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Dissertations / Theses on the topic 'Fashion of the 1970s'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Jiao, Lin. "Nation, fashion and women's everyday lives : breast-binding in China, 1910s-1970s." Thesis, SOAS, University of London, 2017. http://eprints.soas.ac.uk/24390/.

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2

Чуботіна, Ірина. "Чоловіча мода кінця 1970 – початку 1980-х рр. на прикладі стрічки Р. Балаяна "Польоти уві сні та наяву"". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17946.

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Надано результати дослідження чоловічого костюма кінця 1970 – початку 1980-х років на прикладі стрічки Р. Балаяна "Польоти уві сні та наяву". В ході дослідження костюмів у стрічці визначено перелік чинників, які обумовлюють характерні ознаки часу в українській та світовій чоловічій моді. На основі аналізу образних, асортиментних та силуетно-конструктивних ознак виявлено основні риси чоловічого костюму на межі десятеліть. Охарактеризовано сутність і послідовність трансформацій чоловічих образів у стрічці, що стали символічними для української та світової моди цього періоду.<br>The paper present

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3

Zhao, Yue. "Needle Pulling Thread : The Emergence, Diffusion, and Transformation of Ready-to-Wear Fashion in New York and Paris between the 1940s and the 1970s." Thesis, Cergy-Pontoise, Ecole supérieure des sciences économiques et commerciales, 2012. http://www.theses.fr/2012ESEC0003/document.

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Dans cette thèse, j'étudie l'émergence, la diffusion, et la transformation du prêt-à-porter à New York et à Paris depuis les années 40 jusqu'aux années 70, au travers de 3 articles constitutifs. L'étude comparative de l'article 1 révèle l'origine, le sens et la complexité du prêt-à-porter en tant qu'innovation. Puis, dans l'article 2, je m'intéresse au processus de diffusion complexe et d'institutionnalisation du prêt-à-porter dans le système de la haute couture, en me concentrant sur le contexte institutionnel, les acteurs clés et les forces influentes. Enfin, dans l'article 3, je décompose l

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4

Jenike, Lesley Marie. "Ghost of Fashion." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212075272.

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5

Bland, Kasey Dawn. "The Life and Career of Fashion Designer, George Stavropoulos." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1217262462.

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6

Snoyman, Natalie. ""In to Stay" : Selling Three-Strip Technicolor and Fashion in the 1930s and 1940s." Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-146279.

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This study investigates the relationship between the fashion and film industries during the classical era between the early 1930s and mid-1940s. It focuses on the three-strip Technicolor process as the binding force upon which these two industries relied in collaborations during that time and looks at technical challenges the new process presented to productions in terms of wardrobe design. Another issue explored is fashion’s role in the actual development of the three-strip process, allowing the Technicolor laboratory to improve the technology through a popular, marketable, and readily availa

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7

Creigh-Tyte, Anne E. Davies. "British designer fashion in the late 1990s." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13277.

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At the end of the Second Millennium, the creative talent of British fashion designer 'stars' was considered so outstanding that they were frequently poached by leading European fashion houses; Dior, Givenchy, and Chloe, bastions of the French couture establishment were all headed by British designers. However, according to Kurt Salmon Associates (1991), there existed a paradox in that the British fashion designer sector was a 'cottage industry' characterised by poor commercial performance. Preliminary investigation revealed very little theory or scholarly research about the sector or its desig

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8

Knabikaitė, Indrė. "Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145404-61151.

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Magistro kvalifikaciniame darbe analizuojama 1960 - 1970 metų mada Lietuvoje. Darbo tikslas išanalizavus septintojo dešimtmečio Vakarų Europos ir sovietinės mados tendencijas, naudojant lyginamosios analizės metodą, palyginti su Lietuvoje vyravusiomis ir nustatyti jų transformacijos priežastis. Atlikta mokslinės literatūros analizė ir empirinis tyrimas iš esmės patvirtino darbe iškeltą hipotezę - madų tendencijos Lietuvoje atsiliko (laiko atžvilgiu) nuo Vakarų Europos, jaučiamas šių madų tendencijų skirtumas, atkeliavusios iš Vakarų Europos madų tendencijos Lietuvoje transformavosi.<br>There i

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9

Jones, Michelle. "Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s." Thesis, Royal College of Art, 2015. http://researchonline.rca.ac.uk/1676/.

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This study examines the creation and professionalisation of a recognisable English couture industry in the mid-twentieth century and in particular the role designer collaboration played within this process. The focal point is the Incorporated Society of London Fashion Designers, a design group established as a wartime measure in order to preserve and protect a number of London’s made-to-measure dress houses and to promote the creative aspirations of the wider British fashion industry. The focus on this specific design group and collaborative practice, rather than the individual couturiers, off

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Cox, Carolyn Helm. "The meaning of 1920s dress for small town women : flappers, styles, and sources of clothing /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9953851.

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11

Cordier, Astrid. "The influence of 1950s fashion photographers, Richard Avedon and Irving Penn, on photographers Matthew Rolston and Steven Meisel." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008112.

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Photography has been used to record and document periods in time, which Wells (2001:19) acknowledges by stating that, “…photographs are records and documents which pin down the changing world of appearance”. Richard Avedon and Irving Penn made a significant contribution to fashion photography during the 1950s but this has seldom been explored in a scholarly way. By defining the characteristics of Avedon and Penn’s work, a possible understanding of their influence on contemporary fashion photographers, Matthew Rolston and Steven Meisel may be determined and so expand on the understanding of the

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12

Sherwood, Dana Whitney. "Integration by Popular Culture: Brigitte Bardot as a Transnational Icon and European Integration in the 1950s and 1960s." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20196.

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This thesis explores the history of European integration in the 1950s and 1960s from a popular cultural perspective anchored to a central figure from the era, Brigitte Bardot, in order to demonstrate that the peoples of Western Europe were engaged in processes of Europeanization that helped legitimize economic and political unions. Yet, official EU policy’s privileging of one (outdated) mode for understanding culture has handicapped alternative interpretations of a common European cultural heritage, failing to embrace a shared popular culture. Bardot is a suitable icon through which to begin

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13

Карєва, Лідія Андріївна. "Проектування колекції молодіжного одягу на основі аналізу субкультур хіпі та актуальних тенденцій в моді 1960-1970-х років". Магістерська робота, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17885.

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Рух хіпі – це один з найяскравіших прикладів молодіжних субкультур ХХ століття, що незмінно впливав на моду. Необхідність детального вивчення моди хіпі зумовлена актуальністю стилю молодіжних субкультур й до сьогодні. Метою дослідження є удосконалення дизайн-проектування сучасного одягу на основі аналізу характерних ознак стилю хіпі, що сформувався під впливом політичних подій і актуальних соціальних проблем. Об’єктом дослідження є процес художнього проектування сучасного одягу на основі моди молодіжної субкультури. Предметом дослідження є розробка художньо-композиційних принципів проектування

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14

Edwards, Bronwen. "Making the West End modern : space, architecture and shopping in 1930s London." Thesis, University of the Arts London, 2004. http://ualresearchonline.arts.ac.uk/2299/.

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This research explores the shopping cultures of the 1930s West End, arguing for the recognition of this as a significant moment within consumption history, hitherto overlooked in favour of the Victorian and Edwardian periods. The approach is interdisciplinary, combining in a new way studies of shopping routes and networks, retail architecture, spectacle, consumer types and consumption practices. The study first establishes the importance of shopping geographies in understanding the character of the 1930s West End. It positions this shopping hub within local, national and international networks

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15

Ritchie, Rachel Clare. "The housewife and the modern : the home and appearance in women's magazines, 1954-1969." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/the-housewife-and-the-modern-the-home-and-appearance-in-womens-magazines-1954--1969(f46704f8-d0e7-4f78-a963-b93e15583c55).html.

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In 1957 a number of women's organizations were involved in planning a government-sponsored Festival of Women - an event that indicates contemporary awareness of and interest in the changing position of women. This study is similarly concerned with the position of women in the 1950s and 60s, relating constructions of the 'modern' woman in women's magazines to post-war developments, such as increasing levels of consumption and changing leisure patterns. There are two major themes in the thesis: the housewife and the modern. The study illustrates the centrality of 'the housewife' while accentuati

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Сєркова, Антоніна Василівна. "Проектування колекції жіночого одягу на основі аналізу актуальних тенденцій в моді 1920-х років". Магістерська робота, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17886.

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Головною метою дослідження є удосконалення художньо-композиційних ознак сучасного жіночого костюма на основі аналізу традицій костюмного дизайну 1920-х років. У дипломній роботі надані результати дослідження впливу мистецьких течій на моду 1920-х років, встановлено зв’язок костюмних традицій епохи класичного модернізму та сучасного дизайну. Проаналізовано вплив науково-технічного прогресу на появу доступних і зручних в експлуатації штучних матеріалів та формування революційних модних образів та моделей поведінки. Отримані результати дозволили розробити колекцію сучасного жіночого одягу із удос

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17

Bonadio, Maria Claudia. "O fio sintetico e um show! : moda, politica e publicidade; Rhodia S. A., 1960-1970." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279891.

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Orientador: Vera Hercilia (Vavy) Pacheco Borges<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-04T21:02:12Z (GMT). No. of bitstreams: 1 Bonadio_MariaClaudia_D.pdf: 14076896 bytes, checksum: 6de885ee6c1fb252452348c8699132ae (MD5) Previous issue date: 2005<br>Resumo: Este estudo tem por objetivo analisar as políticas de publicidade empregadas no Brasil pela Divisão Têxtil da Rhodia S.A, entre 1960-1970. Elaboradas por Lívio Rangan,então diretor de publicidade da empresa, foram executadas pela equipe de p

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18

Motta, Elisa Fauth da. "Vestindo corpos, tecendo femininos : gênero e construção de feminilidades em colunas de moda da imprensa porto alegrense (1960-1970)." Universidade do Vale do Rio dos Sinos, 2017. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6359.

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Submitted by JOSIANE SANTOS DE OLIVEIRA (josianeso) on 2017-06-20T12:15:07Z No. of bitstreams: 1 Elisa Fauth da Motta_.pdf: 5354547 bytes, checksum: 8c4b1966770db91dee057c8f04d50bd9 (MD5)<br>Made available in DSpace on 2017-06-20T12:15:07Z (GMT). No. of bitstreams: 1 Elisa Fauth da Motta_.pdf: 5354547 bytes, checksum: 8c4b1966770db91dee057c8f04d50bd9 (MD5) Previous issue date: 2017-05-15<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta dissertação analisa as relações entre os discursos da moda veiculados na imprensa e a construção dos estereótipos de gênero

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Чуботіна, Ірина, та Олександра Пенчук. "Вплив художньої літератури на стильові рішення у чоловічому костюмі в 1960-1970 рр". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10046.

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Надано результати дослідження впливу художньої літератури на чоловічий костюм у 1960-1970-х рр. Метою роботи було визначення внеску літературної творчості означеного періоду в стильові рішення чоловічого одягу, які залишаються актуальними і досі. В ході дослідження були охарактеризовані та класифіковані основні літературні напрямки, які суттєво вплинули на модні течії чоловічого костюма.<br>The given work provides the results of the research on the influence of fiction literature on a man's costume in the 1960-1970's. The aim of the work was to determine the contribution of the literary work o

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20

Machadinho, Mónica Filipa Coelho. "Fast fashion vs. slow fashion." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17804.

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Dissertação de Mestrado em Design, com a especialização em Design de Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.<br>A presente dissertação, de cariz teórico-prático, insere-se no âmbito do Design de Moda, particularmente na observação dos novos comportamentos do mercado e das novas tendências de consumo, resultantes do atual processo de globalização decorrente da Terceira Revolução Industrial. A partir de revisão de literatura relevante, este estudo pretende analisar a evolução da globalização e o seu impacto junto dos consumidor

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21

Mechen, B. D. "Everyday sex in 1970s Britain." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1473885/.

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This thesis explores how public understandings of “everyday sex” - or the sexual practices and preferences deemed appropriate to “ordinary” men and women – were reshaped during the 1970s. Using the development of the Durex condom brand, the extension of the welfare state to include family planning services, and the enormous popularity of Alex Comfort’s The Joy of Sex as case studies, it draws upon a wide range of sources in order to provide a critical history of Britain’s “sexual revolution” or sexual liberalisation. Overall, it argues that liberalisation was a process limited in scope, exclus

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22

Franks, Daniel. "Jazz in Hollywood (1950s – 1970s)." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/381456/.

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Serious jazz can be found in places where it is least expected, in mainstream Hollywood films. This thesis aims to demonstrate how film composers (such as Henry Mancini, Quincy Jones and Lalo Schifrin) challenged established conventions in the music and film industries between the late 1950s and the late 1970s. During this period, film composers were producing jazz for a global audience; their musical contribution is integral to our current understanding of jazz history. It is by viewing the history of film music through the various ways in which it is received (in music journals, performances

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23

Minhas, Frida, and Mersiha Memic. "The fast fashion phenomenon : Luxury fashion brands responding to fast fashion." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20850.

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Purpose:The purpose of this thesis has been to study, describe and analyze how luxury fashion brands have responded to fast fashion. Background:It has been stated that the life of luxury fashion brands has become more difficult since the proliferation of fast fashion brands. The Italian luxury fashion designer Giorgio Armani has said that "Fast fashion is a growing reality in our sector". Anna Wintour, the editor-in-chief of American Vogue has credited Zara for creating a ‘seasonless cycle for fashion’. Fast fashion brands such as H&M, Zara, Mango and Topshop have through interp

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24

Zhang, Yanqing. "Tech Fashion : Fashion Institutionalization in Digital Technology." Doctoral thesis, Stockholms universitet, Institutionen för data- och systemvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-130200.

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This thesis explores aesthetization in general and fashion in particular in digital technology design and how we can design digital technology to account for the extended influences of fashion. The thesis applies a combination of methods to explore the new design space at the intersection of fashion and technology. First, it contributes to theoretical understandings of aesthetization and fashion institutionalization that influence digital technology design. We show that there is an unstable aesthetization in mobile design and the increased aesthetization is closely related to the fashion indus

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25

Wilson, William Gilmore. "New venture performance in the 1970s." Thesis, University of Strathclyde, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314670.

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Caldwell, David. "German documentary prose of the 1970s /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691095606.

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陳嘉敏 and Ka-man Carmen Chan. "Museum of fashion in a district of fashion." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986286.

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Kareinen, Kira, and Sonja Kainulainen. "No fashion victims? - Motivations for sustainable fashion consumption." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297704.

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The tension between fashion and sustainability has been recognized, as it has been argued whether fashion can be sustainable. This is due to the several ethical dilemmas the fashion industry is facing, including not only environmental but also social problems. These issues have gained an increasing amount of consumers' attention during the last years. Even if these problems are recognized, consumers are still having an attitude-behaviour gap towards sustainable consumption, where positive attitude does not reflect on actions. Therefore, this study takes a deeper look into the consumption behav

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Igareta, Herráiz Angel Luis. "Leveraging Adult Fashion to Enhance Children’s Fashion Recognition." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-301657.

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The future of the fashion industry is expected to be online, thus a significant amount of research is being conducted in the field of fashion image analysis. Currently, a task that places a heavy workload on online stores is manually tagging new garments, including attributes such as category, color, pattern, or style. To this end, extensive research has targeted the automatic prediction of clothing categories and attributes, achieving promising results. Nevertheless, no previous study has been found in the literature that specifically reflects the performance of clothing attribute recognition

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Довгополова, А. А. "Структурно-етимологічний аналіз імені концепту FASHION номінації FASHION". Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/36238.

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Для більш глибокого вивчення англомовної картини світу в її динамічному розвитку та, зважаючи на важливе значення даного концепту в картині світу носія сучасної англійської мови, розгляд структури і закономірностей вербалізації концепту FASHION є дуже важливим. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/36238

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Chan, Ka-man Carmen. "Museum of fashion in a district of fashion." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954763.

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North, Matthew. "Constructing fashion." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ48232.pdf.

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Гришай, Крістіна Сергіївна. "Fashion innovations." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13055.

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Smyrnova, Anna. "Fashion photography." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13164.

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Maksymets, P. V. "Sustainable fashion." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/14386.

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Міцура, Олена Олексіївна, Елена Алексеевна Мицура, Olena Oleksiivna Mitsura та К. С. Заяц. "Fashion-маркетинг". Thesis, Сумской государственный университет, 2012. http://essuir.sumdu.edu.ua/handle/123456789/28776.

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Jospitre, Maryse. "Urban Fashion." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/29382.

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How can architecture transcend style in the fashion world? My thesis offers experiences for both the public and private realm of the fashion industry. For the public, the opportunity to see and feel the clothes on the runways. For the private, the designers can work, show and display all in one building. The project divides itself into two worlds, the static vs. the dynamic. Both polarities are evident in the runways and in the gallery space. In a world where fashion is in and out in a matter of a season, can architecture transcend the moment?<br>Master of Architecture

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Lateef, Fehraz Aaron. "High fashion." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/31818/1/Fehraz_Lateef_Thesis.pdf.

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High Fashion is a practice-led research enquiry that examines the processes involved in producing a no-budget film of high aesthetic standards that can confidently compete in the global film festival market, and to reflect on the production techniques tested during the making of the film. The practical outcome of the research is a twenty-five minute short drama. It incorporates a large cast and crew, original designer clothing, extravagant sets, and a popular soundtrack. The thesis considers how over one hundred professionals volunteered their time, expertise, and equipment to help produce

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Jobling, Paul. "Fashion figures : word and image in contemporary fashion photography." Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/4290/.

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This study explores the tension between text and image in the fashion spreads published in three magazines since 1980: The Face, Arena and Vogue. It takes as its starting part Roland Barthes' axiom that the magazine is 'a machine for making Fashion' and pursues his thesis that it is through 'represented clothing', rather than real garments themselves, that the meaning of Fashion is connoted. But it also contests his idea that the Fashion system is a vacuous or trivial form of signification, and in exploring both the verbal and pictorial elements of fashion spreads aims to uncover how they inte

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JOHANSSON, ELEONOR. "Slow fashion : the answer for a sustainable fashion industry?" Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20182.

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The fashion industry is today a global industry and has huge effect on our environment as well as on people. It is dominated by fast fashion and just-in-time production that has lead to increased seasons and mini-collections in season, which generate new low price items in store every week and even every day. This in turn has lead to an escalation in fashion trends that spris our desires for new experiences and leads to overconsumption where consumers buy more than they need, which in the end results in fashion waste.<br>Program: Magisterutbildning i Applied Textile Management

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Гончаренко, Каріна, and Karina Honcharenko. "Fashion tech as the leading world fashion industry trend." Thesis, Національний авіаційний університет, 2020. http://er.nau.edu.ua/handle/NAU/43566.

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Nowadays modern technologies and innovations open new horizons for those who create products and services. New technological changes apply, in fact, to all areas of life and business, from the aerospace industry to medicine, education and even the arts. Virtual (VR) and augmented reality (AR), artificial intelligence (AI), blockchain, smart technologies, the Internet - at this stage these things have become or are gradually becoming ordinary and commonplace.

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Wylie, Shannon M. "Fashion meets journalism : mapping and evaluating Australian fashion journalism." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/73088/1/Shannon_Wylie_Thesis.pdf.

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Fashion journalism can be understood as a complex, inter-dependent set of professional practices that have arisen in a variety of media at the intersection of fashion and journalism. This thesis, Fashion Meets Journalism: Mapping and Evaluating Australian Fashion Journalism, answers the question, 'What is Australian fashion journalism?' in three stages: First, it maps the extent of fashion journalism across media in Australia to locate the field and focus on the sites of fashion journalism; second, it foregrounds practices of the journalism branch, evaluating how and why the field is pitted ag

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Petruska, Karen C. PhD. "The Critical Eye: Re-Viewing 1970s Television." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/38.

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In my dissertation entitled “The Critical Eye: Re-Viewing 1970s Television,” I argue that TV scholars would benefit greatly by engaging in a more nuanced consideration of the television critic’s industrial position as a key figure of negotiation. As such, critical discourse has often been taken for granted in scholarship without attention to how this discourse may obscure contradictions implicit within the TV industry and the critic’s own identity as both an insider and an outsider to the television business. My dissertation brings the critic to the fore, employing the critic as a lens through

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Simanavičiūtė, Daiva. "The Lithuanian World Community’s development 1940s – 1970s." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20090226_134525-99870.

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The studies of emigrant associations abroad and the development of migrant organizations in the world in historical perspective are very important in the present context of Lithuania. One of the most important émigré organisations is the Lithuanian World Community (Pasaulio lietuvių bendruomenė), which was established by political refugees with the goal of uniting all the dispersed Lithuanians over the world. This dissertation presents the organizational and political development aspects of the Lithuanian World Community in the 1940s – 1970s. The first chapter features the lessons of the migra

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Battista, Katherine. "Women's work : feminist artists in 1970s London." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498626.

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Tell, Nawaf Wasfi. "The Jordanian foreign policy in the 1970s." Thesis, University of Exeter, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421581.

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Barber, Sian. "1970s British film : capital, culture and creativity." Thesis, University of Portsmouth, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510771.

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This thesis explores British film culture in the 1970s through an examination of specific film texts and a range of social, cultural, industrial and institutional contexts. The study adopts an interdisciplinary approach and draws on the methods and practices of both cultural historians and scholars of film. Rigorous archival and historical research is thus combined with close textual analysis of visual sources to explore the relationships between film culture, its social and economic context and wider period concerns. My work is revisionist and source-based and actively challenges much of the

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Shaffer, Michael J. "Dan Graham's Video-Installations of the 1970s." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/56.

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This dissertation examines the video-installations created by American artist Dan Graham in the 1970s. It investigates the artist's relationship to Minimalism by analyzing themes Graham highlights in his own writings and in interviews. In particular, I explore how the artist's understanding of Herbert Marcuse, Walter Benjamin, and R.D. Laing informed his post-Minimalist work and how concepts gleaned from these sources are manifest in his video-installations. Also undertaken are discussions of the artist's interest in aestheticized play, the just-past present, the debate between Behaviourism

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Derro, Brad, and Brad Derro. "Get Close: Interpersonal Art in the 1970s." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/621835.

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This thesis centers on an analysis of Allan Kaprow's Activities (1970-1979)-works that gauged how people interact when following a script that often involved ostensibly banal, everyday routines; for example, brushing one's teeth, or walking through a doorway. These pieces, as suggested in the artist's writings, were influenced by a range of philosophical and sociological theories. While Kaprow associated his Activities with the sociological and philosophical inquiries of John Dewey, Erving Goffman, and Ray Birdwhistell, I will also suggest that concepts related to interpersonal psychology and

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Bidgood, Lee, and Doctors and Outlaws. "Celebration of 1970s Country-Rock-Grass Fusion." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1063.

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A one-time celebration of the 1970s country-rock-grass fusion of Crowe, Parsons, the Rices, the Burritos, etc. View the YouTube videos below: Part 1: https://www.youtube.com/watch?v=lbWzeKhdbus Part 2: https://www.youtube.com/watch?v=ImrFFCPPXw4 Part 3: https://www.youtube.com/watch?v=Je5oXBpDGmU Part 4: https://www.youtube.com/watch?v=WkNjD079QFQ

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