and the creation of chicken wire shaped like a naked woman. We feel trapped by the fashion industry and feel uneasy about how the human body is portrayed in advertisements for fashion. We believe that the advertising for clothing is more about the lack of the human body when the images are retouched into an artifact. We see our study as a basis for a continued research for an option and in the future hopefully our desire will be moved from the übermensch into something more human.

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Laurell, Christofer. "Commercialising social media : a study of fashion (blogo)spheres." Doctoral thesis, Stockholms universitet, Företagsekonomiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-97998.

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A common characteristic of the theoretical developments within the field of social media marketing is that activities to which consumers devote themselves in social media settings shift power from firms to consumers. Extant literature has therefore analysed the practices of consumers within social media and their potential implications for marketing. The current state of social media, however, suggests that these settings are undergoing a process of transformation. Although social media were initially characterised as non-commercial in nature, firms have started to manage interactions within these digital landscapes. From initially being characterised by its social base, this development implies that social media have become increasingly commercialised. The aim of this dissertation is to expand the literature on social media by describing the process through which they evolve from their initially social character to a commercial utility. More specifically, it seeks to develop a conceptual framework that captures the role of marketing processes that lead to the commercialisation of these spheres. This is done mainly through a netnographic study of the Swedish fashion blogosphere in order to explain how and why consumers and professionals interact, organise, create and appropriate commercial values in the fashion blogosphere. Drawing on theory of spheres, this dissertation proposes a sphereological understanding of social media that expands the role of marketing. It is suggested that social media may be understood as a collection of micro-spheres that, together, comprise a densely connected foam of spatiality and place. In these spheres, consumers, together with commercial actors, take part in practices that become increasingly commercial. In that sense, marketing takes the roles of navigating social media in search of symbolic meanings of value, and of affecting, negotiating and redefining atmospheres of places in the social media landscape.

At the time of the doctoral defense the following paper was unpublished and had the status as follows. Paper 2: Accepted.

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Schröder, Alex, and Per Surber. "Fashion, fashion. We love it. How can Influencer Markeitng be a hit? : En kvalitativ studie över hur modevarumärken kan öka CBBE genom Social-Media-Influencer-Marketing." Thesis, Högskolan i Gävle, Företagsekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-36374.

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Zhang, Yizhong. "Analysing mobile social media communications to fashion pure-play retailers." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/analysing-mobile-social-media-communications-to-fashion-pureplay-retailers(c2bbbe82-7519-41d0-8245-8b838606291d).html.

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The purpose of this thesis is to empirically analyse how a mobile instant messaging (MIM) communication channel (WeChat) adopted by pure-play fashion retailers, and also seeks to analyse current industrial practice in the rapidly expanding mobile social commerce market. This research concentrates on evaluating how MIM communication variables (socialness perception, entertainment, media richness and involvement) can affect the response of emotion and positive WOM.

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LI, YANZI, and SARAH MOUSSEAUX. "Luxury fashion brands on social media : a study of young." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17375.

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The implementation of this research increases the awareness of the value for luxury fashion brands in utilizing social media as a communication channel to reach young consumers globally. It provides a general understanding of young consumers’ perception of luxury fashion brands on social media in regards to geographic cultural background, attitude towards new luxury, and preferred way of contacts.
Program: Master Programme in Fashion Management

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Books on the topic "Fashion media"

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Sheridan, Jayne. Fashion, media, promotion: The new black magic. Ames, Iowa: Wiley-Blackwell, 2010.

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Fashion, media, promotion: The new black magic. Ames, Iowa: Wiley-Blackwell, 2010.

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Fashion: Critical concepts in media and cultural studies. Milton Park, Abingdon, Oxon: Routledge, 2012.

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Fashioning the city: Paris, fashion and the media. London: I.B. Tauris, 2009.

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Kawaii no teikoku: Mōdo to media to onna no kotachi. Tōkyō: Seidosha, 2009.

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Koga, Reiko. Kawaii no teikoku: Mōdo to media to onna no kotachi. Tōkyō: Seidosha, 2009.

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1962-, Bruzzi Stella, and Gibson Pamela Church, eds. Fashion cultures: Theories, explorations, and analysis. New York: Routledge, 2000.

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Jane, Alison, Farrelly Liz, and Barbican Art Gallery, eds. Jam style+music+media. London: Barbican Art Gallery, 1996.

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Burgess, Carl. Exploring fashion in the new worlds of drama & new media. London: Central Saint Martins College of Art & Design, 2003.

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Villaça, Nizia. A periferia pop na idade mídia. São Paulo: Estação das Letras e Cores, 2012.

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Book chapters on the topic "Fashion media"

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Kellner, Douglas. "Youth, identities, and fashion." In Media Culture, 179–210. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429244230-6.

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Bradford, Julie. "Fashion media and audiences." In Fashion Journalism, 42–68. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-3.

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Bradford, Julie. "Digital and social media." In Fashion Journalism, 185–212. Second edition. | London: New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351174626-9.

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Craik, Jennifer. "Fashion." In The Routledge Companion to Urban Media and Communication, 304–13. New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315211633-32.

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Matadeen, Priya. "Dazed Media." In Insights on Fashion Journalism, 88–93. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003035688-10.

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Lamerichs, Nicolle. "Fan Fashion." In A Companion to Media Fandom and Fan Studies, 175–88. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781119237211.ch11.

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Noris, Alice, and Lorenzo Cantoni. "Intercultural Crisis Communication on Social Media: A Case from Fashion." In Fashion Communication, 251–64. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81321-5_19.

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Mitterfellner, Olga. "Social media, blogs and opinion-leaders." In Fashion Marketing and Communication, 80–96. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429451591-5.

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Regadera, Elisa, Paula Gárgoles, and Lucía Pérez. "Adolfo Domínguez: The Role of Sustainability on the Social Media Engagement in 2020." In Fashion Communication, 157–72. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81321-5_13.

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Mascio, Antonella. "Media convergence, fashion, and TV series." In The Routledge Companion to Fashion Studies, 437–45. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429264405-45.

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Conference papers on the topic "Fashion media"

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Merritt, Leslie, and Yoo-Kyoung Seock. "Ethnic Differences in Use of Media, Perceived Media Pressure and Body Perception." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11525.

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Gao, Yantian, Zhuo Wang, and Yiduo Yao. "Fashion, Gender, and Media." In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.229.

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Zhao, Lunan, and Shui Jin. "A Comparative Research Between Fashion Magazines and Fashion Network Media." In 2nd International Conference on Education Technology and Economic Management (ICETEM 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icetem-17.2017.54.

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Harjani, Centaury. "Fashion Creativity in Zero-Waste Pattern Making." In 2nd International Media Conference 2019 (IMC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200325.007.

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Ma, Yunshan, Lizi Liao, and Tat-Seng Chua. "Automatic Fashion Knowledge Extraction from Social Media." In MM '19: The 27th ACM International Conference on Multimedia. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3343031.3350607.

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Budiman, Arief, Heny Hendrayati, and Mochamad Achyarsyah. "Fashion SMEs: Strengthening a brand image through social media." In Proceedings of the 1st International Conference on Economics, Business, Entrepreneurship, and Finance (ICEBEF 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icebef-18.2019.26.

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Davidaviciene, Vida, Sigitas Davidavicius, and Rima Tamosiuniene. "B2C Marketing Communication in Social Media: Fashion Industry Specifics." In 2019 International conference on Creative Business for Smart and Sustainable Growth (CREBUS). IEEE, 2019. http://dx.doi.org/10.1109/crebus.2019.8840067.

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Martin, Kathi, Daniel Caulfield-Sriklad, and Nick Jushchyshyn. "Creating, Exhibiting and Distributing New Media for Historic Fashion." In XX Congreso de la Sociedad Iberoamericana de Gráfica Digital. São Paulo: Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-sigradi2016-550.

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Yuan, Yifei, and Wai Lam. "Sentiment Analysis of Fashion Related Posts in Social Media." In WSDM '22: The Fifteenth ACM International Conference on Web Search and Data Mining. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3488560.3498423.

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Jing, Jiayi. "Analysis of Fashion in Film and Television Works." In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.277.

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Reports on the topic "Fashion media"

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DePhillips, Alison, and Jihyeong Son. Millennials' Fashion Consumption: Who Are Fashion Opinion Leaders in Social Media? Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1813.

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Park, Suyoun, and Jinsook Hwang. Effect of One Person Fashion/Beauty Media Use on Media Attitude and Appearance Management. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1707.

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Zhao, Li, Muzhen Li, and Peng Sun. The Effect of Sustainable Fashion Brands� Posts on Customers� Emotions in Social Media. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8354.

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Huang, Ran, Sejin Ha, and Jee-Sun Park. Consumers' Narrative Transportation on Social Media: A Study of Instagram of Fashion Brands. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-196.

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McCluskey, Dara, and Charles Freeman. Effect of fashion industry media on consumers attitudes and values for social responsibility. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-305.

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Workman, Jane E., Seung-Hee Lee, and Yuli Liang. Easy to Follow a Fashion Trendsetter on Social Media but It�s Hard to Become One. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8312.

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Jones, Aimee, and Jiyun Kang. No Longer in Vogue? The Exploration of Motivations Underlying Millennials' Information Seeking Through Digital Fashion Media. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1548.

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Azocar, Cristina, and Ivana Markova. Body Dissatisfaction of Ethnically Diverse Gay, Straight Men and the Proliferation of Social Media and Fashion Magazines. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8446.

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Chen, Chanjuan, and Kendra Lapolla. Style Studies: Adopting Personas in Fashion Design Pedagogy through Use of Social Media Web Applications with Real Consumers. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-291.

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10

Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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Abstract:

The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.

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