Academic literature on the topic 'Favela do Areado'

Valladares, Licia do Prado. "The Favela of the Social Sciences." In The Invention of the Favela, translated by Robert N. Anderson. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469649986.003.0004.

"5. “The Men Are In The Area”: Police, Race, And Place." In Living with Insecurity in a Brazilian Favela. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813565453-006.

da Costa Bezerra, Kátia. "Competing Discourses." In Postcards from Rio. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823276547.003.0006.

Privitera, Donatella. "Investigations Into Slum Tourism." In Destination Management and Marketing. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-2469-5.ch030.

Horvath, Christina. "Can literary events use Co-Creation to challenge stigmatisation?" In Co-Creation in Theory and Practice. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447353959.003.0010.

Luzzatto, Lucio. "Glucose-6-phosphate dehydrogenase deficiency." In Oxford Textbook of Medicine, edited by Chris Hatton and Deborah Hay. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780198746690.003.0541.

Cruz, Christophe. "Use of Semantics to Manage 3D Scenes in Web Platforms." In Encyclopedia of Multimedia Technology and Networking, Second Edition. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-014-1.ch200.

"those from Rendina (no. 38) and Fonti di San Callisto (no. 36) (fig. 7, 1 and 2) to the almost abstract, as on the three figurines from Riparo Gaban (nos 8, 9 and 10) (fig. 5, 3 and fig. 7, 3 and 4). In these last cases, the depiction of the sexual organs is so stylised that they could perhaps be included in our third category, of sexual symbols. However, we have included them here because, however stylised, the sexual organs are shown on these figurines in approximately correct anatomical relation (i.e. breasts are shown below heads and vulvas below breasts), so as to suggest that whole female figures are being represented; as will be seen this is not the case with the other examples of sexual symbolism. If, for the purposes of this discussion, we ignore the great typological diversity of the figurines and consider them all together, we find an overwhelming preponderance of female figures over male ones. In fact there are only two specifically male figures, both probably from Copper Age contexts: the surface find from the Copper Age settlement site of Ortucchio in central Italy (no. 35) (fig. 8) and the large figure from a votive pit in the Sicilian Copper Age cemetery of Piano Vento (no. 58) (fig. 9). The significance of the dating of these figurines will be discussed below. In contrast, the number of female figurines is at least 30, and possibly 35, if the 'probably female' examples are included. Moreover, if we are right in attributing some of the north Italian heads (particularly nos 16, 20 and 21) to figurines of specifically female type, the number would go up still further. It is worth making the point here that among the Italian figurines we do not find a specific category of sexless figures, as occurs elsewhere, e.g. at Knossos, where in Ucko's analysis (1962: 40), there were more sexless figures than sexed ones. In our list, the figurines with 'no indication of sex' are almost all fragmentary and represent body parts, especially heads, which are not sexually specific. The only complete figurines which have no sexual features shown are the two stone figurines from Cerno and Arnesano (nos 1 and 46) (fig. 6) and these in fact represent heads on largely unworked cylindrical shafts. There are also four cases of heads which do not seem to be broken off, but complete in themselves (nos 39 (fig. 10), 40, 50 and 51); this category represents a special case and will be discussed below. It is likely that most of the figurines were originally specifically sexed and that the majority was female. Female figurines occur in both the earlier and later chronological periods, in all areas of Italy and on all the types of sites where figurines are represented. Although the female sex of the figurines is not in doubt, there seems to be little emphasis on fertility. None of the Italian figurines is shown as pregnant and, although V Tinè has claimed that the example from Favella (no. 47) might have been in the birthing position, this is far from clear. None of the figures is shown doing anything; they are mostly depicted as standing, with a few shown seated (nos 4, 25, 38 and possibly 47). In as far as there is emphasis on the sexual organs, it is possible that sexuality is being emphasised rather than fertility. In any case, while there seems to be little emphasis on the limbs and other 'non-sexual' body parts, heads and faces are given at least as much attention as bodies — in contrast to the the Upper Palaeolithic 'Venuses' — and we should be careful about placing too much emphasis on the sexual organs depicted. Cultural indicators of gender Most of the figurines appear without indications of dress or any associated artefacts. The only exceptions are the clay head from Grot ta Pacelli (no. 40), which has an apparent elaborate headdress and four, or possibly five, figurines which have V-shaped features, incised, impressed or in relief, on the neck, which are sometimes interpreted as necklaces. One example is the bone figurine from Riparo Gaban (no. 8) which has a 'necklace' and a possible 'belt', both incised, on a female figurine with both breasts and vulva marked (fig. 7, 3). The other two definite incised Vs occur on figurines from Vhò (no. 14), which is a clear female figure with breasts shown in relief (fig. 2, 2)and from Arnesano (no. 46), where it occurs on a stone figurine without indications of sex (fig. 6, 1). One of the clearly female figurines with breasts from Passo di Corvo (no. 44) has a series of impressed dots in a V-." In Gender & Italian Archaeology. Routledge, 2016. http://dx.doi.org/10.4324/9781315428178-22.

Teixeira, Maria Cristina Villefort, Marieta Cardoso Maciel, and Staël Alvarenga Pereira Costa. "The role of the plot in engendering environmental quality: from unplanned favelas to the planned subdivisions of new blocks." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5966.

Reis Santos, Mariana. "Does the implementation of special zones of social interest (ZEIS) encourages adequate housing in precarious settlement? The case of San Paolo." In 55th ISOCARP World Planning Congress, Beyond Metropolis, Jakarta-Bogor, Indonesia. ISOCARP, 2019. http://dx.doi.org/10.47472/hfqf7018.

Goldie, Stephan E. "Two Thousand New, Million-Person Cities by 2050 – We Can Do It!" In 55th ISOCARP World Planning Congress, Beyond Metropolis, Jakarta-Bogor, Indonesia. ISOCARP, 2019. http://dx.doi.org/10.47472/ysfj6819.