Relevant bibliographies by topics / Feldman / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Feldman.

Dissertations / Theses on the topic 'Feldman'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Feldman.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Cline, David. "Morton Feldman : dimensions of graph music." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6405/.

Full text
Abstract:
This thesis is the first substantial overview of the group of indeterminate musical works by Morton Feldman that he referred to as ‘graphs’. Despite the ever-expanding body of scholarly research on Feldman’s music, the seventeen published and three surviving, unpublished graphs that he produced over a period of seventeen years (1950- 67) have been largely ignored. This is the first substantial overview of the series and most of the graphs that he produced are discussed in detail for the first time in these pages. I argue that these works have been unjustly neglected, and that they are, in fact, of considerable interest from several musicological perspectives. To illuminate various ‘dimensions’ of these works, I explore their history, influence, evolution, conceptual foundations, compositional structure and, also, some of the ways in which they have been interpreted by performers. Key topics discussed include: Feldman’s original and distinctive notation, which he regarded as a transparent window onto sounds; his belief in the directness of his own relationship to sounds and the priority sounds should enjoy in a composition; his ‘all over’ method of working, which he actively developed as a way of minimising continuities; his concept of ‘weight’ and his interest in producing a holistic balance between weights; his use of collage-like methods, elastic forms and superimposition in the compositional process; his tendency, in some scores, to include numerical patterns, which he subsequently sought to expel; and the influence of abstract expressionist painting on his ideology and graph music.
APA, Harvard, Vancouver, ISO, and other styles
2

Panzner, Joseph Edward. ""Writing for the ear" : four key words in the writings and interviews of Morton Feldman." Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1230731320.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Nascimento, João Paulo Costa do [UNESP]. "O sublime de Lyotard e a música de Morton Feldman." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/152693.

Full text
Abstract:
Submitted by JOÃO PAULO COSTA DO NASCIMENTO null (jpcn@yahoo.com.br) on 2018-02-05T18:02:25Z No. of bitstreams: 1 NASCIMENTO JoaoPauloCosta DOUTORADO.pdf: 10002723 bytes, checksum: 0980dc4d7701ec421cc9535cd6563768 (MD5)
Approved for entry into archive by Laura Mariane de Andrade null (laura.andrade@ia.unesp.br) on 2018-02-07T17:00:13Z (GMT) No. of bitstreams: 1 nascimento_jpc_dr_ia.pdf: 9990136 bytes, checksum: 46e34977933b901dfbcfb29d7403a9f7 (MD5)
Made available in DSpace on 2018-02-07T17:00:13Z (GMT). No. of bitstreams: 1 nascimento_jpc_dr_ia.pdf: 9990136 bytes, checksum: 46e34977933b901dfbcfb29d7403a9f7 (MD5) Previous issue date: 2017-12-05
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O filósofo francês Jean-François Lyotard (1924-1998) desenvolve uma estética calcada no conceito de sublime a partir de seus escritos sobre arte pertencentes às décadas de 1980 e 1990. Tais formulações são pertencentes ao seu período filosófico caracterizado como virada kantiana, embasado na leitura da filosofia crítica de Kant, porém, com nuances de influência burkeana. O presente trabalho tem por objetivo investigar os conceitos descritores desta estética do sublime de Lyotard, bem como a maneira como eles são utilizados no comentário de questões da música, em especial, das vanguardas musicais do século XX. Pretende-se problematizar o papel da música na constituição da estética de Lyotard, bem como o alcance e adequação dos compositores elencados pelo filósofo como exemplos de autores comprometidos com os valores do sublime. Apresenta-se por hipótese principal a afirmação de que o sublime de Lyotard encontra uma adequação privilegiada e singular na obra do compositor norte-americano Morton Feldman (1926-1987), devido à busca pelo despojamento do espírito-sujeito-consciência presente tanto na obra do filósofo quanto na obra ensaística e musical do compositor. Como consequência, conclui-se que uma crítica musical que deseja abordar as presentes questões do sublime demanda uma escrita ensaística que ecoa uma filosofia do acontecimento, evocando a abertura de determinação da linguagem em favor de uma maneira (e não um método) de investigação de tipo reflexiva, nos termos da leitura que Lyotard realiza da Crítica da Faculdade do Juízo de Kant.
The French philosopher Jean-François Lyotard (1924-1998) develops an aesthetic based on the concept of sublime from his writings on art from the decades of 1980 and 1990. Such formulations belong to his philosophical period characterized as Kantian turn, based on the reading of Kant's critical philosophy, but with nuances of Burke's influence. The present work aims to investigate the descriptive concepts of Lyotard’s aesthetic of the sublime, as well as the way they are used in the commentary of music issues, especially those of the musical avant-gardes of the twentieth century. It is intended to problematize the role of music in the constitution of Lyotard's aesthetics, as well as the scope and appropriateness of the composers listed by the philosopher as examples of authors committed to the values of the sublime. The main hypothesis is the assertion that Lyotard's sublime finds a privileged and singular fit in the work of the American composer Morton Feldman (1926-1987), due to the search for the divestiture of the spirit-subject-consciousness present both in the work of the philosopher and in the essayist and musical work of the composer. As a consequence, it is concluded that a musical critique that wants to address the present issues of the sublime demands an essayist writing that echoes a philosophy of the event, evoking the opening of language determination toward a manner (and not a method) of reflexive type of investigation, in terms of Lyotard's reading of the Kant’s Critique of the Faculty of Judgment.
APA, Harvard, Vancouver, ISO, and other styles
4

Nascimento, João Paulo Costa do. "O sublime de Lyotard e a música de Morton Feldman /." São Paulo, 2017. http://hdl.handle.net/11449/152693.

Full text
Abstract:
Orientadora: Lia Vera Tomás
Banca: Ricardo Nascimento Fabbrini
Banca: Mário Rodrigues Videira
Banca: Marcos José Cruz Mesquita
Banca: Mauricio Funcia de Bonis
Resumo: O filósofo francês Jean-François Lyotard (1924-1998) desenvolve uma estética calcada no conceito de sublime a partir de seus escritos sobre arte pertencentes às décadas de 1980 e 1990. Tais formulações são pertencentes ao seu período filosófico caracterizado como virada kantiana, embasado na leitura da filosofia crítica de Kant, porém, com nuances de influência burkeana. O presente trabalho tem por objetivo investigar os conceitos descritores desta estética do sublime de Lyotard, bem como a maneira como eles são utilizados no comentário de questões da música, em especial, das vanguardas musicais do século XX. Pretende-se problematizar o papel da música na constituição da estética de Lyotard, bem como o alcance e adequação dos compositores elencados pelo filósofo como exemplos de autores comprometidos com os valores do sublime. Apresenta-se por hipótese principal a afirmação de que o sublime de Lyotard encontra uma adequação privilegiada e singular na obra do compositor norte-americano Morton Feldman (1926-1987), devido à busca pelo despojamento do espírito-sujeito-consciência presente tanto na obra do filósofo quanto na obra ensaística e musical do compositor. Como consequência, conclui-se que uma crítica musical que deseja abordar as presentes questões do sublime demanda uma escrita ensaística que ecoa uma filosofia do acontecimento, evocando a abertura de determinação da linguagem em favor de uma maneira (e não um método) de investigação de tipo reflexiva, nos termos da lei... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The French philosopher Jean-François Lyotard (1924-1998) develops an aesthetic based on the concept of sublime from his writings on art from the decades of 1980 and 1990. Such formulations belong to his philosophical period characterized as Kantian turn, based on the reading of Kant's critical philosophy, but with nuances of Burke's influence. The present work aims to investigate the descriptive concepts of Lyotard's aesthetic of the sublime, as well as the way they are used in the commentary of music issues, especially those of the musical avant-gardes of the twentieth century. It is intended to problematize the role of music in the constitution of Lyotard's aesthetics, as well as the scope and appropriateness of the composers listed by the philosopher as examples of authors committed to the values of the sublime. The main hypothesis is the assertion that Lyotard's sublime finds a privileged and singular fit in the work of the American composer Morton Feldman (1926-1987), due to the search for the divestiture of the spirit-subject-consciousness present both in the work of the philosopher and in the essayist and musical work of the composer. As a consequence, it is concluded that a musical critique that wants to address the present issues of the sublime demands an essayist writing that echoes a philosophy of the event, evoking the opening of language determination toward a manner (and not a method) of reflexive type of investigation, in terms of Lyotard's reading of the Kant'... (Complete abstract click electronic access below)
Doutor
APA, Harvard, Vancouver, ISO, and other styles
5

Harris, Joshua Kimball. "“Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc407859/.

Full text
Abstract:
Sunken Monadnock is a scripted combination of three modular musical surfaces. The word “surface” is borrowed from Morton Feldman, who compared the aural surface of music to the canvases of the action painters of the American Abstract Expressionists, and contrasted it with the work’s subject, or organizational structure. Composers’ transition toward a focus on surface through indeterminate compositional techniques, according to Feldman, parallels the development of modernist abstract art. “Sunken Monadnock: Composing with Visual Metaphors” is a companion critical essay that takes the surface/subject metaphor as a starting point for analyzing Sunken Monadnock.Other visual metaphors that inspired Sunken Monadnock, and are discussed in the essay, include Shakir Hassan Al Said’s mystical semiotics, Jasper Johns’s crosshatch prints, and Wassily Kandinsky’s theory of abstraction. The circle and spiral, especially, play influential roles in Sunken Monadnock as reflected by musical applications of repetition, rotation, compression/rarefaction, and endlessness. The void in the circle’s center also comes into play. The nature of the work’s formal counterpoint requires an innovative approach to the score, which consists of five sections, each of which reflects a different approach to the aural surface (i.e., to the traversal of time). The two outer sections are traditionally scored, but the three sections in the middle—labeled “Surfaces” are played simultaneously by three subsets of the ensemble. The piece is approximately 22 minutes long.
APA, Harvard, Vancouver, ISO, and other styles
6

Zvěřina, Petr. "Pozdní skladby Mortona Feldmana." Doctoral thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-369712.

Full text
Abstract:
In my dissertation, I’m trying to establish a theoretical model for better understanding of processes that occur in Morton Feldman’s late works (e.g. Piano and String Quartet, For Bunita Marcus etc.). These compositions are extremely long and not climax-oriented, we can observe „repetition“ of limited amount of musical material, there is no „general“ compositional system, musical sections can be freely interchanged or combined, acoustical qualities of tone material are emphasized. These attributes are interconnected, they are creating a specific type of „musical assemblage“ that I define as rhizomatic form (in reference to Deleuzo-Guattarian concept of the rhizome). First of all, I’m elaborating Feldman’s own texts and current studies about his music. Subsequently, I’m discussing Feldman’s compositional procedures in the context of post-war musical avantgard (The New York School, Anton Webern, Pierre Boulez and Karlheinz Stockhausen, musique informelle). Main part of my dissertation is dedicated to rhizomatic form; before the discussion of this term, I’m focusing on related topics: compositional and acoustic reality, difference and repetition, speed and intensity. I’m constantly trying to confront my findings with Feldman’s early works (e.g. Intermission 5 and 6). I’m also comparing composer’s overall attitude towards musical structure with methods and techniques of abstract expressionists (e.g. Mark Rothko, Jackson Pollock) and novelists like Samuel Beckett and Franz Kafka. Following the concept of rhizomatic form, I’m trying to analyze Feldman’s composition Patterns in a Chromatic Field for violoncello and piano.
APA, Harvard, Vancouver, ISO, and other styles
7

Rampin, Dantas Neves. "A musica de Morton Feldman sob a otica de sua compreensão da pintura do expressionismo abstrato." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284696.

Full text
Abstract:
Orientador: Denise Hortencia Lopes Garcia
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-12T15:11:52Z (GMT). No. of bitstreams: 1 Rampin_DantasNeves_M.pdf: 9209358 bytes, checksum: 374af3500d1f2a9923260762214a4c2a (MD5) Previous issue date: 2008
Resumo: Esta pesquisa reflete a relação entre a música do compositor norte americano Morton Feldman e o grupo de pintores do Expressionismo Abstrato The New York School of Visual Arts - partindo da ótica do próprio compositor. Abordamos a maneira como Feldman trabalhou concepções advindas da pintura na composição técnica e estética em sua música. Para discorrer sobre este tema, a dissertação apresenta uma breve contextualização histórica da década de 50, do século passado, momento do encontro de Feldman com os pintores. Em seguida, apresentamos as concepções desenvolvidas por Feldman em sua música derivadas da pintura. Para tanto, apresentaremos análises que nos permitam compreender como estas concepções se concretizam musicalmente através da história notacional do compositor. Do ponto de vista metodológico a pesquisa se vale das declarações do próprio compositor, de pesquisas que abordam o trabalho composicional de Morton Feldman e da análise de obras. Priorizamos a análise da peça Crippled Symmetry, já que ela apresenta uma das notações mais originais produzidas por Feldman, o que nos inspirou a composição de Sombras Sobre o Encoberto 11, peça que apresentamos neste trabalho como resultado composicional desta pesquisa. Nas considerações finais, além do resultado de Sombras Sobre o Encoberto 11, discutimos como as concepções utilizadas por Feldman a partir da pintura pode ser amplamente explorada como base composicional singular.
Abstract: This research is about the relation between the music of the American composer Morton Feldman and the group of painters of Abstract Expressionism The New York School of Visual Arts - from the point of view of himself. It will focus the way Feldman developed concepts drawn from painting in the technique and aesthetics of his music. Thus the dissertation presents a historical account of the 1950s, when Feldman and the painters met. Then we present concepts Feldman drew from painting and developed in his music. We provide analyses which allow us to understand how such concepts work musically throughout Feldman's notational history. The method of this research is based on Feldman's statements, researches about his compositional work and the analysis of pieces. Crippled symmetry, whose notation is among the most original devised by Feldman, undergoes extensive analysis. It has also been the inspiration for the composition of our work Sombras sobre o Encoberto II, We present this piece as the compositional outcome of this research. In addition to this piece, the conclusion shows how the concepts Feldman drew from painting can be vastly explored as a unique basis for the composition of music.
Mestrado
Mestre em Música
APA, Harvard, Vancouver, ISO, and other styles
8

Cerveró, Beta Joan Josep. "Hibridaciones entre música y pintura: la relación de Morton Feldman y Mark Rothko en Rothko Chapel." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/90572.

Full text
Abstract:
The present dissertation ("Hybridisations between music and painting: the relationship of Morton Feldman and Mark Rothko in Rothko Chapel") has as main objective to examine the technical approach, the stylistic resources and the degree of interdisciplinary relation that establishes between the work of the American composer Morton Feldman (1926 - 1987) Rothko Chapel (1971) and the work of the same painter, also American, Mark Rothko (1903 - 1970), realized in Houston, Texas. By linking the pictorial and architectural work with the musical - due to the "autobiographical character" attributed by the composer to his piece - the research addresses its degree of hybridization, the rhetorical, narrative or imitative processes used and the possibility of classification of This interdisciplinary convergence within the scope of musical ekphrasis. Because of this, the work developed, which has a transdisciplinary character, focuses basically on the study, analysis and comparison - through similarities and / or references - of the musical and pictorial work within the North American artistic and sonorous context of Mid twentieth century. However, while the musical proposal is approached with a technical and systematic criterion of analysis of the score - from a melodic, harmonic, organological, agogical, dynamic and structural point of view, the pictorial intervention is examined not only as a site project -specific - number of paintings or panels, size, shape and technique of the same, arrangement in the architectural space, specific treatment of light - but also as a plastic disc inserted in the artistic and vital trajectory of its author. The comparative study is completed with textual and biographical contributions, especially related to Morton Feldman, given the importance they have in order to locate Rothko Chapel in a context that, beyond strictly musical, reflects the pictorial influence that the work had Of Rothko in the compositional methods of our musician. Finally, the thesis is accompanied by a self-recorded CD on Rothko Chapel, a recording that is also accessible through an online platform. Through the same it is wanted that the interpretation made allows to contrast the proposals, the results and the conclusions obtained during the investigation process.
La presente tesis doctoral ("Hibridaciones entre música y pintura: la relación de Morton Feldman y Mark Rothko en Rothko Chapel") tiene como objetivo principal examinar el planteamiento técnico, los recursos estilísticos y el grado de relación interdisciplinar que se establece entre la obra del compositor estadounidense Morton Feldman (1926 - 1987) Rothko Chapel (1971) y el trabajo homónimo del pintor, también estadounidense, Mark Rothko (1903 - 1970), realizado en Houston, Texas. Al vincular la obra pictórica y arquitectónica con la musical -debido al "carácter autobiográfico" que el mismo compositor le atribuye a su pieza-, la investigación aborda su grado de hibridación, los procesos retóricos, narrativos o imitativos utilizados y la posibilidad de clasificación de esta convergencia interdisciplinar dentro del ámbito de la écfrasis musical. Debido a ello, el trabajo desarrollado, que posee un carácter transdisciplinar, se centra básicamente en el estudio, análisis y comparación -a través de similitudes y/o referencias- de la obra musical y de la pictórica dentro del contexto artístico y sonoro norteamericano de mediados del siglo XX. Ahora bien, mientras que la propuesta musical es abordada con un criterio técnico y sistemático de análisis de la partitura -desde un punto de vista melódico, armónico, organológico, agógico, dinámico y estructural-, la intervención pictórica es examinada no solo como proyecto site-specific -número de cuadros o paneles, tamaño, forma y técnica de los mismos, disposición en el espacio arquitectónico, tratamiento específico de la luz-, sino también como discurso plástico inserto en la trayectoria artística y vital de su autor. El estudio comparativo realizado se completa con aportaciones textuales y biográficas, especialmente vinculadas a Morton Feldman, dada la importancia que estas poseen de cara a ubicar Rothko Chapel en un contexto que, más allá de lo estrictamente musical, recoge la influencia pictórica que tuvo la obra de Rothko en los métodos compositivos de nuestro músico. Finalmente, la tesis se acompaña con una grabación propia en CD de Rothko Chapel, grabación que también es accesible través de una plataforma en línea. A través de la misma se desea que la interpretación efectuada permita contrastar las propuestas, los resultados y las conclusiones obtenidas durante el proceso de investigación.
La present tesi doctoral ("Hibridacions entre música i pintura: la relació de Morton Feldman i Mark Rothko en Rothko Chapel") té com a objectiu principal examinar el plantejament tècnic, els recursos estilístics i el grau de relació interdisciplinària que s'estableix entre l'obra del compositor nord-americà Morton Feldman (1926 - 1987) Rothko Chapel (1971) i el treball homònim del pintor, també nord-americà, Mark Rothko (1903 - 1970), realitzat en Houston, Texas. En vincular l'obra pictòrica i arquitectònica amb la musical -a causa de el "caràcter autobiogràfic" que el mateix compositor li atribueix a la seua peça-, la recerca aborda el seu grau d'hibridació, els processos retòrics, narratius o imitatiUs utilitzats i la possibilitat de classificació d'aquesta convergència interdisciplinària dins de l'àmbit de la écfrasis musical. A causa d'açò, el treball desenvolupat, que posseeix un caràcter transdisciplinar, se centra bàsicament en l'estudi, anàlisi i comparació -a través de similituds i/o referències- de l'obra musical i de la pictòrica dins del context artístic i sonor nord-americà de mitjan el segle XX. Ara bé, mentre que la proposta musical és abordada amb un criteri tècnic i sistemàtic d'anàlisi de la partitura -des d'un punt de vista melòdic, harmònic, organológico, agógico, dinàmic i estructural-, la intervenció pictòrica és examinada no solament com a projecte site-*specific -nombre de quadres o panells, grandària, forma i tècnica dels mateixos, disposició en l'espai arquitectònic, tractament específic de la llum-, sinó també com a discurs plàstic inserit en la trajectòria artística i vital del seu autor. L'estudi comparatiu realitzat es completa amb aportacions textuals i biogràfiques, especialment vinculades a Morton Feldman, donada la importància que aquestes posseeixen de cara a situar Rothko Chapel en un context que, més enllà de l'estrictament musical, arreplega la influència pictòrica que va tenir l'obra de Rothko en els mètodes compositius del nostre músic. Finalment, la tesi s'acompanya amb un enregistrament propi en CD de Rothko Chapel, enregistrament que també és accessible través d'una plataforma en línia. A través de la mateixa es desitja que la interpretació efectuada permeta contrastar les propostes, els resultats i les conclusions obtingudes durant el procés de recerca.
Cerveró Beta, JJ. (2017). Hibridaciones entre música y pintura: la relación de Morton Feldman y Mark Rothko en Rothko Chapel [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/90572
TESIS
APA, Harvard, Vancouver, ISO, and other styles
9

Engen, Haakon [Verfasser], Tania [Akademischer Betreuer] Singer, Tania [Gutachter] Singer, and Barrett Lisa [Gutachter] Feldman. "On the Endogenous Generation of Emotion / Haakon Engen ; Gutachter: Tania Singer, Lisa Feldman Barrett ; Betreuer: Tania Singer." Leipzig : Universitätsbibliothek Leipzig, 2017. http://d-nb.info/1240701608/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Nakamatsu, Javier. "Synthetic polymers. Technology, properties, applications / D. Feldman y A. Barbalata. London: Chapman & Hall, 1996. 370 p." Revista de Química, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/100485.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Manchur, Jeffrey M. "But why is it so Long?: Eschatology and Time Perception as an Interpretation of Morton Feldman's 'For Philip Guston'." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428440096.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

Gresser, Clemens. "(Re-)Defining the relationships between composer, performer and listener : Earle Brown, John Cage, Morton Feldman and Christian Wolff." Thesis, University of Southampton, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414650.

Full text
Abstract:
This thesis examines works by Earle Brown (1926-2002), John Cage (1912-1992), Morton Feldman (1926-1987) and Christian Wolff (b. 1934), some of whose compositions avoid a fixed and determinate sequence of sounds in performance. This can lead to a redefinition of the relationships between composer, performer and listener, thus changing the role of the musicians and asking for a different attitude on the part of listeners. Such an alteration of the traditional, hierarchical model of music production was motivated, to differing degrees, by aesthetic, political and sociological considerations. Drawing on diverse music, mostly written between 1950 and 1971, such as Feldman's Projection 1 (1950), Cage's 4'33" (1952) and 0'00" (1962), Brown's Folio (1952-53) and Wolff's Prose Collection (1968-1971, ca. 1986, 1997), this study explores the compositional and notational ideas which have changed the status of the 'work'. Such music aims neither for a reified work, where all parameters are totally fixed, nor for a completely 'free' improvisation. Instead of trying to establish a historical perspective on this repertoire, the thesis compares the composers' works by focusing on overarching issues. It is shown that the four composers are less homogenous in their aesthetic, their compositional approaches, and in their attempts to redefine the relationships between themselves and the performers of their work, than previously assumed. This research illustrates that, in spite of a common understanding that Brown, Cage, Feldman and Wolff experimented with traditional conceptions of art music, this does not mean that many works negate the traditional functions of composer, performer and listener. However, a number of compositions redefine the idea of a musical 'work', and alter the functions of, and relationships between composer, performer and listener.
APA, Harvard, Vancouver, ISO, and other styles
13

Skowron, Zbigniew. "The Liberation of Sound, Time, and Space: The New Status of Musical Text in the Compositions of Earle Brown and Morton Feldmann." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37171.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

De-Henau, Joris Andre Odiel. "Towards an aesthetics of the '(in)formel' : time, space and the dialectical image in the music of Varèse, Feldman and Xenakis." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11343/.

Full text
Abstract:
This thesis addresses the issue of the modernist musical artwork, specifically in terms of the spatialization of musical time, in aesthetic and music-analytic terms. Firstly, it focuses on the notion of musique informelle as it was expounded in Adorno’s essay ‘Vers une musique informelle,’ (1961) and its place in Gianmario Borio’s elaboration of this in terms of an aesthetics of the informel. Secondly, it proposes a further expansion of these aesthetics via a double strategy: a comparative reading of Walter Benjamin’s critique of philosophies of time (including the work of Henri Bergson), language and objects, and furthermore a reconceptualization of both Adorno’s and Borio’s aesthetics in terms of a new theory of the object (as sound-object) in light of a new reading strategy. This reading is based on Walter Benjamin’s notion of the dialectical image, which proposes a new form of philosophical interpretation. The theorizations of the sound-object and the dialectical image furnish a basis for a re-conceptalization of the (in)formel, allowing for the interpretative reading of the music of three composers in particular: Edgard Varèse, Morton Feldman and Iannis Xenakis. Particularly, the study of a number of their works, including Intégrales (Varèse), On Time and the Instrumental Factor and Words and Music (Feldman), and Duel (Xenakis), reveals what Adorno terms their (truth) content, in their mediation of rationalization and intuition. Finally, it is argued that these modernist works can in turn bring new insights into Adorno’s aesthetics of the modernist work of art.
APA, Harvard, Vancouver, ISO, and other styles
15

Encarnação, Juliana Lofego. "Diálogo, direito e vínculo na garantia da integralidade em saúdevisibilidade para as práticas de comunicação nos itinerários terapêuticos de mulheres na Amazônia Ocidental." reponame:Repositório Institucional da FIOCRUZ, 2015. https://www.arca.fiocruz.br/handle/icict/12356.

Full text
Abstract:
Made available in DSpace on 2015-11-23T13:35:22Z (GMT). No. of bitstreams: 2 license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) 70638.pdf: 4860305 bytes, checksum: 86e1f343cc1f97105619c72d5cfbcae3 (MD5)
Made available in DSpace on 2015-12-07T13:25:46Z (GMT). No. of bitstreams: 2 juliana_encarnação_icict_dout_2015.pdf : 4860305 bytes, checksum: 86e1f343cc1f97105619c72d5cfbcae3 (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2015-11-23
Fundação Oswaldo Cruz. Instituto de Comunicação e Informação Científica e Tecnológica em Saúde. Rio de Janeiro, RJ, Brasil
As práticas de comunicação, que compreendem diálogo, participação, produção, circulação e apropriação de informações, são observadas nas interações sociais relacionadas às experiências de adoecimento de mulheres no controle do câncer de colo de útero em um contexto da Região Norte do Brasil, onde há alta incidência e mortalidade. A pesquisa enfoca a perspectiva dialógica da comunicação, em que as ideias de vinculação e vínculo surgem como objeto, em um eixo transdisciplinar que possibilita a integração entre teoria e prática, identificando a dialogia como elemento constituinte das relações sociais, culturais, políticas onde ocorrem disputas simbólicas. Como desdobramento, traz reflexões sobre o direito à comunicação e suas implicações no direito humano à saúde. O direito à comunicação tem nos estudos do diálogo a base teórica e referência para um processo bidirecional e democrático, que inclui participação na construção de políticas públicas. As experiências e contextos estão interligados ao tripé de conceitos - diálogo, direito e vínculo \2013 que se configuram como nexos constitutivos e constituintes da integralidade em saúde, cuja aplicabilidade no cotidiano da gestão e dos serviços de saúde está no reconhecimento dos usuários como sujeitos políticos. O diálogo envolve reciprocidade, por meio da qual as pessoas apreendem e reelaboram discursos, direito implica visibilidade para as demandas e o acesso a espaços e meios para exercer a cidadania e o vínculo se materializa pela compreensão das necessidades e respeito aos saberes das pessoas Duas questões orientaram a pesquisa: uma de natureza teórica-epistemológica, visa a compreensão da comunicação em diferentes aspectos e contextos, com costura teórico-prática no campo da comunicação em saúde; outra, metodológica, foi a aposta em uma estratégia para relacionar as práticas de comunicação com o direito à saúde, tanto no cotidiano das mulheres nos serviços de saúde quanto nas ações da política pública. A estratégia metodológica utilizada foram os itinerários terapêuticos, no acompanhamento de relatos sobre a busca por cuidado com 16 usuárias do Sistema Único de Saúde. Também foram realizadas entrevistas com 15 gestores dos âmbitos nacional, estadual e municipal. As usuárias narram experiências em que a dificuldade em serem ouvidas e consideradas \2013 base do direito à comunicação \2013 interfere na garantia do direito à saúde. O uso instrumental da comunicação é naturalizado no cotidiano das unidades e instituições de saúde, não evidenciam aspectos políticos ou interesses que perpassam as práticas, que são baseadas principalmente na transferência de informação sobre normas ou procedimentos para usuários. Embora haja espaços e discursos abertos à participação dos usuários, as políticas públicas e os serviços não costumam incluí-los na construção e avaliação de orientações ou ações. Ressalta-se a responsabilidade do profissional da comunicação em saúde com os cidadãos no cotidiano, na visibilidade de suas necessidades e ampliação de espaços de diálogo, repensando as próprias práticas como lugar de reflexão e transformação
Communication practices, which incl ude dialogue, participation, production, circulation and apropriation of information, are observed in social interactions related to women's experiences of illness in the control of uterine cervix cancer in Northern Brazil, where there is high incidence an d mortality. The research focuses a dialogic approach in communication studies, in which the human link appear as an object. In a transdisciplinary axis that enables integration between theory and practice, dialogy is identifying as a constituent element o f social, cultural, political relations where symbolic disputes occur. This reflects on the communication rights and its implications in human right to health. The right of communication has in dialogue studies the theoretical basis and reference for a bid irectional and democratic process, which includes participation in the construction of public policies. The background and experiences are linked to the tripod concepts - dialogue, law and linkage - which are constituent of health integrality. The applicab ility in management and health services everyday is in recognition of users as political subjects. Th e dialogue involves reciprocity through which people perceive and elaborate discourses, right includes visibility for the demands and access to spaces to e xert citizenship and human link is materialized by understanding the needs and respect for people ́s knowledge. Two questions guided the research: one theoretical and epistemological nature, linking theories and practices in order to understand the communic ation in different aspects and contexts in the field of communication and health; another, methodological, invests on a strategy to relate the communication practices with the right to health, both in the daily lives of women users of health services and i n the public policies. The methodological approach strategy followed therapeutic itineraries, monitoring reports about illness and care with 16 users of the Brazilian Unified Health System. It was interviews with 15 managers of the national, state and muni cipal health systems. Users tell of experiences in which the difficulty in being heard and considered - base of communication rights - interfere with the guarantee of their right to health. The instrumental use of communication is naturalized in the daily units and healthcare institutions, do not show political aspects or interests that underlie the practices, which are mainly based on the transfer of information on standards or procedures for users. Although there are speeches open to user participation, p ublic policies and services tend not to include them in the construction and evaluation guidelines or actions. The responsibility of professional health communicators is emphasized in daily life, in the visibility of needs and expansion of opportunities fo r dialogue, rethinking the practices itself as space for reflection and transformation
APA, Harvard, Vancouver, ISO, and other styles
16

Denmark, Heather. "A comparative review of the works of Feldman, Sternberg, Gardner and Eisner and the resulting practical application for the secondary art classroom." Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/371.

Full text
Abstract:
Some fields come and go, but there will always be a need for older generations to teach the younger generations. For this reason, teachers will always be needed. The material that they choose to teach can sometimes determine the outcome of a nation. Take a look into German and Roman histories; they are littered with teachers convincing students that their way is right. I think that it is imperative that we research the full potential of what we are teaching our students. For that reason, my thesis will consist of analyzing and synthesizing the research of Feldman, Sternberg, Gardner and Eisner, gathering information on their works and applying them to art education. I will apply my findings to the modern day secondary art classroom; whether it is classroom design or visual handouts, I will use the knowledge gathered to better equip the room to the advancement of multiple intelligences in hopes of inspiring my future students to be creative and lifetime learners.
B.S.
Bachelors
Education
Art Education
APA, Harvard, Vancouver, ISO, and other styles
17

Nowrousian, Schirin. "Vers une idée de la scénophonie : un parcours à travers Gilles Deleuze et Félix Guattari ainsi que, notamment, Samuel Beckett et Morton Feldman." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040277.

Full text
Abstract:
La notion de « scène » étant, comme le montre Esa Kirkkopelto dans son livre Le théâtre de l’expérience – Contributions à la théorie de scène, un concept-limite qui deviendrait distinguable de nos jours à cause de ou grâce à un certain effacement du théâtre, nous voilà étrangement confrontée à l’un de ses pans qui est celui du son et de la musique. Car si la scène semble aussi et surtout à voir avec le théâtre en ce qui concerne son côté optique, quel serait son rapport au sonore, et avec celui-ci, à la voix et à la musique, mais aussi au temps et à l’espace ? Cette recherche tâche de poursuivre ce questionnement en une étude kaléidoscopique qui sollicite, d’un côté, une partie de la philosophie de Deleuze et Guattari (notamment dans Mille plateaux) et ce qu’a pu formuler Sartre dans son livre L’imaginaire, et, de l’autre, l’enquête de certaines œuvres artistiques choisies de Beckett et de Feldman, mais aussi, de façon très ciblée, de Rilke et de Jaccottet. Dans ce parcours à maintes résonances, le projet était et est une première mise à l’épreuve de la notion de scénophonie vers laquelle la présente étude se dirige, mais qui en même temps lui a permis de se mettre en route ainsi que de poursuivre. Il s’agit d’une contribution aux recherches et aux sciences de la scène
The notion of « scene » being, as has been shown by Esa Kirkkopelto in his book Le théâtre de l’expérience – Contributions à la théorie de scène, a concept-limite (a limit-concept) which becomes distinguishable nowadays because of or thanks to a certain seclusion of theatre, puts us in front of one of its threads which is the one of sound and of music. Because the scene, if it seems to also and mainly deal with theatre as for being concerned by its optical side, what about its relation to and with sound, and thus to and with voice and music, but also time and space ? This thesis project intends to follow up this problem in a kaleidoscopic study which, on one side, mobilizes some of the philosophy of Deleuze and Guattari (especially as to be found in Mille plateaux) as well as what Sartre has been able to formulate in his book L’imaginaire, and, on the other side, the investigation of some chosen artistic oeuvres by Beckett and Feldman, but also two texts of Rilke and Jaccottet. On this line of multiple resonances, the project put and puts to prove of value the notion of scénophonie (scenophony) towards which it runs, but which at the same time has allowed it to come into existence and to pursue. It is a contribution to the research and science of the scene
APA, Harvard, Vancouver, ISO, and other styles
18

Januario, Gabriela Cintra. "Percurso assistencial das crianças avaliadas pelo serviço de referência de triagem auditiva neonatal do Hospital Sofia Feldman no período de 2010 a 2011." Universidade Federal de Minas Gerais, 2012. http://hdl.handle.net/1843/BUOS-92NPMT.

Full text
Abstract:
Introduction: Newborn Hearing Screening Programs (NHS) are being implemented worldwide, aiming the early detection of hearing deficit in the newborn. The evaluation of these programs becomes an important tool for the quality control of the care offered and for corrective actions by public health policymakers. Objective: Describe the healthcare history of the children screened in a Newborn Hearing Screening Reference Service (NHSRS) in Belo Horizonte and analyze the intra-urban differentials related to the outcome of the Newborn Hearing Screening tested at a NHSRS and living in Belo Horizonte in the period from January 2010 to February 2011, having as reference the Health Vulnerability Index (HVI). Method: A database with information regarding the children screened by the NHSRS in the period from January 2010 to February 2011 was analyzed. The study was therefore divided in two phases. In the first, the results were evaluated having as parameters the quality indicators proposed by the American Academy of Pediatrics (1999) and the Joint Committee on Infant Hearing (2007). Chi-Squared and Kruskal-Wallis tests were used for the study of the relationship between the variables. In the second phase the children screened by the NHSRC and living in Belo Horizonte were analyzed. The Health Vulnerability Index (HVI) of the census sector of each child was obtained by the geo-referencing of their respective addresses. A multivariate analysis was undertaken using the decision tree technique, considering a statistical model for each answer. A thematic map of points representing the geographic distribution of the children evaluated by the NHS Program was also elaborated. Results: In the period studies, 6.987 newborn were screened. The rate of routing for retesting, compliance to the retesting and routing for diagnostic were respectively 8.0, 71.9 and 2.1%. The absenteeism in the retest phase corresponded to 28.1% and there was no statistic relevant relationship with the age and origin of the children in the moment of the hearing screening. In the reevaluation phase, the absenteeism corresponded to 73.6% of the children routed. The age median of the children at the moment of the Newborn Hearing Screening was of 23 days, and 65% of them were evaluated in the 30 first days of life. The proportion of children with risk indicator for hearing loss (RIHL) that failed the NHS was greater than that of children that passed (p<0.0001). The risk that a child with RIHL fails the NHS was 2,4 times greater than that of a child without RIHL (IC 95% = 2,0 3,0). It was also noticed that children in the group that failed the NHS were older than those in the group that passed (p<0.0001). Considering the sample of the second phase, the probability of failure in NHS by children with a very high HVI or without HVI data was 1.5. higher than for children living in other neighborhoods. For the children living in areas of low, medium and high HVI and that undertook the RIHL after 30 days of life, the probability of failure in the RIHL was 2.1 times higher in children that had RIHL (17.2%) than those that do not have it (8.1%). It was also noticed an unequal distribution of children tested and of failures in the HNS and between the region of the municipality. Conclusion: The social determinants of health influenced the result of the children in the HNS Program. Inter-setoral actions in the areas of greatest health vulnerability are needed to contribute to the reduction of the inequality, with positive impactson the pediatric hearing health in the municipality. The NHSRS studied met three of the four indicators evaluated. The results highlight a need for strategic actions to increase the number of children screened in the first 30 day of life. The absence of integrated information systems between the screening and diagnostic services rendered impossible the identification of the number of children with the hearing disorder detected and treated at an early stage.
Introdução: Programas de triagem auditiva neonatal (TAN) estão sendo implantados em todo o mundo, objetivando a detecção precoce de deficiência auditiva no neonato. A avaliação desses programas torna-se ferramenta importante para o controle de qualidade da assistência prestada bem como para possibilitar ações corretivas das esferas de gestão das políticas públicas de saúde. Objetivos: investigar o percurso assistencial das crianças avaliadas em um Serviço de Referência de Triagem Auditiva Neonatal (SRTAN) de Belo Horizonte e analisar os diferenciais intraurbanos, associados ao resultado da TAN, tendo como referência o Índice de Vulnerabilidade à Saúde. Métodos: Foram analisadas as informações das crianças avaliadas pelo SRTAN no período de janeiro de 2010 a fevereiro de 2011. A pesquisa foi dividida em duas etapas. Na primeira os resultados do SRTAN foram avaliados tendo-se como parâmetro os indicadores de qualidade propostos pela American Academy of Pediatrics (1999) e pelo Joint Committee on Infant Hearing (2007). Foram empregados os testes Quiquadrado e Kruskal-Wallis para estudo da associação entre as variáveis. Na segunda etapa, composta de amostra apenas das crianças residentes em Belo Horizonte, o Índice de Vulnerabilidade à Saúde (IVS) do setor censitário de cada criança foi obtido por georreferenciamento de seu respectivo endereço. Foi realizada análise multivariada, utilizando-se a técnica de árvore de decisão e um modelo estatístico para cada variável resposta. Foi também elaborado um mapa temático de pontos representando a distribuição espacial das crianças avaliadas pelo programa de triagem auditiva neonatal. Resultados: Foram avaliados 6.987 neonatos. As taxas de encaminhamento para reteste, adesão ao reteste e encaminhamento para diagnóstico foram de, respectivamente, 8,0%, 71,9% e 2,1%. O absenteísmo na fase do reteste correspondeu a 28,1% e não foi associado com a procedência ou com a idade da criança no momento da triagem auditiva. Na fase de reavaliação, o absenteísmo correspondeu a 73,6% das crianças encaminhadas. A mediana de idade das crianças, no momento da triagem auditiva neonatal, foi de 23 dias, sendo que 65% delas foram avaliadas nos primeiros 30 dias de vida. O risco de a criança com Indicador de Risco para Deficiência Auditiva (IRDA) falhar na TAN foi 2,4 vezes maior do que o da criança sem IRDA (IC 95% = 2,0 - 3,0). Foi observado também que as crianças do grupo que falhou na TAN possuíam idade superior às do grupo que passou (p<0,0001). Considerando a amostra da segunda etapa, a probabilidade de falhar na TAN para as crianças residentes em áreas de IVS muito elevado e sem IVS foi 1,5 vezes maior do que para as crianças residentes nas demais áreas. Para as crianças que residem em áreas de IVS baixo, médio e elevado e fizeram a TAN após os 30 dias de vida, a probabilidade de falhar na TAN foi 2,1 vezes maior nas crianças que apresentam IRDA (17,2%), em relação às sem IRDA (8,1%). Observou-se distribuição heterogênea entre as regiões do município, tanto de crianças avaliadas quanto de falhas na TAN. Conclusão: Os determinantes sociais de saúde influenciam no resultado da criança no programa de TAN. Tornam-se, portanto, necessárias ações intersetoriais nas áreas de maior vulnerabilidade à saúde para possibilitar a redução das iniquidades e assegurar o direito à saúde auditiva a toda população infantil do município. Quanto aos resultados do SRTAN, foram alcançados três dos quatro indicadores avaliados. Ressalta-se a necessidade de ações estratégicas para se aumentar o número de crianças avaliadas nos primeiros 30 dias de vida. A ausência de sistemas de informação integrados entre os serviços de triagem e diagnóstico inviabiliza o conhecimento do número de crianças com deficiência auditiva, detectadas e tratadas precocemente
APA, Harvard, Vancouver, ISO, and other styles
19

McKnight, Samuel Lee. "And We Are Insubstantial." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428166050.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Feldman, Michal [Verfasser], Johannes [Gutachter] Krause, Martin S. [Gutachter] Fischer, and Manaasa [Gutachter] Raghavan. "Tracing past human mobility and disease in western Eurasia by the genetic analysis of ancient human remains / Michal Feldman ; Gutachter: Johannes Krause, Martin S. Fischer, Manaasa Raghavan." Jena : Friedrich-Schiller-Universität Jena, 2020. http://d-nb.info/1209196131/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Danilevicz, Igor. "Introdu??o ao evidencialismo em epistemologia." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2018. http://tede2.pucrs.br/tede2/handle/tede/8287.

Full text
Abstract:
Submitted by PPG Filosofia (filosofia-pg@pucrs.br) on 2018-09-17T18:07:38Z No. of bitstreams: 1 DIS_IGOR DANILEVICZ.pdf: 1094423 bytes, checksum: 99d196d8f4216de68382957117ea2321 (MD5)
Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2018-09-18T11:21:55Z (GMT) No. of bitstreams: 1 DIS_IGOR DANILEVICZ.pdf: 1094423 bytes, checksum: 99d196d8f4216de68382957117ea2321 (MD5)
Made available in DSpace on 2018-09-18T11:28:41Z (GMT). No. of bitstreams: 1 DIS_IGOR DANILEVICZ.pdf: 1094423 bytes, checksum: 99d196d8f4216de68382957117ea2321 (MD5) Previous issue date: 2018-08-24
This dissertation addresses the evidentialism in the light of contemporary analytical epistemology or the theory of knowledge, notably that sustained by Richard Feldman and Earl Conee. In the first part of the paper I approach the theories of internalist and externalist justification as theories that deal with the origin of justification. Then I try to relate them to theories about the structure of justification. From this perspective, internalism was related to foundationalism, coherentism and infinitism. And, externalism has been related to causal theory, tracking theory, reliabilism, and the theory of proper function. In the second part, the Evidentialist Theory of Judgment or Evidentialism in Conee & Feldman is discussed, where besides the definition of evidence I present the classification between synchronic justification and diachronic justification, as well as propositional justification and doxtic justification. The second part also examines the relationship between 'epistemic justification and truth' and the relation between 'evidence and belief', also addressing the principle of underdetermination and some objections to the evidentialism of Conee & Feldman.
O presente trabalho pretende ser uma introdu??o ao evidencialismo em epistemologia anal?tica contempor?nea ou teoria do conhecimento, destacadamente ?quele sustentado por Richard Feldman e Earl Conee. Na primeira parte do trabalho eu abordo as teorias da justifica??o internista e externista como teorias que tratam da origem da justifica??o. Em seguida procuro relacionar as mesmas com teorias sobre a estrutura da justifica??o. Por essa perspectiva o internismo foi relacionado com o fundacionismo, o coerentismo e o infinitismo. E, o externismo foi relacionado com a teoria causal, a teoria do rastreamento, o confiabilismo e a teoria da fun??o apropriada. Na segunda parte ? abordada a Teoria Evidencialista da Jutisfica??o ou Evidencialismo em Conee e Feldman, onde al?m da defini??o de evid?ncia apresento a classifica??o entre justifica??o sincr?nica e justifica??o diacr?nica, bem entre justifica??o proposicional e justifica??o dox?stica. Ainda, nessa segunda parte ? examinada a rela??o entre ?justifica??o epist?mica e verdade? e a rela??o entre ?evid?ncia e cren?a?, abordando tamb?m o princ?pio da subdetermina??o e algumas obje??es ao evidencialismo de Conee e Feldman.
APA, Harvard, Vancouver, ISO, and other styles
22

Pollmann, Ulrich [Verfasser]. "Die Idee der Reinheit in der Musik des 20. Jahrhunderts : Musik von Anton Webern, Morton Feldman und Giacinto Scelsi im Lichte der ästhetischen Diskussionen des 19. Jahrhunderts / Ulrich Pollmann." Berlin : epubli GmbH, 2015. http://d-nb.info/1075407699/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Douglass, Mark. "Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849634/.

Full text
Abstract:
This dissertation considers the use of orchestra bells as a solo instrument. I use three examples taken from chamber literature (Drumming by Steve Reich, Why Patterns? by Morton Feldman, and Ave by Franco Donatoni) to demonstrate uses of the instrument in an ensemble setting. I use six solo, unaccompanied orchestra bell pieces (Twelve Bell Canons by Robert Morris, Katarynka by Marta Ptaszyńska, Over by Stuart Saunders Smith, A Little Suite and an Encore Tango by Will Ogdon, Breaks Through by Lafayette Gilchrist, and Bells for New Orleans by Roscoe Mitchell) to illustrate the instrument’s expressive, communicative ability. In the discussion of each piece, I include brief background information, the composer’s musical language in the piece and performance considerations. I interviewed composers of these solo works to complete the research for this document to discuss their musical language and their thoughts on writing for solo orchestra bells.
APA, Harvard, Vancouver, ISO, and other styles
24

Hogan, Adam D. "Leibniz Did Not State Leibniz's Law." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1397054389.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Kleineidam, Gerhard [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Harald [Gutachter] Meerkamm, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "CAD/CAP: Rechnergestützte Montagefeinplanung / Gerhard Kleineidam ; Gutachter: Klaus Feldmann, Harald Meerkamm ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1213533449/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Schnepf, Peter [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, TU München K. [Gutachter] Ehrlenspiel, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Zielkostenorientierte Montageplanung / Peter Schnepf ; Gutachter: Klaus Feldmann; K. Ehrlenspiel, TU München ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1216704503/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Wunderlich, Jürgen [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Wolfgang [Gutachter] Männel, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Kostensimulation - Simulationsbasierte Wirtschaftlichkeitsregelung komplexer Produktionssysteme / Jürgen Wunderlich ; Gutachter: Klaus Feldmann, Wolfgang Männel ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2002. http://d-nb.info/1200637577/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Sturm, Jürgen [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, W. [Gutachter] Sauer, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Prozeßintegrierte Qualitätssicherung in der Elektronikproduktion / Jürgen Sturm ; Gutachter: Klaus Feldmann, W. Sauer ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 1997. http://d-nb.info/1211822273/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Schrödel, Olaf [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, H. [Gutachter] Wedekind, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Flexible Werkstattsteuerung mit objektorientierten Softwarestrukturen / Olaf Schrödel ; Gutachter: Klaus Feldmann, H. Wedekind ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1215908245/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Schäfer, Günther [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Harald [Gutachter] Meerkamm, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Integrierte Informationsverarbeitung bei der Montageplanung / Günther Schäfer ; Gutachter: Klaus Feldmann, Harald Meerkamm ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/121590827X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Eisele, Rainer [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Harald [Gutachter] Meerkamm, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Konzeption und Wirtschaftlichkeit rechnerintegrierter Planungssysteme / Rainer Eisele ; Gutachter: Klaus Feldmann, Harald Meerkamm ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1212242955/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Michos, Gordana [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Wolfgang [Gutachter] Bühler, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Mechatronische Ansätze zur Optimierung von Vorschubachsen / Gordana Michos ; Gutachter: Klaus Feldmann, Wolfgang Bühler ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2005. http://d-nb.info/120021093X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

Beitinger, Gunter [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Gottfried [Gutachter] Ehrenstein, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Herstellungs- und Prüfverfahren für thermoplastische Schaltungsträger / Gunter Beitinger ; Gutachter: Klaus Feldmann, Gottfried Ehrenstein ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 1999. http://d-nb.info/1204637857/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
34

Geyer, Georg [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Peter [Gutachter] Mertens, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Entwicklung problemspezifischer Verfahrensketten in der Montage / Georg Geyer ; Gutachter: Klaus Feldmann, Peter Mertens ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1215908199/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Sommer, Egon [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, W. [Gutachter] Bär, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Multiprozessorsteuerung für kooperierende Industrieroboter in Montagezellen / Egon Sommer ; Gutachter: Klaus Feldmann, W. Bär ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1215908180/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Reichel, Herbert [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Manfred [Gutachter] Geiger, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Optimierung der Werkzeugbereitstellung durch rechnergestützte Arbeitsfolgenbestimmung / Herbert Reichel ; Gutachter: Klaus Feldmann, Manfred Geiger ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1213533481/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Hopperdietzel, Robert [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Harald [Gutachter] Meerkamm, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Reengineering in der Elektro- und Elektronikindustrie / Robert Hopperdietzel ; Gutachter: Klaus Feldmann, Harald Meerkamm ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1216704562/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Scholz, Wolfgang [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Harald [Gutachter] Meerkamm, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Modell zur datenbankgestützten Planung automatisierter Montageanlagen / Wolfgang Scholz ; Gutachter: Klaus Feldmann, Harald Meerkamm ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/121224298X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
39

Solvie, Michael [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, U. [Gutachter] Herzog, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Zeitbehandlung und Multimedia-Unterstützung in Feldkommunikationssystemen / Michael Solvie ; Gutachter: Klaus Feldmann, U. Herzog ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1216704554/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
40

Schaller, Andreas [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Wilfried [Gutachter] Sauer, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Modellierung eines nachfrageorientierten Produktionskonzeptes für mobile Telekommunikationsgeräte / Andreas Schaller ; Gutachter: Klaus Feldmann; Wilfried Sauer ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2009. http://d-nb.info/1188466917/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
41

Rückel, Veit [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Gunther [Gutachter] Reinhart, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Rechnergestützte Ablaufplanung und Bahngenerierung für kooperierende Industrieroboter / Veit Rückel ; Gutachter: Klaus Feldmann, Gunther Reinhart ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2006. http://d-nb.info/1191480720/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
42

Christoph, Frank [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Wilfried [Gutachter] Sauer, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Durchgängige simulationsgestützte Planung von Fertigungseinrichtungen der Elektronikproduktion / Frank Christoph ; Gutachter: Klaus Feldmann, Wilfried Sauer ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2003. http://d-nb.info/1200211170/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Rottbauer, Harald [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, W. [Gutachter] Sauer, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Modulares Planungswerkzeug zum Produktionsmanagement in der Elektronikproduktion / Harald Rottbauer ; Gutachter: Klaus Feldmann, W. Sauer ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2001. http://d-nb.info/120425804X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Pitter, Frank [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, W. [Gutachter] Bühler, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Verfügbarkeitssteigerung von Werkzeugmaschinen durch Einsatz mechatronischer Sensorlösungen / Frank Pitter ; Gutachter: Klaus Feldmann, W. Bühler ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2001. http://d-nb.info/1204257957/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
45

Scheller, Herbert [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Harald [Gutachter] Meerkamm, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Automatisierte Demontagesysteme und recyclinggerechte Produktgestaltung elektronischer Baugruppen / Herbert Scheller ; Gutachter: Klaus Feldmann, Harald Meerkamm ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 1998. http://d-nb.info/1211179257/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Koch, Martin [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Harald [Gutachter] Meerkamm, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Wissensbasierte Unterstützung der Angebotsbearbeitung in der Investitionsgüterindustrie / Martin Koch ; Gutachter: Klaus Feldmann, Harald Meerkamm ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1216704449/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

Nolting, Friedrich-Wilhelm [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, Uni Hannover H. P. [Gutachter] Wiendahl, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Projektierung von Montagesystemen / Friedrich-Wilhelm Nolting ; Gutachter: Klaus Feldmann; H.-P. Wiendahl, Uni Hannover ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1212242912/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
48

Zeller, Franz-Josef [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, W. [Gutachter] Bär, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Sensorplanung und schnelle Sensorregelung für Industrieroboter / Franz-Josef Zeller ; Gutachter: Klaus Feldmann, W. Bär ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1216704546/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Klotzbücher, Rainer [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, W. [Gutachter] Bär, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Konzept zur rechnerintegrierten Materialversorgung in flexiblen Fertigungssystemen / Rainer Klotzbücher ; Gutachter: Klaus Feldmann, W. Bär ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1216704511/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Fischer, Herbert [Verfasser], Klaus [Akademischer Betreuer] Feldmann, Klaus [Gutachter] Feldmann, S. [Gutachter] Keramidis, Manfred [Herausgeber] Geiger, and Klaus [Herausgeber] Feldmann. "Verteilte Planungssysteme zur Flexibilitätssteigerung der rechnerintegrierten Teilefertigung / Herbert Fischer ; Gutachter: Klaus Feldmann, S. Keramidis ; Betreuer: Klaus Feldmann ; Herausgeber: Manfred Geiger, Klaus Feldmann." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1213533457/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Feldman' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography