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Books on the topic 'Feature Adaptation'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Loiselle, André. Stage-bound: Feature film adaptations of Canadian and Québécois drama. McGill-Queen's University Press, 2004.

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2

Valut︠s︡kiĭ, Vladimir, and Leonid Kvinikhidze. Mėri Poppins, do svidanii︠a︡. "Krupnyĭ Plan", 2011.

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3

Paradzhanov, Sergeĭ. The legend of Suram fortress: Ashik Kerib. Kino Video, 2001.

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4

Litvinova, Renata. Severnyĭ veter. Seans, 2021.

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5

Kundera, Milan. Žert: The joke. Facets Video, 2001.

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6

Blackledge, J. T. (John T.) and Bond Frank W, eds. Acceptance and commitment therapy: Distinctive features. Routledge, 2011.

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7

Stoppard, Tom, and Rainer Werner Fassbinder. Despair. Olive Films, 2011.

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8

Sun', Sinkay, and Irina Zhirova. "How steel was tempered" by Nikolai Ostrovsky: linguistic and cultural features of translation into Chinese and English. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2131556.

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The monograph presents the actual problems of intercultural adaptation of a literary text in the aspect of linguistic and cultural studies. The linguistic and cultural features of the author's text are compared. Ostrovsky's "How Steel was Tempered" and his translations into Chinese and English. The issues of evolutionary change in the general theory of translation, new directions in translation studies directly related to the intercultural adaptation of literary text are discussed. A translated literary text is considered as a socio-cultural object of cognition of the cultural and historical o

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9

Nicholson, Jack. The shining. Warner Home Video, 1999.

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10

Wajda, Andrzej. Pan Tadeusz. Filmart, 2000.

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11

Son, Chŏng-hŭi. Sosŏl, TV tŭrama rŭl mannada: Sosŏl ŭl kaksaek han TV tŭrama ŭi waegok kwa chaehaesŏk. P'urŭn Sasang, 2008.

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12

Danelii︠a︡, Georgiĭ Nikolaevich, and Viktorii︠a︡ Tokareva. Sovsem propashchiĭ. Krupnyĭ plan, 2004.

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13

Czinner, Paul. William Shakespeare's As you like it. Image Entertainment [distributor, 1999.

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14

Bodrov, Sergeĭ, Alekseĭ Balabanov, and Sergeĭ Selʹi︠a︡nov. Morfiĭ. Video XXI veka, 2008.

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15

Aroca, R. Plant responses to drought stress: From morphological to molecular features. Springer, 2012.

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16

Jordan, Neil, Redmond Morris, Stephen Woolley, Pat McCabe, and Pat McCabe. The butcher boy. Warner Home Video, 2007.

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17

Paxton, Tom. Birds of a feather and other Aesop's fables. Morrow Junior Books, 1993.

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18

Shakespeare, Nicholas, and John Malkovich. The dancer upstairs. Twentieth Century Fox Home Entertainment, 2003.

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19

Germany), Buddenbrookhaus (Lübeck, ed. Der Untertan revisited: Vom Kaiserreich bis geteilten Deutschland. Bertz + Fischer, 2007.

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20

Pierce, Chuck D. God's now time for your life. Gospel Light, 2005.

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21

F, Abeles Harold, and Custodero Lori A, eds. Critical issues in music education: Contemporary theory and practice. Oxford University Press, 2009.

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22

Abulaże, Tʻengiz. Drevo zhelani︠ia︡: Kartiny iz zhizni dorevoli︠u︡t︠︡sionnoĭ gruzinskoĭ derevni. RUSCICO, 2000.

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23

Mouser, Mary Matilyn. Me, Eloise. Anchor Bay Entertainment, 2006.

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24

Bushkov, Aleksandr, та Andreĭ Kavun. Okhota na Piranʹ︠i︡u. CP Digital, 2006.

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25

Zabelina, Ol'ga, Farida Mirzabalaeva, and Mariya Sergeeva. Development of the field of platform employment: problems, risks, partnership. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2198493.

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The monograph examines the features of platform employment as a new object of state regulation in the Russian Federation; systematizes foreign experience in regulating platform employment and identifies prospects for its adaptation in Russian practice; assesses the scale, dynamics of development and socio-demographic profile of Russian platform employment; classifies existing and potential risks caused by the spread of platform employment and suggests ways to minimize them; the features of the formation of collective representation of the interests of platform workers are revealed and the pros

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26

d1938-, Reynolds Henry. The chant of Jimmie Blacksmith. Currency Press, 2008.

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27

Shakespeare, William. King Lear: An authoritative text, sources, criticism, adaptations, and responses. W.W. Norton Co., 2008.

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28

Ivanova, Valeriya, Elena Alyab'eva, Marina Bogdanova, et al. Organization of educational work in a modern university: traditions and innovations. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1893199.

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The monograph examines the features of the organization of the modern process of educating students at the university. The authors pay special attention to the study of professional socialization and adaptation of university students. Some practical approaches to the process of education are presented. The education of students is considered as a complex, integrated, multidimensional process, including educational, project, scientific, professional and other activities. The tasks related to the creation of comfortable socio-psychological conditions and a socio-cultural educational enviro

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29

Poluhina, Anna, Marina Sheresheva, and Vladimir Lezhnin. Management in the tourism industry. INFRA-M Academic Publishing LLC., 2024. https://doi.org/10.12737/1896454.

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The textbook covers the topics of the course "Management in the tourism industry" from the perspective of understanding the basic principles and problems of management of organizations in the tourism industry. The issues that help to understand the evolution of ideas and modern approaches of management theory and practice in relation to the tourism industry are highlighted. The issues related to international trends in the development of the tourism market, the formation of new conditions for the development of the tourism industry in the 21st century and the corresponding adaptation of the cl

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30

Koobus, Bruno, Alain Dervieux, Adrien Loseille, and Frederic Alauzet. Mesh Adaptation for Computational Fluid Dynamics, Volume 1: Continuous Riemannian Metrics and Feature-Based Adaptation. Wiley & Sons, Incorporated, John, 2022.

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31

Koobus, Bruno, Alain Dervieux, Adrien Loseille, and Frederic Alauzet. Mesh Adaptation for Computational Fluid Dynamics, Volume 1: Continuous Riemannian Metrics and Feature-Based Adaptation. Wiley & Sons, Incorporated, John, 2022.

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32

Koobus, Bruno, Alain Dervieux, Adrien Loseille, and Frederic Alauzet. Mesh Adaptation for Computational Fluid Dynamics, Volume 1: Continuous Riemannian Metrics and Feature-Based Adaptation. Wiley & Sons, Incorporated, John, 2022.

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33

Koobus, Bruno, Alain Dervieux, Adrien Loseille, and Frederic Alauzet. Mesh Adaptation for Computational Fluid Dynamics, Volume 1: Continuous Riemannian Metrics and Feature-Based Adaptation. Wiley & Sons, Incorporated, John, 2022.

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34

Moench, Dag. Escape from the Planet of the Apes: Feature Film Adaptation. Malibu Comics Entertainment, 1991.

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35

Channel-Mismatch Compensation in Speaker Identification Feature Selection and Adaptation with Artificial Neural Networks. Storming Media, 1998.

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36

Schulkin, Jay. Radical Change. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198793694.003.0004.

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Chapter 4 talks about how CRF is involved in two quite striking processes: metamorphosis and parturition. Both of these processes revolve around the wondrously vital feature of radical change. In both instances, we are discussing the changing of form and the maturation of an organism. While one change is ancient and one more modern, both continue to be important features of life on this planet, and they represent the importance of development and its responsiveness to changing environments. Our story of metamorphosis, however, is about change and adaptation or preadaptation and the expansion o

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37

Wilkins, Kim, and Wyatt Moss-Wellington, eds. ReFocus: The Films of Spike Jonze. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474447621.001.0001.

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ReFocus: The Films of Spike Jonze is the first collection of essays on this important and original contemporary filmmaker. It looks at his ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions. Each of Jonze’s feature films, from Being John Malkovich (1999) to Her (2013), is discussed at length, focusing on issues of authorship, narration, genre and adaptation. As well as the textual aspects of Jonze’s feature films, the contributors consider his work in music videos and shorts – investigating his

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38

Gong, Qian. Remaking Red Classics in Post-Mao China. Rowman & Littlefield, 2021. https://doi.org/10.5040/9798881811563.

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In the 1990s, China’s economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics in Post-Mao China looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay betwe

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39

Newell, Kate. Adaptation and Illustration. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.27.

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Illustrations in illustrated editions are rarely theorized as adaptations in the field of adaptation studies. Chapter 27 attempts to redress that oversight by examining the disciplinary practices and medial assumptions that have shaped approaches to illustration and adaptation in their respective fields. Focusing on the manner in which illustration and adaptation have been defined, their engagement of source material, and assumptions related to static and dynamic modes of representation, the essay draws parallels between the fields of illustration and adaptation and proposes a cross-disciplina

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40

Stage-bound: Feature film adaptations of Canadian and Québécois drama. McGill-Queen's University Press, 2003.

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41

Loiselle, André. Stage-Bound: Feature Film Adaptations of Canadian and Québécois Drama. McGill-Queen's University Press, 2003.

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42

Loiselle, Andre. Stage-Bound: Feature Film Adaptations of Canadian and Quebecois Drama. McGill-Queen's University Press, 2003.

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43

Lehmann, Courtney. Can the Subaltern Sing? Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.21.

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Completed in 1966, Liz White’s Othello is the first and only Shakespeare film directed by a black woman, as well as the first cinematic adaptation of a Shakespeare play to feature an all-black cast and crew. When production began in 1962, White was intent on using her landmark adaptation to assert a place for women within the male-dominated black nationalist movements of the 1960s. By focusing on the (mis)treatment of women in Othello, White links their struggle—or lack thereof—to the double displacement of black women within the burgeoning civil rights movement. Particularly in this context,

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44

Sillitoe, Paul, ed. The Anthroposcene of Weather and Climate: Ethnographic Contributions to the Climate Change Debate. Berghahn Books, 2021. http://dx.doi.org/10.3167/9781800732315.

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While it is widely acknowledged that climate change is among the greatest global challenges of our times, it has local implications too. This volume forefronts these local issues, giving anthropology a voice in this great debate, which is otherwise dominated by natural scientists and policy makers. It shows what an ethnographic focus can offer in furthering our understanding of the lived realities of climate debates. Contributors from communities around the world discuss local knowledge of, and responses to, environmental changes that need to feature in scientifically framed policies regarding

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45

Sedgwick, Edward. Buster Keaton at MGM: Triple feature. 2012.

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46

Corbett, Jack, and Wouter Veenendaal. Democratization and Political Parties. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796718.003.0005.

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The adaptation theme is a strong feature of Chapter 5, which examines the old idea that democracy is unworkable without political parties, and that an institutionalized party system is a prerequisite for a stable democracy. Some small states have institutionalized party systems and others do not. We find that, with few exceptions, the qualitative experience of countries without robust party systems is not decisively different in those small states that do have strong parties as, in all cases, personalized rather than programmatic representation is the norm. The conclusion is therefore that pol

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47

Tucker, Joshua. Peruvian Cumbia at the Theoretical Limits of Techno-Utopian Hybridity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0005.

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This essay analyzes the transformation of Peruvian chicha, an adaptation of Colombian cumbia, from an unassuming working-class music into a central feature in new nationalist discourses that seek to overcome older elitist and racist models of national identification from transnational perspectives. As part of this discussion, the chapter considers the work of intellectual cosmopolitans who appeal to notions of electronic experimentation, psychedelic playfulness, and musical agency, thus resignifying chicha as an aesthetic solution for the intellectual shortcomings of an earlier era. Chicha mus

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48

Yarrow, Simon. 8. Globalizing sanctity. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199676514.003.0008.

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The cult of saints crossed global horizons as part of the spread of Roman Catholicism that began in the late 15th century with the maritime expeditions of Catholic Portugal and Spain. ‘Globalizing sanctity’ explains that the most successful seedbed of sainthood was the Americas, where the Church received most patronage when it operated as a colonial government ideological arm, working to pacify and economically exploit the Amerindian natives. Why did the indigenous people adopt their Christian oppressors’ religion and what part did saints play? A fundamental feature of Catholic world mission w

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49

Starks, Lisa S. Ovid and Adaptation in Early Modern English Theatre. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474430067.001.0001.

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Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England. This collection uses adaptation studies in connection with other contemporary theoretical approaches to analyze early modern transformations of Ovid, providing innovative perspectives on the “Ovids” that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. The chapters explore Ovidian adaptations in the works of Shakespeare, Marlowe, Jon

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50

Fox, Alistair. The Formation of a Budding Man Alone: The God Boy (Murray Reece, 1976). Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0003.

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This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then

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