Relevant bibliographies by topics / Fauriel

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Academic literature on the topic 'Fauriel'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Fauriel"

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Meliga, Walter. "Claude Fauriel, Histoire de la poésie provençale." Studi Francesi, no. 167 (LVI | II) (July 1, 2012): 295. http://dx.doi.org/10.4000/studifrancesi.3970.

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Arrous, Michel. "Claude Fauriel, Histoire de la poésie provençale." Studi Francesi, no. 171 (LVII | III) (December 1, 2013): 609. http://dx.doi.org/10.4000/studifrancesi.2783.

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Espagne, Michel. "Claude Fauriel en quête d'une méthode, ou l'Idéologie à l'écoute de l'Allemagne." Romantisme 21, no. 73 (1991): 7–18. http://dx.doi.org/10.3406/roman.1991.5778.

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Thomas, Jean-Noël. "Stratégies d'acteurs et requalification du territoire : l'espace Fauriel à St-Etienne / Revitalising urban space and the strategies of different actors : the case of the Fauriel area in St-Etienne." Revue de géographie de Lyon 66, no. 2 (1991): 108–14. http://dx.doi.org/10.3406/geoca.1991.5770.

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Mello, Celina Maria Moreira de. "O poeta entre o literário, o político e a polêmica: a recepção de Dante, no Romantismo francês." Revista de Italianística, no. 31 (June 10, 2016): 4. http://dx.doi.org/10.11606/issn.2238-8281.v0i31p4-18.

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Este ensaio desenha um panorama da recepção, na França, da obra do poeta Dante Alighieri por eruditos, tradutores, pintores e poetas, em sua atuação de mediadores culturais, em uma perspectiva sócio-histórica e discursiva. São apontados como exemplo dois modos diversos de apropriação da obra do poeta florentino: Dante visto como um perigoso templário socialista e uma polêmica, na imprensa, provocada pela biografia de Dante, de autoria de Charles-Claude Fauriel, publicada na Revue des Deux Mondes em 1º de outubro de 1834. Para além dos posicionamentos conflitantes em uma perspectiva da constituição da autonomia do campo literário, podemos ver o choque de grupos e veículos de publicação rivais, assim como ler um capítulo das narrativas de construção de identidades nacionais.
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Caruso, Carlo, Giancarlo Vigorelli, and Irene Botta. "Edizione Nazionale ed Europea delle opere di Alessandro Manzoni. Vol. XXVII: Carteggio Alessandro Manzoni-Claude Fauriel." Modern Language Review 96, no. 3 (July 2001): 850. http://dx.doi.org/10.2307/3736811.

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Lee, Shoei-Sheng, and Raymond W. Doskotch. "Faurine andO-Methylfaurine, Two Novel Benzyl−Aporphine Dimers fromThalictrum fauriei1." Journal of Natural Products 59, no. 8 (January 1996): 738–43. http://dx.doi.org/10.1021/np9603885.

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ΣΚΛΑΒΕΝΙΤΗΣ, ΤΡΙΑΝΤΑΦΥΛΛΟΣ Ε. "Claude Fauriel, Ελληνικά Δημοτικά Τραγούδια, εκδοτική επιμέλεια Αλέξης Πολίτης, τ. Α'. Η έκδοση του 1824-1825, τ. Β' Ανέκδοτα κείμενα. Αναλυτικά κριτικά υπομνήματα. Παράρτημα και Επίμετρα." Μνήμων 21 (January 1, 1999): 261. http://dx.doi.org/10.12681/mnimon.798.

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Huang, Yao-Moan, Hsueh-Mei Chou, Tsung-Hsin Hsieh, Jenn-Che Wang, and Wen-Liang Chiou. "Cryptic characteristics distinguish diploid and triploid varieties of Pteris fauriei (Pteridaceae)." Canadian Journal of Botany 84, no. 2 (February 2006): 261–68. http://dx.doi.org/10.1139/b05-160.

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There are two varieties of Pteris fauriei Hieron. in Taiwan: P. fauriei var. fauriei and P. fauriei var. minor Hieron. Their mature sporophytes are virtually indistinguishable based on gross morphology. To better understand these two varieties and the differences between them, and to determine whether they are based on different ploidies, we examined and compared the sporophytes and gametophytes of both varieties in detail. Each variety exhibited distinct, constant cryptic characteristics and cytotype. Based on the diameter of spores from type specimens, we confirmed that P. fauriei var. minor is diploid and that P. fauriei var. fauriei is triploid. Diploid sporophytes produced 64-spore sporangia. Their haploid gametophytes produced archegonia and antheridia containing 64 sperm each. Gametophytes cultured for 10 weeks formed sexual sporophytes, the first fronds of which lacked midribs. Triploid sporophytes produced 32-spore sporangia. Triploid spores were significantly larger in diameter than haploid spores. Triploid gametophytes did not produce archegonia but did produce 32-sperm antheridia, which were significantly larger in diameter than antheridia produced by haploid gametophytes. The life span of triploid gametophytes was 4 weeks shorter than that of haploid gametophytes. After 6 weeks in culture, apomictic triploid sporophytes arose directly from gametophyte cells. Each of their first fronds had three pinnae and a midrib. These data are useful for delimiting P. fauriei var. fauriei and P. fauriei var. minor.
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Pooler, Margaret R. "Molecular Genetic Diversity Among 12 Clones of Lagerstroemia fauriei Revealed by AFLP and RAPD Markers." HortScience 38, no. 2 (April 2003): 256–59. http://dx.doi.org/10.21273/hortsci.38.2.256.

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Many popular crapemyrtle (Lagerstroemia L.) cultivars grown in the United States are interspecific hybrids between L. indica L. and L. fauriei Koehne. The 22 hybrid cultivars released from the U.S. National Arboretum contain primarily genetic material from L. fauriei PI 237884. Examining the genetic diversity ofL. fauriei specimens in the U.S. is valuable because of the historical and economic significance of the species, the increasing interest it is receiving as a source of new cultivars, and its threatened status in the wild. Our objectives were to examine molecular genetic diversity among L. fauriei accessions using Randomly Amplified Polymorphic DNA (RAPD) and Amplified Fragment Length Polymorphisms (AFLP) markers. Our results indicate: 1) RAPD and AFLP markers are generally consistent in the genetic relationships that they suggest; 2) the L. fauriei germplasm we examined falls into at least three distinct clusters; and 3) the genetic base of cultivated Lagerstroemia could be broadened significantly by incorporating some of this more diverse L. fauriei germplasm into breeding programs.
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Dissertations / Theses on the topic "Fauriel"

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Mochonkina, Elena. "Un philologue romantique, Claude Fauriel (1772-1844)." Paris 4, 2005. http://www.theses.fr/2005PA040025.

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“L'homme qui a mis en circulation plus d'idées que personne d'autre” disait E. Renan à propos de Claude Fauriel en 1855. Étonnant raccourci pour celui qui a été à la fois l'une des figures centrales de la vie intellectuelle en France pendant plus de quarante ans, mais en même temps un homme trop oublié après sa mort en 1844, resté pendant très longtemps dans l'ombre des grands philologues de la deuxième moitié du XIXe siècle et connu aujourd'hui encore surtout en tant qu'auteur de quelques théories fantaisistes sur l'épopée médiévale. Comment approcher un savant qui s'est intéressé et s'est distingué dans les domaines aussi multiples et divers que l'ethnologie, les études folkloriques, la linguistique, l'histoire de littérature, l'orientalisme, et cetera ? Pour contourner cet obstacle on a choisi comme l'axe de recherche ce que l'on a l'habitude appeler les “renaissances romantiques”. Cet angle d'approche permet d'éviter les sujets trop explorés, souvent associés au nom de C. Fauriel; d'aborder quelques-uns de ceux qui restent beaucoup moins étudiés; plus encore: de les présenter comme ayant une réelle unité d'ensemble. C'est à partir des sources dites “mineures” (articles, textes oubliés, quelques manuscrits inédits) qu'on a choisi d'approcher la personnalité et l'oeuvre d'un des plus méconnus des historiens de littérature du XIXe siècle. La présente recherche s'articule autour des trois thèmes principaux: 1) la partie “biographique”, centrée sur quelques épisodes peu connus de la vie de Fauriel (Ch. I-V); 2) l'étude d'une page oubliée du préromantisme français, “Parthénéide” de Jens Baggesen, traduite par C. Fauriel en 1810 (Ch. VI); 3) l'étude, à travers des thèmes comme le philhellénisme, le celtisme et le Moyen Age provençal, de la façon dont se constitue le discours romantique (Ch. VII-IX)
“The man who circulated more ideas than anyone else” that is what E. Renan said about Claude Fauriel in 1855. This is an amazing summary for a man who was both one of the central figures of intellectual life in France for more than forty years, but also a man who was too much forgotten after his death in 1844; who stayed for a long time in the obscurity of the great philologists of the second half of the 19th century and who is still known mostly as the author of some eccentric theories upon the medieval epic. How could one approach a scientist who was interested and who distinguished himself in numerous and varied fields such as ethnology, folk studies, linguistics, history of literature, orientalism, and so on ? To circumvent this obstacle we have chosen, as an axe of research, the “romantic renaissances”. This angle of approach enables us to avoid the topics which have been too much explored, often associated to C. Fauriel's name; to tackle some of those which have been less studied, and even to present them as having a unity as a whole. We started from the so called “minor” sources (articles, forgotten texts, a few unpublished manuscript pages) to approach the personality and the work of one of the most unrecognized historians of the literature of the 19th century. This research is articulated around three main themes: 1) a biographical part centered on a few unknown episodes of Fauriel's life (Ch. I-V); 2) the study of a forgotten page of French preromantism, Parthénéide de J. Baggesen, translated by C. Fauriel in 1810 (Ch. VI); 3) the study, through themes such as Philhellenism, Celtism and Provençal Middle Age, about the ways the romantic discourse is made up
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Maufroy, Sandrine. "Le Philhellénisme franco-allemand de 1815 à1848." Paris 8, 2008. http://www.theses.fr/2008PA083187.

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L'intérêt des Allemands pour la Grèce moderne, fondé sur le sentiment d'une affinité culturelle avec les Grecs anciens, est lié à un contexte européen plus large et en particulier aux relations franco-allemandes. L'instrumentalisation politique et identitaire de la référence grecque antique fournit les bases du philhellénisme qui culmina durant la guerre d'indépendance grecque et trouva un prolongement dans la formation de l'État grec et de son idéologie nationale. Trois cas éclairent les différentes modalités du philhellénisme franco-allemand et l'articulation entre ses manifestations esthétiques, scientifiques et politiques. Karl Benedikt Hase, helléniste et médiateur culturel franco-allemand incontournable, associa l'aide quotidienne aux Grecs au philhellénisme culturel manifesté dans son enseignement à l'École des Langues Orientales et dans sa participation à des entreprises scientifiques collectives visant à faire progresser les études helléniques et l'éducation du peuple grec. Les recueils de chants populaires néogrecs, dont celui de Claude Fauriel joua un rôle fondateur, contribuèrent à la formation d'un discours sur la régénération de la Grèce et à la genèse des études néohelléniques et folkloriques. Friedrich Thiersch servit la cause des Grecs par des articles publiés en collaboration avec J. -G. Eynard et J. F. Cotta, par la rédaction d'ouvrages traduits ou rédigés directement en français et par son action pédagogique d'inspiration néohumaniste. Par leurs discours et leurs actions philhellènes, les hommes de lettres reportaient sur la Grèce des idéaux concernant leur propre pays et préservaient l'espoir d'un renouveau de la civilisation européenne
German interest for modern Greece, grounded in a sense of cultural affinity with ancient Greeks, is linked to a wider European context and in particular to Franco-German relations. The instrumentalisation of the reference to ancient Greece for political and identitary purposes lies at the root of the philhellenic movement which culminated during the Greek War of Independence and further developed during the formation of the Greek state and of its national ideology. Three cases account for the different modalities of Franco-German philhellenism and for the articulation of its aesthetic, scientific and political manifestations. Karl Benedikt Hase, a prominent Hellenist and cultural mediator between France and Germany, associated regular help to Greece to cultural philhellenism evinced in his lectures at the Ecole des Langues Orientales and in his participation in collective scientific projects meant to foster Hellenic studies and the education of the Greek people. The collections of Neo-Greek popular songs, among which that of Claude Fauriel played a founding role, contributed to the formation of a discourse on the regeneration of Greece and to the emergence of Neo-Hellenic and folkloric studies. Last but not least, Friedrich Thiersch served the Greek cause with his articles published in collaboration with J. -G. Eynard and J. F. Cotta, his books that were translated or written directly in French, and his neohumanistic pedagogical action. Through their discourses and philhellenic actions, men of letters projected on Greece ideals that touched their own countries, keeping alive the hope of a renewal of the European civilisation
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Pouzoulet, Christine. "La construction du modèle de Dante comme poète national de l'Italie romantique : de Mme de Stae͏̈l à Quinet, l'exemple de Claude Fauriel (1772-1844) et du réseau de ses relations." Paris 3, 1996. http://www.theses.fr/1996PA030063.

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Ce travail se propose de montrer comment la rehabilitation de dante a l'epoque romantique et sa sacralisation comme premier poete national de l'italie resultent de la liaison intrinseque de deux nouvelles approches. D'une part, l'emergence d'une mise en perspective historique du fait litteraire chez les ideologues et dans le groupe de coppet, puis le developpement de la nouvelle discipline universitaire des litteratures etrangeres apres 1830, modifient la perception de dante, en le resituant dans son epoque et en eclairant son genie comme creation fondatrice d'une langue et d'une litterature nationales. Dante fait ainsi l'objet d'une recuparation politique et devient un symbole liberal, temoignant des droits de l'italie a vivre comme nation. Ce travail analyse donc corollairement le fonctionnement du modele de dante dans le debat liberal francais sur le destin politique et culturel de l'italie. Cette reflexion comparatiste est menee a l'interieur du reseau des relations de laude fauriel (1772-1844) entre la france, l'italie et l'allemagne. Issu du groupe des ideologues, lie a mme de stael et benjamin constant, puis a victor cousin et a l'ecole des jeunes historiens liberaux de la restauration (guizot et thierry surtout) ainsi qu'a stendhal a son retour de milan en 1821, et a quinet apres 1830, fauriel est le premier titulaire de la chaire de litterature etrangere creee a la sorbonne apres la revolution de 1830. Son cours en 1833-34, dante et les origines de la langue et de la litterature italiennes, manifeste sa double attention aux recherches les plus recentes de la philologie allemande et aux preoccupations esthetiques et politiques des romantiques italiens, avec qui il entretient des liens privilegies par son amitie avec manzoni, son sejour en italie de 1823 a 1825, et ses echanges avec visconti et berchet
The present research aims at demonstrating how the rediscovery of dante in the romantic era and his subsequent sacralisation as the national poet of italy resulted from the conjunction of two developments. The emergence of a new historical approach to litterature, as practiced by the ideologues and the coppet group together with the institutionalization in the 1830's of foreign literatures as full-fledged academic disciplines, generated a renewed, historicized conception of dante and enlightened his poetic genius as the founding of a national language and literature. Dante's persona was charged with a new political dimension and made into a symbol of italy's legitimacy in existing as a nation. Therefore this work also consideres the functioning of dante as a model in the literal debate carried out in france on the political and cultural destiny of italy. This comparative approach is worked out through a study of fauriel's intellectual network throughout france, italy, germany. Fauriel was the first professor to hold the chair of foreign literature created at la sorbonne after the 1830 revolution. The course he professed in 1833-1834, dante and the origins of italian language and literature, demonstrates his twofold concern for the most recent research in germany and the aesthetic and political discussions carried by the italian romantics to whom he was cloesely related, through his personal friendship with manzoni, his stay in italy from 1823 to 1825 and his exchanges with visconti and berchet
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Johansen, Ken. "Gabriel Fauré and the art of ambiguity : an examination of his late style through selected piano works, with three recitals of selected works by Bach, Beethoven, Chopin, Prokofiev, Franck, Liszt and Schubert /." Denton : Tex. : K. Johansen, 1995. http://catalogue.bnf.fr/ark:/12148/cb39138962c.

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Caballero, Carlo. "Fauré and French musical aesthetics /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37122166m.

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Araujo-Rousset, Anthony de. "Figures françaises de Dante : un mythe romantique." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3008.

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Ce travail construit une dantologie transcendantale fondée sur la fécondité et la légitimité du commentarisme français tout au long du dix-neuvième siècle. Le nom et l’œuvre de Dante progressent dans la vie de l’esprit et de la culture après la sidération de la Révolution, avec la naissance, l’apogée, le déclin et les suites métamorphosées du Romantisme. Un amour soumis à la loi de la divisibilité de quelques fragments de la Divine Comédie se transforme graduellement en une première dantologie. Des figures archétypiques issues de domaines hétérogènes donnent une armature conceptuelle et poétique à cette double spirale entrecroisée : la lecture des textes de Dante éclairée par la critique contemporaine ; et la compréhension des morphologies divergentes du Romantisme en la diversité de ses moments. Dante est un penseur de l’histoire, des enjeux politiques, du christianisme jusqu’en ses limites internes et externes, du fait initiatique, de la différence sexuelle dans laquelle UN POETE SE TRANSHUMANISE PARCE QU’IL EST AIME PAR BEATRICE APRES AVOIR ETE GUIDE PAR VIRGILE. Chateaubriand, Balzac, Nerval et Hugo sont les parangons d’une lecture tournée vers un usage libre, infidèle mais hautement créateur. Fauriel, Ozanam et Aroux représentent la volonté d’une critique raisonnée de la doctrine philosophique et théologique dantesque. Dante et son œuvre s’inscrivent au cœur des mille agitations d’un dix-neuvième siècle qui reconfigure la France et l’Europe. La rémanence de l’espérance du voyageur cherchant à revoir les étoiles et à contempler la Trinité influence les réminiscences du progressisme plurivoque. La figure d’airain du poète acrimonieux et vengeur accompagne les esprits désenchantés. Celui qui devient l’égal des dieux après avoir affronté une Dame qui tue autant qu’elle ennoblit inspire les mystiques et ceux qui cherchent une nouvelle spiritualité. Le chantre de la foi, revenu dans le giron de l’Église après la conversion de son amour, réchauffe les catholiques. L’homme qui dédouble les pouvoirs comme les soleils de Rome devient un interlocuteur privilégié après l’Empire. Nous ne cherchons pas une liste exhaustive, thématique ou chronologique, notionnelle ou par auteur. À travers des exemples ayant valeur de paradigmes, nous montrons comment cette union de connaissance et d’usage créateur construit des FIGURES de Dante qui entrent en écho avec les inquiétudes et les espérances, les attentes et les angoisses, du Romantisme. Alors Dante et son « Poème Sacré » ne sont plus seulement des occasions de références. Ils deviennent un MYTHE au cœur du rapport entre mystique religieuse et initiation par l’Éternel-Féminin, engagement dans l’histoire et culte de la Beauté, aspiration à un sursaut régénérateur du monde et conscience amère du tragique de la scission entre l’Idéal et le Réel, mythe du Tombeau et promesse d’élévation spirituelle. Parmi les voies possibles, NOUS DEFENDONS UN DANTE SE VOUANT AU CULTE INITIATIQUE DES TOMBEAUX ET DES « DAMES QUI ONT L’INTELLECT D’AMOUR. » Il appartient à un catholicisme élargi, dilaté – le catholicisme transcendantal de Maistre qui assume son ésotérisme arcane fondé sur la polysémie des textes et la liberté accordée par Dante au commentaire. L’auteur de la Divine Comédie s’inscrit dans un Romantisme de plus en plus sombre, antimoderne, à la fois POUVOIR D’ANAMNESE D’UNE GRANDEUR ABOLIE ET PROPHETE D’UN MONDE EN GERMINATION, qui reprend ses thèmes : les questions de la laïcité, de la langue pour le peuple contre celle des dieux, de l’aspiration à l’idéal et à la communication du visible et de l’invisible, de la puissance métaphysique de la Dame. Notre Dante est celui qui doit choisir « l’autre voie », celle de la catabase nécessaire avant l’anabase ; et qui doit faire preuve de la plus grande piété envers les ombres. Alors ce Dante et ce Romantisme « ne descendent pas sans raison dans l’abîme » : ils y trouvent, notamment par la puissance de la parole, la promesse de l’Esprit
This work builds a transcendental dantology based on a leibnizian paradigm of a perennial philosophy. Dante's name and work get on gradually in the life of spirit and French culture, after the astonishment of the Revolution, with the birth, the apogee, the decline and the transformed sequels of Romanticism. One love submitted to the rule of divisibility in direction of some fragments of the Divine Comedy turns into a first dantology. Archetypal figures coming from heterogeneous domains provide a conceptual and poetical framework at this double-crossed spiral: the reading of Dante's texts enlightened by present-day criticism; and the understanding of the divergent morphologies of the various moments of Romanticism. Dante appears as a thinker of history, political stakes, Christianism even in his internal and external limits, initiatory fact, sexual difference in which A POET BECOMES TRANSHUMAN THANKS TO BEATRICE'S LOVE AND VIRGIL'S GUIDING. Chateaubriand, Balzac, Nerval and Hugo are the paragons of a reading going to a free use, inaccurate but highly creative. Fauriel, Ozanam and Aroux represent the quest of a reasoned criticism of the philosophical and theological dantean doctrine. Dante and his work got included in the heart of thousands occasions of unrest of a nineteenth century that reconfigure France and Europe. The persistence of the hope of a traveller attempting to see once more the stars and contemplate the Trinity influence the reminiscences of progressivism in many aspects. The brazen figure of an acrimonious and revengeful poet goes with disenchanted minds. The one that becomes a companion of the other gods after struggling with an ennobling and killing Lady inspire the mystics and those who look for a new spirituality. The faith apologist, once he has got back into the bosom of the Church thanks to the conversion of his love, warms up the Catholics. The man who divides into two the powers as the suns of Rome turns to a favoured speaker after the Empire. We don't look for an exhaustive, thematical, notional, chronological or nominal list. But, through examples as paradigms, it's shown how that union between knowledge and creative use builds, in less than a century, some figures of Dante that echo with the concerns and hopes, expectations and anguishes, of Romanticism. In this way Dante and his "Sacred Poem" aren't reductive to citations occasions. They become a myth at the heart of the relation between religious mystic and initiation thanks to the Eternal-Feminine, commitment in history and cult of Beauty, craving for a world-wide regenerative burst and being aware of the tragic scission between Ideal and Real, myth of the Tomb and promise of spiritual elevation. Among the various possibilities, WE DEFEND A DANTE DEVOTED TO THE INITIATORY CULT OF THE SEPULCHRE AND THE "LADIES WHO GOT THE INTELLECT OF LOVE." He belongs to a broadened, dilated Catholicism - the transcendental Catholicism by Maistre, that takes on his Arcanum esotericism based on the polysemy of the texts and the freedom granted by Dante to the commentary. The author of the Divine Comedy takes place in a more and more gloomy, antimodernist, Romanticism; BOTH THE ANAMNESIS POWER OF AN ABOLISHED GREATNESS AND THE PROPHET FOR WORLD IN GERMINATION that picks his themes up again: questions of laicity, popular language in front of the gods 'one, aspiration at the Ideal and at the link between visible and invisible, metaphysical power of the Lady. Our Dante is the one who has to take care of "the other path", the catabasis before the anabases; and who has to show up the highest devotion toward the shadows. Then, this Dante and this Romanticism don't journey to the "deep randomly": here they find, in particular thanks to the power of Speech, the promise of the Spirit
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Park, Woong-Cheol. "The performance of Fauré's La Bonne Chanson, opus 61, in practice /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11266.

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Flanagin, Juliette Lynn Gray. "Structure and thematic design in the preludes of Gabriel Fauré and Claude Debussy /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Enlow, Charles Alva. "The thirteen barcarolles for piano by Gabriel Fauré : an analytical and interpretive study /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004199.

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Dougnac, Bernard. "Paul Faure (1878-1960) : biographie." Bordeaux 3, 2006. http://www.theses.fr/2006BOR30041.

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Des hommes politiques de l'Histoire du XXème siècle, Paul Faure (1878-1960) est assurément l'un des plus oubliés. Ce doctorat d'histoire a donc pour objectif premier de combler une lacune historiographique. Voici, présentées succinctement, les grandes lignes de son action politique. Paul Faure incarne, avec intransigeance et talent, les idées de la tendance guesdiste au sein de la fédération socialiste de la Dordogne de 1901 à 1914. En 1915, il s'oppose cependant à son maître Jules Guesde en défendant le pacifisme et l'internationalisme des " minoritaires " qui, après une longue lutte intestine (1915-1918), finissent par l'emporter. Favorable alors à la révolution russe, il souhaite reconstruire l'Internationale sur des bases plus révolutionnaires mais refuse, au Congrès de la S. F. I. O. à Tours, les vingt-et-une conditions de Moscou (décembre 1920). Devenu secrétaire général de la S. F. I. O. , il est de 1920 à 1924 le fer de lance de la renaissance du Parti amoindri par la scission, luttant à l'extérieur, à la fois contre les gouvernements en place, contre les communistes et contre les marchands de canons – qu'il n'hésite pas à défier dans leur propre fief (Le Creusot) – et à l'intérieur, contre les participationnistes et les " néo-socialistes " (1929-1933). Sous le Front populaire (1936-1938), il est ministre d'Etat à trois reprises – un ministre très militant –, servant surtout de lien entre le gouvernement et le Parti, soutenant constamment la politique menée par Léon Blum. Munichois et pacifiste jusqu'au déclenchement du conflit, Paul Faure se sépare des Blumistes (à partir du Congrès de Montrouge, en décembre 1938), se contentant, sous l'Occupation, de faire partie du Conseil national de Vichy pour " garder la place " en vue d'une éventuelle reprise de l'activité socialiste autour de sa tendance. Jugé collaborateur par les socialistes résistants, il est exclu en 1944 du parti qu'il avait dirigé pendant vingt ans, militant jusqu'à la fin de sa vie (1960) au Parti Socialiste Démocratique qu'il a créé en 1945, défendant désormais, avec ses fidèles " paul-fauristes ", un socialisme humaniste très anticommuniste
Among all the French politicians, Paul Faure (1878-1960) is most certainly one of the most forgotten. This doctorate aims to fill an historical gap. Here are the broad lines of his political actions. From 1901 to 1914, Paul Faure embodied – with intransigence and talent – the ideas of Guesde's sympathies within the Socialist Federation of Dordogne. However, in 1915, he clashed with his mentor Jules Guesde and he chose to defend the pacifism and the inrnationalism of the “minority” who, after a long internal fight, won at last. As he was favourable to the russian revolution, he wished to rebuild the International according to even more revolutionary ideas. But, during the Congress of the socialist party (“SFIO”) in Tours, he refused to sign the twenty-one conditions of Moscow's treaty (December 1920). Then he became the secretary-general of the “SFIO” and he was, from 1920 to 1924, the leader of this reborn party that has been weakened by the split. Paul Faure was fighting outside his party against the present government, the communists and the arms dealers that he dared to challenge in their own kingdom (Le Creusot). He was also fighting – inside his party – against the “participationnists” and the “new socialists” (1929-1933) He has been by three times senior minister during the Popular Front (1936-1938). He was the link between the present government and the Socialist Party and he was always supporting Léon Blum's policy. As he was a man of Munich and pacifist until the beginning of the conflict, Paul Faure separated from Blum's ideas (during the Congress of Montrouge in December 1938). During the Occupation he contented himself with being a member of the National Council of Vichy, planning to keep the place in case of a probable return of socialist actions. Being considered as a collaborateur by the French socialist Resistance, he was expelled from his party which he has been the leader for twenty years. Until the end of his life (1960), he has been a militant of the Democratical Socialist Party that he created in 1945, always defending the ideas of a very anticommunist and humanist socialism
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Books on the topic "Fauriel"

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Manzoni, Alessandro. Carteggio Alessandro Manzoni, Claude Fauriel. Milano: Centro Nazionale Studi Manzoniani, 2000.

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Claude Fauriel: Alle origini della comparatistica. Firenze: Franco Cesati editore, 2014.

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Cretin, Claude. Le cours Fauriel: Un miroir pour la ville (1850-1998). Saint-Etienne Cedex: Publications de l'Université de Saint-Etienne, 1998.

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Espagne, Geneviève, and Udo Schöning. Claude Fauriel et l'Allemagne: Idées pour une philologie des cultures. Paris: Honoré Champion éditeur, 2014.

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Fauré. 2nd ed. Paris: Seuil, 1986.

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Nectoux, Jean Michel. Fauré. Paris: Seuil, 1995.

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Duchen, Jessica. Gabriel Fauré. London: Phaidon, 2000.

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Faurer, Louis. Louis Faurer: [photographies]. [Paris]: Centre national de la photographie, 1992.

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Phillips, Edward R. Gabriel Faure. London: Taylor & Francis Inc, 2003.

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Phillips, Edward R. Gabriel Faure. London: Taylor & Francis Group Plc, 2003.

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Book chapters on the topic "Fauriel"

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Bährle-Rapp, Marina. "Valeriana fauriei." In Springer Lexikon Kosmetik und Körperpflege, 577. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_10942.

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Polhill, R. M., R. K. Brummitt, and Serena K. Marner. "Faurea*." In Flora of Tropical East Africa, 2–8. London: CRC Press, 2020. http://dx.doi.org/10.1201/9781003079101-3.

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Bussmann, Rainer W., Narel Y. Paniagua-Zambrana, and Grace N. Njoroge. "Faurea saligna Harv. Proteaceae." In Ethnobotany of the Mountain Regions of Africa, 1–2. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-77086-4_82-1.

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Bussmann, Rainer W., Narel Y. Paniagua-Zambrana, and Grace N. Njoroge. "Faurea saligna Harv. Proteaceae." In Ethnobotany of the Mountain Regions of Africa, 535–36. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-38386-2_82.

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Azimova, Shakhnoza S., and Anna I. Glushenkova. "Rhododendron fauriei Franch. (var. rufescens Nakai, R. brachycarpum auct.)." In Lipids, Lipophilic Components and Essential Oils from Plant Sources, 344. London: Springer London, 2012. http://dx.doi.org/10.1007/978-0-85729-323-7_1044.

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Jerkovits, Thomas, and Hannes Bartz. "Weak Keys in the Faure–Loidreau Cryptosystem." In Code-Based Cryptography, 102–14. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25922-8_6.

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Chi, Hongmei, and Michael Mascagni. "Efficient Generation of Parallel Quasirandom Faure Sequences Via Scrambling." In Computational Science – ICCS 2007, 723–30. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-72584-8_96.

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Atanassov, Emanouil I. "Efficient CPU-Specific Algorithm for Generating the Generalized Faure Sequences." In Large-Scale Scientific Computing, 121–27. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24588-9_12.

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Flower, P. R. A. "Case Study: Faure Water Treatment Plant Potable Water Treatment and Sludge Handling." In Chemical Water and Wastewater Treatment V, 399–412. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/978-3-642-72279-0_32.

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Sandrine, Maufroy. "Fauriel, Claude." In Encyclopedia of Romantic Nationalism in Europe. Amsterdam University Press, 2015. http://dx.doi.org/10.5117/9789462981188/ngxe6n36kykp6iksqzgt5ewh.

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Conference papers on the topic "Fauriel"

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Walker, James Faure. "James Faure Walker." In the 5th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1321261.1321327.

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Wachter-Zeh, Antonia, Sven Puchinger, and Julian Renner. "Repairing the Faure-Loidreau Public-Key Cryptosystem." In 2018 IEEE International Symposium on Information Theory (ISIT). IEEE, 2018. http://dx.doi.org/10.1109/isit.2018.8437561.

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Todorov, V., I. Dimov, Yu Dimitrov, Tz Ostromsky, and R. Georgieva. "A comparison of quasi-Monte Carlo methods based on Faure and Sobol sequences for multidimensional integrals in air pollution modeling." In APPLICATION OF MATHEMATICS IN TECHNICAL AND NATURAL SCIENCES: 11th International Conference for Promoting the Application of Mathematics in Technical and Natural Sciences - AMiTaNS’19. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5130792.

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Bufarale, Giada, and Lindsay Collins. "Mid-Late Holocene Development of the Mixed Carbonate Clastic System of the Faure Channel-Bank Complex and Wooramel Delta (Shark Bay, Australia)." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2205837.

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Mishra, Utkarsh A., and Ankit Bansal. "Quasi-Photon Monte Carlo on Radiative Heat Transfer: An Importance Sampling Approach." In ASME 2020 Heat Transfer Summer Conference collocated with the ASME 2020 Fluids Engineering Division Summer Meeting and the ASME 2020 18th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/ht2020-8950.

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Abstract The radiative heat transfer phenomenon is a complex process with various events of absorption, emission, and scattering of photon rays. Moreover, the effect of a participating medium adds to the complexity. Existing analytical methods fail to achieve accurate results with all such phenomena. In such cases, brute force algorithms such as the Monte Carlo Ray Tracing (MCRT) or the Photon Monte Carlo (PMC) has gained a lot of importance. But such processes, even if they provide less error than analytical methods, are quite expensive in computation time. Moreover, there are various shortcomings with traditional PMC in effectively including the nature of the participating medium and high variance in results. In this study, a modified PMC is simulated for a one-dimensional medium-surface radiation exchange problem. The medium is taken to be CO (4+) band system, and the behaviour is modelled by Importance Sampling (IS) of the spectrum data for variance reduction. Furthermore, PMC with low-discrepancy sequences like Halton, Sobol, and Faure sequences, known as Quasi-Monte Carlo (QMC), was simulated. QMC proved to be more efficient in reducing variance and computation time. Effective IS included with QMC is observed to have a much smaller variance and is faster as compared to traditional PMC.
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Cova Morillo, Miguel Angel De la. "Des-montaje de la maqueta de la propuesta para el Palacio de los Soviets de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.725.

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Resumen: Desde las páginas de L'Esprit Nouveau y al calor del cine, Elie Faure bautizará como "cineplástica" la consecución de imágenes al ritmo de la música, en un discurso paralelo al del método Dalcroze en la danza. Le Corbusier, Albert Jeanneret y Pierre Chenal propondrán dos experiencias fílmicas relacionadas con dicha denominación: "Batir" y "L'Architecture d'aujourd´hui", para las que se realizarán varias maquetas ex-profeso cuyas cualidades estaban pensadas para su visión en la pantalla. Esta especificidad se hará más compleja en el filme del modelo de la propuesta para el Palacio de los Soviets. Le Corbusier mostrará un proceso cinético consistente en el des-montaje del objeto, un recorrido inverso al de la construcción real, lo que permite al espectador poder familiarizarse desde el comienzo con el conjunto terminado. A partir de ahí, como si de un "ecorché" se tratara, se mostrarán sus entrañas: una lección de anatomía arquitectónica que finaliza con el vacío del solar del Salvador dominado por los brillos del gran arco de acero soviético-"stal" en ruso- reflejado en el Moskva. Este recurso cinético emparenta con las teorías del "montaje como conflicto" de Sergei Eisenstein, a través de una maqueta que se presenta, además, como comprobación de la efectividad de la forma ante las ondas acústicas, en la línea de las realizadas por ingenieros como Gustave Lyon. Se consigue así conjugar, a través de la maqueta, espacio, movimiento y sonido. El germen de una arquitectura acústica. Abstract: From the pages of L'Esprit Nouveau and inspired by films, Elie Faure coined the term "cineplástique" to refer to the combination betweenimages and music, similarly to theMethode Dalcroze in dancing. Le Corbusier, Albert Jeanneret and Pierre Chenal proposed two filmic experiences related to this new concept- "Batir" and "L'Architecture d'aujourd´hui". Several models were made specifically for these films and designed to be viewed on screen. This feature became more complex in the film of the proposal model for Palace of Soviets. Le Corbusier displayed a process consisting onthede-montageof the object, reversing thus the path to the actual building, which allows the viewer to become familiar from the start with the finished piece. Thereafter ,as if it was an "écorché", their insides are displayed, featuring an architectural anatomy lesson which ends with the empty site of Salvador, where the brightness of the large steel arch ("Stal" in Russian)is reflected in the Moskva River. This filming resource is related to Sergei Eisenstein's theories of " montage as conflict", illustrated by a scale model that also verifies the effectiveness of form with respect to acoustic waves, in line with those made by engineers such as Gustave Lyon. Therefore, the combination of movement, space and sound is achieved through the architectural model. That is the seed of acoustic architecture. Palabras clave: maqueta; Chenal; filme; cineplástica; Palacio de los Soviets; acústica. Keywords: architectural model; Chenal; film; cineplastique; Palace of Soviets; acoustic DOI: http://dx.doi.org/10.4995/LC2015.2015.725
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