Relevant bibliographies by topics / Fashion project

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fashion project'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Fashion project"

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Vibert-Stokes, Leila. "Fashion Descience project." Lancet Oncology 16, no. 1 (January 2015): 23–24. http://dx.doi.org/10.1016/s1470-2045(14)71211-2.

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Roberts, Graham H. "Queering the stitch: Fashion, masculinity and the postsocialist subject." Critical Studies in Men???s Fashion 6, no. 1 (September 1, 2019): 59–80. http://dx.doi.org/10.1386/csmf_00005_1.

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In my article, I analyse some of the ways in which Gosha Rubchinskiy, Demna Gvasalia and Lotta Volkova might be said to ‘queer’ masculinity. I draw parallels between their work and the modernist, utopian, Constructivist project of Soviet fashion designers of the 1920s such as Varvara Stepanova and Lyubov’ Popova. Most importantly, both groups of artists share a desire to organize their fashion practice within a broader ideological project. At the heart of their respective projects is a fundamental challenge to conventional notions of gender in fashion, and in the fashion industry. In both cases, the ‘queering’ of gender norms, distinctions and hierarchies, both on and off the catwalk, is designed to produce a radical transformation of the relationship between the fashioned object and the fashionable, consuming subject. As far as today’s post-Soviet fashion designers are concerned, by the way in which they either queer masculinity or perform their own, queer brand of masculinity, they produce a new, utopian subject. Far from being the antithesis of the Constructivist project, then, this post-socialist utopian body can be seen as constituting perhaps its most spectacular realization to date.
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Orzada, Belinda T., and Kelly Cobb. "Ethical fashion project: partnering with industry." International Journal of Fashion Design, Technology and Education 4, no. 3 (November 2011): 173–85. http://dx.doi.org/10.1080/17543266.2011.606233.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. "ObjectVR Fashion: The Drexel Digital Museum Project." Archiving Conference 2019, no. 1 (May 14, 2019): 61–65. http://dx.doi.org/10.2352/issn.2168-3204.2019.1.0.14.

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Sanches, Maria Celeste de F., Bernabé Hernandis Ortuño, and Sérgio R. Moreira Martins. "Fashion Design: The Project of the Intangible." Procedia Manufacturing 3 (2015): 2311–17. http://dx.doi.org/10.1016/j.promfg.2015.07.377.

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Kim, Sun Young. "Fashion Communications in Miu Miu’s Short Film Project." KOREA SCIENCE & ART FORUM 35 (September 30, 2018): 41–58. http://dx.doi.org/10.17548/ksaf.2018.09.30.41.

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ÇİNİ, Çiğdem Asuman. "An upcycling project in textile and fashion design." Research Journal of the Costume Culture 27, no. 1 (February 28, 2019): 11–19. http://dx.doi.org/10.29049/rjcc.2019.27.1.011.

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Wollen, P. "The Concept of Fashion in The Arcades Project." boundary 2 30, no. 1 (March 1, 2003): 131–42. http://dx.doi.org/10.1215/01903659-30-1-131.

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장라윤 and Yang Sook-Hi. "Fashion Communication and Exhibition Project- Focused on Fashion Exhibition Design by Maison Martin Margiela -." Research Journal of the Costume Culture 19, no. 6 (December 2011): 1302–19. http://dx.doi.org/10.29049/rjcc.2011.19.6.1302.

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Ma, Jin Joo. "Fashion Installation as a Medium of Fashion Communication : Based on Quantum Project by Gentle Monster." Journal of the Korean Society of Costume 69, no. 3 (April 30, 2019): 33–46. http://dx.doi.org/10.7233/jksc.2019.69.3.033.

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Dissertations / Theses on the topic "Fashion project"

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Godhania, Sonal Arjun. "Fast fashion : the dynamic capabilities underlying project management in the UK fashion industry SMEs." Thesis, University of Bedfordshire, 2015. http://hdl.handle.net/10547/608324.

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The UK Fashion Industry (FI) is both volatile and fast-changing. Notably, the clothing and jewellery industry contributes £16 billion annually to the UK’s revenues. However, small and medium-sized (SMEs) fashion companies are stressed to survive the harsh global competition. The companies have to manage their routine projects, thinking constantly about keeping their market position and how to develop further in their industry. Thus, the FI requires an in-depth understanding of the success factors to survive in this competitive marketplace. A detailed literature review has been conducted to discover the background of the FI and also to understand the basic requirements of daily operations and strategies used for development and growth. As there is not much empirical study available in the area of FI, a qualitative exploratory study has been chosen as the research methodology for this particular research. A multiple case studies approach was chosen to cover eight case studies located in Leicester, Luton and London. The study is interpretative and social constructionism is its philosophical approach; and hence, the context of the study has to be interpreted in its own ethnographical setting, why and how participants construct the meaning of project management (PM). This data triangulation provided the study qualitative credibility of the findings. The data analysis found four main themes, comprising fifteen sub-themes. ‘PM capabilities’ is the most important theme for completing the daily routine operations; these are also highly utilised in the UK FI SMEs. ‘Sensing new opportunities’ is the second important theme for advancing further; these are utilised by SMEs to remain up-to-date with the market environment. ‘Manufacturing capabilities’ is the third theme found helping SMEs with their routine manufacturing base in the UK: how they extended their trade through manufacturing. ‘Jewellery industry (JI) capabilities’ is the fourth theme helping the JI to outsource and deal with trust and relations in their trade. The study contributes to the UK FI SMEs by suggesting Dynamic Project Management (DPM) approaches specific to each industry, namely, the clothing, jewellery and designer industries. Research findings also suggest that new dynamic strategies need to be sensed, adopted and learned for the development and survival of these SMEs. The benchmarking tool, provided through status categories, will guide any company in the FI to compare its progress and take steps for further development. PM tools and techniques suggested for use by these FI SMEs will also help them with further improvement in project operations.
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Paitoonmongkon, Chanoknart. "The public relations campaign for Bangkok fashion week, Thailand." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2938.

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The purpose of this project is to apply public relations theoretical frameworks and advertising strategies to the public relations campaign for Bangkok Fashion week to increase the number of domestic participants.
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Aubert, Cathy Dorothee. "The teenage market and the fashion industry in France and in theUnited States." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2333.

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This project dealt with the teenage market in France and in the United States. Its aim was to provide the readers with an overview of this market and outline distribution and communication strategies that manufacturers and retailers can use to attract this market to make their business grow. Until a few years ago, the fashion industry did not pursue this market. In stores, most brands were dividing their clothing range into three catagories, women, men, and children. As a growing market with over 23 million teens in the U.S. and over 5.4 million in France, teenagers have an incredible spending power with 100 billion dollars spent in 2000 in the United States and 2.54 billion dollars spent in France. Now marketers are recognizing the teenage market as a huge potential for the future of their brands.
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Hoehn, Caroline, and Laetitia Muriel Herzog. "Remanufacturing business model experimentation in fashion and textiles : Learnings from a pilot project." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-21998.

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Adapting a circular system through business model experimentation can generate profit and sustainable growth for fashion firms. Business model experimentation explores novel opportunities to be at the forefront of transforming existing markets. Remanufacturing is one circular strategy that entails the process of recovering both raw material and value from end-of-life products for the production of new items. Remanufacturing in the context of business model experimentation is a promising solution in the fashion and textile industry to drive the transition into a circular economy. Through case study research the phenomenon of remanufacturing business model experimentation within the fashion and textile industry is investigated. The case phenomenon is investigated by means of the Re:workwear project, in which the brand Cheap Monday uses discarded workwear for a remanufactured collection next to its common collection. The focus of the study is on remanufacturing business model experimentation alongside the brand’s business-as-usual and decisive factors of this phenomenon. The processes and -steps within experimentation were analysed through semi-structured interviews with various involved parties of the supply chain. A framework combining the Business Model Canvas and the stepwise approach of business model experimentation by Bocken et al. (2017) is developed and applied throughout the research. It is found that (1) motivation and scope, (2) input material, (3) flexibility, (4) stakeholder collaboration and (5) system development are decisive factors for remanufacturing business model experimentation. Further research is necessary to investigate the phenomenon in other settings and within a variety of other firms in the industry in order to test the findings and validate the generalisability.
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Krondahl, Lisa. "Framgångsfaktorer och hinder vid införande av ett nytt varustyrningssystem : - En studie inom Fashion Retail." Thesis, Högskolan i Gävle, Avdelningen för Industriell utveckling, IT och Samhällsbyggnad, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-27064.

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In today's competitive business, information technology (IT) is undoubtedly an irreplaceable part of the business. Introducing different types of IT within companies is almost always proceed in a project form. Today, there are well-developed strategies, models and tools for a project manager to use for IT projects, but in spite of that, previous research points to a relatively high error rate. But what do you really mean by a successful and failed IT project? In fact, specific IT projects are often limited to being assessed and followed up only against three parameters: time, budget and results, but fail to follow up on the expected business benefit that may affect the impact targets (impact targets are the objectives that specify the effect of the project expected to give). If the follow-up is not implemented, an uncertainty is created and the expected effects that IT projects will generate are lost.   Another factor in the problem of previous research in IT projects has been found in the perspective of the user. Those who run and manage IT projects must take into account the user's real IT system challenges to optimize the usage. Looking at the specific ease of use of system implementation, the existing literature indicates that it is the biggest challenge in IT projects. Users can resist using the system, which can cause more problems than that the IT project's performance goals are not achieved. Many reasons and factors for failed IT projects are not yet identified.   The purpose of the study is to identify success factors and obstacles to the effective deployment and use of a new product management system within Fashion Retail. The study has been conducted as a qualitative study where a Fashion Retail Company was studied. The Company is considered relevant to the study as they currently carry out one of the largest IT investments in recent years. The Company will introduce a new product management system for two different concepts. The study results in three concrete success factors as well as an identified area where obstacles arise.   Three success factors: • The project management strategy Practical Project Management (PPS) Parallel with a change-friendly climate, creates an optimistic view of the introduction of the Product Management System, as well as releasing time to the project manager to eliminate any obstacles along the way. • Having users of the Product Management System in most phases through IT projects enhances and optimizes user-friendliness. • Let the supplier be seen and treated as a participant in the projects, it can free up time and improving communication between customer and supplier.  Area of Obstacles: An important but out-priority activity in IT projects (mostly due to lack of time) is to follow up and learn between projects as project managers. Here you lose important information and knowledge. How to identify success if follow-up does not happen? In an industry like Fashion Retail, characterized by major seasonal variations, high availability and external factors such as environmental and social responsibility, you depend on IT to share the information. If follow-up is more frequent and carefully, IT projects can be streamlined on time, but also economically with routines and the right actors.
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Martins, Elga Lilian Buck. "Laçando a história: um estudo sobre a criação de artigos de vestuário em malharia circular." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-06072017-154415/.

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Ano após ano, o Brasil tem apontado elevados números que não apenas o qualificam como um potencial consumidor de produtos de moda como também de um sólido importador de matérias primas têxteis, incluindo-se artigos de vestuário em malharia circular. Alvo deste estudo, as micro e pequenas confecções de moda da região metropolitana de Campinas (SP) apresentam importantes indicativos de uso desse material têxtil como sustentação ao seu desenvolvimento de produtos. Dada a situação de deficiente demanda mercantil de artigos de moda enfrentada pelo país, buscam-se alternativas de sobrevivência para essas micro e pequenas empresas num acirrado espaço comercial. Portanto, esta pesquisa é pautada pela investigação histórica do uso social dos artigos de malha circular, a compreensão de suas peculiaridades fabris, o entendimento de seu posicionamento comercial, e ainda, investiga métodos de desenvolvimento de produtos que possam tornar os artigos de vestuário oriundos dessas malhas, mais interessantes do ponto de vista comercial às pequenas e médias empresas da região metropolitana de Campinas. Tendo como ponto de partida referenciais metodológicos em design industrial explorados por Bernd Löbach, a pesquisa soma conceitos em design de moda explorados por Doris Treptow. A pesquisa apresenta ainda um estudo de caso em uma empresa da região citada onde foi aplicada a metodologia de projeto combinada
Year after year Brazil has pointed to large numbers not only qualify as a potential consumer of fashion products as well as a solid importer of textile raw materials, including garments in circular knitting. Aim of this study, micro and small clothing companies in the metropolitan region of Campinas (SP) present important indicators of use of this textile as support to their product development. Given the situation of poor market demand for fashion items facing the country, seek to survival alternatives for these micro and small businesses in a fierce commercial space. So this research is guided by historical investigation of the social use of circular knitted items, understanding its manufacturing peculiarities, understanding of its commercial positioning it, and also investigates product development methods that can make garments arising from these knitwear, more interesting from a commercial point of view to small and medium-sized enterprises in the metropolitan region of Campinas. The starting point methodological references in industrial design exploited by Bernd Löbach, research sum concepts in fashion design run by Doris Treptow. The project also presents a case study of a microenterprise the said region should collaborate with the completion of this project
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Montemezzo, Maria Celeste de Fátima Sanches [UNESP]. "Diretrizes metodológicas para o projeto de produtos de moda no âmbito acadêmico." Universidade Estadual Paulista (UNESP), 2003. http://hdl.handle.net/11449/97020.

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Para identificar uma estruturação adequada ao processo de desenvolvimento de produtos de moda/vestuário no âmbito acadêmico, a presente pesquisa buscou fundamentos nas bases teóricas das metodologias de projeto do design, abordando a organização do processo criativo sob os parâmetros do pensamento projetual. Realizou um estudo qualitativo em ambiente acadêmico, com o propósito de constatar a relevância dos princípios projetuais de design para a estruturação do processo de criação em moda. Identificou-se que, após o contato com tais princípios, os estudantes demonstraram mudanças significativas na organização do pensamento sobre o processo de elaboração de produtos. Integrou os resultados obtidos na pesquisa do ambiente acadêmico às análises construídas na pesquisa bibliográfica, para a estruturação de uma proposta de diretrizes metodológicas para o processo projetual de design de moda na academia
To identify the correct organization to the development process of fashion products in the academic field, this research established foundation in the theoretical basis of design methodologies, broaching the organization of the creative process under the concepts of the project thoughts. A qualitative study was accomplished in the academic field on purpose to check the importance of the design principles to the organization of the creation process in fashion. It was noticed that after the contact with such principles, students demonstrated relevant changes in the thoughts organization about the creation process of products. The results obtained in the academic field research was integrated to the analysis built in the bibliographic research, in way to organize an offer of methodological directives to the fashion design in academy
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Moore, Patricia Lee. "Reader/viewer response to the rhetoric of costume." CSUSB ScholarWorks, 1990. https://scholarworks.lib.csusb.edu/etd-project/570.

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Lima, Bruna Lummertz. "Processo de desenvolvimento de produto em microempresas de vestuário das cidades de Cachoeirinha/RS e Gravataí/RS." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/114959.

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A pesquisa teve como objetivo caracterizar as necessidades de uma metodologia de projeto de produto em moda aplicável a microempresas em quatro microempresas produtoras de vestuário da região metropolitana de Porto Alegre/ RS. O estudo iniciou- se com a fundamentação teórica, conceituando: produto de moda, mercado de moda no Brasil, organização da produção e proposições de metodologia para projeto de produto de design e moda. Posteriormente, a metodologia de trabalho foi descrita, onde foi proposta uma pesquisa qualitativa, utilizando como instrumentos a entrevista e a observação das atividades desempenhadas no PDP das confecções, que atuam nos municípios de Cachoeirinha e Gravataí. Os sujeitos participantes foram funcionários envolvidos diretamente com o desenvolvimento de produto. Para analisar os dados qualitativos foi utilizada a análise de conteúdo, onde a autora teve a possibilidade decompilar os dados e posteriormente relacionar os dados com metodologia para projeto de Moda de Treptow (2007). Em sequência, as necessidades metodológicas foram apresentadas de forma ilustrativa e textual seguidas das considerações finais.
The research has the objective to feature the needs of a methodology product design fashion applicable to micro four producing clothing microenterprises in the metropolitan region of Porto Alegre / RS. The study began with the theoretical framework, conceptualizing, fashion products, fashion market in Brazil, organization of production and propositions methodology for product design and fashion design. Subsequently, the methodology country working was described, which was a qualitative research proposal, using as instruments the interview and observation of the activities performed in the PDP of clothing that operate in the towns of Gravataí and Cachoeirinha. Subjects participants were employees directly involved with product development. To analyze the qualitative data content analysis, where the author was able to compile the data and then correlate the data with a methodology to design Fashion Treptow (2007) was used. In sequence, the methodological requirements were presented followed illustrative and textual form the final remarks.
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Lemos, Marta Cruz Gomes de. "Mixed senses. Sinestesia como base criativa no design de moda." Master's thesis, Universidade Técnica de Lisboa. Faculdade de Arquitectura, 2011. http://hdl.handle.net/10400.5/2916.

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Tese de Mestrado em Design de Moda
Esta investigação explora o fenómeno da Sinestesia - mistura e associação de sentidos - como base criativa na área do Design de Moda. Será que as percepções sinestésicas de um indivíduo fornecem dados suficientes para serem a única base de inspiração na concepção de vestuário? Para constituir hipótese, foi efectuada uma investigação sobre a sinestesia, as suas variantes e as suas condicionantes, e sobre a concepção de vestuário e os elementos essenciais a ter em conta no desenvolvimento de uma colecção de moda. A hipótese colocada pela investigadora foi que de facto a sinestesia pode ser a única inspiração na concepção de uma colecção, dado que as percepções sinestésicas incluem cores, formas, texturas e manchas/padrões - dados que vão de encontro aos elementos do design essenciais à concepção de vestuário. Para provar a hipótese, realizou-se um projecto experimental envolvendo um grupo de casos de estudo, todos sinestésicos, que culminou na concepção de um projecto de moda baseado exclusivamente nos dados provenientes dessa experiência. O projecto foi o principal objectivo da investigação e constitui a validação da hipótese, sendo a sua prova prática. A colecção final é um espelho do trabalho de investigação, dos quatro sinestésicos que participaram na experiência e do fenómeno da sinestesia em si. Obteve-se, assim, o resultado perfeito para uma investigação cuja uma temática é tão fascinante e fora do comum. Este projecto de investigação prova ainda que é possível a interligação de duas áreas completamente distintas - a Neurologia e o Design de Moda - de maneira harmoniosa e bem sucedida, originando um resultado inovador, que faz jus à temática da sinestesia e é enriquecedor para ambas as áreas.
This investigation explores the phenomenon of Synesthesia - a mix and association of senses - as a creative basis for Fashion Design. Can synesthetic perceptions provide enough data to be the only inspiration in the creation of clothes? In order to create an hypothesis, a deep investigation was carried out, focusing synesthesia and its variants, as well as the conception of clothing and the elements we have to keep in mind while creating a collection. The hypothesis was that indeed synesthesia could be the only inspiration in the conception of a collection, since synesthetic perceptions include colors, shapes, textures and patterns – all of which conform to the design elements that are essential to the conception of clothing. In order to prove this hypothesis, an experimental project took place, implicating a group of case studies, all synesthetes, that culminates with the conception of a fashion project based exclusively on the data gathered from that experience. This project was the main goal of the investigation and it is the validation of the hypothesis, its practical proof. The collection mirrors the investigation, the four synesthetes that took part in the experience and the phenomenon of synesthesia itself. This way, starting with a very unusual, peculiar and fascinating subject, we managed to reach a perfect conclusion for our investigation,. This project also proves that it is possible to connect two completely different areas – Neurology and Fashion Design – harmoniously and successfully, creating an innovative result that merits synesthesia and enriches both areas.
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Books on the topic "Fashion project"

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Nuh, Evita. DIY fashion project. Sleman, Yogyakarta: Bentang Belia, 2014.

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Project runway: The show that changed fashion. New York: Weinstein Books, 2012.

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Speed, Chicks on. It's a project. London: Booth-Clibborn, 2004.

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Tasteful fashion with Tim Gunn. Minneapolis, Minnesota: Checkerboard Library, an imprint of ABDO Publishing Company, 2016.

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Gunn, Tim. A guide to quality, taste, & style. New York: Abrams Image, 2007.

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Margolies, Paul. Always remember: The Names Project AIDS memorial quilt : a selection of panels created by and for international fashion designers. New York: Simon & Schuster, 1996.

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Lagabbia. Firenze: Polistampa, 2009.

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McCullough, Karen. The seven women project: Your personal guides to success in work, play, and dress. Houston, Tex: Willard St. Publishers, 2010.

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Division, San Francisco (Calif ). Office of the Controller City Services Auditor. Board of Supervisors: Political activity audit : Tigresse Fashion, LLC. San Francisco: Office of the Controller, 2006.

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Sweet stitches from the heart: More than 70 project ideas and 900 stitch motifs for angels, teddies, fairies, hearts, and alphabets, plus essential embroidery and cross-stitch techniques. New York: Potter Craft, 2011.

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Book chapters on the topic "Fashion project"

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Horvath, Joan, Lyn Hoge, and Rich Cameron. "Your First Project." In Practical Fashion Tech, 123–41. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1662-0_7.

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Hamilton, Albert. "Chapter 7. Project management: today's fashion?" In Art and practice of managing projects, B—89—B—110. London: Thomas Telford Ltd, 2010. http://dx.doi.org/10.1680/apmp.34563.0007.

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Leccia, Miriana, and Giovanni Maria Conti. "Adaptive Fashion: Knitwear Project for People with Special Needs." In Human Interaction, Emerging Technologies and Future Systems V, 314–21. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85540-6_40.

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Marshall, A. "Experiences with the FashionNet project - Distributed multimedia services for the fashion & textile industries." In Management of Multimedia Networks and Services, 261–76. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-0-387-35318-0_23.

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Hooper, P. "Tackling smoking among 16–24-year olds through a large-scale art, design and fashion project." In Tobacco: The Growing Epidemic, 593–94. London: Springer London, 2000. http://dx.doi.org/10.1007/978-1-4471-0769-9_254.

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Dingemans, Jo. "Styling projects." In Mastering Fashion styling, 122–49. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-15050-2_11.

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Horvath, Joan, Lyn Hoge, and Rich Cameron. "Two Bigger Projects." In Practical Fashion Tech, 193–227. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1662-0_11.

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Gault, Alison. "Deeds Not Words, an Exploration into the Women’s Suffrage Movement in Ulster Through the Fashion and Freedom Project." In Functional Textiles and Clothing, 229–40. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-7721-1_19.

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Lima Júnior, Geraldo Coelho, and Rachel Zuanon. "The Foundation of the SEE BEYOND Method: Fashion Design and Neuroeducation Applied to the Teaching of the Project Methodology to Students with Congenital and Acquired Blindness." In Distributed, Ambient and Pervasive Interactions, 528–46. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58697-7_40.

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Green, Anna. "Project Runway: Second-Hand Clothing Challenge." In Teaching Fashion Studies. Bloomsbury Visual Arts, 2018. http://dx.doi.org/10.5040/9781350022911.ch-016.

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Conference papers on the topic "Fashion project"

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Nuere, Silvia, Guillermo García Badell, Manuel Blanco Lage, Héctor Navarro Martínez, Raúl Díaz-Obregón Cruzado, and Laura de Miguel Álvarez. "INNOVATION IN THE FASHION SHOW DESIGN, A COLLABORATIVE PROJECT BETWEEN ARCHITECTURE, FASHION AND DESIGN STUDENTS." In 11th annual International Conference of Education, Research and Innovation. IATED, 2018. http://dx.doi.org/10.21125/iceri.2018.0434.

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Marques, Antonio, and Patrícia Azambuja. "PROJECT DESIGN METHODS AND UPCYCLING OF FASHION PRODUCTS IN BACHELOR CURRICULA OF FASHION DESIGN COURSES." In 15th International Technology, Education and Development Conference. IATED, 2021. http://dx.doi.org/10.21125/inted.2021.1896.

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Andreeva, Varvara Vladimirovna. "Using of actual author's project technology "Fashion-constructor" for preparing specialists in the direction of "Fashion design"." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2021. http://dx.doi.org/10.21661/r-552852.

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The article deals with the development and use of new educational technologies for the training of fashion designers. The article describes the innovative author's development of training in clothing design. The advantage of this method for motivation and formation of professional competencies is proved. As well as creating a high-quality educational environment directed at developing the creative abilities of students and their motivation to apply the results in practical project activities.
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Howell, Alexandra L. "The Uniform Project Reimagined: An Introduction to Sustainable Fashion for Undergraduate Students." In Risk and Reward. Iowa State University Digital Press, 2019. http://dx.doi.org/10.31274/itaa.12378.

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Hou, Min, Le Wu, Enhong Chen, Zhi Li, Vincent W. Zheng, and Qi Liu. "Explainable Fashion Recommendation: A Semantic Attribute Region Guided Approach." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/650.

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In fashion recommender systems, each product usually consists of multiple semantic attributes (e.g., sleeves, collar, etc). When making cloth decisions, people usually show preferences for different semantic attributes (e.g., the clothes with v-neck collar). Nevertheless, most previous fashion recommendation models comprehend the clothing images with a global content representation and lack detailed understanding of users' semantic preferences, which usually leads to inferior recommendation performance. To bridge this gap, we propose a novel Semantic Attribute Explainable Recommender System (SAERS). Specifically, we first introduce a fine-grained interpretable semantic space. We then develop a Semantic Extraction Network (SEN) and Fine-grained Preferences Attention (FPA) module to project users and items into this space, respectively. With SAERS, we are capable of not only providing cloth recommendations for users, but also explaining the reason why we recommend the cloth through intuitive visual attribute semantic highlights in a personalized manner. Extensive experiments conducted on real-world datasets clearly demonstrate the effectiveness of our approach compared with the state-of-the-art methods.
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Tenuta, Livia, Beatrice Rossato, and Susanna Testa. "An Example of Innovative University Teaching and Learning: the Fashion-Tech Model of Integration." In Seventh International Conference on Higher Education Advances. Valencia: Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/head21.2021.13113.

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The aim of the paper is to investigate the relationship between higher education institutions and companies in the field of Fashion-Tech educational system, in order to test the effectiveness of the integration of heterogeneous skills and disciplines. The paper firstly analyses how design, pervaded by the results of technological progress, has become over time an increasingly complex and multidisciplinary field, determining the need and development of new professional figures. Secondly, it focuses on the fashion-tech sector, the resulting area obtained from the intersection of fashion design and digital technologies, highlighting the need for a reviewed educational approach to form hybrid professional figures. To this aim the paper examines data obtained through interviews and desk research conducted within the framework of XXX European project, outlining the state of the art in fashion-tech and investigating the transversal dynamics between the academic world and companies. Next, a case study is reported: an international and multidisciplinary workshop carried out in the field of academic training with the collaboration of a company. What emerged from the experience is that in the Fashion-Tech, the close and continuous relationship with companies acquires a fundamental role.
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Fernández, Carrasco Pedro, Carrasco Pedro Fernández, Nawel Khelil, Nawel Khelil, Rachid Bninha, and Rachid Bninha. "COASTAL ESSAOUIRA DEVELOPMENT FAIR TRADE PROJECT. MOROCCO." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b431532eece.

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The city of Essaouira on the Atlantic Coast of Morocco is actively searching for an important change in its economic model, traditionally based on artisanal fisheries and tourism since the sixties of the past century. The circumstances of Morocco, such as the high dependence of import for energy needs (fuel and gas), low development of infrastructures and population growth, have generated in 2014 the opportunity of cooperation between the Commerce Chamber of Essaouira [1] and the research study group, headed by Professor Dr. Pedro Fernández, from Universidad Politécnica de Madrid. A cooperation agreement has been signed on the 15th October 2014. Within this agreement several activities have been implemented. Among them, 5 research projects [2] have been developed during 2015: Study of a New Bus Station Terminal, Creativity Entrepreneur Area (Dermocosmetics industry, agro bio organic market, Renewable Energy, Wood artisanal and Fair Fashion), Viability of Wave Energy Station, Harbor New uses, Offshore Wind Energy Farm. Here it is summarized the outcome of these researches, measured in terms of invest needed and benefits generated, in terms of active participation of people of Essaouira, new activities and companies generated, and profits potentially gained in a short and long term under sustainable and respectful environmental, cultural and social behavior where fair trade, health, person to person business and less is more are the bones and the heart of all proposals.
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Fernández, Carrasco Pedro, Carrasco Pedro Fernández, Nawel Khelil, Nawel Khelil, Rachid Bninha, and Rachid Bninha. "COASTAL ESSAOUIRA DEVELOPMENT FAIR TRADE PROJECT. MOROCCO." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b93720ce3b6.46377074.

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The city of Essaouira on the Atlantic Coast of Morocco is actively searching for an important change in its economic model, traditionally based on artisanal fisheries and tourism since the sixties of the past century. The circumstances of Morocco, such as the high dependence of import for energy needs (fuel and gas), low development of infrastructures and population growth, have generated in 2014 the opportunity of cooperation between the Commerce Chamber of Essaouira [1] and the research study group, headed by Professor Dr. Pedro Fernández, from Universidad Politécnica de Madrid. A cooperation agreement has been signed on the 15th October 2014. Within this agreement several activities have been implemented. Among them, 5 research projects [2] have been developed during 2015: Study of a New Bus Station Terminal, Creativity Entrepreneur Area (Dermocosmetics industry, agro bio organic market, Renewable Energy, Wood artisanal and Fair Fashion), Viability of Wave Energy Station, Harbor New uses, Offshore Wind Energy Farm. Here it is summarized the outcome of these researches, measured in terms of invest needed and benefits generated, in terms of active participation of people of Essaouira, new activities and companies generated, and profits potentially gained in a short and long term under sustainable and respectful environmental, cultural and social behavior where fair trade, health, person to person business and less is more are the bones and the heart of all proposals.
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Murray, Andrew P., Jon M. Stevens, Waleed W. Smari, Gregory G. Kremer, and Jed E. Marquart. "Early Lessons in Executing Distributed Collaborative Student Design Projects." In ASME 2001 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/detc2001/ied-21217.

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Abstract In this paper we review two student design projects executed under a geographically distributed protocol. Our pilot design project occurred at the University of Dayton between the 5th and 14th of July, 2000. We assembled a small group of students into a distributed design team and assigned a rudimentary project via an audio chat session. Most team members were prohibited from face-to-face interaction during the ten-day period. To communicate and share data, they were required to use either the set of collaborative tools installed on each member’s personal computer or a telephone. The second project occurred from January to May 2001, involving students from Ohio University, Ohio Northern University and the University of Dayton. There were no artificial restrictions on the interactions amongst the team members as in the pilot project. However, the distance between the students made collaborating in a distributed fashion a necessity. This paper presents an overview of the design projects and the collaborative tools used, observations about our experiences executing design under this protocol, and future directions for this work.
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Dowse, Susan, Meaghan Hoyle, and Katherine Card. "Socio-Economic Effects Monitoring and Pipelines: Moving Towards a Practical and Project-Specific Framework." In 2016 11th International Pipeline Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/ipc2016-64607.

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Socio-economic effects monitoring is emerging as a regulatory requirement and risk management tool in the Canadian pipeline sector. While socio-economic impact assessments have been part of the regulatory landscape for some time, the additional step of socio-economic monitoring beyond the predictions of the assessment, in a parallel fashion with environmental monitoring, has not. Generally, socioeconomic monitoring is a process to track project-related socioeconomic outcomes, to evaluate the effectiveness of mitigation that was designed during the regulatory assessment phase, and to adapt or improve mitigation in order to respond to unanticipated outcomes. Different from mines or industrial facilities that are focused in one geographic area with a long term operating presence, pipelines present unique challenges with respect to socio-economic monitoring. Monitoring of pipeline projects requires an approach that considers the interests of often numerous administrative and geographic jurisdictions and the challenge of data collection over a relatively short-term construction period. These pipeline-specific factors are layered with the challenges associated with all socio-economic monitoring programs related to multiple influences on social and economic outcomes and the challenge of effect attribution. This paper provides an overview of socio-economic monitoring as a requirement in the Canadian pipeline context, and reviews the public domain approaches proposed by various recent project proponents in Canada. This paper ultimately presents a framework for a practical and focused socio-economic monitoring process that is uniquely suitable for the context of major pipeline projects (Pipeline Socio-Economic Monitoring — or P-SEM — Model). The P-SEM model will help Project Managers meet regulatory requirements, improve mitigation, buffer projects from broader socio-economic issues that are beyond their sole control, and create a touch point for engagement with project stakeholders through pipeline construction.
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Reports on the topic "Fashion project"

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Nishida, Keith. Incorporating Magazine Project to Teach Fashion Styling Course. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-770.

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Weathers, Kelly, and Barbara Frazier. Engaging fashion majors in the community: Outcomes of a service learning project. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-797.

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Boorady, Lynn M., Jane Ledbury, Nicholas Hall, Karen Webster, Grant Emerson, and Bingbing Du. CONNECT Project: A global learning experience on sustainability in the fashion industry. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1177.

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Martindale, Addie, and Ellen McKinney. Understanding and building student interest in alternative fashion design careers through a project based learning patternmaking project. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1840.

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Simpson, Mary, and Greta Buehrle. Fashion Meets Architecture: Inspiration InterchangeA Collaborative Project for Apparel Design and Interior Design. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-545.

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Hubert, Stephanie K., Robert F. Saunders, and Shannon C. Mason. Collaboration Makes More Lights Come on than Those on the Runway: Experiential Learning through an Interdisciplinary Fashion Show Project Merges Fashion and Technology. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1835.

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Freeman, Charles, Phyllis Bell Miller, Caroline Kobia, and Juyoung Lee. What do students really learn from a fashion show? A theoretical approach to a project-based learning activity. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-73.

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Magie, Anna A., and Deborah D. Young. Experiential Learning and Service Activities for University Students: Development of the Fashion Earth Project to Foster Leadership and Management Skills through Volunteerism. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1537.

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Magie, Anna A., and Deborah D. Young. Service Learning for University Students: Convergence of Fashion Coursework and Community Service to Develop Leadership and Management Skills Through the Planet Style Project. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-82.

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Boettcher, Seth J., Courtney Gately, Alexandra L. Lizano, Alexis Long, and Alexis Yelvington. Part 3: Case Study Appendices to the Technical Reports. Edited by Gabriel Eckstein. Texas A&M University School of Law Program in Natural Resources Systems, May 2020. http://dx.doi.org/10.37419/eenrs.brackishgroundwater.p3.

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This Case Study Appendix to the Technical Reports expands on regulations in San Antonio and El Paso where these water alternatives are in place. The goal of this report is to provide insight into the legal and regulatory barriers, challenges, and opportunities for these technologies to go online. Each desalination and water recycling faciality implementation site must comply with various laws and regulations. The information in these Case Studies comes from the study of brackish groundwater desalination and water recycling facilities currently operating in Texas. While there is no updated “one-stop-shop” resource where a municipal leader can find a list of all the necessary permits to build, operate, and maintain such facilities, this Technical Report aims to compile the existing, available information in an organized and accessible fashion. The Desalination Technical report is the third in a series of three reports which make up the Project. These reports examine regulations surrounding desalination and water recycling. The companion reports generally highlight building, operating, and monitoring requirements for water recycling facilities in Texas.
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