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1

1788-1865, Romani Felice, ed. Medea in Corinto di Felice Romani: Storia, fonti e tradizioni. Firenze: L.S. Olschki, 2004.

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2

Donizetti, Gaetano. Anna Bolena: Tragedia lirica in due atti di Felice Romani. Milano: Ricordi, 1999.

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3

Roccatagliati, Alessandro. Felice Romani librettista: [premio internazionale Latina di studi musicali, 1994]. Lucca: Libreria musicale italiana, 1996.

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4

Donizetti, Gaetano. L'elisir d'amore: Melodramma in deu atti su libretto di Felice Romani. Milano: Teatro alla Scala-Il Saggiatore, 1987.

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5

Donizetti, Gaetano. L' elisir d'amore: Melodramma giocoso in due atti di Felice Romani. Milano: G. Ricordi, 1995.

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6

Monsignor Felice Romano: Un pastore nell'età del Risorgimento (1793-1872). [Torre del Greco, Italy]: Edizioni scientifiche e artistiche, 2009.

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7

Pirinçci, Akif. Felidae: Francis (Felidae II) : zwei Romane in einem Band. 4th ed. München: Goldmann, 2000.

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8

Scerbo, Alberto. Felice Battaglia: La centralità del valore giuridico. Napoli: Edizioni scientifiche italiane, 1990.

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9

Leigh, Lora. Dawn's awakening: A novel of the feline breeds. New York: Berkley Pub., 2008.

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10

Villeneuve, Mireille. Mysteries for Felicio. Minneapolis: Picture Window Books, 2005.

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11

Rodriguez, Pedro. El Catecismo romano ante Felipe II y la Inquisición española: Los problemas de la introducción en España del Catecismo del Concilio de Trento. Madrid: Rialp, 1998.

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12

Dolfi, Anna, ed. L’ermetismo e Firenze. Florence: Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6655-979-5.

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Il secondo di due volumi dedicati all'ermetismo e Firenze editi da Firenze University Press (il primo dal titolo Critici, traduttori, maestri, modelli è acquistabile separatamente). Tra il 1930 e il 1945 un gruppo di giovani dette vita a Firenze a una delle più felici stagioni letterarie del nostro Novecento. Molti di loro si riconobbero in una dizione comune, marcata da un immaginario condiviso, e nel silenzioso dissenso dalla retorica del regime, alla quale venivano contrapposti la radicalità dell’istanza etica e il legame profondo con le radici giudaicocristiane, romanze, romantico-simboliste della civiltà europea. A cento anni dalla nascita dei suoi protagonisti (Mario Luzi, Piero Bigongiari, Alessandro Parronchi, Vittorio Bodini) ancora ci si chiede cosa sia stato l’ermetismo, come sia nato, cosa l’abbia contraddistinto. Cercare come si sia modificato, perché sia stato circondato da pregiudizi e avversione (come fanno i due imprescindibili volumi che raccolgono gli atti di un memorabile convegno nel quale Anna Dolfi ha coinvolto studiosi provenienti da ogni parte del mondo), porta a tracciare un quadro/ritratto degli autori dell’ermetismo, dei suoi critici (Bo, Macrí), amici (il compagno di generazione Vittorio Sereni), estimatori e/o detrattori, e a delimitare i confini di un complesso capitolo della storia italiana iniziata con il Fascismo e conclusa, di recente, con la caduta delle ideologie. Assieme ai suoi ‘attori’, in posizione di rilievo è Firenze, la città che fu risvegliata per qualche decennio alla grandezza del passato da una nuova passione, fatta di cultura, creatività ed intelligenza.
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13

Dolfi, Anna, ed. L’ermetismo e Firenze. Florence: Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6655-963-4.

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Il primo di due volumi dedicati all'ermetismo e Firenze editi da Firenze University Press (il secondo dal titolo Luzi, Bigongiari, Parronchi, Bodini, Sereni è acquistabile separatamente). Tra il 1930 e il 1945 un gruppo di giovani dette vita, a Firenze, a una delle più felici stagioni letterarie del nostro Novecento, nota come ermetismo fiorentino (o ermetismo tout court). Gran parte dei partecipanti si riconobbe non solo in una dizione comune, marcata da un immaginario e da una sintassi condivisi, ma nel silenzioso dissenso dalla retorica del regime, alla quale venivano contrapposti la radicalità dell’istanza etica e il legame profondo con le radici giudaico-cristiane, romanze, romantico simboliste della civiltà europea. A cento anni dalla nascita dei suoi protagonisti ancora ci si chiede cosa sia stato l’ermetismo, come sia nato, cosa l’abbia contraddistinto, quali segni abbia subìto e lasciato. Cercare come si sia modificato, perché sia stato circondato da passione, pregiudizi e avversione (come fanno i due imprescindibili volumi che raccolgono gli atti di un memorabile convegno nel quale Anna Dolfi ha coinvolto studiosi provenienti da ogni parte del mondo), porta non solo a tracciare un quadro/ritratto degli autori dell’ermetismo, dei loro estimatori e/o detrattori, ma a delimitare le costanti e i confini di un complesso capitolo della storia italiana iniziata con il Fascismo e conclusa, di recente, con la caduta delle ideologie. Tra maestri, compagni, seguaci, le figure di Bo, Macrí, Luzi, Bigongiari, Parronchi, Bodini, dell’amico di generazione Sereni, spiccano e si impongono per la forza di una suggestiva esperienza di scrittura ad alto tasso meditativo, nella critica come in traduzione, in narrativa come in poesia.
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14

Brown, Clive. A portrait of Mendelssohn. New Haven, CT: Yale University Press, 2003.

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15

Andrews, V. C., and Linda Marrow. Ruby. New York, USA: Pocket Books, 1994.

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16

Andrews, V. C. Ruby. London: BCA, 1993.

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17

Andrews, V. C. Rubi. Moskva: Novosti, 1999.

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18

Andrews, V. C. Ruby. New York, USA: Pocket Books, 1994.

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19

Andrews, V. C. Ruby. Warszawa: Pro szyn ski i S-ka, 1997.

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20

Andrews, V. C. Ruby. London: BCA, 1994.

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21

Andrews, V. C. Ruby. New York: Pocket Books, 2017.

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22

Andrews, V. C. Ruby. Hingham, MA: Wheeler Pub., 1994.

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23

Andrews, V. C. Ruby. Barcelona, Spain: Plaza & Janes Editores, S.A., 1996.

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24

Andrews, V. C. Ruby. Barcelona: Plaza & Janés, 1995.

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25

Andrews, V. C. Ruby. New York, USA: Pocket Books, 1994.

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26

Andrews, V. C. Ruby: The New Virginia Andrews. New York: Pocket Books, 1995.

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27

Craig, Tomlinson, and Elvers Rudolf 1924-, eds. Felix Mendelssohn, a life in letters. New York, NY: Fromm International, 1990.

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28

Andrea, Sommariva, ed. Felice Romani: Melodrammi, poesie, documenti. Firenze: L.S. Olschki, 1996.

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29

Izzo, Francesco, and Giuseppe Verdi. Giorno Di Regno: Melodramma Giocoso in Two Acts by Felice Romani. University of Chicago Press, 2019.

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30

Rossini, Gioacchino. Il Turco in Italia: Dramma buffo in Two Acts by Felice Romani. Fondazione Rossini, 1988.

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31

Rossini, Gioacchino. Bianca e Falliero, o sia Il Consiglio dei Tre: Melodramma in Two Acts by Felice Romani. Fondazione Rossini, 1997.

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32

(Editor), Claudio Toscani, ed. I Capuleti e i Montecchi: Tragedia lirica in Two Acts by Felice Romani (Edizione Critica Delle Opere Di Vincenzo Bellini). Casa Ricordi-Bmg Ricordi S.P.A., 2007.

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33

Felice. Kensington Publishing Corporation, 2018.

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34

Pirinçci, Akif. Felidae / Francis. Zwei Romane in einem Band. Goldmann, 2000.

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35

Todas las familias felices. Plaza y Janés, 2018.

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36

Crosby, Susan. Dias Felices : (Happy Days). Harlequin Enterprises, Limited, 2009.

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37

Felices Otra Vez : (Happy Again). Harlequin Enterprises, Limited, 2014.

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38

Felices Para Siempre (Happy Forever). Harlequin, 2003.

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39

Felices Otra Vez: (Happy Again) (Harlequin Deseo (Spanish)). Silhouette, 2005.

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40

Caro, Stefano de. Houses and Monuments of Pompeii: The Work of Fausto and Felice Niccolini. Getty Trust Publications: J. Paul Getty Museum, 2002.

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41

Roberto, Cassanelli, ed. Houses and monuments of Pompeii: The works of Fausto and Felice Niccolini. Los Angeles, Calif: J. Paul Getty Museum, 2002.

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42

Leigh, Lora. The Man Within (Feline Breeds, Book 2). Ellora's Cave, 2005.

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43

Lorenza, Babbini, and Italy. Soprintendenza per i beni ambientali e architettonici, archeologici, artistici e storici del Friuli-Venezia Giulia. Servizio tecnico per l'archeologia subacquea., eds. Operazione Iulia Felix: Lo scavo subacqueo della nave romana rinvenuta al largo di Grado. [Italy]: Edizioni della laguna, 1994.

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44

Davidde, Barbara. The Port of Qanaʾ, a Junction between the Indian Ocean and the Mediterranean Sea. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198790662.003.0018.

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South Arabian kingdoms based their wealth and power on agriculture and the export of incense and other aromatics so much appreciated in the ancient world. After Aelius Gallus’ campaign against Arabia Felix in 25–24 BC, Roman trade by sea with the region greatly increased compared to the overland caravan routes. This chapter summarizes the political situation in Arabia Felix in those times through the analysis of archaeological, historical, and numismatic evidence and focuses on the harbours and mooring places along the Yemenite and Omani coasts. Italian underwater research at Qanaʾ discovered the ancient anchorage, with ceramics dating between the first and the end of the sixth century AD, with a higher percentage before the fourth century AD. Typological and petrological study suggests the close involvement of the Arabian Peninsula in the web of trade routes that connected the Roman world via the Red Sea with India, and the Persian Gulf.
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45

Hardy, Thomas, and Penny Boumelha. The Woodlanders. Edited by Dale Kramer. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199538539.001.0001.

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‘If ever I forget your name let me forget home and heaven…But no, no, my love, I never can forget’ee; for you was a good man, and did good things!’ Love, and the erratic heart, are at the centre of Hardy’s ‘woodland story’. Set in the beautiful Blackmoor Vale, The Woodlanders concerns the fortunes of Giles Winterborne, whose love for the well-to-do Grace Melbury is challenged by the arrival of the dashing and dissolute doctor, Edred Fitzpiers. When the mysterious Felice Charmond further complicates the romantic entanglements, marital choice and class mobility become inextricably linked. Hardy’s powerful novel depicts individuals in thrall to desire and the natural law that motivates them. This is the only critical edition of The Woodlanders based on a comprehensive study of the manuscript and incorporating later revisions.
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46

Cerveny, Catherine. The rule of luck: A Felicia Sevigny novel. 2017.

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47

Lapidge, Michael. Texts and Commentaries. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198811367.003.0002.

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The Roman Martyrs contains translations (with individual introductions and commentaries) of the passiones of the following Roman martyrs (listed in approximate chronological order): St Felicitas (I); SS. Anastasia and Chrysogonus (II); St Sebastian (III); St Caecilia (IV); Pope Clement (V); SS. Sixtus, Abdon and Sennes, Laurence, Hippolytus [the so-called passio vetus] (VI); Pope Cornelius (VII); SS. Nereus and Achilleus (VIII); SS. Eugenia, Protus and Hyacinthus (IX); SS. Chrysanthus and Daria (X); St Susanna (XI); Pope Callistus (XII); Eusebius the Priest (XIII); Pope Felix II (XIV); SS. Pudentiana and Praxedis; SS. Sixtus, Abdon and Sennes, Laurence, and Hippolytus (XVI); SS. Agnes and Emerentiana (XVII); SS. Gallicanus, John and Paul (XVIII); SS. Processus and Martinianus (XIX); Pope Marcellus (XX); SS. Primus and Felicianus (XXI); SS. Marius and Martha (XXII); SS. Marcellinus and Peter (XXIII); the Four Crowned Martyrs (XXIV); St Pancratius (XXV); Pope Stephen (XXVI); SS. Gordianus and Epimachus (XXVII); the Greek Martyrs (XXVIII); SS. Eusebius and Pontianus (XXIX); Pope Urban (XXX); SS. Rufina and Secunda (XXXI); SS. Alexander, Eventius and Theodulus (XXXII); SS. Calogerus and Parthenius (XXXIII); SS. Serapia and Sabina (XXXIV); SS. Felix and Adauctus (XXXV); SS. Simplicius, Faustinus and Beatrix (XXXVI); St Symphorosa (XXXVII); St Pigmenius (XXXVIII); St Getulius (XXXIX); St Basilides (XL).
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48

Reno, Seth T. Amorous Aesthetics. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786940834.001.0001.

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Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being. Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics,through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, this book shows intellectual love to be a pillar of Romanticism.
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49

Faßbender, Kurt, and Wolfgang Köck, eds. Rechtliche Herausforderungen und Ansätze für eine umweltgerechte und nachhaltige Stadtentwicklung. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748924241.

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Der Tagungsband widmet sich vielfältigen rechtlichen Herausforderungen und Ansätzen für eine umweltgerechte und nachhaltige Stadtentwicklung. Die Schwerpunkte liegen dabei auf dem Feld des kommunalen Klimaschutzes sowie auf dem Verkehrssektor. So geht es neben den Handlungsfeldern, Rechtsinstrumenten und Perspektiven der Anpassung um kommunale und regionale Wärmeplanung als neues Rechtsinstrument. Im Verkehrssektor werden sowohl der Rechtsrahmen für eine Verkehrswende in den Kommunen als auch die kommunalen Gestaltungsmöglichkeiten zur Förderung der E-Mobilität ausgelotet. Schließlich wird die Frage erörtert, wie die Kommunen den Flächenverbrauch reduzieren können, bevor sich der Tagungsband dem urbanen Wassermanagement und der wassersensiblen Stadtentwicklung widmet. Mit Beiträgen von Cathrin Zengerling; Juliane Albrecht; Christian Maaß; Roman Ringwald; Friederike Pfeifer, Felix Nowack; Jana Bovet und Moritz Reese.
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50

Rossington, Michael. Creative Translation. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.35.

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This chapter addresses the theory and practice of translation in works by Lord Byron, Claire Clairmont, Felicia Hemans, Sir William Jones, John Keats, and Percy Bysshe Shelley. Despite Shelley’s view of its impossibility, translation is shown in the work of Jones, Byron, and Shelley to be one of the most vital and sophisticated literary activities of the Romantic era, at once a means to enlightenment about poetic traditions outside Britain and an arena for bold technical experimentation. For Shelley, translation constitutes a creative habitus through which he escapes his native language and then translates back into English from an assumed ‘foreign’ persona. Keats’s poetry, on the other hand, demonstrates how originality is prompted through engagement with the translations of others. The chapter also situates theories about translation in Britain within the context of wider debates on the Continent.
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