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Books on the topic 'Feather mite'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Atyeo, Warren T. Feather mites of the Aralichus canestrinii (Trouessart) complex (Acarina, Pterolichidae) from New World parrots (Psittacidae). Field Museum of Natural History, 1988.

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Atyeo, Warren T. Feather mites of the Aralichus canestrinii (Trouessart) complex (Acarina, Pterolichidae) from New World parrots (Psittacidae).: And conclusions to the study. Field Museum of Natural History, 1990.

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3

Atyeo, Warren T. Feather mites of the Aralichus canestrinii (Trouessart) complex (Acarina, Pterolichidae) from New World parrots (Psittacidae). Field Museum of Natural History, 1990.

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4

Atyeo, Warren T. Feather mites of the Aralichus canestrinii (Trouessart) complex (Acarina, Pterolichidae) from New World Parrots (Psittacidae): I. From the genera Ara Lac©Øep©Łede and Anodorhynchus Spix. Field Museum of Natural History, 1988.

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5

Quackenbush, Robert M. Mouse feathers. Clarion Books, 1988.

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6

Gaud, Jean. Feather mites of the world (Acarina, Astigmata): The supraspecific taxa. Koninklijk Museum voor Midden-Afrika, 1996.

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7

Jones, Beau Fly. Forests, feathers, field mice, and you?: [teacher edition]. Zaner-Bloser, 1990.

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8

Jones, Beau Fly. Forests, feathers, field mice, and you?: [student edition]. Zaner-Bloser, 1990.

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9

Eunson, Dale, Sam Wiesenthal, and Allen Reisner. All mine to give. Warner Home Video, 2008.

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10

ill, Thompson Jill 1966, ed. The secret of Dead Man's Mine: A Rinnah Two Feathers mystery. UglyTown, 2001.

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11

You, Huan. Shen mi jia zu: The mysterious family. Poh Kim Video, 2017.

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12

Ruth, Heller. La razón de ser de una flor. Scholastic, 1993.

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13

Ruth, Heller. The reason for a flower. Scholastic, 1988.

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14

Ruth, Heller. The reason for a flower. Scholastic, 1989.

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15

Luckys Little Feather. Clavis Publishing, 2011.

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16

Hull, Sally. Revenge at Two Feathers Mine. Lulu Press, Inc., 2013.

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17

Atyeo, Warren T. Feather Mites of the Aralichus Canestrinii (Trouessartcomplex). Field Museum of Natural, 1988.

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18

Resnick, Michael D., and Nick Dichario. Magic Feathers: The Mike & Nick Show. Obscura Press, 2000.

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19

Resnick, Michael D., and Nick Dichario. Magic Feathers: The Mike and Nick Show. Obscura Press, 2000.

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20

Forests, feathers, field mice, and you?: [student edition]. Zaner-Bloser, 1990.

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21

Forests, feathers, field mice, and you?: [teacher edition]. Zaner-Bloser, 1990.

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22

Forest Feathers Field Mice and You (150102 Teachers Edition). Zaner Bloser, 1989.

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23

Tinzmann, Margaret, and Beau Fly Jones. Forests Feathers Field Mice and You (150002 Grade 1-2). Zaner Bloser, 1989.

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24

Forests, Feathers, Field Mice and You? (Breakthroughs : Strategies for Thinking/150062). Zaner Bloser, 1990.

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25

Forests, Feathers, Field Mice, and You? (Breakthrough Strategies for Thinking/150102). Zaner Bloser, 1990.

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26

Yee, Wong Herbert. Mouse and Mole, Fine Feathered Friends. Houghton Mifflin Harcourt Publishing Company, 2009.

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27

Yee, Wong Herbert. Mouse and Mole, Fine Feathered Friends. Houghton Mifflin Harcourt Publishing Company, 2009.

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28

Harvey, MS. Australian Water Mites. CSIRO Publishing, 1998. http://dx.doi.org/10.1071/9780643105188.

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Water mites are a dominant feature of the fauna of all freshwater ecosystems. Over 400 species in 87 genera and 22 families have been recorded in Australia. This book consists of illustrated keys to each family and genus. There are sections on cladistic analysis and classification, biogeographic affinities of the Australian fauna, general biology and morphology.

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29

Detection and Feature Extraction of Mine-Like Objects from Seismic Sonar Signals. Storming Media, 2001.

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30

Mouse and Mole, fine feathered friends. Houghton Mifflin Harcourt, 2009.

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31

Fox, Alistair. A Māori Girl Watches, Listens, and Learns – Coming of Age from an Indigenous Viewpoint: Mauri (Merata Mita, 1988). Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0007.

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This chapter examines Merata Mita’s Mauri, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling p

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32

Writing on the Wall. DiaryUnlimited, 2011.

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33

Peterson, Nick. Writing on the Wall. DiaryUnlimited, 2015.

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34

Nieland, Justus. Wrapped in Plastic. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036934.003.0001.

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This chapter presents a commentary on David Lynch's film career. It focuses on how plastic is the prime matter of his filmmaking, essential to his understanding of cinema. It takes up plasticity's capacity for infinite transformation as an architectural and design dynamic, a feature of mise-enscène, and a mode of fashioning and psychologizing cinematic space. It then explores the emotional registers of plasticity, attempting to explain a key affective paradox in Lynch's work: the way it seems both so manifestly insincere and so emotionally powerful, so impersonal and so intense. Finally, it co

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35

Telotte, J. P. Of Robots and Artificial Beings. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190695262.003.0003.

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This chapter examines animation’s fascination with the robot, a figure that has obvious reflexive links to animation’s typical anthropomorphic characters—the various mice, cats, dogs, and ducks that were the usual stars of early cartoons. The robot is also a figure that had an especially popular resonance throughout the pre-war period, as is evidenced by its appearance in a variety of popular culture venues, including vaudeville acts, World’s Fairs, and feature films. What makes this figure particularly significant in its ability to embody the culture’s conflicted attitudes toward science and

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36

Wilson, Bart J. Becoming Just by Eliminating Injustice. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190631741.003.0004.

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This chapter explores how property emerges as a moral convention. Several laboratory experiments on property in its nascence are used to understand this process. A key feature of these economics experiments is that the participants can chat in real time with one another regarding their activities. These candid conversations in the heat of the moment make up the data by which I explain how anonymous strangers in a group become just by mutually respecting what is mine and what is thine. The dialogue also illustrates what it means for someone to be unjust, namely, inflicting real and positive har

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37

Males, Mike A. Teenage Sex and Pregnancy. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798216023890.

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This detailed, exhaustively documented account shows how and why just about everyone in today’s teen pregnancy debate is wrong—often disastrously so. Teenage Sex and Pregnancy: Modern Myths, Unsexy Realities presents a unique view of its subject by analyzing the extensive myths and fears that surround discussion of teenage sex and pregnancy, including their relationship to popular culture, poverty, adult sexual behaviors, and anxieties toward the increasingly public roles of young women. Award-winning author Mike Males argues that today’s discussions rely largely on falsehoods and the suppress

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38

Duncan, Mike. Rhetoric and the Synoptic Problem. Publishing Group, Inc., 2022. https://doi.org/10.5040/9781978718616.

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Mike Duncan argues that the Farrer Hypothesis is the best working solution to the Synoptic Problem in New Testament studies by way of rhetorical theory, as he sees the Synoptic Problem as less about source and textual criticism and more as a writing problem that concerns how and why they were composed The book’s six chapters feature case studies of different aspects of gospel rhetoric, such as how the different post-resurrection accounts interact with each other and how the apostles are portrayed from gospel to gospel. These chapters form a collective argument—that the synoptic gospels are com

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39

Rosenblum, Joshua. Closer than Ever. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197758236.001.0001.

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Abstract Lyricist Richard Maltby, Jr. and composer David Shire, two of the most gifted songwriters of our time, are revered among musical theater lovers for their groundbreaking off-Broadway revues Starting Here, Starting Now and Closer Than Ever, as well as for the Broadway musicals Baby and Big. Yet relatively little has been written about them and their work. This book sets out to increase appreciation for Maltby and Shire’s large and impressive body of work and establish their place in musical theater history. The book chronicles their six-decade partnership, giving full behind-the-scenes

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40

Ruth, Heller. The reason for a flower. Frank Schaffer Publications, 1993.

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41

Ruth, Heller. Reason for a Flower. Penguin Young Readers Group, 2014.

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42

Ruth, Heller. The Reason for a Flower (Sandcastle). Grosset & Dunlap, 1992.

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43

Ruth, Heller. The Reason for a Flower (Ruth Heller's World of Nature). Tandem Library, 1999.

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44

The Reason for a Flower. Spoken Arts, 1988.

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45

Ruth, Heller. The Reason for a Flower. Perfection Learning Prebound, 1992.

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46

Ruth, Heller. Reason for a Flower (Ruth Heller's World of Nature). Turtleback Books Distributed by Demco Media, 2004.

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47

Ruth, Heller. Motivo De Una Flor/Reason for a Flower. Tandem Library, 2003.

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48

Ruth, Heller. The Reason for a Flower (World of Nature). Putnam Juvenile, 1999.

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49

Ruth, Heller. El Motivo De Una Flor. Editorial Grijalbo (MX), 1993.

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