Academic literature on the topic 'Fava bean – Quality'

Chapter 2 considers both the protagonists and the authors of the novels in this study as ‘writer-critics’ who share their ideas about literary quality through discussion of both their own writing and other people’s. As institutions set up during the Punto Fijo period (1958-1998) to endow writers with literary capital and raise the reputation of Venezuela in international literary circles have been subsumed into the Bolivarian ‘Platform for the Book’, some writers and critics are concerned that a focus on ideology will undermine literary quality. In Transilvania unplugged (Sánchez Rugeles, 2011), Todas las lunas (Kozak Rovero, 2011) and Rating (Barrera Tyszka, 2011), characters both attest to the significance of well-written literature for them and display their literary knowledge and tastes as a sign of distinction. As professional writers move away from the state, they are faced with new challenges, in the form of the demands of international literary markets. Throughout La fama, o es venérea, o no es fama (Castañeda, 2012), the author-narrator is caught between an aspiration to write challenging and experimental fiction and a desire for commercial success.