Relevant bibliographies by topics / Fashion of the 1970s

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fashion of the 1970s'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Fashion of the 1970s"

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Torma, Franziska. "Frontiers of Visibility." Transfers 3, no. 2 (2013): 24–46. http://dx.doi.org/10.3167/trans.2013.030203.

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This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous div
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qizi, Khojiakhmadova Dilorom Ulugbek. "THE FASHION REVOLUTION OF THE 1960S AND 1970S." International Journal Of History And Political Sciences 4, no. 8 (2024): 46–49. http://dx.doi.org/10.37547/ijhps/volume04issue08-08.

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The 1960s and 1970s were pivotal decades in the evolution of fashion, marked by a radical departure from previous styles and a reflection of the cultural upheavals of the time. This article explores the significant trends, influential figures, and cultural movements that shaped the fashion landscape during these transformative years. From the mod movement in Britain to the bohemian styles of America, we examine how fashion became a medium for self-expression and social commentary, ultimately laying the groundwork for contemporary fashion.
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Oliver, Sophie. "Fashion in Jean Rhys/Jean Rhys in Fashion." Modernist Cultures 11, no. 3 (2016): 312–30. http://dx.doi.org/10.3366/mod.2016.0143.

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This article proposes a reciprocal relationship between Jean Rhys's interwar fiction and the mass media that popularised her work in the 1960s and 1970s. Surveying the signs that Rhys and her writing had become fashionable – for example, press reviews and profiles, including in colour supplements and fashion magazines (even her own shoot), along with television adaptations of the work she wrote or set in the 1930s – the piece discusses how her postwar ‘readers’ interpreted this literature of an earlier period in a way that made sense of their own era. It argues that this use of the past to und
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Alzahrani, Sarah, and Safia Saroukh. "The Semiotic Dimension of Men's Fashion in Modern Eras." International Journal of Literature and Arts 12, no. 5 (2024): 133–48. http://dx.doi.org/10.11648/j.ijla.20241205.13.

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This research was conducted to study the semiotic relationship between historical men's costumes in modern times from the 17<sup>th</sup> to the 19<sup>th</sup> century and some functional (the intended function of the costume) and aesthetic (the art of fashion design) values. From a semiotic perspective, the research sample was determined by studying and analyzing four men's costumes in each of the three centuries. It was divided into four periods from the beginning to the 1920s, from the 1920s to the 1950s, from the 19
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Steele, Valerie. "Anti-Fashion: The 1970s." Fashion Theory 1, no. 3 (1997): 279–95. http://dx.doi.org/10.2752/136270497779640134.

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Almond, Kevin, and Caroline Riches. "Gerald McCann: The Rediscovery of a Fashion Designer." Costume 52, no. 1 (2018): 97–122. http://dx.doi.org/10.3366/cost.2018.0049.

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This article was prompted by the discovery of the archive of international fashion designer Gerald McCann, hidden in a garage in Fleetwood, Lancashire, UK. The contents of the archive revealed a treasure trove of press cuttings, photographs, fashion drawings and interviews as well as designs and costings from a once well-known designer, whose significance to the global fashion industry is sparsely documented and largely forgotten. The article reveals the history of the designer, who graduated from the Royal College of Art in London in the 1950s, during the tenure of Professor Madge Garland, an
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Esculapio, Alex Nora. "The transfeminine mystique: Transsexual models and the UK press, 1960–71." Critical Studies in Fashion & Beauty 15, no. 1 (2024): 23–47. http://dx.doi.org/10.1386/csfb_00072_1.

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The article investigates transgender embodiment, public feelings and (in)visibility in the British press in the 1960s and early 1970s by using the models and performers April Ashley (1935–2021) and Amanda Lear (1939–present) as case studies. Both Ashley and Lear worked as performers at the celebrated Parisian cabaret bar Le Carrousel in the 1950s, and later moved to London independently. Ashley – white, British, working class – enjoyed a successful but brief career as a commercial model that was cut short following her outing by a British tabloid in 1961. Lear – of French and alleged south-eas
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Chubotina, Iryna. "THE PEACOCK REVOLUTION OF THE 1960-1970s: ORIGINS, EVOLUTION AND FURTHER UNDERSTANDING." New Design Ideas 9, no. 1 (2025): 130–49. https://doi.org/10.62476/ndi.91.130.

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The development of men's costumes in the 1960s and 1970s was analyzed and assessed in terms of its prerequisites, formation and contributions to the modern wardrobe. The results indicate that over two decades, men's costumes underwent exceptional changes, both in their symbolic and structural solutions. We revealed the correlation between socio-cultural and general artistic movements and clothing design during this period. Furthermore, we analyzed the influence of literary and cinematographic works on the shaping of modern male aesthetics. The study examined the creative legacy of world design
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Dimitrio, Laura. "Japonisme, New Japonisme, and Pop Japonisme in Italian Fashion." Journal of Japonisme 9, no. 2 (2024): 80–114. http://dx.doi.org/10.1163/24054992-09020002.

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Abstract This article examines the profound impact exerted by Japanese fashion and culture on the evolution of Italian fashion. In Italy, the assimilation of Japanese clothing and aesthetics occurred particularly during three periods: 1870s–1920s (the era of Japonisme), 1970s–1990s (New Japonisme), and the early decades of the twenty-first century (Pop Japonisme). Throughout these periods, the kimono was a significant source of inspiration for Italian designers, who progressively reinterpreted this garment with increasing creativity. With the onset of New Japonisme, the influence of avant-gard
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Ashraf, Sana, Alicia Goh, Laura Surgenor, and Kevin McKenna. "H16 Fake or bake…the history of tanning in the worlds of medicine and fashion." British Journal of Dermatology 191, Supplement_1 (2024): i172. http://dx.doi.org/10.1093/bjd/ljae090.364.

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Abstract Over the years, the perception of health, beauty and status has been associated with skin colour. Influential figures over the ages, from Queen Elizabeth I to Kim Kardashian, have dictated social standards of beauty including the ‘ideal’ skin colour. In parallel, advancements in medicine and science have led to the use of light therapy as a treatment for many medical conditions. The history of tanning and the basis for society’s obsession are important to understand. During the Elizabethan era, Queen Elizabeth I used heavy layers of ‘Venetian ceruse’, a deadly concoction of white lead
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Dissertations / Theses on the topic "Fashion of the 1970s"

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Jiao, Lin. "Nation, fashion and women's everyday lives : breast-binding in China, 1910s-1970s." Thesis, SOAS, University of London, 2017. http://eprints.soas.ac.uk/24390/.

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Чуботіна, Ірина. "Чоловіча мода кінця 1970 – початку 1980-х рр. на прикладі стрічки Р. Балаяна "Польоти уві сні та наяву"". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17946.

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Надано результати дослідження чоловічого костюма кінця 1970 – початку 1980-х років на прикладі стрічки Р. Балаяна "Польоти уві сні та наяву". В ході дослідження костюмів у стрічці визначено перелік чинників, які обумовлюють характерні ознаки часу в українській та світовій чоловічій моді. На основі аналізу образних, асортиментних та силуетно-конструктивних ознак виявлено основні риси чоловічого костюму на межі десятеліть. Охарактеризовано сутність і послідовність трансформацій чоловічих образів у стрічці, що стали символічними для української та світової моди цього періоду.<br>The paper present
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Zhao, Yue. "Needle Pulling Thread : The Emergence, Diffusion, and Transformation of Ready-to-Wear Fashion in New York and Paris between the 1940s and the 1970s." Thesis, Cergy-Pontoise, Ecole supérieure des sciences économiques et commerciales, 2012. http://www.theses.fr/2012ESEC0003/document.

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Dans cette thèse, j'étudie l'émergence, la diffusion, et la transformation du prêt-à-porter à New York et à Paris depuis les années 40 jusqu'aux années 70, au travers de 3 articles constitutifs. L'étude comparative de l'article 1 révèle l'origine, le sens et la complexité du prêt-à-porter en tant qu'innovation. Puis, dans l'article 2, je m'intéresse au processus de diffusion complexe et d'institutionnalisation du prêt-à-porter dans le système de la haute couture, en me concentrant sur le contexte institutionnel, les acteurs clés et les forces influentes. Enfin, dans l'article 3, je décompose l
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Jenike, Lesley Marie. "Ghost of Fashion." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212075272.

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Bland, Kasey Dawn. "The Life and Career of Fashion Designer, George Stavropoulos." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1217262462.

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Snoyman, Natalie. ""In to Stay" : Selling Three-Strip Technicolor and Fashion in the 1930s and 1940s." Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-146279.

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This study investigates the relationship between the fashion and film industries during the classical era between the early 1930s and mid-1940s. It focuses on the three-strip Technicolor process as the binding force upon which these two industries relied in collaborations during that time and looks at technical challenges the new process presented to productions in terms of wardrobe design. Another issue explored is fashion’s role in the actual development of the three-strip process, allowing the Technicolor laboratory to improve the technology through a popular, marketable, and readily availa
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Creigh-Tyte, Anne E. Davies. "British designer fashion in the late 1990s." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13277.

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At the end of the Second Millennium, the creative talent of British fashion designer 'stars' was considered so outstanding that they were frequently poached by leading European fashion houses; Dior, Givenchy, and Chloe, bastions of the French couture establishment were all headed by British designers. However, according to Kurt Salmon Associates (1991), there existed a paradox in that the British fashion designer sector was a 'cottage industry' characterised by poor commercial performance. Preliminary investigation revealed very little theory or scholarly research about the sector or its desig
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Knabikaitė, Indrė. "Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145404-61151.

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Magistro kvalifikaciniame darbe analizuojama 1960 - 1970 metų mada Lietuvoje. Darbo tikslas išanalizavus septintojo dešimtmečio Vakarų Europos ir sovietinės mados tendencijas, naudojant lyginamosios analizės metodą, palyginti su Lietuvoje vyravusiomis ir nustatyti jų transformacijos priežastis. Atlikta mokslinės literatūros analizė ir empirinis tyrimas iš esmės patvirtino darbe iškeltą hipotezę - madų tendencijos Lietuvoje atsiliko (laiko atžvilgiu) nuo Vakarų Europos, jaučiamas šių madų tendencijų skirtumas, atkeliavusios iš Vakarų Europos madų tendencijos Lietuvoje transformavosi.<br>There i
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Jones, Michelle. "Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s." Thesis, Royal College of Art, 2015. http://researchonline.rca.ac.uk/1676/.

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This study examines the creation and professionalisation of a recognisable English couture industry in the mid-twentieth century and in particular the role designer collaboration played within this process. The focal point is the Incorporated Society of London Fashion Designers, a design group established as a wartime measure in order to preserve and protect a number of London’s made-to-measure dress houses and to promote the creative aspirations of the wider British fashion industry. The focus on this specific design group and collaborative practice, rather than the individual couturiers, off
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Cox, Carolyn Helm. "The meaning of 1920s dress for small town women : flappers, styles, and sources of clothing /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9953851.

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Books on the topic "Fashion of the 1970s"

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John, Peacock. The 1970s. Thames and Hudson, 1997.

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Niven, Felicia Lowenstein. Fabulous fashions of the 1960s and 1970s. Enslow publishers, 2011.

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Niven, Felicia Lowenstein. Fabulous fashions of the 1960s and 1970s. Enslow publishers, 2011.

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Niven, Felicia Lowenstein. Fabulous fashions of the 1970s. Enslow Publishers, Inc., 2011.

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Niven, Felicia Lowenstein. Fabulous fashions of the 1970s. Enslow Publishers, Inc., 2012.

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Harrison, Martin. David Bailey: Locations : the 1970s archive. Thames & Hudson, 2003.

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Fiell, Charlotte. Fashion sourcebook 1920s. Fiell Publishing, 2011.

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Constance, Korosec, ed. Fashion fabrics 1960s. Schiffer Pub., 1998.

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Ettinger, Roseann. Psychedelic chic: Artistic fashions of the late 1960s & early 1970s. Schiffer Pub., 1999.

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Smith, Desire. Fashion footwear 1800-1970. Schiffer Publishing, 2000.

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Book chapters on the topic "Fashion of the 1970s"

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Fava, Elena. "The Felicitating Factor. Cinzia Ruggeri’s Clothing Project." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_33.

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AbstractThis paper sets out to shed light on the process that guided Cinzia Ruggeri in the elaboration of a unique clothing project that was eccentric to the 1980s Italian and international fashion scene, a process that allowed this stilista to activate collaborations with exponents of the world of art, design, literature, and music without disavowing the specificities of the fashion design practice. Cinzia Ruggeri was an atypical player inside the fashion system, presenting her creations at the Milanese prêt-à-porter fashion shows of the late 1970s and throughout the 1980s, stating her autono
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Stetz, Margaret D. "Fashioning Modern and Modernist Authorship: Rebecca West in the 1920s and 1930s." In Fashion and Authorship. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-26898-5_11.

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Voss, Kimberly Wilmot. "Fashion Journalism in the 1960s and 1970s, and the End of the Women’s Pages." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_7.

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Bradley, Kate. "Connecting the Disconnected: Telephones, Activism, and “Faring Well” in Britain, 1950–2000." In Palgrave Studies in the History of Experience. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-64987-5_13.

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AbstractThis chapter critically examines the ways in which 24-hour telephones were used by radical activist groups from the 1960s and 1970s to connect people in a timely fashion with the experiential expertise they needed to “fare well” whilst navigating a state that was all too often hostile. The telephone lines run by Defence and Release offered immediate help to Black people and those involved with the counterculture who found themselves in trouble with the police or landlords, or otherwise struggling to access the services they needed. Run by the community for the community, these lines of
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Roberts, Cheryl. "What Is Fashion?" In Consuming Mass Fashion in 1930s England. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94613-5_3.

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Karra, Neri. "The changing face of the fashion business (1960s onward)." In Fashion Entrepreneurship. Routledge, 2021. http://dx.doi.org/10.4324/9781315458779-8.

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Voss, Kimberly Wilmot. "National Fashion Editors, Public Relations Pioneers, and Fashion Designers." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_4.

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Voss, Kimberly Wilmot. "Local Fashion Editors, Business Impact, and Regional Fashion Shows." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_5.

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Bide, Bethan. "Costume Design and Emotional Communication in 1940s British Cinema." In Fashion and Feeling. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-19100-8_4.

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Gennaioli, Daniele. "Harper’s Bazaar en Español (1967): The Failed Attempt to Start a Spanish Edition of Harper’s Bazaar in the 1960s." In Fashion Communication. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81321-5_12.

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Conference papers on the topic "Fashion of the 1970s"

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Yalla, Swathi Tejah, Akshaya Laxmi Ragi, Meghana Munaga, and Tanmayi Devineni. "Fashion Forecasting: Insights into the Latest Advances in Fashion Recommendation Systems." In 2024 Second International Conference on Inventive Computing and Informatics (ICICI). IEEE, 2024. http://dx.doi.org/10.1109/icici62254.2024.00067.

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Singh, Pooja, Shalini Jaiswal, Shalini Srivastava, M. L. Azad, Vernika Mishra, and Anshika Nautiyal. "Fashion Forward: Exploring the Influence of AI on Modern Fashion Trends." In 2024 7th International Conference on Contemporary Computing and Informatics (IC3I). IEEE, 2024. https://doi.org/10.1109/ic3i61595.2024.10829054.

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Reddy Best, Kelly L., dorothy vernon, Amanda Ortiz Pellot, Honor Edmonds, Taylor Moore, and Ellie Everlasting Vo. "Fashion Resistance and Black Liberation: 1970s and Today – Curating an Undergraduate Fashion Museum Exhibition." In Bridging the Divide. Iowa State University Digital Press, 2024. http://dx.doi.org/10.31274/itaa.17194.

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Moussavi, M. "Teaching/learning methods: from Personalized System of Instruction (PSI) in 1970s to cooperative method in 1990s. An educational evolution, necessity, or a fashion?" In Proceedings Frontiers in Education 1997 27th Annual Conference. Teaching and Learning in an Era of Change. IEEE, 1997. http://dx.doi.org/10.1109/fie.1997.635965.

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Zaitseva, D. S. "CONCEPTUALIZATION THE EXPERIENCE OF SOVIET FASHION TO RECONSIDERATION OF THE SLOW FASHION PHENOMENON." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-19.

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The requirements imposed on the Soviet taste in clothing, formed mainly in the 1950s (first of all, a sense of proportion, modesty, simplicity, elegance, rejection of excesses), are explained by socialist morality, the ideological situation, the peculiarities of the functioning of the economic system in the USSR. However, some consumer habits and strategies formed in the 1950s and later can be rethought in the spirit of the concept of “slow fashion”, relevant in the XXI century. In particular, the predominance of classical style, the spread of bricolage practices and the building of special em
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Astaptseva, Kh. "Unknown Persons of Lviv Fashion Journalism of the 1930s: Mika Drohomyretska." In VI Tyktor’s Readings “Publishing in Ukraine: At the Crossroads of Traditions and Innovations”. Ukrainian Academy of Printing, 2021. http://dx.doi.org/10.32403/978-966-322-528-9-2021-40-45.

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Alyunina, Yulia. "Feminine Image In Fashion Discourse: Soviet Magazines of 1920s and Russian Blogs." In Psychology of subculture: Phenomenology and contemporary tendencies of development. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.07.9.

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Todorović, Nataša. "MALA PLANETA 1675 SIMONIDA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.833t.

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Minor planets (also called asteroids or planetoids) are small celestial bodies orbiting the Sun. In this work, we present one asteroid named after the Serbian and Byzantine princess Simonida Nemanjić (1294–1345), the wife of King Milutin. The asteroid was discovered from the Belgrade observatory on March 20, 1938, by Serbian astronomer Milorad B. Protić. It was provisionally designated with 1938 FB and after three decades of observations numbered 1675. In the early 1970s, following the suggestion of Ms Zora Sučić-Protić, who was the Minister of Education at the time, the asteroid was named SIM
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Saffira, Mega, and Kahfiati Kahdar. "Money Talks, Fashion Walks: A Textile Motif Exploration in Womenswear Using 1960s Rupiah Banknote." In 22th AUTEX World Textile Conference. Trans Tech Publications Ltd, 2024. http://dx.doi.org/10.4028/p-0d5xup.

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This project-based research examined the explorations of the Soekarno-Irian Barat Rupiah banknotes' visual element as textile motifs, which were then produced into a womenswear collection using the digital printing technique. The topic was chosen based on the phenomenon among the society that often sees money only as a payment tool, while actually, it bears more meanings for a nation, including historical, cultural, and political messages, which makes it eligible to be also known as a cultural heritage product that deserves to be preserved. One alternative to preserving the visual elements of
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Umehara, Yu. "Modern Japanese Girls Flying Into the Sky: Gender Norms and Aviation Fashion in the 1920s." In The Asian Conference on Cultural Studies 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2187-4751.2020.5.

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Reports on the topic "Fashion of the 1970s"

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Nacif, Benito, Gabriel Negretto, Fabrice Lehoucq, Allyson Lucinda Benton, and Francisco Javier Aparicio. Political Institutions, Policymaking Processes, and Policy Outcomes in Mexico. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0011290.

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This paper uses a transaction-costs framework to link the policymaking process (PMP) and the outer features of public policies in Mexico. It shows how a highly secretive PMP, centralized around the presidency, fashioned nationalist policies that were stable, adaptable, coordinated and private-regarding for the urban-based corporatist pillars of the regime. When growth faltered in the late 1970s, however, this PMP was unable to adapt to economic volatility, although it remained dominant in an increasingly turbulent polity. The paper explains how unified government and corporatist control of the
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Sun, Lushan, and Melody LeHew. 70 Years of Fashion in the Chinese Dress—Exploring Sociocultural influences on Chinese Qipao’s Hemline Height and Waistline Fit in 1920s-1980s. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-622.

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Cox, Carrie. Appropriateness and Parental Approval of 1920s Fashion for Small Town Women: "We pretty much all looked alike!". Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1432.

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Martin, Kathi, Nick Jushchyshyn, and Daniel Caulfield-Sriklad. 3D Interactive Panorama Jessie Franklin Turner Evening Gown c. 1932. Drexel Digital Museum, 2015. http://dx.doi.org/10.17918/9zd6-2x15.

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The 3D Interactive Panorama provides multiple views and zoom in details of a bias cut evening gown by Jessie Franklin Turner, an American woman designer in the 1930s. The gown is constructed from pink 100% silk charmeuse with piping along the bodice edges and design lines. It has soft tucks at the neckline and small of back, a unique strap detail in the back and a self belt. The Interactive is part of the Drexel Digital Museum, an online archive of fashion images. The original gown is part of the Fox Historic Costume, Drexel University, a Gift of Mrs. Lewis H. Pearson 64-59-7.
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Lazonick, William. Investing in Innovation: A Policy Framework for Attaining Sustainable Prosperity in the United States. Institute for New Economic Thinking Working Paper Series, 2022. http://dx.doi.org/10.36687/inetwp182.

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“Sustainable prosperity” denotes an economy that generates stable and equitable growth for a large and growing middle class. From the 1940s into the 1970s, the United States appeared to be on a trajectory of sustainable prosperity, especially for white-male members of the U.S. labor force. Since the 1980s, however, an increasing proportion of the U.S labor force has experienced unstable employment and inequitable income, while growing numbers of the business firms upon which they rely for employment have generated anemic productivity growth. Stable and equitable growth requires innovative ente
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Perry. Sculptural Fashion. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1228.

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Bradley, Linda Arthur. Fashion and Anti-fashion among Holdeman Mennonite Women. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-384.

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Adomaitis, Alyssa Dana. A Fashion Paradox: Reflective Thinking for Fashion Forecasting. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-750.

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De Long, J. Bradford. America's Only Peacetime Inflation: The 1970s. National Bureau of Economic Research, 1996. http://dx.doi.org/10.3386/h0084.

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Nordhaus, William. Retrospective on the 1970s Productivity Slowdown. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10950.

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