Academic literature on the topic 'Fellow-feeling'

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Journal articles on the topic "Fellow-feeling"

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Miller, Saul. "Fellow feeling." British Journal of General Practice 58, no. 548 (March 1, 2008): 218. http://dx.doi.org/10.3399/bjgp08x279634.

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Silk, Joan. "Fellow Feeling." American Scientist 98, no. 2 (2010): 158. http://dx.doi.org/10.1511/2010.83.158.

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Truscott, Ross. "Empathy’s echo: post-apartheid fellow feeling." Safundi 17, no. 2 (April 2, 2016): 249–69. http://dx.doi.org/10.1080/17533171.2016.1172825.

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Khalil, Elias L. "The Fellow-Feeling Paradox: Hume, Smith and the Moral Order." Philosophy 90, no. 4 (July 15, 2015): 653–78. http://dx.doi.org/10.1017/s0031819115000339.

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AbstractHume and Smith advance different answers to the question of whether sympathy can ever be the foundation of the moral order. They hold contradictory views of sympathy, called here ‘the Fellow-Feeling Paradox’. For Hume, fellow-feeling tends to reverberate in society, leading to the socialization of the individual and even mob (collective) psychology. Hence, sympathy cannot be the foundation of the moral order. In contrast, for Smith, fellow-feeling develops into critical judgment of the emotions/actions, leading to individual moral autonomy even self-command. Hence, sympathy can be the foundation of the moral order. This paper provides a resolution of the two answers.
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Clark, Anna E. "Expectation and “fellow-feeling” in George Eliot’sDaniel Deronda." English Studies 97, no. 8 (August 23, 2016): 821–36. http://dx.doi.org/10.1080/0013838x.2016.1206320.

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Mark G. Spencer. "Fellow-Feeling and the Moral Life (review)." Journal of the History of Philosophy 48, no. 1 (2009): 110–11. http://dx.doi.org/10.1353/hph.0.0170.

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Sugden, Robert. "Beyond sympathy and empathy: Adam Smith's concept of fellow-feeling." Economics and Philosophy 18, no. 01 (March 14, 2002): 63–87. http://dx.doi.org/10.1017/s0266267102001086.

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Thomas, A. "Fellow-Feeling and the Moral Life * By JOSEPH DUKE FILONOWICZ." Analysis 69, no. 4 (September 11, 2009): 789–91. http://dx.doi.org/10.1093/analys/anp118.

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Ibbett (book author), Katherine, and George Hoffmann (review author). "Compassion’s Edge: Fellow-Feeling and Its Limits in Early Modern France." Renaissance and Reformation 41, no. 3 (November 12, 2018): 232–34. http://dx.doi.org/10.33137/rr.v41i3.31608.

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Kiernan Knowles, Linda. "Compassion’s Edge. Fellow-Feeling and Its Limits in Early Modern France." French History 32, no. 3 (July 10, 2018): 434–36. http://dx.doi.org/10.1093/fh/cry054.

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Dissertations / Theses on the topic "Fellow-feeling"

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Lillhannus, Daniela. ""Mot allt, som plågar mej, jag reagerar" : Känslorna och det proletära subjektet i Karl Östmans litterära verk." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413499.

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This thesis explores the representation of emotion and feeling in the 1910’s and 1920’s fictional works of Swedish working class writer Karl Östman, against the historical background of the working class movement and its social communities. The material consists mainly of three collections of short stories (Pilgrims, A Fiddle and a Woman and Hunger) and one novel (The Broad Road). The author analyses how emotions arise and are represented, the relationship between emotion and action, the individual and collective practices of feeling, as well as the emotional reactions following suffering. Dreams of love and compassion are also addressed to investigate whether the texts point to the possibility of a new emotional community for the working class. The theoretical basis of the thesis is Barbara H. Rosenwein’s concept of ”emotional communities”, along with Sara Ahmed’s theories of emotions as patterns of action. The thesis argues that all actions in Östman’s fiction are, fundamentally, emotional reactions. To gain an understanding of capitalism and class society as the causes of oppression, Östman’s characters must first understand their own emotions from the perspective of a socialist emotional community, rather than the prevailing emotional community of working class men. Only then can their emotional response to suffering become anger and action rather than hopelessness. Östman identifies the great shame of the worker not as his vulnerable position under capitalism but as the culture of non-feeling that workers impose on one another – a change of perspective that becomes a call for action. If read attentive to the role of emotions in the text, the thesis argues, Östman’s fiction possesses an urgency and a complexity previously not accredited to him.
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Bruner, Brittany. ""This, too, was myself": Empathic Unsettlement and the Victim/Perpetrator Binary in Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6284.

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At first glance, Strange Case of Dr. Jekyll and Mr. Hyde is a tale that reinforces binaries. One of these is the self/other binary that is central to David Hume's and Adam Smith's theories of sympathy that conceive of a self imaginatively identifying and experiencing fellow-feeling for an other. However, this notion is complicated because Jekyll and Hyde are the same person. Further, many critics argue that Stevenson actually challenges binary thinking. While Hume and Smith do not challenge the self/other binary in connection with sympathy, trauma theory critics do challenge a self/other binary that lies at the heart of sympathy: the victim/perpetrator binary. Noted trauma theorist Dominick LaCapra develops a method of empathizing called empathic unsettlement where a secondary witness listens with empathy to a victim's traumatic witness while recognizing the difference of his or her position as a witness. He argues that perpetrators may also warrant understanding, but this understanding does not come through empathy. However, one of the hallmarks of empathic unsettlement is that it does not neatly resolve or replace traumatic narratives. Therefore, I argue that empathic unsettlement could also be a useful method for allowing a perpetrator to witness. While practicing empathic unsettlement for a perpetrator may not be worth the risk in real life, performing a thought experiment in literature can test how using empathy might provide a better way to theorize perpetration. Using two witnesses who attempt to practice empathic unsettlement for Jekyll and Hyde, Dr. Hastie Lanyon (who fails), and Mr. Gabriel John Utterson (who succeeds), I will show how empathic unsettlement could be used for both a victim and perpetrator to tease out the complexities of assessing a traumatic situation.
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Yokota, Yukiko, and 横田裕貴子. "A Fellow feeling between university students in Japan and Taiwan ;a cross-cultural comparison-A point of view “kuuki” and “seken”-." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/t9d247.

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碩士
淡江大學
日本語文學系碩士班
101
In Japan, one of the critical criteria for company employment is the ability of "reading the air (air sensing)" , which has been considered as the standard measure of one’s communication skills. The concept of “air (atmosphere)” and the “world (society)”are the main basic group motivation standards and rules of behavior that hugely effecting the “air” and the “world” of each single Japanese individuals living within. The way of space/distance identification of a Japanese usually causes confusions and suspiciousness to foreign students. Not only for everyday life, the importance of “air” can also be seen in situations of school life. School life is a space where awareness of others plays an important part to each individual; many student struggled for their self identities under the group circumstance. Bullying issue between students, student that refuses to go to school, and depression caused by career searching became serious issues in the modern society. This thesis investigates the past researches regarding to the importance of “air” and identification of “world (seken)” and the society, together with surveying young Japanese and Taiwanese foreign language learners and job hunters to investigate their views of relationships with others and clarify the distinctiveness of “fellowship consciousness”. As a result, differences can be seen for the group belonging dependent typed Japanese university student demanding self discipline; in comparison to mutual typed Taiwanese student that seeks the importance of individual identity with mutual benefits. The main issue can be seen as a result of the interviews, the polarization of Japanese students separating into self-motivated passive type and students that voluntarily follows. According to the investigation, the background effect of the polarization progress should be the differences between the nature of “world (seken)” and the “society (shakai)”.
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Books on the topic "Fellow-feeling"

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Fellow-feeling and the moral life. Cambridge, UK: Cambridge University Press, 2008.

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Roughley, Neil, and Thomas Schramme, eds. Forms of Fellow Feeling. Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781316271698.

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Filonowicz, Joseph Duke. Fellow-Feeling and the Moral Life. University of Cambridge ESOL Examinations, 2014.

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Sympathetic Puritans: Calvinist Fellow Feeling in Early New England. Oxford University Press, Incorporated, 2015.

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Roughley, Neil, and Thomas Schramme. Forms of Fellow Feeling: Empathy, Sympathy, Concern and Moral Agency. University of Cambridge ESOL Examinations, 2020.

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Forms of Fellow Feeling: Empathy, Sympathy, Concern and Moral Agency. Cambridge University Press, 2018.

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Compassion's Edge: Fellow-Feeling and Its Limits in Early Modern France. University of Pennsylvania Press, 2017.

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Newton, Hannah. ‘O, How Sweet is Ease!’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779025.003.0004.

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This is the first of four chapters devoted to the personal experience of recovery. It explores patients’ responses to the abatement of bodily suffering, investigating the transition from ‘feeling ill’ to ‘feeling better’. Focusing on the decline of pain, nausea, and sleeplessness—three of the most ubiquitous forms of suffering in accounts of illness—it is shown that feeling better was a double joy for patients, of their bodies and souls: they found that physical suffering produced distressing emotions, and the eventual ease brought rejoicing. The second half of the chapter turns to the reactions of relatives and friends, proposing that they shared the experience of the patient, a phenomenon known as ‘fellow-feeling’. Taking a new, sensory approach, it was chiefly through the ears and eyes that loved ones came to share patients’ suffering and eventual relief. The patient’s ‘doleful Groans’ and ‘sad Looks’ were replaced by joyful laughter and singing.
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Wilson, Bart J. Becoming Just by Eliminating Injustice. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190631741.003.0004.

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This chapter explores how property emerges as a moral convention. Several laboratory experiments on property in its nascence are used to understand this process. A key feature of these economics experiments is that the participants can chat in real time with one another regarding their activities. These candid conversations in the heat of the moment make up the data by which I explain how anonymous strangers in a group become just by mutually respecting what is mine and what is thine. The dialogue also illustrates what it means for someone to be unjust, namely, inflicting real and positive harm on others. As a window into the minds of the participants, the language further supports Adam Smith’s claim that the resentment of harm undergirds our moral sense of property. We become just in terms of respecting the boundaries of property through the fellow feeling of the ill desert of harm.
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Eliot, George. Adam Bede. Edited by Carol A. Martin. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199203475.001.0001.

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Our deeds carry their terrible consequences…consequences that are hardly ever confined to ourselves.' Pretty Hetty Sorrel is loved by the village carpenter Adam Bede, but her head is turned by the attentions of the fickle young squire, Arthur Donnithorne. His dalliance with the dairymaid has unforeseen consequences that affect the lives of many in their small rural community. First published in 1859, Adam Bede carried its readers back sixty years to the lush countryside of Eliot's native Warwickshire, and a time of impending change for England and the wider world. Eliot's powerful portrayal of the interaction of ordinary people brought a new social realism to the novel, in which humour and tragedy co-exist, and fellow-feeling is the mainstay of human relationships. Faith, in the figure of Methodist preacher Dinah Morris, offers redemption to all who are willing to embrace it. This new edition is based on the definitive Clarendon edition and Eliot's corrected text of 1861.
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Book chapters on the topic "Fellow-feeling"

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Peterson, Andrew. "Civility and Mutual Fellow-Feeling." In SpringerBriefs in Education, 35–49. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-1014-4_3.

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Kulick, Brian. "Final thoughts on fellow-feeling and the meaning of theater." In The Secret Life of Theater, 194–96. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429445255-30.

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Sugden, Robert. "Fellow-feeling." In Economics and Social Interaction, 52–75. Cambridge University Press, 2005. http://dx.doi.org/10.1017/cbo9780511522154.004.

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Maibom, Heidi L. "Without Fellow Feeling." In Being Amoral, 91–114. The MIT Press, 2014. http://dx.doi.org/10.7551/mitpress/9780262027915.003.0004.

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"7. Fellow-Feeling." In Poultry Science, Chicken Culture, 138–55. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9780813552361-009.

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"6. Fellow-Feeling." In Poultry Science, Chicken Culture, 119–37. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9780813552361-008.

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"Chapter Nine. Fellow-feeling." In Animal Encounters, 171–96. BRILL, 2009. http://dx.doi.org/10.1163/ej.9789004168671.i-266.41.

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"Cruelty and Fellow Feeling." In The World of Animals, edited by Joseph Wood Krutch, 285–342. Routledge, 2017. http://dx.doi.org/10.4324/9781315135489-5.

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Scheler, Max. "Genetic Theories of Fellow-Feeling." In The Nature of Sympathy, 37–50. Routledge, 2017. http://dx.doi.org/10.4324/9781315133348-4.

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Marie Hammond, Meghan. "New Structures of Fellow Feeling." In Empathy and the Psychology of Literary Modernism, 176–79. Edinburgh University Press, 2014. http://dx.doi.org/10.3366/edinburgh/9780748690985.003.0007.

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Conference papers on the topic "Fellow-feeling"

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Riek, Laurel D., Tal-Chen Rabinowitch, Bhismadev Chakrabarti, and Peter Robinson. "Empathizing with robots: Fellow feeling along the anthropomorphic spectrum." In 2009 3rd International Conference on Affective Computing and Intelligent Interaction and Workshops (ACII 2009). IEEE, 2009. http://dx.doi.org/10.1109/acii.2009.5349423.

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Reports on the topic "Fellow-feeling"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.
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