Log in

Relevant bibliographies by topics / Feldman / Journal articles

To see the other types of publications on this topic, follow the link: Feldman.

Journal articles on the topic 'Feldman'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Feldman.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Shen, Chen. "The Feldman-ness in Rothko Chapel: Context, Emphasis, and Meaning." BCP Education & Psychology 7 (November 7, 2022): 261–71. http://dx.doi.org/10.54691/bcpep.v7i.2644.

Full text

Abstract:

Rothko Chapel is Morton Feldman's most distinctive piece. The processes of musical development in this work also deviate from traditional Feldman. Contrary to the emphasis on the uniqueness of Rothko Chapel that several scholars have explored. Firstly, this paper provides a detailed account of Feldman’s oeuvre and its analytical difficulties, followed by an overview of existing approaches to the analysis of Rothko Chapel. And finally, this paper selected fragments from Rothko Chapel and analyzed the compositional techniques of Rothko Chapel and its Feldman-ness.

APA, Harvard, Vancouver, ISO, and other styles

2

Ilić, Ivan. "MORTON FELDMAN: INTERVIEW WITH FRANÇOISE ESSELIER (1970)." Tempo 69, no. 271 (January 2015): 48–56. http://dx.doi.org/10.1017/s0040298214000928.

Full text

Abstract:

AbstractThis interview with American composer Morton Feldman (1926–1987) has never before been available in English. Recorded in Paris in 1970, when Feldman's music was just at the point of significant change, it was published (in French) by the interviewer, critic Françoise Esselier, in the short-lived journal VH 101 which she co-ran with the Austrian critic Otto Hahn, in a translation by Nicole Tisserand. The original recording seems not to have survived. Here re-translated into English by the pianist and Feldman specialist Ivan Ilić, the interest of its content makes it a valuable addition to the literature on Feldman.

APA, Harvard, Vancouver, ISO, and other styles

3

Volans, Kevin. "WHAT IS FELDMAN?" Tempo 68, no. 270 (September 4, 2014): 7–14. http://dx.doi.org/10.1017/s0040298214000321.

Full text

Abstract:

AbstractThis article is a reflection on aspects of the compositional practice and aesthetics of the American composer Morton Feldman (1926–1987) as viewed from the perspective of a fellow composer. Writing as a colleague immersed in Feldman's work for more than three decades, Kevin Volans discusses Feldman's concepts of time and form; his approach to touch on the piano, and to instrumentation and tone colour generally; his relationship with the visual arts; his notational practices with regard to pitch and rhythm; his anti-conceptualist standpoint, and much else.

APA, Harvard, Vancouver, ISO, and other styles

4

BOUTWELL, BRETT. "Morton Feldman's Graphic Notation: Projections and Trajectories." Journal of the Society for American Music 6, no. 4 (November 2012): 457–82. http://dx.doi.org/10.1017/s1752196312000363.

Full text

Abstract:

AbstractIn the winter of 1950–51 Morton Feldman composed a series of pieces titled Projections in a new notation of his own invention. The first-known graphically scored works of the postwar era, the Projections were immediately championed by Feldman's friend John Cage in the language of his budding philosophy of non-intention, a framework of thought largely alien to Feldman. In later years, Feldman instead explained the Projections through the discourse of abstract-expressionist painting, substituting its model of willful creative action for Cage's Zen-inspired doctrine of aesthetic indifference. Yet the story behind his graphic notation is more tangled still, for its sources included both Edgard Varèse and Stefan Wolpe, composers whose spatialized vision of sound influenced Feldman's new conception of the creative act. An examination of the origin and reception of the Projections offers insight into the forces that catalyzed experimental notation in postwar New York and the rationales that were ultimately ascribed to it.

APA, Harvard, Vancouver, ISO, and other styles

5

MASON, ELINOR. "The Nature of Pleasure: A Critique of Feldman." Utilitas 19, no. 3 (September 2007): 379–87. http://dx.doi.org/10.1017/s0953820807002646.

Full text

Abstract:

In these remarks on Feldman's recent book, Pleasure and the Good Life, I concentrate on Feldman's account of pleasure as attitudinal. I argue that an account of pleasure according to which pleasure need not have any feel is implausible. I suggest that Feldman could avoid this problem but retain the advantages of his attitudinal hedonism by giving an account of the attitude ‘taking pleasure in’ such that the attitude has a feel.

APA, Harvard, Vancouver, ISO, and other styles

6

Fourie, William. "Morton Feldman - Morton Feldman, Morton Feldman Piano. Philip Thomas. Another Timbre, AT144 × 5." Tempo 75, no. 295 (December 17, 2020): 102–3. http://dx.doi.org/10.1017/s0040298220000741.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Markovits, Andrei S. "Gerald Feldman." German Politics and Society 25, no. 4 (December 1, 2007): v—vi. http://dx.doi.org/10.3167/gps.2007.250401.

Full text

Abstract:

This is not the place for me to express my boundless admiration forthe scholarship of our dear friend and colleague, Gerald Feldman,who passed from this world far too early in the fall of 2007. Norwould I find it appropriate to address my personal friendship withGerry in these pages. I have done both elsewhere and—most importantto me—privately to Gerry's widow, Norma. Nevertheless, I dofind it more than appropriate to mention Gerry's involvement withGerman Politics and Society. I was deeply moved and much honoredby Jeff Anderson's request to do so.

APA, Harvard, Vancouver, ISO, and other styles

8

Newman, Chris. "Morton Feldman." Tempo, no. 163 (December 1987): 52. http://dx.doi.org/10.1017/s0040298200023731.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Carlson, Erik. "Consequentialism, Distribution and Desert." Utilitas 9, no. 3 (November 1997): 307–18. http://dx.doi.org/10.1017/s0953820800005392.

Full text

Abstract:

This paper criticizes the ‘justice-adjusted’ consequentialist theory recently put forward by Fred Feldman. I argue that this theory violates two crucial requirements. Another theory, proposed by Peter Vallentyne, is similarly flawed. Feldman's basic ideas could, however, be developed into a more plausible theory. I suggest one possible way of doing this.

APA, Harvard, Vancouver, ISO, and other styles

10

Smith, Nicola Walker. "Feldman on Wolff and Wolff on Feldman: Mutually Speaking." Musical Times 142, no. 1876 (2001): 24. http://dx.doi.org/10.2307/1004619.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Moshchevitin, Nikolay. "Naum Ilyitch Feldman." Moscow Journal of Combinatorics and Number Theory 9, no. 4 (November 5, 2020): 351–52. http://dx.doi.org/10.2140/moscow.2020.9.351.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Caton, Steven C. "Commentary on Feldman." Social Anthropology 21, no. 2 (May 2013): 164–68. http://dx.doi.org/10.1111/1469-8676.12021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Lambek, Michael. "Comments on Feldman." Social Anthropology 21, no. 2 (May 2013): 155–56. http://dx.doi.org/10.1111/1469-8676.12025.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

MS. "Max Bernard Feldman." Bulletin of the Royal College of Psychiatrists 9, no. 8 (August 1985): 166. http://dx.doi.org/10.1192/pb.9.8.166-a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Rex, Douglas K., and David G. Hewett. "Response to Feldman." American Journal of Gastroenterology 106, no. 4 (April 2011): 803. http://dx.doi.org/10.1038/ajg.2011.13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Fitzpatrick, Kevin. "Response to Feldman." Obesity Research & Clinical Practice 12, no. 5 (September 2018): 491. http://dx.doi.org/10.1016/j.orcp.2018.08.004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

HANNINEN, DORA A. "Feldman, Analysis, Experience." Twentieth-Century Music 1, no. 2 (September 2004): 225–51. http://dx.doi.org/10.1017/s1478572205000137.

Full text

Abstract:

The growing number of performances and recordings of Feldman’s music in recent years attests to increased interest among performers and listeners; yet his music remains an uncommon subject for detailed music analysis. Proceeding on the premise that this disparity is no accident, I argue that certain distinctive qualities of the music render it difficult to analyse with tools, methods, and practices developed in response to other repertories. This paper investigates the analytical challenges posed by Feldman’s music. A survey of such challenges as they relate to his output in general is followed by an account of two particular issues associated with his late work: scale and repetition. Two case studies address these issues in turn, advancing relevant conceptual and methodological approaches. In the first study, on Coptic Light for orchestra (1985), I suggest that analysts might reconsider part–whole relationships in music analysis, and use the idea of ‘populations’ (with their attendant features of range of variation and distribution) to develop a non-reductive (and non-constructive) approach to scale. In the second study, on Piano, Violin, Viola, Cello (1987), I encourage analysts to rethink the role of repetition in music analysis, such that repetition is no longer (only) a goal, but becomes a point of departure. Throughout the essay I take the view that analysis is an investigation of experience; that a particular difficulty of analysing Feldman’s music is the self-knowledge it requires; and that the concerted inquiry that is music analysis can well be used to expand – not only condense – the realm of musical experience.

APA, Harvard, Vancouver, ISO, and other styles

18

Muratori, Fred. "E Pluribus Feldman." American Book Review 27, no. 2 (2006): 13–14. http://dx.doi.org/10.1353/abr.2006.0049.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

De Lazari-Radek, Katarzyna. "W obronie pojmowania przyjemności jako uczucia." Hybris 43, no. 4 (December 30, 2018): 123–49. http://dx.doi.org/10.18778/1689-4286.43.07.

Full text

Abstract:

Gilberta Ryle oraz Fred Feldman definiowali przyjemność jako, odpowiednio, dyspozycję i nastawienie sądzeniowe. Zastanowię się, czy ich koncepcje mogą poważnie zagrażać tradycyjnemu pojmowaniu przyjemności w kategoriach uczucia albo doznania. Skłaniać się będę ku tezie, że niechęć Ryle’a i Feldmana do traktowania przyjemności jako pewnego rodzaju stanu umysłu wynika z niezrozumienia różnicy między doznaniem a uczuciem. Pojęcia te odnoszą się do różnych zjawisk psychicznych i nie powinny być używane wymiennie. Ukazanie i zrozumienie różnicy między nimi pozwoli mi bronić pojmowania przyjemności w kategoriach uczucia, choć nie doznania.

APA, Harvard, Vancouver, ISO, and other styles

20

Henderson, Leah. "Resolution of Deep Disagreement: Not Simply Consensus." Informal Logic 40, no. 3 (August 29, 2020): 359–82. http://dx.doi.org/10.22329/il.v40i30.6172.

Full text

Abstract:

Robert Fogelin has argued that in deep disagreements, resolution cannot be achieved by rational argumentation. In response, Richard Feldman has claimed that deep disagreements can be resolved in a similar way to more everyday disagreements. I argue that Feldman’s claim is based on a relatively superficial notion of “resolution” of a disagreement whereas the notion at stake in Fogelin’s argument is more substantive. Furthermore, I argue that Feldman’s reply is based on a particular reading of Fogelin’s argument. There is an alternative reading, which takes the central concern to be the role of common ground in argumentation. Engaging with this version of Fogelin’s argument is also a worthwhile endeavour.

APA, Harvard, Vancouver, ISO, and other styles

21

Marshik, Celia. "THE CASE OF “JENNY”: DANTE GABRIEL ROSSETTI AND THE CENSORSHIP DIALECTIC." Victorian Literature and Culture 33, no. 2 (August 9, 2005): 557–84. http://dx.doi.org/10.1017/s1060150305050989.

Full text

Abstract:

DANTE GABRIEL ROSSETTIand his artistic circle are emerging as privileged sites of modernist genesis. Studies by Jessica Feldman (Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience) and Allison Pease (Modernism, Mass Culture, and the Aesthetics of Obscenity) include Rossetti and Algernon Swinburne, respectively, in their reassessments of modernism. In a complementary move, Jerome McGann argues inDante Gabriel Rossetti and the Game That Must Be Lostthat Rossetti's art anticipates Imagism (44) and is characterized by a “hyper-realism that anticipates certain Postmodern styles” (32). Such work implicitly questions, in Feldman's words, the narratives of “strife, loss, [and] rupture” (4) that have been told about modernism's relationship with its predecessors. By linking nineteenth- and twentieth-century artists in a historical trajectory of aesthetic change, as Pease does, or by effacing the historical through a “web” of Victorian modernism, as Feldman does, it becomes possible to see new relations among authors previously separated by critical practice. Rossetti and associates enjoy a new spotlight as they become modern through their aesthetic productions and domestic arrangements.

APA, Harvard, Vancouver, ISO, and other styles

22

Coles, G. V. "Erratum: Feldman, Gerber abstract." American Journal of Public Health 80, no. 9 (September 1990): 1137. http://dx.doi.org/10.2105/ajph.80.9.1137.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Feldman, Mark. "Remarks by Mark Feldman." Proceedings of the ASIL Annual Meeting 107 (2013): 231–32. http://dx.doi.org/10.5305/procannmeetasil.107.0231.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Fleisher Feldman, Carol, and Anna Akerman. "Hommage à Carol Feldman." Enfance 58, no. 2 (2006): 200. http://dx.doi.org/10.3917/enf.582.0200.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Rosenberg, Noah A. "The 2022 Feldman Prize." Theoretical Population Biology 143 (February 2022): 105–6. http://dx.doi.org/10.1016/j.tpb.2021.11.004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Feldman, I. "Irving Feldman: Four Poems." Literary Imagination 5, no. 3 (January 1, 2003): 478–79. http://dx.doi.org/10.1093/litimag/5.3.478.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Rosenberg, Noah A. "The 2020 Feldman Prize." Theoretical Population Biology 131 (February 2020): 1. http://dx.doi.org/10.1016/j.tpb.2019.12.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Myles, W. M. "Fredrick Feldman, MD, FRCSC." Canadian Journal of Ophthalmology 35, no. 1 (February 2000): 56–55. http://dx.doi.org/10.1016/s0008-4182(00)80120-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Feldman, Avigdor. "Remarks by Avigdor Feldman." Proceedings of the ASIL Annual Meeting 82 (1988): 564–68. http://dx.doi.org/10.1017/s0272503700074401.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Brenner, Rachel Feldhay. "The Artist as a Mother and the Birth of Terrible Beauty in the Post-Holocaust World: Ruth Almog's The Inner Lake." AJS Review 28, no. 2 (November 2004): 249–71. http://dx.doi.org/10.1017/s0364009404000169.

Full text

Abstract:

In her path-breaking study of Israeli women's fiction, Yael Feldman concludes her analysis of Ruth Almog's Roots of Air (1987) with an insightful observation. In this major work, Feldman claims, Almog trespassed into the male writers' territory and became the first among Israeli woman writers to produce an autobiographical fiction of the “portrait of an artist as a young girl.” Feldman concludes that, once the stage of “therapeutic” self-examination, which encompasses “both the oedipal fixation and the daughter–mother identification,” has been completed, “Almog has now embraced the mother in herself.” Indeed, Feldman identifies the next stage in Almog's artistic evolution in her collection of stories, Artistic Mending (1993), suggesting that now the story of another has become the focus of Almog's artistic concern. In Artistic Mending the writer turns her “motherly” attention to life stories of children, mainly second-generation Holocaust survivors, seeking ways to understand, but also “mend” the damaging effects of the tragic historical legacy.

APA, Harvard, Vancouver, ISO, and other styles

31

Bohun, Michał. "Philosophy of action and creativity in Wilhelm Feldman’s historical syntheses." Galicja. Studia i materiały 8 (2022): 120–37. http://dx.doi.org/10.15584/galisim.2022.8.9.

Full text

Abstract:

Wilhelm Feldman – a writer, publicist, literary critic, activist and political thinker, legendary editor of “Krytyka” in Kraków – was also an initiator and participant in many Young Poland discussions. The article is an attempt to reconstruct the basic ideas and intuitions present in Feldman’s major historical works and minor sketches. The author argues that they are philosophical in nature and form a coherent position. His philosophy combines romantic inspirations with the positivist programme of organic work and with elements of independence socialism, constituting an important element in the philosophical thought of Polish modernism in Galicia.

APA, Harvard, Vancouver, ISO, and other styles

32

McCain, Kevin. "EXPLANATIONIST EVIDENTIALISM." Episteme 10, no. 3 (August 7, 2013): 299–315. http://dx.doi.org/10.1017/epi.2013.22.

Full text

Abstract:

AbstractIn their most recent co-authored work, Conee and Feldman (2008) suggest that epistemic support should be understood in terms of best explanations. Although this suggestion is plausible, Conee and Feldman admit that they have not provided the necessary details for a complete account of epistemic support. This article offers an explanationist account of epistemic support of the kind that Conee and Feldman suggest. It is argued that this account of epistemic support yields the intuitively correct results in a wide variety of cases. Further, this explanationist account of epistemic support is not susceptible to objections that Lehrer (1974) and Goldman (2011) have raised for similar accounts of epistemic support.

APA, Harvard, Vancouver, ISO, and other styles

33

BLACKSON, THOMAS. "On Feldman's Theory of Happiness." Utilitas 21, no. 3 (September 2009): 393–400. http://dx.doi.org/10.1017/s0953820809990124.

Full text

Abstract:

Fred Feldman conceives of happiness in terms of the aggregation of attitudinal pleasure and displeasure, but he distinguishes intrinsic from extrinsic attitudinal pleasure and displeasure and excludes extrinsic attitudinal pleasure and displeasure from the aggregation that constitutes happiness. I argue that Feldman has not provided a strong reason for this exclusion

APA, Harvard, Vancouver, ISO, and other styles

34

CLINE, DAVID. "Straightening the Record: Morton Feldman's Return to Graph Music." Twentieth-Century Music 10, no. 1 (March 2013): 59–90. http://dx.doi.org/10.1017/s1478572212000412.

Full text

Abstract:

AbstractMorton Feldman composed his first works on graph paper in 1950–53, but he subsequently abandoned graph music, before taking it up again in 1958 at a time of rapidly increasing interest in musical indeterminacy and graphic notations in the United States and Europe. Feldman's return to graph music was a turning point in his career that would affect his subsequent output for almost a decade, but his principal surviving account of this change in his musical direction, which appeared in liner notes for an LP record, is misleading. This article presents a revised account that highlights a previously undocumented and atypical graph work that was used by John Cage to derive the graph now known as Ixion. In addition, it reveals links between Feldman's compositional ideas and those of Henry Cowell, explains how Robert Rauschenberg inadvertently affected the sound of Feldman's graph music for several years, and clarifies Feldman's response to problems he encountered in performances of his graph music.

APA, Harvard, Vancouver, ISO, and other styles

35

García Duque, Carlos Emilio. "EL PROBLEMA DE LA GENERALIDAD EN LA EPISTEMOLOGÍA CONFIABILISTA." Praxis Filosófica, no. 25 (December 13, 2011): 5–19. http://dx.doi.org/10.25100/pfilosofica.v0i25.3109.

Full text

Abstract:

Las discusiones sobre epistemología confiabilista suelen centrarse en elexamen de teorías de proceso confiable, según las cuales una creencia esjustificada syss es producida por procesos que son generalmente confiables.Pero la noción de proceso-tipo confiable es muy controvertida. Por ejemplo,autores como Conee y Feldman consideran que las teorías de la justificaciónde proceso confiable son irremediablemente defectuosas, debido al problemade la generalidad. En este trabajo me propongo bosquejar la idea central dejustificación en términos confiabilistas, y determinar hasta qué punto sepueden sostener las críticas de Conee y Feldman contra la noción alstonianade confiabilismo de proceso. Finalmente, sugiero una estrategia paraneutralizar las objeciones de Conee y Feldman, y una propuesta esquemáticapara justificar los procesos-tipo que generan las creencias confiables.

APA, Harvard, Vancouver, ISO, and other styles

36

Mishkin, Frederic S. "How Big a Problem is Too Big to Fail? A Review of Gary Stern and Ron Feldman's Too Big to Fail: The Hazards of Bank Bailouts." Journal of Economic Literature 44, no. 4 (November 1, 2006): 988–1004. http://dx.doi.org/10.1257/jel.44.4.988.

Full text

Abstract:

This review essay examines whether too-big-to-fail is as serious a problem as Gary Stern and Ron Feldman contend. This essay argues that Stern and Feldman overstate the importance of the too-big-to-fail problem and do not give enough credit to the FDICIA legislation of 1991 for improving bank regulation and supervision. However, this criticism of the Stern and Feldman book does not detract from many of its messages. The policy recommendations in their book have merit even if the too-big-to-fail problem is currently not that serious because these policies make it less likely that a banking crisis will occur even if driven by other factors.

APA, Harvard, Vancouver, ISO, and other styles

37

Gundersen, Adolf G. "Water Resources Management.David Lewis Feldman." Journal of Politics 54, no. 3 (August 1992): 902–4. http://dx.doi.org/10.2307/2132325.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Gratzer, Wolfgang. "John Cage und Morton Feldman." Archiv für Musikwissenschaft 53, no. 4 (1996): 336. http://dx.doi.org/10.2307/930890.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Haig, Alexander M. "Reply to David Lewis Feldman." Journal of Interamerican Studies and World Affairs 27, no. 2 (1985): 23–24. http://dx.doi.org/10.2307/165716.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

LIM, LILY SIOK HOON, and BRIAN FELDMAN. "Drs. Lim and Feldman reply." Journal of Rheumatology 40, no. 10 (October 2013): 1771.2–1772. http://dx.doi.org/10.3899/jrheum.130692.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Feldman, Douglas A. "Feldman Wins 1996 Kimball Award." Anthropology News 38, no. 1 (January 28, 2009): 1–5. http://dx.doi.org/10.1111/an.1997.38.1.1.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Feldman, Roger, and Frank Sloan. "Reply from Feldman and Sloan." Journal of Health Politics, Policy and Law 14, no. 3 (1989): 621–25. http://dx.doi.org/10.1215/03616878-14-3-621.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Mello, Chico. "Precisión y Anarquía en Feldman." Revista del ISM, no. 4 (November 29, 2005): 9–12. http://dx.doi.org/10.14409/ism.v1i4.504.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Butcher, James. "Howard Feldman: master of dementia." Lancet Neurology 6, no. 6 (June 2007): 482. http://dx.doi.org/10.1016/s1474-4422(07)70119-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Zatlin, Jonathan R. "Gerald D. Feldman (1937–2007)." Central European History 41, no. 2 (May 2, 2008): 281–88. http://dx.doi.org/10.1017/s0008938908000344.

Full text

Abstract:

Whether it was his prodigious publication rate or the untiring help he extended to his students, the remarkable generosity he showed to colleagues or the anger he occasionally displayed over what he considered to be problematic scholarship, or merely his outsized appetite for good food, Gerry Feldman was a titanic force in the field of German history for more than forty years. His fascination with the past, love of the present, and concern for the future transformed his spacious home in the Oakland hills and his cramped office at the University of California at Berkeley into international destinations for itinerant intellectuals. His writing and his personal relations were infused with an exuberant delight in the most mundane of things and a wry appreciation of life's greatest challenges. With his passing, we have lost a great advocate of transnational scholarly relations, one of the profession's most talented economic historians, and our foremost expert on the Weimar Republic, its antecedents, and the men who dug its grave.

APA, Harvard, Vancouver, ISO, and other styles

46

Feldman, Mark B. "Remarks by Mark B. Feldman." Proceedings of the ASIL Annual Meeting 80 (1986): 224–26. http://dx.doi.org/10.1017/s0272503700007035.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Beckett, Alan. "Morton Feldman in Interview 1966." Tempo 60, no. 235 (January 2006): 15–20. http://dx.doi.org/10.1017/s0040298206000027.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Plaud, Joseph J. "Plaud on Ilardi and Feldman." Journal of Clinical Psychology 57, no. 9 (2001): 1109–11. http://dx.doi.org/10.1002/jclp.1075.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Binder, Robert. "Melvin M. Feldman, 1925-2017." American Journal of Orthodontics and Dentofacial Orthopedics 154, no. 3 (September 2018): 456. http://dx.doi.org/10.1016/j.ajodo.2018.05.004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Pälviranta, Harri. "Allen Feldman ja kulttuurinen nukutustila." Research in Arts and Education 2007, no. 1 (February 1, 2007): 1–8. http://dx.doi.org/10.54916/rae.118677.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!