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Journal articles on the topic 'Federico'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Orozco, Wilson. "Armstrong, Nigel, y Federico M. Federici, eds., Translating Voices, Translating Regions, Roma, Aracne, 241p." Íkala, Revista de Lenguaje y Cultura 11, no. 1 (2006): 362–66. http://dx.doi.org/10.17533/udea.ikala.2794.

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2

Jia, Huihuang. "CALLUM, Walker; FEDERICI, Federico (Eds). Eye Tracking and Multidisciplinary Studies on Translation. Amsterdam, Benjamins Publishing Company, 2018, 299 pp., ISBN: 978-9-0272-0169-0." Hikma 20, no. 1 (2021): 311–16. http://dx.doi.org/10.21071/hikma.v20i1.13246.

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3

Polezzi, Loredana. "Translating Voices, Translating Regions by Nigel Armstrong, Federico Federici." Modern Language Review 102, no. 4 (2007): 1122–23. http://dx.doi.org/10.1353/mlr.2007.0453.

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4

Hanoulle, Sabien. "Federici, Federico M., ed. 2009. Translating Regionalised Voices in Audiovisuals." Target. International Journal of Translation Studies 26, no. 1 (2014): 154–58. http://dx.doi.org/10.1075/target.26.1.08han.

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5

Ortino, Federico. "Federico Ortino." Proceedings of the ASIL Annual Meeting 112 (2018): 67–68. http://dx.doi.org/10.1017/amp.2019.70.

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Even when it comes to investment, despite appearances to the contrary, it does not seem to me that there is a shift to the non-discrimination principle. First, there is no doubt that absolute standards such as fair and equitable treatment or the provision on expropriation have by far overshadowed the relative standards, in particular national treatment. Second, while the MFN standard has, on the other hand, been a key provision in investment treaty arbitration, particularly as an instrument to expand the scope of the ISDS system (based on more favorable provisions found in third-party treaties), there are clear signs in recent investment treaties of the willingness to curtail the use of the MFN provision as a way to extend the procedural and substantive protections of investors. This seems to be the current position, for example, of both the United States and the European Union (EU). Third, when it comes to the apparent disappearance of the absolute standards of treatment in some of the treaties being negotiated by the European Union (such as with Japan), this is more simply due to a question of the nature of the EU external competence in commercial matters. In its recent opinion on the EU-Singapore FTA, the Court of Justice of the EU has determined that the EU does not have exclusive competence to conclude agreements covering non-FDI and ISDS. The EU has thus responded to such opinion by splitting investment protection (with ISDS) from the rest of the trade agreement, thus keeping investment liberalization (including market access and national treatment) in the latter. In this way, while the trade agreement will fall under the exclusive competence of the EU, the former will still require ratification by each member state. While it is not clear whether the backlash vis-à-vis investment protection and ISDS in some quarters within some of the member states will eventually lead to the end of EU investment treaties, a decision in this sense has not yet been taken by EU institutions.

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6

Block de Behar, Lisa. "Federico Fellini." Cuadernos Literarios 4, no. 7 (2007): 17–32. http://dx.doi.org/10.35626/cl.7.2007.89.

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Lisa Block de Behar dilucida sobre la función de la anáfora en el lenguaje cinematográfico a partir de un segmento de L’Intervista, filme de Federico Fellini. En este, el director italiano ingresa en el límite entre la ficción y los hechos, entre los hechos y otras ficciones. Cabe agregar que esta versión en español corresponde al texto presentado en francés en el Coloquio “Christian Metz et la théorie du cinema”. Centre Culturel International de Cerisy-la-Salle, Francia, 29 de junio de 1989.

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7

Garattini, Silvio. "Federico Spreafico." European Journal of Cancer 30, no. 7 (1994): 1038. http://dx.doi.org/10.1016/0959-8049(94)90140-6.

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8

Verstegen, Ian. "Federico Barocci, Federico Borromeo, and the Oratorian Orbit*." Renaissance Quarterly 56, no. 1 (2003): 56–87. http://dx.doi.org/10.2307/1262258.

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AbstractFederico Barocci (1535-1612) has always held a special place in studies of the patronage of Filippo Neri's Roman Congregation of the Oratory. The problem is how to quantify the affinity between artist and patron without slipping into zeitgeist historicism. A close chronological examination of documents surrounding Barocci's commissions to Oratorians and other patrons like Cardinal Federico Borromeo and Pope Clement VIII shows a coordinated effort within a larger orbit.

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9

Harris, Derek, and Reed Anderson. "Federico Garcia Lorca." Modern Language Review 80, no. 4 (1985): 965. http://dx.doi.org/10.2307/3729021.

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10

Anderson, Reed, and Felicia Hardison Londre. "Federico Garcia Lorca." Hispania 69, no. 2 (1986): 310. http://dx.doi.org/10.2307/341670.

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11

Klein, Dennis A., and Felicia Hardison Londre. "Federico Garcia Lorca." Theatre Journal 39, no. 1 (1987): 118. http://dx.doi.org/10.2307/3207641.

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12

Smith, Richard Langham, Carmen Bustamente, Carlos Cebro, Sara Stowe, and Matthew Spring. "Federico Mompou: Melodies." Musical Times 135, no. 1820 (1994): 651. http://dx.doi.org/10.2307/1003142.

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13

D'Incalci, M. "Professor Federico Spreafico." Annals of Oncology 5, no. 5 (1994): 387. http://dx.doi.org/10.1093/oxfordjournals.annonc.a058865.

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14

Cognetti, Francesco. "Professor Federico Calabresi." Annals of Oncology 6, no. 2 (1995): 95. http://dx.doi.org/10.1093/oxfordjournals.annonc.a059125.

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15

Paladini, Alejandro C. "Luis Federico Leloir." FASEB Journal 2, no. 12 (1988): 2751–52. http://dx.doi.org/10.1096/fasebj.2.12.3044902.

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16

Landrea, Cyrielle. "Federico Santangelo, Marius." Anabases, no. 25 (April 1, 2017): 301–2. http://dx.doi.org/10.4000/anabases.6155.

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17

Neruda, Pablo. "Federico García Lorca." Revista do Instituto de Estudos Brasileiros, no. 27 (December 31, 1987): 133. http://dx.doi.org/10.11606/issn.2316-901x.v0i27p133-136.

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18

Araujo, Oscar. "Federico A. Vilallonga." American Journal of Pharmaceutical Education 49, no. 3 (1985): 332. http://dx.doi.org/10.1016/s0002-9459(24)09940-6.

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19

Chiaro, Delia. "Armstrong, Nigel & Federico M. Federici, eds. 2006. Translating Voices Translating Regions." Target. International Journal of Translation Studies 21, no. 1 (2009): 164–69. http://dx.doi.org/10.1075/target.21.1.12chi.

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20

García Gutiérrez Vélez, Georgina. "The Era of Carlos Fuentes." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 705–7. http://dx.doi.org/10.1632/s0030812900122989.

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Por lo menos, ¿sabes si Dios ha muerto? —concluyó antes de retirarse del balcón—. ¿Qué sabes?Nada. ¿Cómo te llamas?Federico. Federico Nietzsche.—Carlos Fuentes, Federico en su balcónThe death of Carlos Fuentes means the end of an era that began with La región más transparente (1958; Where the Air Is Clear) and concludes with the posthumous Federico en su balcón (2012; Federico on His Balcony). Fuentes marks an entire era with the influence of his personality and his work, which have impacted Mexico's intellectual life, arts, and wider society, as well as its collective imagination. Fuentes has a place in the Mexican imaginary, like film or soccer stars, and for decades his face has been part of Mexican iconography. The history of contemporary Mexico would be very different without him.

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21

Picasso, Riccardo, Federico Pistoia, Federico Zaottini, et al. "High-resolution ultrasound of spigelian and groin hernias: a closer look at fascial architecture and aponeurotic passageways." Journal of Ultrasonography 21, no. 84 (2021): e53-e62. http://dx.doi.org/10.15557/jou.2021.0008.

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22

Santos, Silvana Aguiar dos, Jonatas Rodrigues Medeiros, and Felipe Patrício. "Critical review of Mediating Emergencies and Conflicts: Frontline Translating and Interpreting." Belas Infiéis 10, no. 4 (2021): 01–13. http://dx.doi.org/10.26512/belasinfieis.v10.n4.2021.36280.

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Esta resenha aborda a obra intitulada Mediating Emergencies and Conflicts: Frontline Translating and Interpreting [Mediando Emergências e Conflitos: Tradução e Interpretação na linha de frente], organizada por Federico M. Federici (University College London), no Reino Unido. Diversos países em diferentes partes do globo terrestre enfrentam emergências, catástrofes, desastres naturais ou provocados pelo homem. Esses fenômenos causam uma série de demandas, entre elas, tradutores, intérpretes e mediadores linguísticos de diversos idiomas. O livro explora o papel desses profissionais com base em experiências profissionais e também resultados de pesquisas, colocando em evidências países como Turquia, Egito, Afeganistão, Irlanda, Espanha, Bélgica, entre outros.

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23

Klein, Dennis A., and Candelas Newton. "Understanding Federico Garcia Lorca." South Atlantic Review 61, no. 1 (1996): 149. http://dx.doi.org/10.2307/3200781.

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24

Hope, William, Frank Burke, and Marguerite R. Waller. "Federico Fellini: Contemporary Perspectives." Modern Language Review 98, no. 4 (2003): 1011. http://dx.doi.org/10.2307/3737996.

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25

Harris, Derek, and Candelas Newton. "Understanding Federico Garcia Lorca." Modern Language Review 91, no. 4 (1996): 1020. http://dx.doi.org/10.2307/3733587.

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26

Prieto Castillo, Daniel. "Entrevista a Federico Iglesias." Chasqui. Revista Latinoamericana de Comunicación, no. 21 (January 20, 2015): 20. http://dx.doi.org/10.16921/chasqui.v0i21.3033.

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27

Feher Trenschiner, Eduardo Luis. "EL CÓDIGO DE FEDERICO." Revista de la Facultad de Derecho de México 65, no. 264 (2017): 153. http://dx.doi.org/10.22201/fder.24488933e.2015.264.60306.

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<strong><strong></strong></strong><p>Particularmente inusitado rey absolutista, Federico II –<br />también conocido como el rey filósofo, el rey músico, el rey masón,<br />o sencillamente Federico el Grande– fue tal vez el más grande exponente<br />del despotismo ilustrado. Contribuyó a la expansión territorial<br />de Prusia, haciendo de ésta una gran potencia europea. De<br />igual forma fue un decidido protector de la ciencia y de la cultura,<br />a las que impregnó de influencias francesas. Era flautista y escritor,<br />y tuvo una de las Cortes más celebres de la época. En 1739 publicó<br />su obra Anti-Maquiavelo, en la que condenaba al pensador florentino<br />y abogaba por una mayor exigencia moral para los gobernantes. A<br />Federico el Grande se le conoce por modernizar la burocracia, el<br />servicio civil y el sistema judicial prusianos. En 1747 promulgó un<br />innovador código legislativo, el llamado Código de Federico.</p>

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28

Rubio, Federico. "Fotografía de Federico Rubio." Dixit, no. 31 (October 29, 2019): 108–17. http://dx.doi.org/10.22235/d.vi31.1903.

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Federico Rubio (Montevideo, 1966). Es fotógrafo desde 1991. Egresado de la Facultad de Ciencias Económicas de la Universidad de la República (Uruguay) en 1994 y del London College of Printing (Inglaterra) en 1996, donde realizó un posgrado en Fotoperiodismo. Ha participado en numerosas muestras colectivas e individuales, en Uruguay y el exterior. Entre los premios recibidos destaca la Guggenheim Fellowship en Fotografía, obtenida en 2010. Vive la mayor parte del año en Montevideo

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29

Ortino, Federico. "Remarks by Federico Ortino." Proceedings of the ASIL Annual Meeting 112 (2018): 66–67. http://dx.doi.org/10.1017/amp.2019.68.

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When it comes to trade law, it is true that there appear to be certain signs that we are moving back to non-discrimination and away from deeper forms of integration. However, this is possibly (and hopefully) only a limited and temporary shift. The strongest evidence of such a shift regards the apparent interpretation by the WTO Appellate Body (AB) of the key provisions in the TBT Agreement in such a way as to give prevalence to the national treatment standard in Article 2.1 over the necessity requirements in Article 2.2. For example, in US – Tuna II (Mexico) the AB found the U.S. dolphin-safe regulations under review inconsistent with Article 2.1, while also reversing the panel finding that the U.S. dolphin-safe regulations were inconsistent with Article 2.2. Such a result is surprising if one considers the general agreement among commentators that the disciplines embodied in the TBT Agreement (as well as in the SPS Agreement) went beyond the non-discrimination obligation of the GATT.

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30

Landrea, Cyrielle. "Marta Garcia Morcillo, Federico." Anabases, no. 28 (November 9, 2018): 376–78. http://dx.doi.org/10.4000/anabases.8210.

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31

Kendall, Seth. "Marius by Federico Santangelo." Classical World 111, no. 3 (2018): 439–40. http://dx.doi.org/10.1353/clw.2018.0026.

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32

Cafagna, Luciano. "Il cavallo di Federico." Quaderni di Sociologia, no. 5 (August 1, 1993): 172–80. http://dx.doi.org/10.4000/qds.5854.

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33

Houben, Hubert. "Friedrich II., ein Sizilianer auf dem Kaiserthron?" Quellen und Forschungen aus italienischen Archiven und Bibliotheken 97, no. 1 (2017): 83–98. http://dx.doi.org/10.1515/qfiab-2017-0007.

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Riassunto Il contributo esamina la tesi di Olaf Rader, secondo cui l’imperatore Federico II, nato in Italia e cresciuto in Sicilia, sarebbe stato „durch und durch Sizilianer“ (del tutto siciliano), come aveva sostenuto nella seconda meta del sec. XIX Leopold von Ranke e di conseguenza „il primo straniero sul trono tedesco“, come scrisse poi Johannes Haller nella prima meta del Novecento. Secondo tale interpretazione, egli avrebbe dato priorita al regno di Sicilia, ereditato dalla madre Costanza d’Altavilla, e trascurato invece l’impero romano-tedesco, diversamente da suo nonno Federico I Barbarossa. Questa tesi risulta poco convincente perche attribuendo a Federico II una chiara identita siciliana si trascura il fatto che egli, trasferitosi in Germania all’eta di 17 anni e rimanendovi per otto, si immerse in un contesto del tutto tedesco, riappropriandosi delle sue radici sveve. Inoltre Federico II difese accanitamente gli interessi dell’impero romano-tedesco contro il papato e i comuni settentrionali, mettendo le ingenti risorse economiche del regno di Sicilia al servizio delle sue azioni militari. Essendo a quell’epoca particolarmente importante la presenza fisica del sovrano per l’azione di governo, Federico ovvio alla sua assenza nelle zone d’oltralpe, prive di strutture amministrative paragonabili a quelle italiane, delegando i suoi figli - Enrico (VII) prima e Corrado IV poi - a rappresentarlo in Germania. La tesi di un Federico II come „il siciliano sul trono imperiale“ non convince perche e basata su concetti ottoe novecenteschi quali popolo, nazione e identita nazionali che mal si adattano al Medioevo.

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34

Houben, Hubert. "Friedrich II., ein Sizilianer auf dem Kaiserthron?" Quellen und Forschungen aus italienischen Archiven und Bibliotheken 97, no. 1 (2018): 83–98. http://dx.doi.org/10.1515/qufiab-2017-0007.

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Riassunto Il contributo esamina la tesi di Olaf Rader, secondo cui l’imperatore Federico II, nato in Italia e cresciuto in Sicilia, sarebbe stato „durch und durch Sizilianer“ (del tutto siciliano), come aveva sostenuto nella seconda metà del sec. XIX Leopold von Ranke e di conseguenza „il primo straniero sul trono tedesco“, come scrisse poi Johannes Haller nella prima metà del Novecento. Secondo tale interpretazione, egli avrebbe dato priorità al regno di Sicilia, ereditato dalla madre Costanza d’Altavilla, e trascurato invece l’impero romano-tedesco, diversamente da suo nonno Federico I Barbarossa. Questa tesi risulta poco convincente perché attribuendo a Federico II una chiara identità siciliana si trascura il fatto che egli, trasferitosi in Germania all’età di 17 anni e rimanendovi per otto, si immerse in un contesto del tutto tedesco, riappropriandosi delle sue radici sveve. Inoltre Federico II difese accanitamente gli interessi dell’impero romano-tedesco contro il papato e i comuni settentrionali, mettendo le ingenti risorse economiche del regno di Sicilia al servizio delle sue azioni militari. Essendo a quell’epoca particolarmente importante la presenza fisica del sovrano per l’azione di governo, Federico ovviò alla sua assenza nelle zone d’oltralpe, prive di strutture amministrative paragonabili a quelle italiane, delegando i suoi figli – Enrico (VII) prima e Corrado IV poi – a rappresentarlo in Germania. La tesi di un Federico II come „il siciliano sul trono imperiale“ non convince perché è basata su concetti otto- e novecenteschi quali popolo, nazione e identità nazionali che mal si adattano al Medioevo.

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35

Kong, Judy Wai Ping. "Federico M. Federici (ed.), 2011.Translating Dialects and Languages of Minorities: Challenges and Solutions." Babel. Revue internationale de la traduction / International Journal of Translation 59, no. 1 (2013): 121–24. http://dx.doi.org/10.1075/babel.59.1.10kon.

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36

Yang, Shanshan. "Callum Walker and Federico M. Federici (eds). Eye Tracking and Multidisciplinary Studies on Translation." Babel. Revue internationale de la traduction / International Journal of Translation 65, no. 1 (2019): 137–43. http://dx.doi.org/10.1075/babel.00085.yan.

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37

Márquez Barragán, Miriam Yvonn. "BAILE COMO EXPRESIÓN DE FEMINEIDAD Y EROTISMO EN FEDERICO GARCÍA LORCA." RAUDEM. Revista de Estudios de las Mujeres 5 (December 12, 2018): 129. http://dx.doi.org/10.25115/raudem.v5i0.1996.

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Resumen: El baile a lo largo del tiempo ha sido visto como una actividad peligrosa para los valores morales y religiosos. El cuerpo de la mujer ha sido visto como un medio para excitar el pecado. La obra dramática de Federico García Lorca logra capturar el conflicto moral y las implicaciones sexuales del baile con personajes femeninos que luchan entre el deseo y sus instintos. En el presente trabajo, analizo algunos de los valores sociales y morales del baile en el teatro de Lorca. Palabras clave: Federico García Lorca, Danza, trangresión, cuerpo, estigma social. Abstract: Dance over time has been perceived as an activity threatening certain moral and religious values. The female body is the expressive instrument in dancing, as a mean to incite sinful behavior. The dramatic work of Federico García Lorca capture the moral conflict and the sexual implications of the dance with female characters who struggle between desire and their instincts. In the present article, I review some of the negative social and moral values present in dancing, in Lorca’s view.Key words: Federico Garcia-Lorca, dance, transgression, body, social stigma.

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38

Miyawatl, Ateri. "Federico Cuatlacuatl (Tlayekankeh). Coapan tetsxcha." Diálogos de Campo 4, no. 7 (2021): 151–52. http://dx.doi.org/10.22201/enesmorelia.26832763e.2021.7.86.

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"Coapan tetsxcha: Ihke itoka yehwin tlamawisohle. Okiyekan Federico Cuatlacuatl, se telpoxtle akinon onoskalte, ken miyeke tokniwan, itech 'norte'. Yehwin tlamawisoleh tech kakilcha itlahtol akinome otlalkahke ialtepachan Coapan niman onolinkeh USA. Yehwin altepetsintle tlatilantok Cholula Puebla, miyekeh tlakameh niman siwameh amochanchiwa nikan niman akinomeh oyahkeh amokaman onokopkeh. Miyekeh neihka onemikoh noso neihka onimikilito. Altepetsintle onokah iknotsintle. Ikah yehwon tetlahtolia Federico ipan yehwin tekitsintle wan iselte okiyekan..." Ateri Miyawatl.

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39

Gil Fernández, Juan. "Federico Corriente Córdoba. In Memoriam." De Medio Aevo 15, no. 1 (2021): 269–70. http://dx.doi.org/10.5209/dmae.72894.

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40

Rist, Peter. "Federico Hidalgo, Argentine-Canadian filmmaker." Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 4, no. 1 (2016): 12. http://dx.doi.org/10.22475/rebeca.v4n1.341.

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41

Hart, Stephen M., and Andres Soria Olmedo. "Lecciones sobre Federico Garcia Lorca." Modern Language Review 84, no. 1 (1989): 214. http://dx.doi.org/10.2307/3732036.

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42

Zaragoza, Federico Mayor. "Poemas de Federico Mayor Zaragoza." Cultura de Paz 17, no. 54 (2012): 49–51. http://dx.doi.org/10.5377/cultura.v17i54.769.

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43

Krapovickas, Antonio. "FEDERICO BERNARDO VERVOORST (1923-2008)." Bonplandia 17, no. 1 (2008): 95. http://dx.doi.org/10.30972/bon.1711367.

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44

Cottrell, Alan, Giovangirolamo de' Rossi, and Vanni Bramanti. "Vita di Federico di Montefeltro." Sixteenth Century Journal 27, no. 3 (1996): 886. http://dx.doi.org/10.2307/2544081.

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45

Carpintero Fernández, Ana. "Federico Moretti, un enigma descifrado." Anuario Musical, no. 65 (December 30, 2010): 79. http://dx.doi.org/10.3989/anuariomusical.2010.65.113.

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La biografía del músico y militar Federico Moretti, así como gran parte de su obra, han permanecido desconocidas hasta la actualidad, a pesar de ser una de las figuras más citadas en la bibliografía referente a la guitarra del período clásico-romántico. El presente artículo revela por primera vez datos documentales sobre su vida, entre otros, orígenes, familia, viajes, empleos, relaciones, títulos, nacimiento, matrimonio y defunción.

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46

Román Sánchez. "Evocación de Federico Aznar Gil." Revista Española de Derecho Canónico 78, no. 191 (2021): 529–36. http://dx.doi.org/10.36576/summa.146812.

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El 4 de febrero de 2021 falleció en Zaragoza, Federico Rafael Aznar Gil, a la edad de 67 años, siendo enterrado al día siguiente en su localidad natal de La Almunia de Doña Godina (Zaragoza). Desde hacía algo más de tres años su salud se había resentido y, ya jubilado a finales de 2018 como catedrático en la Facultad de Derecho canónico de la Universidad Pontificia de Salamanca, se encontraba residiendo en la casa sacerdotal de su diócesis, Zaragoza, donde seguía colaborando pastoralmente en la parroquia de Nuestra Señora del Portillo y manteniendo los cargos de Promotor de justicia y Defensor del vínculo del Tribunal Interdiocesano de Segunda Instancia de Zaragoza, a la vez que preparando algún trabajo histórico, pues su intención era la de seguir siendo útil a la Iglesia. Culminaba así una vida plena de actividad en el ámbito del Derecho canónico que desarrolló durante cuatro décadas de un modo muy intenso.

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Olmedo, Andres Soria, Eutimio Martin, and Federico Garcia Lorca. "Federico Garcia Lorca. Antologia comentada." Hispanic Review 59, no. 4 (1991): 479. http://dx.doi.org/10.2307/473359.

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Klibbe, Lawrence H., Maria Clementa Millan, and Federico Garcia Lorca. "Federico Garcia Lorca, El publico." Hispanic Review 57, no. 1 (1989): 119. http://dx.doi.org/10.2307/474249.

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Cifuentes, Luis F., Andres Soria Olmedo, Federico Garcia Lorca, and Christian de Paepe. "Federico Garcia Lorca, Mariana Pineda." Hispanic Review 61, no. 3 (1993): 437. http://dx.doi.org/10.2307/475090.

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Rubens, Oscar. "Soleares para Federico García Lorca." Chasqui 15, no. 1 (1985): 98. http://dx.doi.org/10.2307/29739939.

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