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Mochonkina, Elena. "Un philologue romantique, Claude Fauriel (1772-1844)." Paris 4, 2005. http://www.theses.fr/2005PA040025.
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“L'homme qui a mis en circulation plus d'idées que personne d'autre” disait E. Renan à propos de Claude Fauriel en 1855. Étonnant raccourci pour celui qui a été à la fois l'une des figures centrales de la vie intellectuelle en France pendant plus de quarante ans, mais en même temps un homme trop oublié après sa mort en 1844, resté pendant très longtemps dans l'ombre des grands philologues de la deuxième moitié du XIXe siècle et connu aujourd'hui encore surtout en tant qu'auteur de quelques théories fantaisistes sur l'épopée médiévale. Comment approcher un savant qui s'est intéressé et s'est distingué dans les domaines aussi multiples et divers que l'ethnologie, les études folkloriques, la linguistique, l'histoire de littérature, l'orientalisme, et cetera ? Pour contourner cet obstacle on a choisi comme l'axe de recherche ce que l'on a l'habitude appeler les “renaissances romantiques”. Cet angle d'approche permet d'éviter les sujets trop explorés, souvent associés au nom de C. Fauriel; d'aborder quelques-uns de ceux qui restent beaucoup moins étudiés; plus encore: de les présenter comme ayant une réelle unité d'ensemble. C'est à partir des sources dites “mineures” (articles, textes oubliés, quelques manuscrits inédits) qu'on a choisi d'approcher la personnalité et l'oeuvre d'un des plus méconnus des historiens de littérature du XIXe siècle. La présente recherche s'articule autour des trois thèmes principaux: 1) la partie “biographique”, centrée sur quelques épisodes peu connus de la vie de Fauriel (Ch. I-V); 2) l'étude d'une page oubliée du préromantisme français, “Parthénéide” de Jens Baggesen, traduite par C. Fauriel en 1810 (Ch. VI); 3) l'étude, à travers des thèmes comme le philhellénisme, le celtisme et le Moyen Age provençal, de la façon dont se constitue le discours romantique (Ch. VII-IX)“The man who circulated more ideas than anyone else” that is what E. Renan said about Claude Fauriel in 1855. This is an amazing summary for a man who was both one of the central figures of intellectual life in France for more than forty years, but also a man who was too much forgotten after his death in 1844; who stayed for a long time in the obscurity of the great philologists of the second half of the 19th century and who is still known mostly as the author of some eccentric theories upon the medieval epic. How could one approach a scientist who was interested and who distinguished himself in numerous and varied fields such as ethnology, folk studies, linguistics, history of literature, orientalism, and so on ? To circumvent this obstacle we have chosen, as an axe of research, the “romantic renaissances”. This angle of approach enables us to avoid the topics which have been too much explored, often associated to C. Fauriel's name; to tackle some of those which have been less studied, and even to present them as having a unity as a whole. We started from the so called “minor” sources (articles, forgotten texts, a few unpublished manuscript pages) to approach the personality and the work of one of the most unrecognized historians of the literature of the 19th century. This research is articulated around three main themes: 1) a biographical part centered on a few unknown episodes of Fauriel's life (Ch. I-V); 2) the study of a forgotten page of French preromantism, Parthénéide de J. Baggesen, translated by C. Fauriel in 1810 (Ch. VI); 3) the study, through themes such as Philhellenism, Celtism and Provençal Middle Age, about the ways the romantic discourse is made up
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Maufroy, Sandrine. "Le Philhellénisme franco-allemand de 1815 à1848." Paris 8, 2008. http://www.theses.fr/2008PA083187.
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L'intérêt des Allemands pour la Grèce moderne, fondé sur le sentiment d'une affinité culturelle avec les Grecs anciens, est lié à un contexte européen plus large et en particulier aux relations franco-allemandes. L'instrumentalisation politique et identitaire de la référence grecque antique fournit les bases du philhellénisme qui culmina durant la guerre d'indépendance grecque et trouva un prolongement dans la formation de l'État grec et de son idéologie nationale. Trois cas éclairent les différentes modalités du philhellénisme franco-allemand et l'articulation entre ses manifestations esthétiques, scientifiques et politiques. Karl Benedikt Hase, helléniste et médiateur culturel franco-allemand incontournable, associa l'aide quotidienne aux Grecs au philhellénisme culturel manifesté dans son enseignement à l'École des Langues Orientales et dans sa participation à des entreprises scientifiques collectives visant à faire progresser les études helléniques et l'éducation du peuple grec. Les recueils de chants populaires néogrecs, dont celui de Claude Fauriel joua un rôle fondateur, contribuèrent à la formation d'un discours sur la régénération de la Grèce et à la genèse des études néohelléniques et folkloriques. Friedrich Thiersch servit la cause des Grecs par des articles publiés en collaboration avec J. -G. Eynard et J. F. Cotta, par la rédaction d'ouvrages traduits ou rédigés directement en français et par son action pédagogique d'inspiration néohumaniste. Par leurs discours et leurs actions philhellènes, les hommes de lettres reportaient sur la Grèce des idéaux concernant leur propre pays et préservaient l'espoir d'un renouveau de la civilisation européenneGerman interest for modern Greece, grounded in a sense of cultural affinity with ancient Greeks, is linked to a wider European context and in particular to Franco-German relations. The instrumentalisation of the reference to ancient Greece for political and identitary purposes lies at the root of the philhellenic movement which culminated during the Greek War of Independence and further developed during the formation of the Greek state and of its national ideology. Three cases account for the different modalities of Franco-German philhellenism and for the articulation of its aesthetic, scientific and political manifestations. Karl Benedikt Hase, a prominent Hellenist and cultural mediator between France and Germany, associated regular help to Greece to cultural philhellenism evinced in his lectures at the Ecole des Langues Orientales and in his participation in collective scientific projects meant to foster Hellenic studies and the education of the Greek people. The collections of Neo-Greek popular songs, among which that of Claude Fauriel played a founding role, contributed to the formation of a discourse on the regeneration of Greece and to the emergence of Neo-Hellenic and folkloric studies. Last but not least, Friedrich Thiersch served the Greek cause with his articles published in collaboration with J. -G. Eynard and J. F. Cotta, his books that were translated or written directly in French, and his neohumanistic pedagogical action. Through their discourses and philhellenic actions, men of letters projected on Greece ideals that touched their own countries, keeping alive the hope of a renewal of the European civilisation
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Pouzoulet, Christine. "La construction du modèle de Dante comme poète national de l'Italie romantique : de Mme de Stae͏̈l à Quinet, l'exemple de Claude Fauriel (1772-1844) et du réseau de ses relations." Paris 3, 1996. http://www.theses.fr/1996PA030063.
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Ce travail se propose de montrer comment la rehabilitation de dante a l'epoque romantique et sa sacralisation comme premier poete national de l'italie resultent de la liaison intrinseque de deux nouvelles approches. D'une part, l'emergence d'une mise en perspective historique du fait litteraire chez les ideologues et dans le groupe de coppet, puis le developpement de la nouvelle discipline universitaire des litteratures etrangeres apres 1830, modifient la perception de dante, en le resituant dans son epoque et en eclairant son genie comme creation fondatrice d'une langue et d'une litterature nationales. Dante fait ainsi l'objet d'une recuparation politique et devient un symbole liberal, temoignant des droits de l'italie a vivre comme nation. Ce travail analyse donc corollairement le fonctionnement du modele de dante dans le debat liberal francais sur le destin politique et culturel de l'italie. Cette reflexion comparatiste est menee a l'interieur du reseau des relations de laude fauriel (1772-1844) entre la france, l'italie et l'allemagne. Issu du groupe des ideologues, lie a mme de stael et benjamin constant, puis a victor cousin et a l'ecole des jeunes historiens liberaux de la restauration (guizot et thierry surtout) ainsi qu'a stendhal a son retour de milan en 1821, et a quinet apres 1830, fauriel est le premier titulaire de la chaire de litterature etrangere creee a la sorbonne apres la revolution de 1830. Son cours en 1833-34, dante et les origines de la langue et de la litterature italiennes, manifeste sa double attention aux recherches les plus recentes de la philologie allemande et aux preoccupations esthetiques et politiques des romantiques italiens, avec qui il entretient des liens privilegies par son amitie avec manzoni, son sejour en italie de 1823 a 1825, et ses echanges avec visconti et berchetThe present research aims at demonstrating how the rediscovery of dante in the romantic era and his subsequent sacralisation as the national poet of italy resulted from the conjunction of two developments. The emergence of a new historical approach to litterature, as practiced by the ideologues and the coppet group together with the institutionalization in the 1830's of foreign literatures as full-fledged academic disciplines, generated a renewed, historicized conception of dante and enlightened his poetic genius as the founding of a national language and literature. Dante's persona was charged with a new political dimension and made into a symbol of italy's legitimacy in existing as a nation. Therefore this work also consideres the functioning of dante as a model in the literal debate carried out in france on the political and cultural destiny of italy. This comparative approach is worked out through a study of fauriel's intellectual network throughout france, italy, germany. Fauriel was the first professor to hold the chair of foreign literature created at la sorbonne after the 1830 revolution. The course he professed in 1833-1834, dante and the origins of italian language and literature, demonstrates his twofold concern for the most recent research in germany and the aesthetic and political discussions carried by the italian romantics to whom he was cloesely related, through his personal friendship with manzoni, his stay in italy from 1823 to 1825 and his exchanges with visconti and berchet
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Johansen, Ken. "Gabriel Fauré and the art of ambiguity : an examination of his late style through selected piano works, with three recitals of selected works by Bach, Beethoven, Chopin, Prokofiev, Franck, Liszt and Schubert /." Denton : Tex. : K. Johansen, 1995. http://catalogue.bnf.fr/ark:/12148/cb39138962c.
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Caballero, Carlo. "Fauré and French musical aesthetics /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37122166m.
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Araujo-Rousset, Anthony de. "Figures françaises de Dante : un mythe romantique." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3008.
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Ce travail construit une dantologie transcendantale fondée sur la fécondité et la légitimité du commentarisme français tout au long du dix-neuvième siècle. Le nom et l’œuvre de Dante progressent dans la vie de l’esprit et de la culture après la sidération de la Révolution, avec la naissance, l’apogée, le déclin et les suites métamorphosées du Romantisme. Un amour soumis à la loi de la divisibilité de quelques fragments de la Divine Comédie se transforme graduellement en une première dantologie. Des figures archétypiques issues de domaines hétérogènes donnent une armature conceptuelle et poétique à cette double spirale entrecroisée : la lecture des textes de Dante éclairée par la critique contemporaine ; et la compréhension des morphologies divergentes du Romantisme en la diversité de ses moments. Dante est un penseur de l’histoire, des enjeux politiques, du christianisme jusqu’en ses limites internes et externes, du fait initiatique, de la différence sexuelle dans laquelle UN POETE SE TRANSHUMANISE PARCE QU’IL EST AIME PAR BEATRICE APRES AVOIR ETE GUIDE PAR VIRGILE. Chateaubriand, Balzac, Nerval et Hugo sont les parangons d’une lecture tournée vers un usage libre, infidèle mais hautement créateur. Fauriel, Ozanam et Aroux représentent la volonté d’une critique raisonnée de la doctrine philosophique et théologique dantesque. Dante et son œuvre s’inscrivent au cœur des mille agitations d’un dix-neuvième siècle qui reconfigure la France et l’Europe. La rémanence de l’espérance du voyageur cherchant à revoir les étoiles et à contempler la Trinité influence les réminiscences du progressisme plurivoque. La figure d’airain du poète acrimonieux et vengeur accompagne les esprits désenchantés. Celui qui devient l’égal des dieux après avoir affronté une Dame qui tue autant qu’elle ennoblit inspire les mystiques et ceux qui cherchent une nouvelle spiritualité. Le chantre de la foi, revenu dans le giron de l’Église après la conversion de son amour, réchauffe les catholiques. L’homme qui dédouble les pouvoirs comme les soleils de Rome devient un interlocuteur privilégié après l’Empire. Nous ne cherchons pas une liste exhaustive, thématique ou chronologique, notionnelle ou par auteur. À travers des exemples ayant valeur de paradigmes, nous montrons comment cette union de connaissance et d’usage créateur construit des FIGURES de Dante qui entrent en écho avec les inquiétudes et les espérances, les attentes et les angoisses, du Romantisme. Alors Dante et son « Poème Sacré » ne sont plus seulement des occasions de références. Ils deviennent un MYTHE au cœur du rapport entre mystique religieuse et initiation par l’Éternel-Féminin, engagement dans l’histoire et culte de la Beauté, aspiration à un sursaut régénérateur du monde et conscience amère du tragique de la scission entre l’Idéal et le Réel, mythe du Tombeau et promesse d’élévation spirituelle. Parmi les voies possibles, NOUS DEFENDONS UN DANTE SE VOUANT AU CULTE INITIATIQUE DES TOMBEAUX ET DES « DAMES QUI ONT L’INTELLECT D’AMOUR. » Il appartient à un catholicisme élargi, dilaté – le catholicisme transcendantal de Maistre qui assume son ésotérisme arcane fondé sur la polysémie des textes et la liberté accordée par Dante au commentaire. L’auteur de la Divine Comédie s’inscrit dans un Romantisme de plus en plus sombre, antimoderne, à la fois POUVOIR D’ANAMNESE D’UNE GRANDEUR ABOLIE ET PROPHETE D’UN MONDE EN GERMINATION, qui reprend ses thèmes : les questions de la laïcité, de la langue pour le peuple contre celle des dieux, de l’aspiration à l’idéal et à la communication du visible et de l’invisible, de la puissance métaphysique de la Dame. Notre Dante est celui qui doit choisir « l’autre voie », celle de la catabase nécessaire avant l’anabase ; et qui doit faire preuve de la plus grande piété envers les ombres. Alors ce Dante et ce Romantisme « ne descendent pas sans raison dans l’abîme » : ils y trouvent, notamment par la puissance de la parole, la promesse de l’EspritThis work builds a transcendental dantology based on a leibnizian paradigm of a perennial philosophy. Dante's name and work get on gradually in the life of spirit and French culture, after the astonishment of the Revolution, with the birth, the apogee, the decline and the transformed sequels of Romanticism. One love submitted to the rule of divisibility in direction of some fragments of the Divine Comedy turns into a first dantology. Archetypal figures coming from heterogeneous domains provide a conceptual and poetical framework at this double-crossed spiral: the reading of Dante's texts enlightened by present-day criticism; and the understanding of the divergent morphologies of the various moments of Romanticism. Dante appears as a thinker of history, political stakes, Christianism even in his internal and external limits, initiatory fact, sexual difference in which A POET BECOMES TRANSHUMAN THANKS TO BEATRICE'S LOVE AND VIRGIL'S GUIDING. Chateaubriand, Balzac, Nerval and Hugo are the paragons of a reading going to a free use, inaccurate but highly creative. Fauriel, Ozanam and Aroux represent the quest of a reasoned criticism of the philosophical and theological dantean doctrine. Dante and his work got included in the heart of thousands occasions of unrest of a nineteenth century that reconfigure France and Europe. The persistence of the hope of a traveller attempting to see once more the stars and contemplate the Trinity influence the reminiscences of progressivism in many aspects. The brazen figure of an acrimonious and revengeful poet goes with disenchanted minds. The one that becomes a companion of the other gods after struggling with an ennobling and killing Lady inspire the mystics and those who look for a new spirituality. The faith apologist, once he has got back into the bosom of the Church thanks to the conversion of his love, warms up the Catholics. The man who divides into two the powers as the suns of Rome turns to a favoured speaker after the Empire. We don't look for an exhaustive, thematical, notional, chronological or nominal list. But, through examples as paradigms, it's shown how that union between knowledge and creative use builds, in less than a century, some figures of Dante that echo with the concerns and hopes, expectations and anguishes, of Romanticism. In this way Dante and his "Sacred Poem" aren't reductive to citations occasions. They become a myth at the heart of the relation between religious mystic and initiation thanks to the Eternal-Feminine, commitment in history and cult of Beauty, craving for a world-wide regenerative burst and being aware of the tragic scission between Ideal and Real, myth of the Tomb and promise of spiritual elevation. Among the various possibilities, WE DEFEND A DANTE DEVOTED TO THE INITIATORY CULT OF THE SEPULCHRE AND THE "LADIES WHO GOT THE INTELLECT OF LOVE." He belongs to a broadened, dilated Catholicism - the transcendental Catholicism by Maistre, that takes on his Arcanum esotericism based on the polysemy of the texts and the freedom granted by Dante to the commentary. The author of the Divine Comedy takes place in a more and more gloomy, antimodernist, Romanticism; BOTH THE ANAMNESIS POWER OF AN ABOLISHED GREATNESS AND THE PROPHET FOR WORLD IN GERMINATION that picks his themes up again: questions of laicity, popular language in front of the gods 'one, aspiration at the Ideal and at the link between visible and invisible, metaphysical power of the Lady. Our Dante is the one who has to take care of "the other path", the catabasis before the anabases; and who has to show up the highest devotion toward the shadows. Then, this Dante and this Romanticism don't journey to the "deep randomly": here they find, in particular thanks to the power of Speech, the promise of the Spirit
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Park, Woong-Cheol. "The performance of Fauré's La Bonne Chanson, opus 61, in practice /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11266.
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Flanagin, Juliette Lynn Gray. "Structure and thematic design in the preludes of Gabriel Fauré and Claude Debussy /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
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Enlow, Charles Alva. "The thirteen barcarolles for piano by Gabriel Fauré : an analytical and interpretive study /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004199.
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Dougnac, Bernard. "Paul Faure (1878-1960) : biographie." Bordeaux 3, 2006. http://www.theses.fr/2006BOR30041.
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Des hommes politiques de l'Histoire du XXème siècle, Paul Faure (1878-1960) est assurément l'un des plus oubliés. Ce doctorat d'histoire a donc pour objectif premier de combler une lacune historiographique. Voici, présentées succinctement, les grandes lignes de son action politique. Paul Faure incarne, avec intransigeance et talent, les idées de la tendance guesdiste au sein de la fédération socialiste de la Dordogne de 1901 à 1914. En 1915, il s'oppose cependant à son maître Jules Guesde en défendant le pacifisme et l'internationalisme des " minoritaires " qui, après une longue lutte intestine (1915-1918), finissent par l'emporter. Favorable alors à la révolution russe, il souhaite reconstruire l'Internationale sur des bases plus révolutionnaires mais refuse, au Congrès de la S. F. I. O. à Tours, les vingt-et-une conditions de Moscou (décembre 1920). Devenu secrétaire général de la S. F. I. O. , il est de 1920 à 1924 le fer de lance de la renaissance du Parti amoindri par la scission, luttant à l'extérieur, à la fois contre les gouvernements en place, contre les communistes et contre les marchands de canons – qu'il n'hésite pas à défier dans leur propre fief (Le Creusot) – et à l'intérieur, contre les participationnistes et les " néo-socialistes " (1929-1933). Sous le Front populaire (1936-1938), il est ministre d'Etat à trois reprises – un ministre très militant –, servant surtout de lien entre le gouvernement et le Parti, soutenant constamment la politique menée par Léon Blum. Munichois et pacifiste jusqu'au déclenchement du conflit, Paul Faure se sépare des Blumistes (à partir du Congrès de Montrouge, en décembre 1938), se contentant, sous l'Occupation, de faire partie du Conseil national de Vichy pour " garder la place " en vue d'une éventuelle reprise de l'activité socialiste autour de sa tendance. Jugé collaborateur par les socialistes résistants, il est exclu en 1944 du parti qu'il avait dirigé pendant vingt ans, militant jusqu'à la fin de sa vie (1960) au Parti Socialiste Démocratique qu'il a créé en 1945, défendant désormais, avec ses fidèles " paul-fauristes ", un socialisme humaniste très anticommunisteAmong all the French politicians, Paul Faure (1878-1960) is most certainly one of the most forgotten. This doctorate aims to fill an historical gap. Here are the broad lines of his political actions. From 1901 to 1914, Paul Faure embodied – with intransigence and talent – the ideas of Guesde's sympathies within the Socialist Federation of Dordogne. However, in 1915, he clashed with his mentor Jules Guesde and he chose to defend the pacifism and the inrnationalism of the “minority” who, after a long internal fight, won at last. As he was favourable to the russian revolution, he wished to rebuild the International according to even more revolutionary ideas. But, during the Congress of the socialist party (“SFIO”) in Tours, he refused to sign the twenty-one conditions of Moscow's treaty (December 1920). Then he became the secretary-general of the “SFIO” and he was, from 1920 to 1924, the leader of this reborn party that has been weakened by the split. Paul Faure was fighting outside his party against the present government, the communists and the arms dealers that he dared to challenge in their own kingdom (Le Creusot). He was also fighting – inside his party – against the “participationnists” and the “new socialists” (1929-1933) He has been by three times senior minister during the Popular Front (1936-1938). He was the link between the present government and the Socialist Party and he was always supporting Léon Blum's policy. As he was a man of Munich and pacifist until the beginning of the conflict, Paul Faure separated from Blum's ideas (during the Congress of Montrouge in December 1938). During the Occupation he contented himself with being a member of the National Council of Vichy, planning to keep the place in case of a probable return of socialist actions. Being considered as a collaborateur by the French socialist Resistance, he was expelled from his party which he has been the leader for twenty years. Until the end of his life (1960), he has been a militant of the Democratical Socialist Party that he created in 1945, always defending the ideas of a very anticommunist and humanist socialism
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McKendrick, Ryan P. "A conductor's analysis of Gabriel Fauré's Requiem, Op. 48." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04242007-120029/.
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Thesis (M. Mu.)--Georgia State University, 2007.Title from file title page. John B. Haberlen, committee chair; N. Lee Orr, Duncan Couch, committee members. Electronic text (47 p. : music) : digital, PDF file. Description based on contents viewed Dec. 14, 2007. Includes bibliographical references (p. 47).
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Breitfeld, Claudia. "Form und Struktur in der Kammermusik von Gabriel Fauré /." Kassel ; Basel ; London : Bärenreiter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35549036x.
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Lewis, Lynnell K. "The poetry of symbolism and the music of Gabriel Fauré." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/836.
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Ozanam, Pierre. "Louis Faurer : "a street photographer in the City's Lively Beat /." Paris : Université de Paris X, 1992. http://catalogue.bnf.fr/ark:/12148/cb358161998.
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Fauré, Clément Boulicaut Jean-François Mille Alain. "Découvertes de motifs pertinents par l'implémentation d'un réseau bayésien application à l'industrie aéronautique /." Villeurbanne : Doc'INSA, 2008. http://docinsa.insa-lyon.fr/these/pont.php?id=faure.
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Faure, Anna [Verfasser]. "Verantwortung institutioneller Aktionäre im deutschen Aktienrecht / Anna Faure." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://d-nb.info/1183471726/34.
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Riondel, Bruno. "Maurice Faure : un artisan de la construction européenne." Paris 1, 1998. http://www.theses.fr/1998PA010501.
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Élu député du Lot en 1951, Maurice Faure rencontre l'idée européenne et s'agrège aux milieux fédéralistes. Nommé secrétaire d'état aux affaires étrangères dans le gouvernement très européen de Guy Mollet, il s'engage d'abord avec succès dans les discussions concernant la rétrocession de la Sarre à l'Allemagne, puis prend la tête de la délégation française qui négocie le marché commun et l'Euratom. Sommet de sa carrière, les traités de Rome vont constituer par la suite, l'objet de toute l'attention de Maurice Faure. Il les défendra avec pugnacité en exigeant, contre l'acceptation française du projet britannique de création d'une zone de libre-échange, des garanties égales à celles obtenues pour le marché commun et en s'opposant à la conception conféderale que tenteront d'imposer les gaullistes dans les années soixante. À la fin de celles-ci, deçu par les difficultés que connait la construction européenne et moins influent par la perte de la direction du parti radical qu'il contrôlait depuis 1961, il se replie sur ses mandats locaux, sans pour autant renoncer complètement à la construction européenne, en faveur de laquelle il s'engage encore sporadiquementElected member for Lot in 1951, Maurice Faure discovered the european idea and joined the federalist circles. Appointed secretary of state at foreign affair in Guy Mollet's very european government, he fist began the talks concerning the retrocession of Sarre to Germany, with success; then he took the head of the French delegation negotiating the commom market and Euratom. At the top of his carreer, the treaties of Rome will then be the object of all Maurice Faure's attention. He will support them with pugnacity, by demanding in exchange of the French acceptation of the british project to create a free-trade zone, equal guarantees to those obtained for the common market and by standing in opposition to the confederal conception the Gaullists will try to impose in the sixties. At the end of that period, disappointed by the difficulties met by the European building and less influent because he had lost the head of the radical party he had controlled since 1961, he turned to his local mandates, without completely abandonning the European building for witch he still sporadically gets involved
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OTANI, SENSHO. "La musique theatrale de g. U. Faure a travers "penelope"." Paris 4, 1987. http://www.theses.fr/1987PA040084.
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Les plus importants, mais aussi d'une date dans l'histoire du drame de cette recherche sont destines a depouiller l'histoire et lesPenelope is the first true opera (lyrique poem) of gabriel faure. Sense. In spite of several spaced revivals, this opera never truly ladriere's collection. 2. To find out the relatonship between the synthesize the musical elements
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Jøssing, Matthew. "Klassisk musik och filmmusik : en dialog utan ord – känslor med musik?" Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2503.
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Denna skriftliga reflektion inom självständigt konstnärligt arbete behandlar klassisk musik och filmmusik som musikformer. I studien analyseras och diskuteras emotionella upplevelser hos musikern vad gäller likheter och skillnader med inriktning mot den typiska romantiska stilen. Syftet är tvåfaldigt: i) att som musiker och violinist i ett konsertsammanhang framföra fyra verk: två från den klassiska romantiska repertoaren, två från filmmusikrepertoaren; ii) att som musiker analysera hur jag interpreterar och upplever klassisk musik och filmmusik. De två spåren täcker in det väsentligaste för att komma fram till ett svar på vad likheterna och skillnaderna innebär för upplevelser av musiken. Studiens resultat påvisar att jag som musiker upplever en skillnad i hur jag instuderar och interpreterar de fyra musikstyckena utifrån om det är klassisk musik eller filmmusik. Klassisk musik upplever jag som mer konventionsstyrd medan filmmusik möjliggör en friare interpretation.
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Audic, Anne-Marie. "Pierre Faure, S.J. (1904-1988) : vers une pédagogie personnalisée et communautaire /." Paris : Éd. Don Bosco, 1998. http://catalogue.bnf.fr/ark:/12148/cb36988779j.
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Champagne, Mario Joseph Serge Gérard. "The French song cycle (1840-1924) with special emphasis on the works of Gabriel Fauré /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37122196j.
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Gingerich, Carol Joy. "The French piano style of Fauré and Debussy : cultural aesthetics, performance style characteristics, and pedagogical implications /." Access Digital Full Text version, 1996. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11974679.
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Thesis (Ed.D.)--Teachers College, Columbia University, 1996.Typescript; issued also on microfilm. Sponsor: Hal Abeles. Dissertation Committee: Robert Pace. Includes bibliographical references (leaves 256-262).
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Billion, Stephen [Verfasser], and Michael [Akademischer Betreuer] Faure. "Regulating retirement savings : An evolutionary psychology approach / Stephen Billion ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/1192913035/34.
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Faure, Christian Rudolph. "The Cape Town science centre : a comprehensive business plan / Christian Rudolph Faure." Thesis, Potchefstroom University for Christian Higher Education, 1999. http://hdl.handle.net/10394/9617.
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This business plan describes the activities and projected financial operation of the
Futropolis, a new science and technology centre to be located at Century City, Cape
Town. The Futropolis is the first of a network of science and technology centres that will
be established by MTN in South Africa and elsewhere in Africa with the aim of
increasing the techno-literacy of all South Africans.
The Directors and Financial Managers of science centres and theme parks throughout
the world have been consulted during the compilation of this business plan. Financial
statements from over 20 science centres have been obtained and studied, and several
books on science centre planning and management have also been consulted. In
addition, we have benefited considerably from discussions with the developers of the
Ratanga Junction Theme Park at Century City.
This business plan details the nature of science centres world-wide, their target
audience and the benefits to the communities that they serve. It describes in detail the
elements that will be introduced into the science centre, their function, and all costs
involved in their implementation. The success of the Futropolis is dependent on our
ability to raise the necessary seed funding to purchase the interactive exhibits and
displays. The financial scenarios clearly indicate the ongoing viability of this venture
should the initial capital be raised.
The Futropolis is a R29 million venture comprising a R12 million purpose-built centre,
R12.5 million exhibits and displays, and R4.3 million facilities. Annual turnover
(excluding temporary exhibition revenue) is R11 million per annum. A section 21
company (the Interactive Science Foundation) has been formed as an umbrella
organisation to oversee donation income and to ensure that the disbursement of funds
takes place in the manner envisaged.
MTN has already committed to the Futropolis initiative in the following ways:
* The R2.5 million purchase of the GeoSphere
* The salary and running costs of Professor Bruton and his team
In addition, MTN has committed to the following technology and environmental
education projects that will further be developed in association with the MTN Futropolis:
* The MTN 'Corporate University' project that will develop needs-driven university and
technikon training courses for present and future MTN staff
* A 5-year commitment of R2.5 million to the MTN SUNSTEP project
* Identification with the SUNSAT programme
* An annual regional commitment of R600 000 to the MTN Whale Route
This business plan identifies the sources of funding for the various components of the
Futropolis. Funding has already been secured or committed in principle for
approximately R1 0 million's worth of displays and exhibits. It is highly likely that the
balance will be raised on making this initiative public, but the financial projections
assume that the balance will be financed through normal financing channels, i.e. loans
from banks.
Included in the overall cost of the project is R12 million needed to construct the building.
Monex (the developers of Century City) have undertaken to construct the building at
their cost and to lease it back to the Futropolis at a nominal rental of R50-m2 plus
operating costs. The normal rental for space in the Century City shopping complex is in
the range R1 00 - R220-m2 per month, depending on the size, frontage area and length
of the rental period. Monex is therefore offering a considerable reduction (about 50%) on
the rental for the space offered to the Futropolis.
The size of the space rented for the Futropolis will be 4000-m2 (3500-m2 for front-of-house
displays, 500-m2 for behind-the-scenes storage and workshops) at a monthly
basic rental of R200 000. In addition, an office space of 340-m2 has been made
available to us in an adjacent office block, at a monthly rental of R23 800.
It is recommended that:
1. MTN guarantee the rental for years 1 and 2 (MTN financial years 2001, 2002),
and underwrite the balance of the lease. This amounts to R1 342 800 for year 1
from October 2000 to March 2001, and R2 685 000 for year 2 (April 2001 to
March 2002)
2. MTN provide working capital in the amount of R550 000 for the period April to
October 2000.
The Futropolis is an MTN initiative, and as MTN is guaranteeing the rental, it will be
named the MTN Futropolis with visible branding along two prominent walls, at the
entrance, on billboards adjacent to the N1 , on a 40-m high tower, and on all printed
material and advertisements emanating from the Futropolis.Thesis (MBA)--Potchefstroom University for Christian Higher Education, 2000
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Attilli, Maurizio. "A Comparative Analysis of Harmonic Language in the First Movements of Fauré’s Requiem, Poulenc’s Gloria and Stravinsky’s Symphony of Psalms." University of Akron / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=akron1133196113.
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Sun, Huojun [Verfasser], and Michael [Akademischer Betreuer] Faure. "Law, Informal Institutions and Trust - An Experimental Perspective / Huojun Sun ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2017. http://d-nb.info/1128820501/34.
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Quintana, Marín María Isabel. "Du cubisme à d'autres cathédrales : Diego Rivera et l'"Art Social" d'Elie Faure." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H032.
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Installé à Paris en 1911, Diego Rivera se rallie au cubisme pour retourner au réalisme en 1918. A cette époque, il tisse une amitié riche en échanges avec Élie Faure, socialiste comme lui. Faure voit chez l'artiste "une source inépuisable de surprises et d'enseignements»; Rivera considère l'historien de l'art comme l'un de ses« maîtres". Élie Faure a une compréhension de la société et de l'art basée sur la contribution de personnalités qui ont bouleversé la pensée et les arts depuis la Révolution française: Saint-Simon, Nietzsche, Dostoïevski, Tolstoï, Cézanne, entre autres. Déclarant l'échéance de l'esprit individualiste de la Renaissance, il annonce l'avènement d'un rythme collectif d'expression artistique sociale et monumentale, notamment architecturale, dont l'intention de «construire» en peinture est un symptôme. Le Moyen-âge français lui fournit un paradigme de l'ordre collectif et de I' «Art social», la cathédrale comme étant la plus parfaite expression, manifestation de la collaboration humaine et symbole même d'une civilisation. En 1921, décidé à militer pour l'établissement d'un nouvel ordre social, Rivera rentre dans son pays. Il est passionné par la socialisation de l'art et par l'architecture. Son discours et ses démarches révèlent ses affinités intellectuelles avec l'historien de l'art français et exprime une volonté de mener à son accomplissement l'"Art social". Cependant, les idées du peintre évoluent avec les évènements politiques, sociaux et culturels du Mexique, tenant compte du contexte mondial. Cet échange franco-mexicain illustre la complexité des transferts qui conduisent aux discours actuels de la mondialisation artistiqueMoving to Paris in 1911, Diego Riverais won over to Cubism only to return to Realism in 1918. During that period, he builds a rich friendship with Elie Faure, a socialist like him. Faure sees in the artist ''an endless source of surprises and lessons." Rivera considers the art historian Faure as one of his "masters. "Elie Faure has an understanding of society based on the contribution of individuals who have changed thinking and the art since the French Revolution : Saint-Simon, Nietzsche, Dostoïevski, Tolstoï, Cézanne, and others. Declaring the end of the individualistic spirit of the Renaissance, he announces the beginning of a collective rhythm of social and monumental artistic expressions, especially in architecture, with the intention to "construct" by painting as an indication. The French Middle Ages provides Elie Faure with a paradigm of collective order and "Social Art," of which the cathedral is the most perfect expression - a manifestation of perfect human collaboration and a symbol of a civilization. In 1921, having decided ta campaign for the establishment of a new social order, Rivera returns ta his country. He is passionate about the socialization of art and architecture. His speech and his actions reveal his intellectual affinity with the French art historian and show a willingness to carry to completion "Social Art. "However, the painter 's ideas evolve with the political, social, and cultural events of Mexico, taking into account the global context. This Franco-Mexican exchange illustrates the complexity of the transfers that lead to the current globalization of artistic discourse
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Reznichenko, Elena [Verfasser], and Michael [Akademischer Betreuer] Faure. "Cost-Effective Criminal Enforcement : A Law and Economics Approach / Elena Reznichenko ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/120010210X/34.
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Biard, Alexandre [Verfasser], and Michael [Akademischer Betreuer] Faure. "Judges and Mass Litigation - a (Behavioural) Law & Economics Perspective / Alexandre Biard ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2016. http://d-nb.info/1120623448/34.
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Gilbert, Martin Jeffray. "The ecology of the South African citrus thrips, Scirtothrips aurantii Faure and its economic implications." Thesis, Rhodes University, 1993. http://hdl.handle.net/10962/d1005358.
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The South African Citrus Thrips, Scirtothrips aurantii Faure (Thysanoptera: Thripidae) has been a serious pest of the citrus industry of Southern Africa for over 70 years. It is indigenous to Africa and has no recorded parasitoids and, in most citrus-growing regions, predators are not economically effective. Firstly, in this study, the general ecology of thrips was reviewed along with the recorded history of S. aurantii and its control. Host plant relationships of S. aurantii were then examined and wild hosts were not found to be important in promoting citrus thrips outbreaks in the orchard after flowering. In addition, Scirtothrips dorsalis Hood, which attacks citrus in Asia, was collected for the first time in Africa, but from Castor Oil plant. It is therefore a potential pest of citrus here. Notes on its appearance compared to that of S. aurantii were prepared. Weekly sampling of S. aurantii adults was carried out from June 1984 to May 1990. Population fluctuations were then correlated with phenology of the citrus trees and the direct and indirect effects of weather. Temperature and rainfall were not found to be significantly directly correlated with thrips numbers recorded. However, the indirect effects of rainfall were important in promoting a large winter thrips population in certain years. Relatively high rainfall during March and April compared to that of the previous January and February stimulated atypical flushing of the citrus trees during autumn and the setting of out-of-season fruit. S. aurantii then exploited this unusual food source and high numbers were subsequently recorded in the following winter; as well as in spring. Thus the mild winter climate alone could not suppress thrips numbers at Letaba. Dispersal/Emergence traps, which are used in the U.S.A. for the monitoring of Scirtothrips citri, were evaluated over 24 months, and were effective in recording population peaks of S. aurantii. The emergence rate of adults in relation to second instar larvae trapped was 43.7%. 35.7% of adults caught after emerging from the soil were males and 64.3 were females. In contrast, yellow traps had recorded 59.1% males and 40.9% females over the same period. The yellow traps were subsequently found to be biased towards male catches when young fruit and/or soft flush was present on the citrus trees. Relative inhibition of female flight activity during times of food abundance is known in other thrips species. During times of food scarcity, the bias in the yellow trap results disappeared. At Letaba Estates, availability of food rather than the direct effects of weather was seen to be the most important factor in governing S. aurantii numbers. Because of the importance of soft flush in the promotion of S. aurantii population increase, it is recommended that more attention should be given to the control of thrips on, as well as conducting surveys for, this food source. As the climate at Letaba is so favourable for citrus thrips, even during winter, it is further recommended that trapping for S. aurantii is carried out throughout the year. Furthermore, males and females should be recorded separately in trapping results as the sex ratio gives an indication of the phenological state of the tree.
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Biard, Alexandre [Verfasser], and Michael G. [Akademischer Betreuer] Faure. "Judges and Mass Litigation - a (Behavioural) Law & Economics Perspective / Alexandre Biard ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2016. http://nbn-resolving.de/urn:nbn:de:gbv:18-82042.
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Rehman, Faiz Ur [Verfasser], and Michael [Akademischer Betreuer] Faure. "Essays on the Law & Economics of Terrorism in Pakistan / Faiz Ur Rehman ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2017. http://d-nb.info/1139844199/34.
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Jia, Xufeng [Verfasser], and M. G. [Akademischer Betreuer] Faure. "Do Home Country Institutions Matter in Cross-border Mergers and Acquisitions? / Xufeng Jia ; Betreuer: M.G. Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/1189817578/34.
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FitzGerald, Véronique Chartier. "Screening of entomopathogenic fungi against citrus mealybug (Planococcus citri (Risso)) and citrus thrips (Scirtothrips aurantii (Faure))." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1020887.
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Mealybugs (Planococcus citri) and thrips (Scirtothrips aurantii) are common and extremely damaging citrus crop pests which have proven difficult to control via conventional methods, such as chemical pesticides and insect growth regulators. The objective of this study was to determine the efficacy of entomopathogenic fungi against these pests in laboratory bioassays. Isolates of Metarhizium anisopliae and Beauveria bassiana from citrus orchards in the Eastern Cape, South Africa were maintained on Sabouraud Dextrose 4% Agar supplemented with Dodine, chloramphenicol and rifampicin at 25°C. Infectivity of the fungal isolates was initially assessed using 5th instar false codling moth, Thaumatotibia leucotreta, larvae. Mealybug bioassays were performed in 24 well plates using 1 x 107 ml-1 conidial suspensions and kept at 26°C for 5 days with a photoperiod of 12 L:12 D. A Beauveria commercial product and an un-inoculated control were also screened for comparison. Isolates GAR 17 B3 (B. bassiana) and FCM AR 23 B3 (M. anisopliae) both resulted in 67.5% mealybug crawler mortality and GB AR 23 13 3 (B. bassiana) resulted in 64% crawler mortality. These 3 isolates were further tested in dose-dependent assays. Probit analyses were conducted on the dose-dependent assays data using PROBAN to determine LC₅₀ values. For both the mealybug adult and crawlers FCM AR 23 B3 required the lowest concentration to achieve LC₅₀ at 4.96 x 10⁶ conidia ml-1 and 5.29 x 10⁵ conidia ml-1, respectively. Bioassays on adult thrips were conducted in munger cells with leaf buds inoculated with the conidial suspensions. Isolate GAR 17 B3 had the highest mortality rate at 70% on thrips while FCM AR 23 B3 resulted in 60% mortality. Identification of the isolates, FCM AR 23 B3, GAR 17 B3 and GB AR 23 13 3, were confirmed to be correct using both microscopic and molecularly techniques. ITS sequences were compared to other sequences from GenBank and confirmed phylogenetically using MEGA6. Mealybug infection was investigated using scanning electron microscopy, mycosis was confirmed but the infection process could not be followed due to the extensive waxy cuticle. These results indicate that there is potential for the isolates FCM AR 23 B3 and GAR 17 B3 to be developed as biological control agents for the control of citrus mealybug and thrips. Further research would be required to determine their ability to perform under field conditions.
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Grossin-Bugat, Muriel. "Le pharmacien bordelais Jean-Joseph Fauré." Bordeaux 2, 1994. http://www.theses.fr/1994BOR2P051.
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Desvignes, Arnaud. "Vers l’autonomie des universités en France. Les acteurs universitaires, politiques et syndicaux face à la réforme (1968-1984)." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040219.
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Le premier objectif de cette thèse est de réfléchir aux conditions de la genèse des grandes réformes universitaires à travers l’étude de la loi Faure de 1968 et de la loi Savary de 1984. Il s’agit d’essayer d’évaluer les rôles des différents acteurs, selon leur fonction et leur mode de pensée, dans le cadre du processus d’élaboration de la réforme. L’autre ambition assignée à ce travail est de tenter d’évaluer le degré d’application de la loi Faure de 1968 dans les universités. Une telle étude revêt une importance toute particulière dans la mesure où les historiens ont montré que cette loi est la première qui offre les moyens aux universités de devenir autonomes. Jusqu’à cette date, et malgré les réformes républicaines de la fin du XIXe siècle, l’enseignement supérieur français est resté tributaire de la « tyrannie des facultés » instituée par Napoléon en 1808. Nous avons donc cherché à évaluer le degré d’autonomie dont disposent les universités au lendemain de la loi de 1968 dans les domaines des diplômes, des finances et de la participation. Les sources autorisant la conduite d’une telle analyse sont très variées : dossiers des ministres en charge des universités, archives de l’Élysée, de différents rectorats, transcriptions des débats tenus à l’Assemblée nationale et au Sénat, rapport des commissions parlementaires, témoignages oraux a posteriori, etc... Pour ce qui concerne les sources émanant des universités, nous avons axé nos recherches sur les archives relatives à trois établissements : Paris VII, Rennes I et l’université de PicardieOur project strives for pondering the conditions for gradually implementing self-governance in the French universities. From this point of view however, the time frame spanning 1968 to 1984 is apparently a great opportunity for reflection. In fact the laws advocated by the Ministers Faure and Savary can be considered as the first steps towards practical autonomy of the universities.. History shows abundantly that despite republican reforms passed by the end of the 19th century, until 1968 the French higher education systems remained dependent on the “Colleges’ tyranny” established by Napoleon in 1808. A description of the French education system before 1968 will shed light on the administrative burdens on the universities, which may have aroused a willingness to change in some individuals. But in most cases, a reform derives from a trade-off whose origin may be tracked by historians. For such a quest, the sources of information flow from politicians of the time, or from their assistants, from academics or from teachers unions: proceedings of the Parliament or the Senate, reports from ministerial staffs, university bodies, ex post facto oral evidence etc…Confronting the material should allow one to gauge the part played in the reform preparation process by the various stakeholders, according to their function and mindset
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Depaulis, Jacques. "Roger-Ducasse : un élève fervent de Gabriel Fauré : l'homme, le compositeur et son temps à la lumière de sa correspondance et de ses écrits." [Paris] : [Université de Paris IV-Sorbonne], 1992. http://catalogue.bnf.fr/ark:/12148/cb41457240t.
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Fiola, Richard. "À partir du dialogue entre le père Louis Querbes (1793-1859) et l'abbé Charles Faure (1801-1854) : la spiritualité querbésienne." Sherbrooke : Université de Sherbrooke, 2005.
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Fiola, Richard. "À partir du dialogue entre le père Louis Querbes (1793-1859) et l'abbé Charles Faure (1801-1854) la spiritualité querbésienne." Mémoire, Université de Sherbrooke, 2004. http://savoirs.usherbrooke.ca/handle/11143/5200.
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Ce mémoire de maîtrise identifie le type de spiritualité qui se dégage de la correspondance entre le père Louis Querbes, fondateur des Clercs de Saint-Viateur, et l'abbé Charles Faure, premier responsable des postulants. Ces deux hommes ont exercé leur ministère sacerdotal au service du diocèse de Lyon. Nous avons appliqué la méthode d'étude de la spiritualité proposée par Edward Kinerk, s.j. Notre analyse de la correspondance active et passive est influencée par le contexte de la Révolution française. C'est en réponse aux besoins du monde et de l'histoire que Querbes s'investit dans la fondation d'une association pour l'évangélisation des campagnes par des maîtres d'école et des catéchistes formés. La spiritualité querbésienne, de type apostolique, se caractérise par une confiance au Dieu-Providence et une obéissance aux autorités ecclésiales et politiques pour l'approbation des statuts officiels de la communauté. De plus, le père Querbes concentrait ses efforts sur l'accueil et la formation des nouveaux candidats malgré la pauvreté des ressources et les difficultés rencontrées. Les maisons de formation du Poyet, de Nevers et de Vourles ont transmis le charisme et la spiritualité du fondateur aux catéchistes et aux générations futures.
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Devetzoglou, Ilias. "Violin Playing in France 1870-1930 : a Practice-Based Study of Performing Practices in French Violin Music from Faure to Ravel." Thesis, University of Leeds, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521449.
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Wallon, Rémi. "La musique du fond des choses : destruction, savoir et création dans les écrits de Louis-Ferdinand Céline." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC250/document.
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Cette thèse étudie les liens qui s'établissent entre destruction, savoir et création dans l'ensemble des écrits de Céline (romans, pamphlets, écrits de jeunesse, correspondance) pour montrer comment la création y est conçue comme l'expression d'une vérité fuyante et brutale destinée à échapper aux supposés savants. On comprend mieux les évolutions du désir de « connaître et savoir » manifesté dès 1912 et les voies qu'empruntent progressivement les recherches littéraires de Céline en comparant ses écrits à un certain nombre de textes parfois méconnus dont ils se nourrissent : la revue Le Correspondant pendant son séjour en Afrique, les articles du metteur en scène Charles Dullin au moment de la rédaction de Voyage au bout de la nuit, les ouvrages de l'historien de l'art Élie Faure dans les années trente, puis, après la seconde guerre mondiale, des textes qui datent de la Belle-Époque, qu'il s'agisse de vieux numéros de la Revue des Deux Mondes ou d'ouvrages du philosophe Théodule Ribot. La comparaison des écrits de Céline avec ces textes très divers permet de voir que l'écrivain y découvre un certain nombre d'idées qu'il fait siennes, transforme ou renverse pour faire du savoir presque absolu qu'il revendique souvent une arme littéraire destinée à le faire triompher de ceux qu'il considère comme des usurpateurs ou de faux savants – au premier rang desquels se trouvent ses contemporains, qu'ils soient simples lecteurs, médecins, critiques littéraires ou écrivainsThis dissertation focuses on the links between destruction, knowledge and creation in all of Céline's writings (novels, lampoons, early writings, letters), in which knowledge is often depicted as the expression of an elusive and brutal truth so-called scholars are unable to find. It is easier to understand the evolution of this absolute desire to know, expressed by Céline very early on, and to examine his literary innovations when we compare his books to several texts, sometimes little-known, that he was a great reader of : the review Le Correspondant that he used to read during his stay in Africa, the articles of the director Charles Dullin when he was writing Journey to the End of the Night, the books of the art historian Élie Faure in the 1930s, and, after World War II, texts that are typical of the Belle-Époque, such as old issues of the Revue des Deux Mondes or the works of the philosopher Théodule Ribot. The comparison between Céline's writings and these very diverse sources shows where Céline discovers and how he appropriates, transforms or reverses many of the ideas he uses in his books, in which he often tries to make a literary weapon out of this one-of-a-kind knowledge he claims to possess
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Krsmanović, Duško [Verfasser], and Michael [Akademischer Betreuer] Faure. "A Law and Economics Analysis of Lobbying Regulation : Towards an Optimal Structure Through the Cost Indicator Index / Duško Krsmanović ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2017. http://d-nb.info/1133262155/34.
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Lan, Chih-Ching [Verfasser], and Michael [Akademischer Betreuer] Faure. "A Law and Economics Analysis of Policy Instruments to Prevent Deforestation and Forest Degradation in the Tropics / Chih-Ching Lan ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/118931973X/34.
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Lan, Chih-Ching Verfasser], and Michael G. [Akademischer Betreuer] [Faure. "A Law and Economics Analysis of Policy Instruments to Prevent Deforestation and Forest Degradation in the Tropics / Chih-Ching Lan ; Betreuer: Michael Faure." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://nbn-resolving.de/urn:nbn:de:gbv:18-98063.
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Green, Lester Shields. "Gabriel Urbain Fauré, the unsung modernist a performance survey of selected late works written after 1892 for piano solo, and piano in collaboration with violin, violoncello, and voice /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2866.
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Thesis (D.M.A.) -- University of Maryland, College Park, 2005.Thesis research directed by: Music. Title from t.p. of PDF. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Audio available on compact disc;
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Nadaud, Éric. "Une tendance de la S. F. I. O. , la "Bataille socialiste" (1921-1933)." Paris 10, 1988. http://www.theses.fr/1988PA100024.
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La bataille socialiste, tendance de l'aile gauche de la S. F. I. O. . , se dresse de 1927 à 1933 contre la menace d'une dilution du socialisme au sein du régime parlementaire "bourgeois". Son histoire se confond avec celle des deux courants constitutifs de la gauche S. F. I. O. , celui de Zyromski, intransigeant, et celui du secrétaire général du parti, Paul Faure, plus accommodant avec les réformistes. Si les zyromskistes, fondateurs de la bataille, s'entendent avec les paulfauristes pour proclamer et défendre le caractère prolétarien du socialisme, ils ne s'en distinguent pas moins par des caractères idéologiques et structurels spécifiques. Très volontaristes, ils se nourrissent d'apports doctrinaux beaucoup plus varies. Par leur jeunesse, leur itinéraire, leurs fonctions, leur implantation et la répartition de leurs bases, ils sont également beaucoup moins intègres au parti. C'est ce qui explique qu'ils se mobilisent des 1921 contre l'éventualité d'un "cartel des gauches" aux élections, au parlement, et au gouvernement, et qu'ils en viennent à fonder leur propre organisation, après s'être rendus compte de la difficulté de toute entente organique durable tant avec l'extrême-gauche socialiste qu'avec les paulfauristes. Leur tendance ne verse pas pour autant dans le fractionnisme. Elle cherche essentiellement à faire pression sur le secrétariat paulfauriste pour l'amener à se joindre à sa lutte contre le collaborationnisme. De 1927 à 1929, elle échoue, et reste isolée. C'est à partir de novembre 1929 qu'elle réussit à s'élargir à l'ensemble de la gauche S. F. I. O. . , en exploitant l'appréhension des paulfauristes devant les menées de l'aile droite. Pendant quatre ans, elle joue alors un rôle historique de premier plan, en réduisant tous les débats entre socialistes aux seules questions de la discipline et de la participation, avant d'obtenir, fin 1933, l'exclusion des chefs réformistesLa bataille socialiste campaigned from 1927 to 1933 against the threatening dilution of socialism in the "bourgeois" parliamentary regime. Their history merges with that of the two sections making up the left wing - Zyromski's intransigent group and the group of Paul Faure, secretary-general of the party, less uncompromising towards the reformists. Although zyromskists and paulfaurists agreed to proclaim and defend the proletarian nature of socialism, they showed marked sociological and structural differences. The former, fervent voluntarisms were open to far more varied influences than the latter. For various reasons - youth, itinerary, offices, implantation, distribution of strongholds - they were also far less integrated in the party. Being comparatively a fringe group they rose up as early as 1921 against a possible "cartel of the left" at elections or in the parliament or government. Only after searching for an organization for several years - contributing first to l'etincelle, the mouthpiece of the S. F. I. O. . 's far left, then to correspondence socialist, the paulfaurist organ - did zyromski and his friends start the b. S. . Their movement developed in two phases from January 1927 to November 1933. Until October 1929 they stood isolated, putting pressure on secretary-general Paul Faure to win his support against collaborationism; but after, taking advantage of the paulfaurists' fears at right wing collaborationnistic manoeuvres, their movement spread to the whole socialist left. Reducing all debates to questions of discipline and participation for four years, they eventually got the reformist leaders expelled in late 1933
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Marazula, Thandazile. "The activation of stable isotopes, their migration in soil and groundwater at a radionuclide production facility : a case study in Faure, Cape Town, South Africa." Thesis, Cape Peninsula University of Technology, 2018. http://hdl.handle.net/20.500.11838/2777.
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Thesis (MTech (Environmental Management))--Cape Peninsula University of Technology, 2018.The iThemba Laboratory for Accelerator Based Sciences (iThemba LABS or iTL), a facility governed by the National Research Foundation (NRF) based in Cape Town has embarked on a project called the South African Isotope Facility (SAIF). Part of the SAIF will be a project called the Low Energy Radioactive Ion Beam (LERIB) for the production of radioactive beams with the Separated Sector Cyclotron (SSC). The LERIB project is anticipated to generate significant prompt sources of ionising radiation such as neutrons displaced by protons during bombardment of targets. At present, the facility has 3 - 5 m thick concrete walls designed to shield against 200 MeV neutrons. The floor thickness varies from each vault according to the behaviour and characteristics of the produced radiation. The LERIB facility concrete floor is envisioned to be 1 m thick. Insufficient floor shielding might expose the sub-surface strata below the floor with ionising radiation. Some matter in the exposed strata might undergo activation and consequently produce undesirable radioactive isotopes. Exposure to radioactive isotopes can pose potential risks to the general public and the receiving environment. In the sub-surface, the activated isotopes can spread through the soil and groundwater bodies. Groundwater being mobile in nature might act as conduit for activated isotopes to migrate in the subsurface. The half-lives of the formed radionuclides were used to estimate the distance the radionuclides can migrate in the sub-surface before decay. The X-Ray Fluorescence (XRF) and Inductive Coupled Plasma - Mass Spectrometry (ICP-MS) were used to quantify the mass fraction of elements from soil and groundwater samples. The Inductive Coupled Plasma - Optical Emission Spectrometry (ICP-OES) was used to measure dissolved metals of major and minor oxides in groundwater samples. These scientific techniques were applied in order to measure mass fractions of elements present in the sub-surface anticipated to be exposed with neutron radiation. Results revealed that the sub-surface in the study site constitutes Si, Al, Na and Fe in abundance. This suggests that, these elements might have a high probability to undergo activation compared to those occurring at lower concentrations, such as minor and trace elements. However the neutron capture cross-section for these elements varies and hence some elements such as Si and Al were not activated. To investigate elements measured from the ICP-MS, ICP-OES and XRF which might undergo activation, soil and water samples were irradiated for an hour with neutrons from a Beryllium target from a range of 0 – 66 MeV energy. The results revealed that activating the sub-surface with neutron radiation will result to the formation of short and long-lived unstable isotopes. However, isotopes with long half-lives such as 22Na, 52Mn, 54Mn and 46Sc only occurred in soil samples and none measured from the water samples except a short-lived isotope 24Na. These results agrees with the reviewed literature that, water being a product of two hydrogens and one oxygen, with 1H from H2O considered to be a good neutron moderator should have absorbed the neutrons so as to reduce neutron capture cross-sections.
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Kaya, Galip. "Phylogenetic analyses of five sheep infective Eimeria species (E. ovinoidalis, E. crandallis, E. weybridgensis, E. ahsata, E. faurei) : development of novel total nucleic acid extraction method from small numbers of Eimeria oocysts." Thesis, University of Bristol, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263922.
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Pinkall, Bryan Robert. "A technical and historical analysis for selected art songs and arias for tenor voice by George Frederic Handel, Jules Massenet, Roger Quilter, Stefano Donaudy, Gabriel Faure, and Agustin Lara." Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4091.
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Krouck, Bernard. "De Gaulle et la Chine : la politique française à l'égard de la République populaire de Chine, 1958-1969." Paris, Institut d'études politiques, 2005. http://www.theses.fr/2005IEPP0016.
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Entre 1958 et 1969, durant la présidence du Général de Gaulle, le gouvernement français dut réévaluer la politique à l'égard de la République populaire de Chine. Après les temps difficiles de la guerre d'Algérie, la nouvelle politique fut initiée par le Président Edgar Faure. La France et la Chine décidèrent le 27 janvier 1964 d'échanger des missions diplomatiques. La nouvelle politique de Paris était ambitieuse, la France voulait affirmer sa présence dans les domaines culturels, économiques et politiques. Les évènements dramatiques de la Révolution culturelle (1966-1969) tuèrent les espoirs d'une nouvelle ère dans les relations franco-chinoises. ProvisoirementBetween 1958 and 1969, during the Presidency of General de Gaulle, the French Government had to reevaluate the policy towards the People's Republic of China. After the difficult times of the war in Algeria, the new policy was initiated by President Edgar Faure. France and China decided on January 27th, 1964, to exchange diplomatic missions. The new policy of Paris was very ambitious, France wanted to be present in cultural, economic and political affairs. The dramatic events of the Cultural Revolution (1966-1969) killed the hope of a new era in the French-Chinese relations