Relevant bibliographies by topics / Federico Collection

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Academic literature on the topic 'Federico Collection'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Federico Collection"

1

Galvanin, Federico, Ryan L. Hartman, Amol A. Kulkarni, and María José Nieves-Remacha. "Introduction to the themed collection on digitalization in reaction engineering." Reaction Chemistry & Engineering 7, no. 4 (2022): 792–94. http://dx.doi.org/10.1039/d2re90011d.

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Ciocci, Argante. "Federico Commandino and the Latin edition of Pappus’ Collection." Archive for History of Exact Sciences 76, no. 2 (2021): 129–51. http://dx.doi.org/10.1007/s00407-021-00284-1.

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Bertè, Davide Federico. "Remarks on the skull morphology of Canis lupaster Hemprich and Herenberg, 1832 from the collection of the Natural History Museum "G. Doria" of Genoa, Italy." Natural History Sciences 4, no. 1 (2017): 19–29. https://doi.org/10.4081/nhs.2017.318.

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Bertè, Davide Federico (2017): Remarks on the skull morphology of Canis lupaster Hemprich and Herenberg, 1832 from the collection of the Natural History Museum "G. Doria" of Genoa, Italy. Natural History Sciences 4 (1): 19-29, DOI: 10.4081/nhs.2017.318, URL: http://dx.doi.org/10.4081/nhs.2017.318
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Velásquez, Roa Tatiana, and Wilber Alfonso Triana. "Colección de mamíferos de referencia y exhibición del Museo de Ciencias Naturales Federico Carlos Lehmann Valencia, Cali, Colombia." Mammalogy Notes 7, no. 1 (2021): 205. https://doi.org/10.5281/zenodo.14817586.

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(Uploaded by Plazi for the Bat Literature Project) The mammal's collection of the Museum of Natural Science Federico Carlos Lehmann Valencia (IMCN) is part of the scientific reference zoological collection of the Institute for Research and Preservation of the Natural and Cultural Heritage of Valle del Cauca - INCIVA. The scientific reference mammal collection includes 166 specimens, belonging to 8 orders, 25 families, 57 genera and 64 species. The specimens are from 8 departments in Colombia and one state in the United States. The Museum of Natural Science additionally has a mammal collection
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Melnyk, Viktoriia. "Federico Garcia Lorca’s «Canciones Españolas Antiguas»: dialogue of the poet with Flamenco tradition." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 136 (March 28, 2023): 198–211. http://dx.doi.org/10.31318/2522-4190.2023.136.276575.

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The relevance of the study The author’s interaction in his creative work with folklore is one of the main ways of shaping national composers’ musical school. Spanish music culture is not an exception. There was discovering the uniqueness of flamenco culture through the searching of musical personal identity during the end of the XIX–first decades of the XX century. Original rhythms, modes and harmony specialty were inspiring for composers who searched the code of musical national composers’ school. Federico Garcia Lorca was one of them. His work «Canciones Españolas Antiguas» became not only r
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Jiajing, Song. "Affinity and Influence of Federico García Lorca on the Poetry of Dai Wangshu." Sinología hispánica 7, no. 2 (2019): 133. http://dx.doi.org/10.18002/sin.v7i2.5734.

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As one of the most representative modern poets in China, Dai Wangshu not only contributs a lot to the development of the modern Chinese poetry, but also plays an important role in introducing western poetics to China. Dai’s translation of western poetry has a profound influence on his poetic creation. Dai, throughout his poetic career, was at first influenced by the French romanticism, then was fascinated by the French symbolism and post-symbolism. The years of Disaster, a collection of poems in his later years, however, demonstrates an inclination to the Spanish modernist poetry, especially t
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Cerdán-Morales, Ana Luz, and Margarita Ojeda. "Pycnogonids (Arthropoda: Chelicerata: Pycnogonida) from the National Collection of Mites of IBUNAM, Mexico." Dugesiana 30, no. 2 (2023): 246–56. http://dx.doi.org/10.32870/dugesiana.v30i2.7293.

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Comúnmente conocidos como “arañas de mar”, los picnogónidos son un grupo de artrópodos exclusivamente marinos. En México se han reportado 62 especies, presentes en casi todos los estados costeros. Estos datos son resultado, en su gran mayoría, de investigaciones extranjeras y estudios recientes de recolectas esporádicas enfocadas a la fauna del meiobentos. El objetivo de este trabajo es dar a conocer los ejemplares de picnogónidos depositados en la Colección Nacional de Ácaros (CNAC), material que formó parte de la Colección de la Dra. Anita Hoffmann y que fue recolectado por el Dr. Federico B
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Cupelloni, Francesca. "I ricettari federiciani: appunti di lavoro." Zeitschrift für romanische Philologie 138, no. 4 (2022): 1055–80. http://dx.doi.org/10.1515/zrp-2022-0054.

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Abstract This paper presents recent research findings on the so-called «Frederician cookbooks» – better known as the Liber de coquina –, with specific reference to some new etymological hypotheses about medieval Italian food names. Moreover, through a palaeographic and linguistic analysis, this article discusses the geographical localization and dating of the major manuscripts within this textual tradition, in a new attempt to cast light on a very complex documentation. Specifically, by interacting with Anna Martellotti’s work (I ricettari di Federico II. Dal «Meridionale» al «Liber de coquina
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Rossi, Manuela, Rosanna Rizzi, Alessandro Vergara, et al. "Compositional variation of turquoise-group minerals from the historical collection of the Real Museo Mineralogico of the University of Naples." Mineralogical Magazine 81, no. 6 (2017): 1405–29. http://dx.doi.org/10.1180/minmag.2017.081.055.

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AbstractFive turquoise samples, belonging to the XVII century historical collection of the Real Museo Mineralogico (University of Naples Federico II), were investigated by a multi-methodological approach based on powder X-ray diffraction, electron microprobe analysis in wavelength-dispersive spectroscopy mode, backscattered electron images from scanning electron microscopy in energy-dispersive spectroscopy mode, laser ablation inductively coupled plasma mass spectrometry, Fourier transform infrared and Raman spectroscopy.The samples originate from Sinai (Egypt), Santa Fè S. Miguel (New Mexico)
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Lippolis, Elio, Rossella De Ceglie, Ruggero Francescangeli, Rafael La Perna, Luisa Sabato, and Marcello Tropeano. "From Geohistory to the Future: A Tribute to the Youthful Palaeontological Studies at Gravina in Puglia of Arcangelo Scacchi (1810–1893), the First Modern Geoscientist in the MurGEopark (aUGGp, Southern Italy)." Geosciences 14, no. 12 (2024): 343. https://doi.org/10.3390/geosciences14120343.

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Arcangelo Scacchi (1810–1893) one of the greatest Italian geoscientists known worldwide, especially for his contributions in the fields of mineralogy and volcanology, dedicated his early years to malacological and zoological works. This paper aims to pay homage to a lesser-known side of the scientist, focusing on a malacological work related to fossils from his hometown, Gravina, in Puglia (southern Italy), located within the boundaries of the MurGEopark, which is aspiring to become a UNESCO Global Geopark (aUGGp), and at the border of Parco Nazionale dell’Alta Murgia (Alta Murgia National Par
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Books on the topic "Federico Collection"

1

Federico, P. J. [Patent Office correspondence, 1814-1836: Notes of letter book, Patent Office to Department of State, Department of State to Patent Office]. s.n., 1988.

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2

Stella, Calò Mariani Maria, Sicily (Italy). Assessorato dei beni culturali e ambientali e della pubblica istruzione., and Museo regionale Pepoli, eds. Aspetti del collezionismo in Italia da Federico II al primo Novecento. Regione Siciliana, Assessorato dei beni culturali, ambientali e della pubblica istruzione, 1993.

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Mason, Perkins F., and Sacro convento di S. Francesco (Assisi, Italy), eds. La collezione Federico Mason Perkins. U. Allemandi, 1988.

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Mambelli, Francesca. La natura morta di Federico Zeri. Fondazione Federico Zeri, Università di Bologna, 2015.

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Christopher, Maurer, ed. The poetical works of Federico García Lorca. Farrar Straus Giroux, 1988.

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Christopher, Maurer, and Anderson Andrew A. 1953-, eds. Epistolario completo. Cátedra, 1997.

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Anna, Ottani Cavina, and Museo civico archeologico di Bologna., eds. Federico Zeri, dietro l'immagine: Opere d'arte e fotografia. U. Allemandi, 2009.

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8

Antonio, Aimi, ed. Le culture del Perù da Chavin agli Inca: La collezione Federico Balzarotti al Castello Sforzesco. Silvana, 2004.

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9

Barocci, Federigo. A touch of the divine: Drawings by Federico Barocci in British collections. Fitzwilliam Museum, 2006.

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10

Fondazione Banca Federico Del Vecchio, ed. Opere d'arte della collezione della Banca Federico Del Vecchio: Qualità ed eccellenza come stile di vita. Società editrice fiorentina, 2016.

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Book chapters on the topic "Federico Collection"

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Paolucci, Giulio. "Le “maquettes” di tombe dipinte antiche." In Reproduire la peinture antique du XVIIIe au XXe siècle. Publications du Centre Jean Bérard, 2024. https://doi.org/10.4000/146k2.

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Les modèles réduits des principales tombes étrusques découvertes à Chiusi au xixe siècle étaient conservés dans la maison de Federigo Sozzi et constituaient un témoignage important de l’histoire archéologique locale.Ces maquettes étaient à la disposition des visiteurs et des érudits qui venaient à Chiusi pour voir les antiquités étrusques. Malheureusement, la collection semble aujourd’hui perdue, bien qu’il existe une documentation importante sur sa constitution.
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"BUILDING OUR PERSONAL COLLECTION AND A MUSEUM." In Federico. University of Arizona Press, 2021. http://dx.doi.org/10.2307/j.ctv1ghv3z7.25.

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Whitehead, Jessica, and Christina Stewart. "The Mastrangelo Collection and Fellini’s Distribution in Canada." In Federico Fellini. University of Toronto Press, 2025. https://doi.org/10.3138/9781487544003-027.

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Weber, Samuel. "Pining for Stability." In Aristocratic Power in the Spanish Monarchy. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198872597.003.0010.

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Abstract This chapter features the youngest Borromeo brother, Antonio Renato, and his attempt to immortalize Federico’s “nonmaterial legacy” as a public servant in a bid to make it serviceable to himself and future generations of the family. He availed himself of the techniques that successive papal families had used to perpetuate and extend their rule. Tutored by Federico, Antonio Renato resorted to patronage of the arts to portray the clan’s long-standing tradition of service to Milan’s rulers. Standing at the end of the upward trajectory reconstructed in this book, Antonio Renato’s art coll
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Eller, Jonathan R. "Disputed Passage." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0029.

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The summer of 1990 found Bradbury slowly revisiting his screenplay for a new Fahrenheit 451 adaptation, and the successful run of a new musical production of The Wonderful Ice Cream Suit created by the popular composer and singer Jose Feliciano. Chapter 28 continues with Bradbury’s collection of essays on various creative topics collected as Yestermorrow, where he explored the nature of metaphor and the value of child-like reverie to his creative process. The chapter describes Bradbury’s role as a judge in the controversial Turner Tomorrow Award in June 1991, where he took issue with the views
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Watson, David. "Federico Arcos (1920–2015)." In Writing Revolution. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042744.003.0016.

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David Watson presents a thoughtful and cogent account of the life and legacy of the Spanish exile Federico Arcos whose career in many ways crossed paths with all the themes related to the evolution of anarcho-syndicalism covered in this book. Arcos grew up in Barcelona and fought in the Spanish Civil War. He immigrated to Canada in 1952 and later participated in anarchist groups in Detroit. He devoted much of his life in the United States to collecting anarchist materials, and his efforts at collecting were vital to maintaining a record of what would otherwise be permanently lost. The bulk of
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Mäder, Marie-Therese. "39. Federico Fellini: From Catholicism to the Collective Unconscious." In The Bible in Motion, edited by Rhonda Burnette-Bletsch. De Gruyter, 2016. http://dx.doi.org/10.1515/9781614513261-044.

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Quinn, Rachel Afi. "The Camera Obscura." In Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.003.0006.

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This chapter examines a 2013 Santo Domingo performance of Federico García Lorca’s play La Casa de Bernarda Alba by the Dominican theater collective Teatro Maleducadas and its manifestation online. Dominican women’s bodies transform the meaning of this surrealist text and its staging, while hierarchies of color hold new significance for Dominican viewers that compliment Lorca’s vision for his script and its elements of the photographic. Not only do representations of Spanish womanhood in this performance resonate but also the matriarchal violence on display equally sustains patriarchal practice
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"Dispersed Collections of Scientific Books: The Case of the Private Library of Federico Cesi (1585–1630)." In Lost Books. BRILL, 2016. http://dx.doi.org/10.1163/9789004311824_019.

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Conference papers on the topic "Federico Collection"

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Merola, Salvatore. "Digital optics and machine learning algorithms for aircraft maintenance." In IV Aerospace PhD-Days. Materials Research Forum LLC, 2024. http://dx.doi.org/10.21741/9781644903193-5.

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Abstract. The objective of this study is to present a novel approach for airplane inspection to identify damages on the fuselage. Machine learning algorithms in the aeronautic industry can be used as an instrument for automating the process of inspection and detection, decreasing human error, and increasing productivity and security for operators. An overview of the problems, methods, and recent developments in the field of deep learning algorithms used for general damage detection on aircraft components is provided in this extended abstract. Data were collected using a high-quality acquisitio
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Di Dio, Salvatore, Dario Russo, Francesco Monterosso, and Benedetto Inzerillo. "Designing the Future: A Manifesto for Design Education." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004537.

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The design discipline, historically rooted in the capitalist consumerism framework, has predominantly focused on influencing consumer desires to promote the sale of superfluous products (Papanek, 1971). This traditional approach to design education has often been misaligned with the pressing socio-environmental challenges of our times, leading to a production of graduates ill-equipped to address the realities of dwindling resources and the imperative to maintain and optimize the existing built environment (Monteiro, 2019).Recent decades have witnessed significant shifts in global economic para
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Reports on the topic "Federico Collection"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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New Visions: 2008-2011: A Selection of the Latest Acquisitions from the IDB Art Collection. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0005967.

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This catalog belongs to the exhibition that celebrates the 19th anniversary of the Inter-American Development Bank Cultural Center, originally inaugurated on May 15th, 1992 by the President of Chile, Patricio Aylwin. On this occasion the IDB Cultural Center is pleased to present an exhibit of the artworks that became part of the Collection through the acquisition fund, gifts and permanent loans. It features 25 art works by 17 artists featuring: Federico Martino, Sebastián Spreng, and Susana Sulic (Argentina); Gastón Orellana (Chile); Ana Isabel Díez Zuluaga and Omar Rayo (Colombia); Silvia Ele
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