Academic literature on the topic 'Felice Romani'
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Journal articles on the topic "Felice Romani"
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Roccatagliati, Alessandro. "Felice Romani, librettist by trade." Cambridge Opera Journal 8, no. 2 (July 1996): 113–45. http://dx.doi.org/10.1017/s0954586700004651.
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As anyone who has worked in the theatre will know, the journey from deciding to stage a work to its performance has two characteristics: the close interdependence of various artistic and organisational forces, and unpredictability. It should thus come as no surprise that a collection of documents concerning Felice Romani, a figure central to early nineteenth-century operatic life, presents an image both complex and constantly shifting; nor that in such sources the tasks of the librettist, even one of distinction, are always interwoven with those of other theatrical personalities: impresarios, singers and composers, administrators, executives, mediators, journalists, dancers, set-designers, craftsmen and factotums. This exploration of Romani and his trade seeks to describe these collaborations, while remaining sensitive to those fundamental aspects of nineteenth-century librettistic work that were their raison d'être. It will therefore be useful to proceed in two stages: first, to reflect on the nature and function of Romani's dramatic-poetic creations; then to provide synchronic sketches of his working relationships, dwelling on three of the most important – with theatrical institutions, with singers and with composers.
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Cascio, Paolo. "Francesca da Rimini: un libretto di Felice Romani, tra Dante e Mazzini." Dante e l'Arte 3 (December 7, 2016): 143. http://dx.doi.org/10.5565/rev/dea.61.
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Roccatagliati, Alessandro. "Margherita d'Anjou oder Die Italianisierung Pixérécourts." Die Musikforschung 64, no. 2 (September 22, 2021): 109–22. http://dx.doi.org/10.52412/mf.2011.h2.191.
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Die Verarbeitung des Librettos von Felice Romani in Giacomo Meyerbeers Oper "Margarete von Anjou" (Mailand, 1820) wird analysiert und aus mehreren Blickwinkeln betrachtet: (a) die Grundsätze der stilistischen Einheitlichkeit,von denen sich der Dichter inspirieren ließ (b) die sich daraus ergebende "Italianisierung / Regularisierung" nach den Regeln des semiseriösen Operngenre im gleichnamigen Drama des Guillaume Pixérécourt (c) die wahrscheinlich vom Komponisten verlangte besondere Fülle /Weite einiger musikalischer Nummern mit Blick auf die dichterische Vorformung / Präfiguration (d) die dramatisch-musikalischen Entscheidungen bezüglich der Umsetzung oder Abweichung von der sogenannten Präfiguration, die Meyerbeer bei der Vertonung angewandt hat.
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Roccatagliati. "FELICE ROMANI DRAMMATURGO IN MUSICA. CARATTERI E LIMITI DELLA «PRESCRIZIONE» LIBRETTISTICA NEL PROCESSO COMPOSITIVO DEL MELODRAMMA ITALIANO DI PRIMO OTTOCENTO." Revista de Musicología 16, no. 6 (1993): 3147. http://dx.doi.org/10.2307/20796922.
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Panait, Luciana Cătălina, Kristýna Hrazdilová, Angela Monica Ionică, Georgiana Deak, Gabriel Bogdan Chişamera, Costică Adam, Călin Mircea Gherman, and Andrei Daniel Mihalca. "Babesia pisicii n. sp. and Babesia canis Infect European Wild Cats, Felis silvestris, in Romania." Microorganisms 9, no. 7 (July 9, 2021): 1474. http://dx.doi.org/10.3390/microorganisms9071474.
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Haemoparasites of the genus Babesia infect a wide range of domestic and wild animals. Feline babesiosis is considered endemic in South Africa, while data on Babesia spp. infection in felids in Europe is scarce. Using samples from 51 wild felids, 44 Felis silvestris and 7 Lynx lynx, the study aimed to determine the presence and genetic diversity of Babesia spp. in wild felids in Romania by analyzing the 18S rDNA and two mitochondrial markers, cytochrome b (Cytb) and cytochrome c oxidase subunit I (COI) genes. By 18S rDNA analyses, Babesia spp. DNA was detected in 20 European wild felids. All sequences showed 100% similarity to B. canis by BLAST analysis. Conversely, Cytb and COI analyses revealed the presence of two Babesia spp., B. pisicii n. sp., which we herein describe, and B. canis. The pairwise comparison of both mitochondrial genes of B. pisicii n. sp. showed a genetic distance of at least 10.3% from the most closely related species, B. rossi. Phylogenetic analyses of Cytb and COI genes revealed that B. pisicii n. sp. is related to the so-called “large” canid-associated Babesia species forming a separate subclade in a sister position to B. rossi.
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Andrei, Carmen. "Fractured Histories in Felicia Mihali’s Novels." EPISTÉMÈ 24 (December 31, 2020): 3–43. http://dx.doi.org/10.38119/cacs.2020.24.1.
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Pană, D., A. Rădulescu, I. L. Mitrea, and M. Ionita. "First report on clinical feline heartworm (Dirofilaria immitis) infection in Romania." Helminthologia 57, no. 1 (January 25, 2020): 49–56. http://dx.doi.org/10.2478/helm-2020-0009.
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SummaryDirofilaria immitis (Nematoda: Filarioidea) is the causative agent of heartworm disease (HWD), a severe and potentially fatal condition in dogs. Although cats are considered more resistant to infection than dogs, they are also susceptible to heartworm infection. Moreover, the clinical importance of feline dirofilariosis has increased in recent years, especially in heartworm endemic areas. In contrast to dog, definitive antemortem diagnosis of heartworm infection in cat is difficult to achieve and a combination of testing methods must be used for clinical confirmation. Here we describe a clinical case of heartworm infection in a 12-year-old male mixed breed cat, originated from Southern Romania, which was referred to a veterinary clinic with a history of vomiting and clinical signs of respiratory distress. The thoracic radiograph showed a diffuse bronchointerstitial pattern of the pulmonary parenchyma. The serological test for D. immitis circulating antibody was positive and heartworms were visualized by echocardiography in the main pulmonary artery. In conclusion, the present study clearly shows that cats are at risk for D. immitis infection in heartworm-endemic areas in Romania. Additionally, the findings highlight the urgent need for increased awareness among veterinary practitioners of the existence of feline heartworm diseases and for adequate prophylactic measures to be applied. To our knowledge, this is the first report on clinical evolution and radiographic and echocardiographic features of a naturally heartworm-infected cat in Romania.
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Goldman, Cléa Pitt. "A RACIONALIZAÇÃO DO CONFLITO IMPÉRIO X PAPADO NO FINAL DO SÉCULO XIII." Veritas (Porto Alegre) 40, no. 159 (December 31, 1995): 639. http://dx.doi.org/10.15448/1984-6746.1995.159.36063.
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Transformações na sociedade medieval levaram no século XIII ao fortalecimento do poder temporal. A comunidade cristã, única dirigida pelo papa, era questionada. O conflito que resultou de duas forças - de um lado o poder real e de outro o poder papal - deixou claro que o poder temporal procurava se fortalecer e tomar-se independente do poder papal. Felipe, O Belo de França, que lançava o desafio, teve ao seu lado os legistas que fundamentavam sua argumentação, entre outros textos, no Direito Romano. Entre os pensadores da época ao lado do papado destaca-se o estudo em profundidade produzido por Egídio Romano, De Ecclesiastica Potestate.
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Román Suárez, Hermax Rubén. "Grupos y estrategias para la defensa biocultural del territorio en Felipe Carrillo Puerto, Quintana Roo." Alteridades 31, no. 61 (June 14, 2021): 93–106. http://dx.doi.org/10.24275/uam/izt/dcsh/alt/2021v31n61/roman.
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Osborne, John. "The Jerusalem Temple treasure and the church of Santi Cosma e Damiano in Rome." Papers of the British School at Rome 76 (November 2008): 173–81. http://dx.doi.org/10.1017/s0068246200000453.
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Gli studiosi si sono a lungo chiesti perché un'aula absidata e il suo vestibolo adiacente, appartenente al Foro della Pace di Vespasiano, doveva essere stato scelto come sito per la prima chiesa cristiana nel Foro Romano, quella dei Santi Cosma e Damiano, un progetto di Papa Felice IV (526–30). Con questo articolo si suggerisce che uno dei fattori che ha influenzato la scelta può essere stata la precedente presenza in quest'area dei tesori tratti dal Tempio di Gerusalemme, rubati a Roma dai Vandali nel 455. Questa storia puó spiegare l'aggiunta di un candelabro d'oro alla decorazione musiva dell'arco di trionfo — che altrimenti segue l'iconografia di San Paolo fuori le mura —, come pure l'inusuale espressione della dedica scritta.
Dissertations / Theses on the topic "Felice Romani"
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Evans, John Scoville. "Parisina: Literary and Historical Perspectives Across Six Centuries." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4074.
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This thesis explores the relationship between the many literary texts referring to the deaths of Ugo d'Este and Parisina Malatesta, who were executed in Ferrara in 1425 in accordance with an order by Niccolò III d'Este after he discovered their incestuous relationship. The texts are divided in three categories: (1) the fifteenth- and sixteenth-century Italian novellas and their translations; (2) the seventeenth-century Spanish tragedy; and (3) the nineteenth- and twentieth-century Romantic works. Although these categories divide the various texts chronologically, they also represent a thematic grouping as the texts within each category share common themes that set them apart from those in the other groups. While the various texts all tell the same story, each approaches the tragedy slightly differently based largely on the audience for which it was intended. Thus, the time and place of each text greatly affects its telling. Still, the fact that substantial differences exist between texts that were produced in both geographic and temporal proximity suggests that these are not all-determining factors. Although scholarship exists analyzing individual texts, a comprehensive study of the literary accounts relating to the tragedy has never been undertaken. Rather than detracting from the story, the differences put forth in each of the literary texts enrich the global reading experience by offering many perspectives on the tragedy. In addition, these differences influence how the reader reacts to each of the other texts. Familiarity with one version of the story changes the way a reader approaches the others. A parallel reading of the different versions of the story also shows the power culture has on interpretation. Texts referring to a singular event from one time and place sharply contrast with those that are the product of other circumstances.
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Afonso, Joy Nascimento. "Natsume Sôseki - o olhar felino sobre as múltiplas faces do homem de Meiji." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-03082011-140731/.
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O romance Eu sou um Gato, do escritor japonês Natsume Sôseki, publicado entre 1906 e 1907, é marcado basicamente pela critica ao regime em voga, período Meiji (18681912) no Japão e seus costumes sociais. Entretanto, sua construção baseia-se em técnicas pouco utilizadas na época, pois o autor mescla influências dos romances naturalistas ocidentais à tradição oral e teatral do período Edo (1600-1867), a fim de descrever o período em que o homem transitava entre o antigo e o moderno. O autor se baseia, assim como sugere o título, no ponto de vista de um gato pedante e possuidor de uma linguagem aforística, que analisa o ser humano frente aos problemas do seu cotidiano, revelando seu caráter, seus vícios e segredos. Sugerindo que ao olhar para o íntimo do homem, encontramos também as mudanças sociais: a introdução do capitalismo e dos hábitos ocidentais, ainda alienígenas ao povo oriental, era ao mesmo tempo, discutida e porque não criticadas. Verificamos essas nuances desde a estrutura da obra, que mescla influências do conto e da novela, dando origem a uma voz narrativa polifônica e dialógica: o gato. Ele é a voz que narra e porque não escreve também a história, apesar de não possuir nem mesmo nome. Sua voz se alterna conforme pede a situção e durante o decorrer da obra, sua figura de inicio é um simples gato, se transforma em um ser monstruoso, fundamentado nas grandes figuras mitológicas e literárias de outros felinos. Tanto o gato quanto as outras personagens da obra utilizam-se de uma linguagem irônica e satírica revelando uma crítica sutil à sociedade de Meiji. Entretanto, para que esta linguagem surta o efeito desejado há o emprego do cômico e da paródia como apoio para a censura dos hábitos sociais. O cômico favorece o rir de si mesmo e das falhas humanas e a paródia faz alusão a uma desconstrução da literatura, visto que as estruturas sociais estão desgastadas e há algo que ainda precisa ser dito. A obra em questão é, em suma, uma grande afirmação de que a sociedade não está conformada com o que há.The novel I am a Cat, of the japanese writer Natsume Sôseki, published between 1906 and 1907, it\'s marked basically, with the criticism of the regime in vogue, Meiji period (18681912) in Japan and your social habits. Nevertheless, your construction have based in techniques rarely used in that period, the author mix influences of occidental naturalist novels to oral and theatric tradition on the Edo period (16001867), with the objective of to describe a period that the man passed between the old and the modern. The author has based like was suggested in the title in the point of view from a pedantic cat and owner of a aphoristic language, that analyze the humans in their daily problems, exposing their character, their vices and secrets. Suggesting that when we look to the intimate of man, we too find socials changes: the introduction of the Capitalism and the occidentals habits, yet alienated to the oriental people, was in the same time discontinued and why didnt criticize. We verified this nuances since of the structure of the work, that mix influences of narrative and of novels, giving origin to the polyphony narrative voice and dialogic: the cat. It is the voice that report and because dont write too the history, although dont to posses neither same name. His voice change it according the situation and during the happening of the work, his figure in the start is a simple cat, that transform it in a monstrous be, it is founded in the literary and mythology greats figures of the others felines. So the cat as the others characters of work use it of a satiric and ironic language exposing a sewed criticism to the Meiji society. However, to this language to result in the effect desired must have the application of comic and of parody as support to the censure of socials habits. The comic encourage the laugh of himself and the humans mistakes and the parody make reference to the deconstruction of literature, looking that the social structure are consumed and there are something that yet need to be said. The work in question is a great affirmation that the society dont is resigned with that there is.
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Odri, Agnes. "Oxygen and radiogenic isotope constraints on the generation of coexisting silica-undersaturated and oversaturated felsic magmas of the Ditrau Alkaline Massif (Romania)." Doctoral thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/29841.
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The Ditrău Alkaline Massif (DAM) is a Mesozoic igneous complex (~200-230 Ma) was generated in a continental rift environment. This study has investigated the relationship between the silica-undersaturated and oversaturated Ditrău rocks based on oxygen, Sr, Nd and Pb isotope data. Different models have been proposed previously to explain the coexisting silica-undersaturated and oversaturated rocks in general: (1) both silicaundersaturated and oversaturated magmas evolve from the same mantle-derived, undersaturated melt, with the oversaturated rocks being produced by crustal assimilation (Foland et al., 1993); (2) both are derived from the same mantle source, but do not evolve from the same parental melt (Giret and Lameyre, 1985); (3) the sources are heterogeneous on a scale that allows undersaturated and oversaturated melts to be produced (Harris, 1995). The previous petrogenetic model of the DAM emphasises the importance of fractional crystallisation of a silica-undersaturated, mantle-derived magma (e.g. Morogan et al., 2000). The Ditrău rocks show variable initial 87Sr/86Sr ratios up to 0.72372, whereas ɛNdi values are from +5.5 to +0.8. High-temperature equilibrium O-isotope fractionations between minerals are generally preserved, but there was some sub-solidus O-isotope re-equilibration during slow cooling. Quartz, zircon and amphibole were used as a proxy for the magma δ18O values. The estimated magma δ18O values for Ditrău rocks are from 5.7 to 11.7‰. Isotope data are consistent with the involvement of both mantle and crustal sources in the formation of the DAM. The Nd and O isotope values of quartz monzonite can be explained by the subequal contribution of mantle-derived camptonite and the lower crustal partial melts generated by the intrusion of hot, mantle magmas. Both O and Nd isotope values show the dominantly mantle origin of hornblendites, diorites and nepheline syenites. The Nd and O isotope variations imply the involvement of 20-65% upper crustal melts into the re-injected camptonite magma to generate the Ditrău syenites, quartz syenites and granites. The isotope results of the DAM require the combination of the previously proposed models to explain its evolution and the relationship of the silica-undersaturated and oversaturated rocks.
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Souza, Marco Aurélio de. "A HISTÓRIA DESFIGURADA: DESTERRITORIALIZAÇÃO E EXPERIÊNCIA DO FORA EM AMAR-TE A TI NEM SEI SE COM CARÍCIAS, DE WILSON BUENO." UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2015. http://tede2.uepg.br/jspui/handle/prefix/402.
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Previous issue date: 2015-03-31This research proposes, based on Deleuze and Guattari’s philosophy, a rhizomatic reading of the historical novel Amar-te a ti nem sei se com carícias (2004), by the Paranaense writer Wilson Bueno. By reviewing the most relevant theoretical tendencies related to the fictional genre (HUTCHEON, 1991; MENTON, 1993;ESTEVES, 2010), I criticize the didacticism found in these theories. By the mapping of the incipient criticism works of Bueno’s novel, I present a deviation related to these preview works, aiming at a concept of literature closer to the cathartic and deterritorialization function of the esthetic text. To do that, I try to define the historical novel specificity, describing it as a private manifestation of the historical social imagination (BANN, 1994) that puts into practice images from the past (ANKERSMIT, 2001). In this perspective, however, the literary writing is characterized by the way a writer disconnects these images from the past and puts his reader in touch with a non-place, making it possible, through the use of language, a hollowing out experience. To promote this reading, I make use of rhizomatic perception of the literary phenomenon, such as Deleuze and Guattari present it in Mil Platôs (2011), identifying, in the novel, lines of hard, molecular and abstract segmentarity. So, I understand the images from the past to be mobilized in the fiction as components of the novel’s hard segmentarity line, placing, as a next step, the literary resources that work with what Deleuze and Guattary named quantums of deterritorialization. But if the fiction historical meaning is affected by the molecular segmentarity line, it is in the abstract segmentarity line that, with greater intensity, it disappears and leaves room for a dive in the other of all worlds (BLANCHOT, 1997; LEVY, 2011). Thus I identify the moment of the novel’s abstract segmentarity line when everything takes place in terms of a savage and implacable present. The abstract segmentarity line makes the historical novel an experiment about the limits of a historically determined society, showing the possible fissures on the subjectivity wall from a past time, deforming History, promoting the contact with its hollowing out.
Este trabalho propõe, a partir da filosofia de Deleuze e Guattari, uma leitura rizomática do romance histórico Amar-te a ti nem sei se com carícias (2004), do escritor paranaense Wilson Bueno. Revisitando as principais tendências teóricas ligadas à modalidade ficcional (HUTCHEON, 1991; MENTON, 1993; ESTEVES, 2010), realizo uma crítica ao didatismo presente nestas teorias. Mapeando a incipiente fortuna crítica do romance de Bueno, apresento um desvio em relação a este conjunto de trabalhos, visando uma conceituação de literatura que acena para a função catártica e desterritorializante do texto estético. Para tanto, procuro definir a especificidade do romance histórico, apresentando-o como uma manifestação particular da imaginação histórica (BANN, 1994) social que erige ou coloca em funcionamento imagens do passado (ANKERSMIT, 2001). Na perspectiva que proponho, contudo, a obra literária se caracteriza pelo modo como um escritor desarticula tais imagens do passado e coloca o seu leitor em contato com um nãolugar, possibilitando, através da linguagem, uma experiência do Fora. No intuito de operacionalizar tal leitura, recorro à percepção rizomática do fenômeno literário, tal como Deleuze e Guattari a apresentam em Mil Platôs (2011), identificando, no romance, linhas de segmentaridade dura, linhas de segmentaridade maleável e linhas de fuga. Deste modo, entendo as imagens do passado mobilizadas na ficção como constituintes da linha dura do romance, localizando, num segundo momento, os recursos literários que funcionam como aquilo que Deleuze-Guattari denominam quantas de desterritorialização. Mas se o significado histórico presente na ficção se abala com a linha maleável, é na linha de fuga que, com maior intensidade, ele se desfaz e dá lugar a um mergulho no outro de todos os mundos (BLANCHOT, 1997;LEVY, 2011). Identifico, deste modo, o momento da fuga no romance, quando tudo se coloca em termos de um presente selvagem e indomável. A linha de fuga faz do romance histórico um experimento acerca dos limites de uma sociedade historicamente determinada, mostrando as rachaduras possíveis no muro da subjetividade de um tempo passado, desfigurando a História, promovendo um contato com o seu Fora.
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Coutrim, Erica de Cassia Modesto. "Memórias Póstumas de Brás Cubas e Confissões do Impostor Felix Krull: autobiografias ficcionais sobre o fracasso da vida burguesa." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-10032009-143807/.
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A presente dissertação consiste na comparação dos romances Memórias póstumas de Brás Cubas e Confissões do impostor Felix Krull. Procuramos analisar os aspectos que os aproximam, apesar do afastamento temporal e cultural entre eles existente, partindo dos elementos que imitam o texto autobiográfico e suas respectivas implicações. Tanto as vidas representadas nos dois romances afastam-se do que se entende por uma biografia normal, como também a particular tarefa autobiográfica realizada por Felix e Brás foge do padrão de confissões e de memórias. A confiabilidade dos narradores pode ser ainda questionada, haja vista suas singulares condições enquanto narradores: um, impostor, e outro, defunto. Esta dissertação é composta por seis partes, nas quais se discutirão os seguintes aspectos: introdução à análise comparativa, os romances e os narradores, a intertextualidade inserida na forma e na temática, o decurso de vida de Brás e Felix, suas condições como autobiógrafos e o papel do leitor. No que diz respeito a este último aspecto, podemos afirmar que como o romance em geral, Memórias póstumas e Confissões, que simulam o relato autobiográfico, se preocupam com a função do público. Nos dois livros em questão, essa preocupação reflete-se nos papéis do leitor inseridos nas narrativas. Nossa dissertação ocupar-se-á desse aspecto como último e com particular atenção, visando analisar as reflexões metanarrativas realizadas pelos narradores diante de seus respectivos leitores no horizonte da autobiografia ficcional.The following degree thesis consists in comparing the novels Memórias póstumas de Brás Cubas and Confissões do impostor Felix Krull. We attempted to analyse the aspects, which approach them, despite of the temporal and cultural distance between them, initiating from the elements, which imitate the autobiographical text and its respective implications. The lives represented in both novels diverge from what usually can be understood as a normal biography. In a similar way the autobiographical function assumed by Felix and Brás diverges from the ideal standard of the confession and the autobiographical memory. The reliability of the narrators can be also questioned if we considerate their singular conditions as narrators: one, as impostor, the other, as a dead person. This thesis is composed of six parts, in that we will discuss the following aspects: an introduction to the comparative analysis, the novels and their narrators, the intertextuality introduced in the form and in the subject, Brás and Felix life events, their condition as autobiographers and the readers role. Like the novels in general, Memórias póstumas e Confissões, that simulate the autobiographical narrative, attend to the role of the attendance. In both analised books this concern is reflected on the the readers inserted in the narratives. This dissertation handles this aspect lastly, trying to analyse the Felix and Brás metanarrative considerations according to their respective readers in the horizon of the fictional autobiography.
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Dietze, Markus. "Die Lukasevangelien auf Caló. Die Ursachen ihrer Sprachinterferenz und der Anteil des Spanischen." Master's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-152855.
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Die Arbeit behandelt die beiden Übersetzungsversionen des Lukasevangeliums ins Caló, die George Borrow 1837 und 1872 anfertigte. Sie hat mehrere Zielstellungen. Der erste Teil geht der Frage nach: Wie kam es zu den beiden Schriften? Er legt dar, welche Einflussfaktoren das authentische Caló im Spanien der 1830er Jahre herausgeprägt haben konnten und welche Einflüsse durch den Übersetzer George Borrow auf die Übersetzungen wirkten. Als extralinguistische Faktoren wird dafür die (Kultur-)Geschichte der Gitanos herangezogen, werden Borrows Biographie sowie seine Sprachkenntnisse untersucht und werden die Aufsätze namhafter Autoren über die Entstehung des Calós diskutiert und gegeneinander abgewogen. So entsteht zum ersten Mal eine komplexe Zusammenfassung der Vorgeschichte des Calós der Evangelien. Der zweite Teil der Arbeit ist einerseits eine Anleitung, die das Caló anhand von Textbeispielen für Hispanisten lesbar macht, und prüft andererseits, ob und wie die Aussage zutrifft, dass Borrows Purifizierungsbestrebungen in der zweiten Übersetzungsversion ein Caló schufen, das einen wesentlich geringeren Anteil an spanischer Sprache hat als in der ersten Version. Die Frage nach der Purifizierung erscheint vor dem Hintergrund der damaligen verklärenden Zigeunermode, der Afición, in Spanien sowie angesichts des Polyglotten Borrow bedeutsam. Um ihr nachzugehen, werden die ersten siebeneinhalb Kapitel beider Übersetzungen mit Hilfe von Textanalyseprogrammen wortartenspezifisch untersucht. Das Ergebnis bestätigt die Annahme bei zehn von sechzehn Wortarten und zeigt auf, dass besonders bei den Autosemantika Purifizierungsversuche unternommen wurden. Wahrscheinlich war aber schon die erste Übersetzungsversion purifiziert.
Die Arbeit liefert einen ersten detaillierten linguistischen Vergleich eines Teiles der beiden Versionen und stellt das Caló der Evangelien in einem sehr umfassenden Kontext vor, wodurch sich eine Vernetzung linguistischer, kulturwissenschaftlicher und literaturwissenschaftlich interessanter Aspekte ergibt.
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Saingainy, Marie. "Mgr Dupanloup et la Seconde République : réseaux et combats, 1848-1852." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2038/document.
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Mgr Dupanloup est l’une des figures de proue du catholicisme libéral en France au XIXe siècle. À partir de la correspondance privée du prêtre de Savoie, il s’agit de mettre en exergue les réseaux mis en place et structurés par le prêtre de Savoie pour défendre les intérêts de l’Église catholique dans un contexte de tensions révolutionnaires. Ainsi sous la Seconde République, de 1848 à 1851, Dupanloup et ses réseaux se concentrent particulièrement sur la lutte pour la liberté de l’enseignement et à partir de 1849 sur la lutte pour le vote du projet de loi Falloux, un projet de loi visant à réorganiser entièrement l’instruction publique et privée. Autour de Dupanloup s’agrège tout un ensemble de partis, de réseaux et de personnalités d’origines diverses, laïcs et ecclésiastiques, religieux et politiques qu’on a pu réunir sous l’appellation de « parti Dupanloup ». Ce « parti » repose avant tout sur le « duo » Dupanloup-Montalembert, devenu « trio » dès lors qu’Alfred de Falloux est devenu ministre avec comme objectif prioritaire d’obtenir la liberté de l’enseignement secondaire et de soutenir l’autorité temporelle du pape. Des stratégies apparaissent dans la correspondance et les écrits privés de Dupanloup qui constituent les coulisses de l’action publique du prêtre pédagogue. Ces échanges épistolaires forment un maillage resserré entre des individus partageant plus ou moins les mêmes convictions et objectifs et visant à incliner le processus révolutionnaire en leur faveur. C’est dans l’espace privé de la correspondance que Dupanloup construit déjà son action publique. Étudier les réseaux et le combats du parti de Dupanloup sous la Seconde République permet de revenir plus précisément sur un pan de l’histoire assez méconnu. Les conflits qui agitent la vie politique, sociale et religieuse de la Seconde République sont, en effet, révélateurs du bouillonnement idéologique, politique, social et religieux du milieu du XIXe siècle. Il cristallise des débats publics qui animent encore l’Europe du XXIe siècle, notamment sur la question de la laïcité ou de la sécularisation de la société. L’évolution de la pensée de Dupanloup durant cette période révèle les tensions et dissensions qui agitent les catholiques libéraux dans leur rapport entre eux-mêmes, mais aussi dans leur relation avec le clergé et avec la société.Il semble ainsi pertinent de comprendre comment un groupe de catholiques conservateurs, lui-même en minorité au sein du mouvement catholique libéral, est parvenu à se hisser au sommet d’institutions républicaines alors que de 1848 à 1851 les journées révolutionnaires se multiplient et se radicalisent. Peut-on conclure à une victoire du « parti Dupanloup » ? La Révolution sociale avortée dès juin 1848 s’est-elle mue en Contre-Révolution ou bien paradoxalement en Révolution catholique ?Bishop Dupanloup was one of the leading figures of the liberal Catholicism in France in the 19th century. From the private correspondence of the priest of Savoy, the objective is to highlight the networks which were set up and structured by the priest of Savoy to defend the interests of the Catholic Church in a context of revolutionary tensions.Under the Second Republic, from 1848 to 1851, Dupanloup and his networks particularly focused on the struggle for freedom of education and from 1849 on the struggle for the vote of the Falloux bill, a bill aimed to completely reorganize public and private education. Around Dupanloup an ensemble aggregated, made of parties, networks and personalities of various origins, lay and ecclesiastical, religious and political, who were known as the "Dupanloup party". This "party" relied above all on the "duo" Dupanloup-Montalembert, who turned into a "trio" when Alfred de Falloux became minister of public education and worship with the primary objective of obtaining the freedom for the Secondary education and to support the temporal authority of the pope. Strategies appear in the correspondence and private writings of Dupanloup that form the backdrop of the public action of the pedagogical priest. These epistolary exchanges form a tight grid between individuals sharing more or less the same convictions and objectives and aiming to tilt the revolutionary process in their favor. It is in the private space of correspondence that Dupanloup already built his public action. Studying the networks and the battles of the party of Dupanloup under the Second Republic makes it possible to go back more precisely to a part of history which is quite unknown. The conflicts which agitated the political, social and religious life of the Second Republic were indeed revealing of the ideological, political, social and religious bubbling turmoil of the mid-nineteenth century. It crystallized public debates that still animated the Europe of the 21st century, notably on the question of secularism or the secularization of society. The evolution of Dupanloup's thinking during this period reveals the tensions and dissensions which agitated liberal Catholics themselves but also their relationship with the clergy and with society.It seems relevant to understand how a group of conservative Catholics, a minority itself within the liberal Catholic movement, managed to rise to the top of republican institutions, whereas from 1848 to 1851 revolutionary days multiplied and radicalized. Can we conclude with a victory of the "Dupanloup party"? Was the Social Revolution which aborted in June 1848 a Counter-Revolution or paradoxically a Catholic Revolution ?
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Sifuentes, Rodríguez Carlos Alberto. "Ciudades colaterales : Las ciudades narradas de la frontera México-Estados Unidos en novelas urbanas recientes." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL039.pdf.
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Le but de cette étude est de mener une approche comparative critique des villes racontées de la frontière américano-mexicaine dans un corpus de romans urbains récents. L'une des questions centrales est la formulation d'un modèle basé sur la représentation littéraire d'événements tels que la mise en œuvre, l'assimilation et la consolidation des imaginaires globaux dans les villes frontalières. Le modèle des villes collatérales est composé d'une série d'ordres que nous appelons panoramas urbains. Les scénarios que nous analysons correspondent aux hyper masculinités, à la mémoire traumatique et à l’allegalité transnationale. Le premier panorama se réfère à la représentation de la ville par rapport aux conflits narratifs dérivés du masculin et du féminin, en se concentrant sur des pratiques qui correspondent au modèle des masculinités hégémoniques. Le second panorama traite de la représentation de la dynamique entre mémoire et oubli, élément qui caractérise les espaces périphériques. Le dernier panorama examine les conflits qui naissent des tensions entre le légal et l'illégal qui se reflètent dans l'espace urbain. Pour aborder le modèle en question, les romans Nostalgia de la sombra (2002), d'Eduardo Antonio Parra; 2666 (2004), de Roberto Bolaño; Al otro lado (2008), d’Heriberto Yépez; et Indio borrado (2014), de Luis Felipe Lomelí sont étudiésThe purpose of this study is to carry out a critical comparative study of the narrated cities of the Mexico-US border in a corpus of recent urban novels. One of the central questions is the formulation of a model based on the literary representation of events such as the implementation, assimilation, and consolidation of global imagery in border cities. The collateral city model is made up of a series of orders which we call urban panoramas. The panoramas we analyze correspond to hypermasculinities, traumatic memory and transnational allegality. The first panorama refers to the representation of the city in relation to narrative conflicts derived from the masculine and feminine, focusing on practices that correspond to the model of hegemonic masculinities. The second panorama deals with the representation of the dynamics between memory and oblivion, an element that characterizes peripheral spaces. The last panorama examines the conflicts that arise from the tensions between the legal and the illegal that are reflected throughout the urban space. To approach the model in question, the following novels are studied: Nostalgia de la sombra (2002), by Eduardo Antonio Parra; 2666 (2004), by Roberto Bolaño; Al otro lado (2008), by Heriberto Yépez; and Indio borrado (2014), by Luis Felipe Lomelí
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Dietze, Markus. "Die Lukasevangelien auf Caló. Die Ursachen ihrer Sprachinterferenz und der Anteil des Spanischen." Master's thesis, 2012. https://tud.qucosa.de/id/qucosa%3A28299.
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Die Arbeit behandelt die beiden Übersetzungsversionen des Lukasevangeliums ins Caló, die George Borrow 1837 und 1872 anfertigte. Sie hat mehrere Zielstellungen. Der erste Teil geht der Frage nach: Wie kam es zu den beiden Schriften? Er legt dar, welche Einflussfaktoren das authentische Caló im Spanien der 1830er Jahre herausgeprägt haben konnten und welche Einflüsse durch den Übersetzer George Borrow auf die Übersetzungen wirkten. Als extralinguistische Faktoren wird dafür die (Kultur-)Geschichte der Gitanos herangezogen, werden Borrows Biographie sowie seine Sprachkenntnisse untersucht und werden die Aufsätze namhafter Autoren über die Entstehung des Calós diskutiert und gegeneinander abgewogen. So entsteht zum ersten Mal eine komplexe Zusammenfassung der Vorgeschichte des Calós der Evangelien. Der zweite Teil der Arbeit ist einerseits eine Anleitung, die das Caló anhand von Textbeispielen für Hispanisten lesbar macht, und prüft andererseits, ob und wie die Aussage zutrifft, dass Borrows Purifizierungsbestrebungen in der zweiten Übersetzungsversion ein Caló schufen, das einen wesentlich geringeren Anteil an spanischer Sprache hat als in der ersten Version. Die Frage nach der Purifizierung erscheint vor dem Hintergrund der damaligen verklärenden Zigeunermode, der Afición, in Spanien sowie angesichts des Polyglotten Borrow bedeutsam. Um ihr nachzugehen, werden die ersten siebeneinhalb Kapitel beider Übersetzungen mit Hilfe von Textanalyseprogrammen wortartenspezifisch untersucht. Das Ergebnis bestätigt die Annahme bei zehn von sechzehn Wortarten und zeigt auf, dass besonders bei den Autosemantika Purifizierungsversuche unternommen wurden. Wahrscheinlich war aber schon die erste Übersetzungsversion purifiziert.
Die Arbeit liefert einen ersten detaillierten linguistischen Vergleich eines Teiles der beiden Versionen und stellt das Caló der Evangelien in einem sehr umfassenden Kontext vor, wodurch sich eine Vernetzung linguistischer, kulturwissenschaftlicher und literaturwissenschaftlich interessanter Aspekte ergibt.:o. Vorwort & Danksagung
i. Einleitung
i.i. Begriffsbestimmung
i.ii. Zielsetzung der Arbeit
Teil I: Die Ursachen der Sprachinterferenz in den Lukasevangelien
I.1. Die Geschichte der Gitanos bis ins 19. Jahrhundert
I.1.1. Die prähispanische Phase
I.1.2. Die erste Phase von 1425 bis 1499
I.1.3. Die zweite Phase von 1499 bis 1783
I.1.4. Die dritte Phase im 19. Jahrhundert
I.2. Die Genese des Calós bis ins 19. Jahrhundert
I.2.1. Denkmäler des Calós vor den Evangelien
I.2.2. Die Debatte um die Genese des Calós
I.2.2.1. Caló versus Pidgin-/ Kreolsprachen: Boretzky (1985) und Romero Yantorno
I.2.2.2. Code-Switching, Pogadisierung, Geheimsprachen und Language Intertwining: Bakker & van der Voort (1991)
I.2.2.3. Archaismen, kryptische Formationen, andalusische Merkmale und unabhängige Lexikentwicklung: Bakker (1995)
I.2.2.4. Das katalonische Romaní als Indiz für die zeitliche Einordnung: Boretzky (1992)
I.2.2.5. Das Caló als Alltagssprache und im Vergleich mit anderen Romaní-Dialekten: Boretzky (1998)
I.2.2.6. Von der Alltagssprache zum geheimsprachlichen Vokabular: Bakker (1998)
I.2.2.7. Zusammenfassung der Debatte
I.3. George Henry Borrow
I.3.1. Kurzbiographie
I.3.2. Borrows Romaní-, Spanisch- und Caló-Kenntnisse
Teil II: Der Anteil des Spanischen in den Lukasevangelien
II.1. Texterschließung für Hispanisten
II.1.1. Wörterbücher
II.1.2. Grammatik
II.1.2.1. Caló-Deklinationssuffixe
II.1.2.2. Caló-Hilfsverben
II.1.3. Textausschnitte
II.1.3.1. Textausschnitt 1: Titelseiten und Vorworte Borrows
II.1.3.2. Textausschnitt 2: Lukas 15, 1 - 4 .
II.2. Wortartenspezifische Analyse des Anteils des Spanischen
II.2.1. Vorgehen
II.2.2. Auswertung
II.3. Schluss
Anhänge
Anhang 1: Vergleich des Anteils des Spanischen an den Lukasevangelien 1 - 8,25 auf Caló von 1837 und 1872 in wortartenspezifischen, systematisierten und
kommentierten Wortfrequenzlisten
A.1. Flektierbare Wortarten
A.1.1. Die Artikel
A.1.2. Die Substantive
A.1.3. Die Eigennamen
A.1.4. Die Pronomina
A.1.4.1. Die Personal- und Reflexivpronomina
A.1.4.2. Die Demonstrativpronomina
A.1.4.3. Die Possesivpronomina
A.1.4.4. Die Relativpronomina
A.1.4.5. Die Indefinitpronomina
A.1.5. Die Adjektiva
A.1.6. Die Verba
A.1.7. Die Numeralia
A.2. Unflektierbare Wortarten
A.2.1. Die Adverbien
A.2.2. Die Präpositionen
A.2.3. Die Interrogativa
A.2.4. Die Konjunktionen
A.2.5. Die Interjektionen
Anhang 2: Paralleltexte: Die Lukasevangelien 1 - 8,25 auf Caló von 1837 und von 1872 und das spanische Lukasevangelium 1 - 8,25 übersetzt von Scío
Abbildungsverzeichnis
Quellenverzeichnis
Tabellenverzeichnis
Books on the topic "Felice Romani"
1
1788-1865, Romani Felice, ed. Medea in Corinto di Felice Romani: Storia, fonti e tradizioni. Firenze: L.S. Olschki, 2004.
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2
Donizetti, Gaetano. Anna Bolena: Tragedia lirica in due atti di Felice Romani. Milano: Ricordi, 1999.
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3
Roccatagliati, Alessandro. Felice Romani librettista: [premio internazionale Latina di studi musicali, 1994]. Lucca: Libreria musicale italiana, 1996.
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4
Donizetti, Gaetano. L'elisir d'amore: Melodramma in deu atti su libretto di Felice Romani. Milano: Teatro alla Scala-Il Saggiatore, 1987.
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Donizetti, Gaetano. L' elisir d'amore: Melodramma giocoso in due atti di Felice Romani. Milano: G. Ricordi, 1995.
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Monsignor Felice Romano: Un pastore nell'età del Risorgimento (1793-1872). [Torre del Greco, Italy]: Edizioni scientifiche e artistiche, 2009.
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Pirinçci, Akif. Felidae: Francis (Felidae II) : zwei Romane in einem Band. 4th ed. München: Goldmann, 2000.
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Scerbo, Alberto. Felice Battaglia: La centralità del valore giuridico. Napoli: Edizioni scientifiche italiane, 1990.
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Leigh, Lora. Dawn's awakening: A novel of the feline breeds. New York: Berkley Pub., 2008.
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Villeneuve, Mireille. Mysteries for Felicio. Minneapolis: Picture Window Books, 2005.
Find full textBook chapters on the topic "Felice Romani"
1
Dillon, Matthew, and Lynda Garland. "Lucius Cornelius Sulla ‘Felix’." In The Ancient Romans, 450–81. First edition. | New York : Routledge Taylor & Francis Ltd, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781315678498-11.
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2
Wolfson, Susan J. "Hemans and the Romance of Byron." In Felicia Hemans, 155–80. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230389564_10.
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Hessell, Nikki. "Praying: Felicia Hemans at Third Sight." In Romantic Literature and the Colonised World, 25–53. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70933-8_2.
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Comet, Noah. "Felicia Hemans and the “Exquisite Remains” of Modern Greece." In Romantic Hellenism and Women Writers, 68–89. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137316226_4.
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Carstensen, Thorsten. "Die Kommerzialisierung des Alltags in Felix Dörmanns Roman Jazz." In Exploration urbaner Räume – Wien 1918–38, 67–86. Göttingen: V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010719.67.
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Biville, Frédérique. "Une langue sous influences: Le latin des traités tardifs adaptés du grec. L’exemple du De Medicina de Cassius Felix." In Latin et langues romanes, edited by Sándor Kiss, Luca Mondin, and Giampaolo Salvi, 301–12. Berlin, Boston: DE GRUYTER, 2005. http://dx.doi.org/10.1515/9783110944532.301.
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Faverzani, Camillo. "« Ravvicinare alla grand’epoca antica la non men grande epoca presente. » Felice Romani critique artistico-théâtral." In L'Histoire derrière le rideau, 73–90. Presses universitaires de Rennes, 2013. http://dx.doi.org/10.4000/books.pur.78711.
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Joep, Leerssen. "Hemans, Felicia." In Encyclopedia of Romantic Nationalism in Europe. Amsterdam University Press, 2015. http://dx.doi.org/10.5117/9789462981188/nggn4g66thny1rttzgzcqnfq.
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Joep, Leerssen. "Dahn, Felix." In Encyclopedia of Romantic Nationalism in Europe. Amsterdam University Press, 2015. http://dx.doi.org/10.5117/9789462981188/ngzg1v36mamr4kmusaswpgwv.
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Reno, Seth T. "Felicia Hemans and the Affections." In Amorous Aesthetics, 166–91. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786940834.003.0005.
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Chapter four analyzes Hemans’s emphasis on love, gender, and ‘the affections’ throughout her career. The chapter begins by outlining the discourses of ‘the affections’ in eighteenth-century moral philosophy, showing how Hemans engages those discourses through her concurrent embrace and critique of the Romantic models of affect and emotion developed by Wordsworth and Shelley. Hemans moves from a hesitant embrace and celebration of earthly, domestic, and Christian love in her early poetry to a more radical, Romantic acknowledgement of an otherworldly, idealizing love in her later work. Yet unlike the poetry of Wordsworth, Shelley, and Clare, Hemans’s treatment of intellectual love is dominated by loss and melancholy. Her particular treatment of love and the affections sheds new light on the importance of gender in Romantic-era theories of affect. In contrast to her male counterparts, Hemans remains deeply skeptical about the social and political potentials of intellectual love. As she carries on the Romantic poetic tradition throughout the 1820s, Hemans serves as a catalyst for Victorian responses to intellectual love, to which I turn in the final chapter of the book.
Conference papers on the topic "Felice Romani"
1
Ban, Olimpia, and Laurențiu Droj. "COMPARATIVE ANALYSIS OF THE ACCOMMODATION ONLINE OFFER FOR BĂILE FELIX (ROMANIA) AND HAJDÚSZOBOSZLÓ (HUNGARY)." In Tourism in Southern and Eastern Europe: Creating Innovative Tourism Experiences: The Way to Extend the Tourist Season. University of Rijeka, Faculty of Tourism and Hospitality Management, 2019. http://dx.doi.org/10.20867/tosee.05.50.
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Asimopolos, Laurențiu, and Natalia-Silvia Asimopoli. "GEOLOGICAL AND GEOPHYSICAL STUDY FOR ELABORATION OF GEOTHERMAL MODEL IN ORADEA-BAILE FELIX AREA." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b1/v2/12.
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Thermal methods consist of measuring thermal gradient and satellite data, which can be used to determine the Earth's surface temperature and thermal inertia of surficial materials, of thermal infrared radiation emitted at the Earth's surface. Thermal gradient measuring, with a knowledge of the thermal conductivity provides a measure of heat flow. Conditions that may increase or decrease and heat flow are influenced by hydrologic, topographic factors and anomalous thermal conductivity. Also, oxidation of sulphide bodies in-place or on waste deposits, if sufficiently rapid, can generate thermal anomalies, which can provide a measure of the amount of metal being released to the environment. The geothermal gradient on the territory of Romania, the increase of the temperature with the depth, has an average value of 2.5°-3°C/100m, which corresponds to a temperature of 100° C at 3000 m deep. There are many areas where the value of the geothermal gradient differs considerably from this average. For example, in areas where the rock plate suffered rapid dips and the basin was filled with sediment "very young "from a geological point of view, the geothermal gradient may be less than 1° C/100m. On the other hand, in other geothermal areas the gradient exceeds much this average. These areas are true underground thermal reservoirs of potentially high geothermal energy which under certain favourable conditions can be exploited to serve heating installations and domestic hot water systems. The geothermal prospecting for the entire territory of Romania, carried out by temperature measurements allowed the development of geothermal maps, highlighting the temperature distribution at different depths. Geophysical data obtained through various methods and geophysical modelling provide generalized and non-unique solutions to the geometry of underground geological relations as well as to the physical characteristics of different formations. The non-uniqueness of these models (solutions to the direct problem) arises from the impossibility of knowing the boundary conditions between different strata, which together with the propagation equations of the different fields (depending on the geophysical method used for the investigation of the basement) form the systems that offer the solutions of the model
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Briciu, Andrei-Emil. "SOME ASPECTS REGARDING THE THERMAL WATER TEMPERATURE OF SOME SITES IN BAILE FELIX, GEOAGIU-BAI AND HARSOVA AREAS, ROMANIA." In 17th International Multidisciplinary Scientific GeoConference SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgem2017/31/s12.075.
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