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Academic literature on the topic 'Felt marker drawing'
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Journal articles on the topic "Felt marker drawing"
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Storm Villadsen, Lisa. "Fy, skam dig ikke! Skam som sanktioneret og konstruktiv følelse i den offentlige debat." Rhetorica Scandinavica 22, no. 78 (2018): 75–86. http://dx.doi.org/10.52610/mrsp5084.
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This article contributes to scholarship on emotions in political rhetoric by way of complicating commonly held views on which types of emotions are appropriate in public debate. The article examines the feeling shame from two perspectives, each rhetorically and critically oriented: one is analytical, the other theoretical. The case material comes from Danish politics where a group of celebrities stated to the press that they felt ashamed on account of Denmark’s policy regarding refugees and immigrants. Based in analysis of the public reaction from the Prime Minister I show how the feeling shame and those who felt it were marked as inappropriate from public debate. In the latter part of the article I theorize on negative emotions and shame in public rhetoric. Drawing on contemporary political philosophy and feminist and queer theory I argue for a more nuanced view on appeals to the emotion shame. Closer reflection suggests that it does not necessarily imply the destructive social distancing one would ordinarily expect but that it has potential as a marker of solidarity with the collective and as such can drive ethical reconsideration
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Shorter, Rosie Clare. "Rethinking Complementarianism." Religion and Gender 11, no. 2 (2021): 218–44. http://dx.doi.org/10.1163/18785417-bja10005.
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Abstract Complementarianism, that is, Christian teaching focusing on men’s leadership and women’s submission as an ideal pattern of relationships and gendered behaviour, has been identified both as a boundary marker with little lived currency and as a contributing factor in instances of intimate partner violence. This contradiction raises a question; does complementarianism have little felt effect or does it have significant—and violent—social consequences? In this article, drawing on Scott’s analysis of Secularism as discourse I consider complementarianism as a religio-political discourse. Through analysis of published church material and stories gathered through interviews with parishioners and church staff, I explore how complementarianism is constructed and implemented in the Sydney Anglican Diocese. I argue that complementarianism is not a distinctively Christian theology, but a discourse, or story, told in community which constructs orthodoxy and both creates and limits gendered and religious identity.
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Lema, Rasmus, Axel Berger, and Hubert Schmitz. "China's Impact on the Global Wind Power Industry." Journal of Current Chinese Affairs 42, no. 1 (2013): 37–69. http://dx.doi.org/10.1177/186810261304200103.
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China's economic rise has transformed the global economy in a number of manufacturing industries. This paper investigates whether China's transformative influence extends to the new green economy. Drawing on the debate about how China is driving major economic changes in the world – the “Asian drivers” debate – it identifies five corridors of influence and investigates their relevance for the wind energy industries. Starting with the demand side, it suggests that the size and rapid growth of the Chinese market have a major influence on competitive parameters in the global wind power industry. While Western firms have found ways of participating in the growth of the Chinese market, the government's procurement regimes benefit Chinese firms. The latter have invested heavily and learned fast, accumulating production capabilities that have led to changes in the global pecking order of lead firms. While the combined impact of Chinese market and production power is already visible, other influences are beginning to be felt – arising from China's coordination, innovation and financing power.
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Kissane, Rebecca Joyce. "“They Never Did Me Any Good”: Welfare-to-Work Programs from the Vantage Point of Poor Women." Humanity & Society 32, no. 4 (2008): 336–60. http://dx.doi.org/10.1177/016059760803200403.
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Drawing on in-depth qualitative interviews with poor women living in Philadelphia, I explore welfare recipients' experiences with and assessments of welfare-to-work programs provided by labor market intermediaries. Overall, the women argued that the programs often failed to offer meaningful skills that could result in good paying jobs, complicated their already difficult lives, and forced them to interact with sometimes disrespectful, hypocritical, and indifferent staff. The women also felt they were under-compensated for the work that they did in transitional jobs programs. While the women had problems with many of the programs they entered, they especially disliked those that focused on soft skills training. These findings suggest that such programs act as mechanisms of social reproduction, as from the vantage point of poor women, they typically fail to enhance and may actually restrict their labor market opportunities.
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Degen, Monica, and Camilla Lewis. "The changing feel of place: the temporal modalities of atmospheres in Smithfield Market, London." cultural geographies 27, no. 4 (2019): 509–26. http://dx.doi.org/10.1177/1474474019876625.
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Within the context of recent debates around urban atmospheres, this article examines the situatedness and partiality of urban experiences. Drawing on an ethnographic study of the Smithfield Market area, a neighbourhood undergoing a period of rapid urban regeneration as part of the ‘Culture Mile’ in the City of London, we explore how different individuals experience the changing feel of place. By focusing on the felt body, the article analyses the ways in which individuals with different attachments to the neighbourhood respond to the impending urban change and draw on selective temporal modalities of atmospheres in order to make specific claims to place. In particular, we identify three temporal modalities of atmospheres: the selective feel of the past, the contentious present feel and the ambivalent future feel. The article thus argues that studies of urban atmospheres need to pay more attention to the manifold bodily capacities, personal and social histories which mediate and position in diverse ways how places are experienced. More generally, this article makes an intervention into debates on urban atmospheres by analysing empirically how the variable interactions between sensory and temporal qualities produce diverse atmospheric constellations for different individuals.
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Gao, Timothy. "These Newcomes: William Makepeace Thackeray and Novelistic Particularity." Victorian Literature and Culture 49, no. 3 (2021): 457–80. http://dx.doi.org/10.1017/s106015031900041x.
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Through a sustained close reading of William Makepeace Thackeray's 1855 novel The Newcomes, this essay examines three analogous types of particularity in the novel: the particularity of loved ones in the social network, of fictional persons in the literary work, and of the individual text. Drawing on recent sociological and network readings of Victorian narrative, I argue that Thackeray's plot about relationships in the marriage market is reflected (on the level of form) by the structural relation between characters and text, and (on the level of the reading experience) by the affective engagement of the reader to the novel. As characters encounter problems in replacing old relations (former lovers, deceased spouses, estranged relatives) with new ones, the novel raises analogous questions about the replaceability of characters as textual constructs or fictional persons, and of the novel itself as one experience among multitudes on offer in the nineteenth-century market. A tension between the continual or particular experience of an individual novel and the felt historical pressure of novels en masse registers in the text itself as a formal and narrative problem, one that leads us suggestively toward recent methodological debates about intimate and distant reading.
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Yılmaz, Günce Su, Fiona Gasaway, Blase Ur, and Mainack Mondal. "Perceptions of Retrospective Edits, Changes, and Deletion on Social Media." Proceedings of the International AAAI Conference on Web and Social Media 15 (May 22, 2021): 841–52. http://dx.doi.org/10.1609/icwsm.v15i1.18108.
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Many social media sites permit users to delete, edit, anonymize, or otherwise modify past posts. These mechanisms enable users to protect their privacy, but also to essentially change the past. We investigate perceptions of the necessity and acceptability of these mechanisms. Drawing on boundary-regulation theories of privacy, we first identify how users who reshared or responded to a post could be impacted by its retrospective modification. These mechanisms can cause boundary turbulence by recontextualizing past content and limiting accountability. In contrast, not permitting modification can lessen privacy and perpetuate harms of regrettable content. To understand how users perceive these mechanisms, we conducted 15 semi-structured interviews. Participants deemed retrospective modification crucial for fixing past mistakes. Nonetheless, they worried about the potential for deception through selective changes or removal. Participants were aware retrospective modification impacts others, yet felt these impacts could be minimized through context-aware usage of markers and proactive notifications.
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Yuni, Ni Kadek Sri Ebtha, I. Nyoman Norken, Dewa Ketut Sudarsana, and Ida Bagus Putu Adnyana. "Risk Analysis of Tender Documents on the Execution of Private Construction Work at Badung Regency, Bali Province, Indonesia." Journal of Sustainable Development 10, no. 4 (2017): 130. http://dx.doi.org/10.5539/jsd.v10n4p130.
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Documents received during the tender, are in the form of drawings, specifications, bill of quantity (BQ), and the general terms of the contract. Tender activity will bring a variety of risks during the project implementation, and this research is done to identify and assessment of risks, mitigating risk and determining the ownership of the dominant risk.The research was conducted on a private building construction project at Badung Regency in Bali, by using a qualitative method and data collection was done through interview, brainstorming with experts and questionnaires. Among the 39 risk identified, 15 risks were obtained from the previous research, and the remaining 24 risks in this research.The results of this risk assessment were that 18 risks (46.2%) categorized into unacceptable, that include: the addition items of work, the drawing does not match with plan, and the changes in the material specifications. Risk assessment fell into the undesirable category that 21 risks (53.8%), including the mismatch information from planners, the arithmetic error, and materials used were not available on the market. Mitigation was done to dominant risk, among others by reassessing, submitting the contract change order, and asking questions. The biggest risk of ownership was the contractor, namely 39 risks with 18 unacceptable and 21 undesirable risks, this mean, problems associated with tender documents should receive the attention to contractors, planner consultants, owners and Quantity Surveyor (QS) consultants. Contractors as the recipient of the biggest risk were expected to increase the competence of those involved in the tender process.
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Alhassan Adum-Atta, Rashida. "The Politics of Purity, Disgust, and Contamination: Communal Identity of Trotter (Pig) Sellers in Madina Zongo (Accra)." Religions 11, no. 8 (2020): 421. http://dx.doi.org/10.3390/rel11080421.
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The interplay of food, people, and market in the multi-religious and multi-ethnic neighborhood of Madina Zongo, Accra, results to some extent in food exchange. In a plural setting like Madina Zongo, an important aspect of their co-existence is the sharing of food; in so doing people claim their identities and mark boundaries; consequently, food in this sense becomes a potential for conflict. My primary aim in this paper is to focus on pig feet (trotter) sellers by drawing attention to their conflicting experiences and encounters in selling trotter. Pig feet (trotter) is a commodity that comes through a global network and is considered haram and unclean by Muslims. Actions by religious practitioners, thereby, play a pivotal role in provoking these experiences and, for this reason, it is prone to triggering tensions. In this paper, I explore the embodied encounters between these traders in the market (inhabited by people of different religious traditions) and, to some extent, the buyers and how this triggers religious sensibilities and at the same time evokes strong responses among those frequenting the space (e.g., market women and customers) and those (trotter sellers) who live in predominantly Muslim neighborhoods. In my analysis on tensions and pollution, I take into consideration groundworks by authors such as Mary Douglas’ Purity and Danger, Sara Ahmed’s and Deborah Durham’s notion of disgust and the anthropology of imagination, and inspired works on materiality such as the Latourian Actor-Network Theory (ANT) which draws attention to the agency of the non-human. This paper studies how religiously contested and so-called “contaminated” foodstuffs such as pig feet (trotter) result in boundary-making practices among members of the market and Zongo community. I argue that ideas of purity are influenced largely by cultural and religious convictions which seems not to be compromised by religious practitioners. The paper also investigates strategies people/sellers develop to negotiate these social relations.
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Lázari, Carolina dos Santos, Mariana Severo Ramundo, Felipe ten-Caten, et al. "Clinical markers of post-Chikungunya chronic inflammatory joint disease: A Brazilian cohort." PLOS Neglected Tropical Diseases 17, no. 1 (2023): e0011037. http://dx.doi.org/10.1371/journal.pntd.0011037.
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Background Chikungunya-fever (CHIKF) remains a public health major issue. It is clinically divided into three phases: acute, post-acute and chronic. Chronic cases correspond to 25–40% individuals and, though most of them are characterized by long-lasting arthralgia alone, many of them exhibit persistent or recurrent inflammatory signs that define post-Chikungunya chronic inflammatory joint disease (pCHIKV-CIJD). We aimed to identify early clinical markers of evolution to pCHIKV-CIJD during acute and post-acute phases. Methodology/Principal findings We studied a prospective cohort of CHIKF-confirmed volunteers with longitudinal clinical data collection from symptoms onset up to 90 days, including a 21-day visit (D21). Of 169 patients with CHIKF, 86 (50.9%) completed the follow-up, from whom 39 met clinical criteria for pCHIKV-CIJD (45.3%). The relative risk of chronification was higher in women compared to men (RR = 1.52; 95% CI = 1.15–1.99; FDR = 0.03). None of the symptoms or signs presented at D0 behaved as an early predictor of pCHIKV-CIJD, while being symptomatic at D21 was a risk factor for chronification (RR = 1.31; 95% CI = 1.09–1.55; FDR = 0.03). Significance was also observed for joint pain (RR = 1.35; 95% CI = 1.12–1.61; FDR = 0.02), reported edema (RR = 3.61; 95% CI = 1.44–9.06; FDR = 0.03), reported hand and/or feet small joints edema (RR = 4.22; 95% CI = 1.51–11.78; FDR = 0.02), and peri-articular edema observed during physical examination (RR = 2.89; 95% CI = 1.58–5.28; FDR = 0.002). Furthermore, patients with no findings in physical examination at D21 were at lower risk of chronic evolution (RR = 0.41, 95% CI = 0.24–0.70, FDR = 0.01). Twenty-nine pCHIKV-CIJD patients had abnormal articular ultrasonography (90.6% of the examined). The most common indings were synovitis (65.5%) and joint effusion (58.6%). Conclusion This cohort has provided important insights into the prognostic evaluation of CHIKF. Symptomatic sub-acute disease is a relevant predictor of evolution to chronic arthritis with synovitis, drawing attention to joint pain, edema, multiple articular involvement including small hand and feet joints as risk factors for chronification beyond three months, especially in women. Future studies are needed to accomplish the identification of accurate and early biomarkers of poor clinical prognosis, which would allow better understanding of the disease’s evolution and improve patients’ management, modifying CHIKF burden on global public health.
Books on the topic "Felt marker drawing"
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Takamura, Zeshu. The use of markers in fashion illustrations =: Modezeichnen mit Markern. Nippon Shuppan Hanbai, 1992.
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Shimizu, Yoshiharu. Quick & easy solutions to marker techniques =: Mākā ni yoru dezain suketchi. Graphic-sha Pub. Co., 1995.
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Schenardi, Luca. Luca Schenardi: Meyer spricht von Gratiskaffee. Edition Patrick Frey, 2017.
Find full textBook chapters on the topic "Felt marker drawing"
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Norton, Jacqui. "The Diggers’ Festival, Organising a community festival with political connotations." In Focus On Festivals. Goodfellow Publishers, 2015. http://dx.doi.org/10.23912/978-1-910158-15-9-2631.
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This chapter examines the organisation of a community festival from an ethnographic perspective drawn from the festival organiser’s viewpoint. It will provide some context on the reasons for founding the Diggers’ Festival and examine key issues and difficulties surrounding the launch and development of a small festival that relates to historical political activities in the market town of Wellingborough, Northamptonshire, UK. As we shall see, most current political festivals in the UK tend to be events launched to commemorate historical milestones that have a political resonance. The chapter will make specific reference to the festival’s funding, audiences and branding, concluding with recommendations on how to move the festival forward. During 2010 the author was asked by the Independent Socialists of Wellingborough (ISW) to organise an evening event to commemorate the 17th century radicals known as the Diggers. As an individual with socialist leanings, the author agreed to promote the first event, which was held during March 2011, and was launched and branded as the Wellingborough Diggers’ Festival. Even though it was in its infancy arguably only an evening event with two professional performers, Ian Saville, a magician who promotes himself as ‘Magic for Socialism’ (Saville, n.d.), and well-established local folk and Americana band The Old Speckled Men, booked, it was felt necessary to launch the festival name and the branding, with the aim being to produce a steady growth into the fourth or fifth years. It was essential to raise awareness of the identity and purpose of the festival amongst like-minded individuals, the local community and people from surrounding areas. The fourth festival grew from being organised solely by the author to having a committee of an additional five volunteers who coordinated an afternoon fringe event based in a town centre public house with three live music artists/bands, including punk/poet Attila the Stockbroker. A writer who had written historical fiction for teenagers, including one that takes its inspiration from Gerrard Winstan- ley and the Diggers, was invited as a guest speaker to present her work in the local library. The local museum hosted a week long display on the Diggers including a copy of the declaration and a copy of a field map dated 1838 identifying the location of the Bareshanks field (the site of the Wellingborough digger community). The programme for the evening event commenced with a local author Alan Moore (V for Vendetta, Watchmen) as a key speaker, followed by performances by two professional live bands with ‘left’ tendencies. In addition to the general considerations of organising a festival, for instance audience, budget, funding, licensing, entertainment and promotion, coordinating a festival with such strong socialist values was going to be a challenge because of the political connotations.
Reports on the topic "Felt marker drawing"
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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.
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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.