Relevant bibliographies by topics / Female Beauty Myth

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Female Beauty Myth'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Female Beauty Myth"

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SAR, SISWANTIA, WITA DWI PAYANA, and RAHIL HELMI. "BEAUTY MYTH AND FEMALE RESISTANCE IN THE MOVIE I FEEL PRETTY." LINGUISTICA 12, no. 4 (2023): 261. http://dx.doi.org/10.24114/jalu.v12i4.52492.

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This paper aims to describe the beauty myth and the female resistance in the movie I Feel Pretty. This research uses gender study which focuses on beauty myth and the female resistance towards the beauty myth. The object material in this study is a chick lit movie, I Feel Pretty. The formal object of this research is gender study that focuses on beauty myth. Data analysis was performed through qualitative descriptive techniques by interpreting the data found in the movie I Feel Pretty and linked to beauty myth theories. Beauty myth has been promoted through the mass media, including the movie
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Intan, Tania, and Nur Afifah Vanitha Binti Abdullah. "Beauty Myths and Consumer Culture in Indonesian Chick-lit Novel." Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra 5, no. 2 (2021): 284. http://dx.doi.org/10.26858/eralingua.v5i2.19269.

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Abstract. The discourse on women’s beauty and femininity are inseparable from the patriarchal cultural construction. Women are to constantly strive to achieve a standard, that is known as ‘beautiful’ to men. The purpose of this research was to study the myth of beauty and consumer culture in a ‘chick-lit’ novel entitled Beauty Case by Icha Rahmanti. Data for this study was gathered from fundamental research that used a qualitative research design. This study utilized the notion of beauty in the various context presented by Wolf and the interpretation of beauty in marketing and colonial discour
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Pangesti, Nesa Riska, Delsa Jelita Putri, Yulianti Rasyid, and Fina Hiasa. "Mitos Kecantikan Perempuan dalam Novel Lalita karya Ayu Utami." Jurnal Bahasa dan Sastra 12, no. 3 (2025): 579. https://doi.org/10.24036/jbs.v12i3.131746.

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This research aims to reveal the myth of female beauty in the novel Lalita by Ayu Utami. Beauty is one of the most important factors in a woman's appearance. Psychologically, beauty is associated with intelligence, knowledge, and education. Physically, female beauty can be assessed through body shape, skin color, hair color, nose shape, eye shape, and other attributes. This study employs descriptive analysis using content analysis methods. The results show that beauty has become a normative standard and a feminist perspective that continues to be imposed on women. Different definitions of beau
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Rane, Zakridatul Agusmaniar. "RECONCEPTUALIZING WOMAN BEAUTY IN DRAMA SERIES MY ID IS GANGNAM BEAUTY." Seshiski: Southeast Journal of Language and Literary Studies 2, no. 2 (2022): 111–23. http://dx.doi.org/10.53922/seshiski.v2i2.24.

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Women and beauty are a unity. Beauty as the characteristic of femininity has taken root in a wider social system. It is culturally programmed. The modern beauty myth which is centered on women's bodies is reproduced continuously. The most dominant way of reproduction is through the media. The beauty myth is represented through advertisements, idol appearances, films, and TV series. Beauty myths are felt torturing women, so lately the movement to free women from the shackles of beauty myths is increasingly being voiced. This effort is carried out in various ways for example through writing, cri
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R. Ramdani and M. Ali. "Representation of Women's Beauty in Kosé Sekkisei White UV Emulsion." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 6 (March 31, 2023): 1037–42. http://dx.doi.org/10.34010/icobest.v4i.469.

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The beauty of women has always been a separate conversation in society. Women's beauty is very diverse, but generally beautiful is always synonymous with white skin and this idea is often targeted at audiences in advertising, especially Japan. Advertisements so far have shown beauty through physical appearance that emphasizes certain characteristics of beauty as a female attraction. The beauty shown or used in advertisements is generally based on a background of beauty myths that developed in Japan, one of which is white skin. In the midst of the existence of these advertisements, Kose adverti
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Desilia Putri Mediah, Suntoko, and Roni Nugraha Syafroni. "FEMINISM STUDY THE MYTH BEAUTY OF FEMALE CHARACTERS IN THE NOVEL INDUK GAJAH BY IRA GITA SEMBIRING AS TEACHING MATERIAL FOR NOVEL TEXTS AT THE HIGH SCHOOL LEVEL." Santhet (Jurnal Sejarah Pendidikan Dan Humaniora) 8, no. 2 (2024): 12516–25. https://doi.org/10.36526/santhet.v8i2.4192.

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This study focuses on the aspect of the form of the beauty myth in the novel Induk Gajah by Ira Gita Sembiring (2023). The analysis was carried out by utilizing Naomi Wolf's feminist theory. The formulation of the problem in this study is: (1) the aspect of intrinsic elements in the novel; (2) the form and influence of the beauty myth in the novel; and (3) recommendations for the results of the discussion as teaching materials for high school level novel texts. This research is a literature study with a qualitative descriptive approach. Data were obtained through reading and note- taking techn
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Kayal, Sharmila, and Ruma Saha. "Decoding the myth of luxury in cosmetics herbal products advertisements." RUDN Journal of Studies in Literature and Journalism 28, no. 1 (2023): 175–86. http://dx.doi.org/10.22363/2312-9220-2023-28-1-175-186.

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The study begins with a perilous standpoint of lovely images (female/male/child) in the mass media being regularly developed a formulaic typecasting concept of beauty. Quite a few feminine beauty myths have been grown in India during the contemporary times. The rise of cosmetic herbal advertisements portraying regressive images of womanly beauty to endorse products. Cosmetics perception of herbal integration is observed in respect to beauty myths portrayed by the media. The authors examine the structures of beauty myths of cosmetic herbals in India and their fundamental features. This is becau
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Apristia, Lelu Dina. "THE MYTH OF FEMALE BEAUTY: STUDY OF REPRESENTATION TOWARD POST-NEW ORDER NOVELS WRITTEN BY MALES." International Journal of Humanity Studies (IJHS) 2, no. 2 (2019): 141–57. http://dx.doi.org/10.24071/ijhs.v2i2.1745.

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Males representing female beauty without experiencing to be real females in post-New Order era become the background of this study. This study is aimed: (1) to identify female beauty in post-New Order era represented by male writers, (2) to identify factors forming the representation. To achieve the aims, the study is done by applying Stuart Hall's representation theory which is not only about meaning produced through language and knowledge produced through discourse, but also about revealing patriarchal structure containing in discourse. After applying Stuart Hall's representation theory, it
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Helnaz, Regina Nopia, and Rias Antho Rahmi Suharjo. "The Beauty Myth and Male Gaze in Emeron Lovely Hand & Body Lotion Advertisements." Jurnal Onoma: Pendidikan, Bahasa, dan Sastra 11, no. 2 (2025): 1918–31. https://doi.org/10.30605/onoma.v11i2.5683.

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This study critically examines the representation of beauty myth and male gaze in Emeron hand and body lotion advertisements. Grounded in Naomi Wolf’s theory of the beauty myth and Laura Mulvey’s concept of the male gaze, the research analyzes how these frameworks shape the portrayal of women in beauty product marketing. Using Sandelowski’s purposive sampling method, the study selects two beauty advertisements for analysis: Emeron Lovely Step Pink (2013) and Emeron Lovely Naturals (2023), both published on the official YouTube channels of Lion Wings and Emeron Lovely Official. Through visual a
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STEPHENS, DEBRA LYNN, RONALD PAUL HILL, and CYNTHIA HANSON. "The Beauty Myth and Female Consumers: The Controversial Role of Advertising." Journal of Consumer Affairs 28, no. 1 (1994): 137–53. http://dx.doi.org/10.1111/j.1745-6606.1994.tb00819.x.

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Dissertations / Theses on the topic "Female Beauty Myth"

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Hsuan-Ping, Wang, and 王宣蘋. "An exploratory study on the construction of beauty myth on auction websites and big-size female clothes buyer’s cognition." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/75216365405517662239.

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碩士<br>國立交通大學<br>傳播研究所<br>96<br>On auction websites, it is found that there are a lot of big-size female clothes sellers exhibiting their products with thin models. A question arose from this observation: why consumers buy clothes demonstrated by models whose figures are actually greatly different from theirs? What is the cognition process of these consumers like with their gaze upon these thin models?To explore this phenomenon, I interviewed 15 consumers and 2 sellers. Besides, articles posted on "Fatworld" discussion board of PPT, which is the largest BBS nationwide, were analyzed and a parti
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Česká, Michaela. "Mýtus ženské krásy." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-328123.

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Diese Diplomarbeit beschäftigt sich mit dem zeitgenössichen Trend des Körperkultes und mit dem Mythus der Schönheit, mit seinen biologischen und kulturell historischen Wurzeln. Ich versuche aufzuklären, warum die Schönheit in der heutigen Gesellschaft so geschlechtsbedingt ist. Und warum gerade die Frau mit dem schönen Geschlecht identifiziert wird. Weiter studiere ich gesellschaftliche Mechanismen, die eine Jagd nach dem perfekten Körper legitimieren. Ich beschreibe auch ihre Folgen auf der individuellen und gesellschaftlichen Ebene.
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Ručková, Eliška. "Představy o kráse ženského těla ve veřejném prostoru první republiky." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-353189.

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6 Abstract The presented thesis deals with the portrayal of female beauty or rather of how it was seen and what was believed to be the essence of it in the time of the first republic. The basic presumption I work with is that the ideal of beauty is culturally, socially and historically conditioned as well as is its appraisal. A goal of this paper is to analyze and to compare images of beauty described in woman magazines of the Czech production which were published during 20s and 30s of last century, a period in which the media already have been contributing to the creation and reproduction of
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Šimíková, Nikola. "Jak matky a dcery vnímají a užívají tématiku módy v ženských lifestylových časopisech." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-346966.

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The thesis How mothers and daughters perceive and use fashion themes in lifestyle magazines for women is aimed at generational differences when it comes to perception of media content. Specifically, it examines differences in perception of fashion phenomenon presented in lifestyle magazines for women (e.g.: ELLE and Cosmopolitan) by mothers and their daughters. Today, not only individuals, but also family relations are influenced by new media, new technologies, and new forms of media content, therefore I focused on differences in consumption of those lifestyle magazine between two generations
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Zochová, Iveta. "Gender v povinné literatuře - Staré řecké báje a pověsti: genderová analýza díla." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-331800.

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This thesis Gender in compulsory reading - Old Greek Myths and Legends: Gender analysis of the writing deals with literary representation of gender issues in mentioned writing, written by Eduard Petiška. The very analysis is based on analysing of gender topics and issues we are interested in and focused on. These topics are compared and showed using examples from particular myths and legend. The question whether these topics are influenced by patriarchal order in the society is the crucial for this thesis. Despite the variability of Petiška's writing, which is necessarily caused by variations
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Books on the topic "Female Beauty Myth"

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Keane, Patrick J. Terrible beauty: Yeats, Joyce, Ireland, and the myth of the devouring female. University of Missouri Press, 1988.

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Croteau, M. M. Female beauty in Shakespeare's romances: The beauty myths. University of Birmingham, 1994.

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Park, Sooshun. Fitting in: How the social image of the female body reinforces patriarchal notions of women's passivity; a feminine perspective on the Cinderella fairytale, Chinese footbinding, and the modern beauty myth : M. A. Communication Design Thesis 2002. Central Saint Martins College of Art & Design, 2002.

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Wolf, Naomi. By Naomi Wolf The Beauty Myth: How Images of Female Beauty Are Used Against Women [Hardcover]. William Morrow & Co; 1st edition (April 1991), 1991.

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Keane, Patrick J. Terrible Beauty: Yeats, Joyce, Ireland, and the Myth of the Devouring Female. Univ of Missouri Pr, 1989.

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The beauty and the hag: Female figures of Germanic faith and myth. Fassbaender, 1993.

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Senapati, Sukanya Behura. Images of Women and Gender Identity in John Marston's Plays. The Rowman & Littlefield Publishing Group, Inc., 2023. https://doi.org/10.5040/9781666997125.

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Images of Women and Gender Identity in John Marston's Plays contends that, although the Jacobean period was known for its misogyny and John Marston for his quarrels with his fellow poets, Marston’s plays deserve reevaluation and critical interrogation through a feminist lens. Arguing that patriarchy and ownership of private property are intimately meshed together, Senapati posits that Marston interrogates the misogyny of the Jacobean period by delimiting two predominant myths that have crippled women through the centuries—the beauty myth and the myth of the weak and sexual female—both construc
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Bosch, Lindsay J., and Debra N. Mancoff. Icons of Beauty. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798400667947.

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What gives beauty such fascinating power? Why is beauty so easy to recognize but so hard to define? Across cultures and continents and over the centuries the standards of beauty have changed but the desire to portray beauty, to praise beauty, and to possess beauty has never diminished.Icons of Beautyoffers an enthralling overview of the most revered icons of female beauty in world art from pre-history to the present. From images of Eve to Cindy Sherman's self-portraits, from Cleopatra to Madonna, from ancient goddesses to modern celebrities, this interdisciplinary set offers fresh insight as t
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Brodman, Barbara, and James E. Doan. Universal Vampire. Fairleigh Dickinson University Press, 2013. https://doi.org/10.5040/9781683934806.

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Since the publication of John Polidori’s The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarsh
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Book chapters on the topic "Female Beauty Myth"

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Vorbrich, Ryszard. "Diriyanké – wzór „prawdziwie” afrykańskiego piękna versus signares, disquettes i jongoma. Intersubiektywność wzorów kulturowych społeczeństwa Senegalu." In Wymiary antropologicznego poznawania Afryki. Szkice z badań ostatnich. University of Warsaw Press, 2022. http://dx.doi.org/10.31338/uw.9788323556183.pp.75-99.

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The aim of this study is to show how the conceptualization of female beauty can be an example of intersubjective interpersonal relationships preserved by social practices. It analyzes and compares four models of Senegalese beauty: diriyanké, signares, disquettes and jongoma. The sources of the article come from my fieldwork research conducted intermittently in Dakar and Saint-Louis in 2017–2020. The fieldwork observations, interviews and surveys made it possible to recreate the public discourse on the discussed issues. In the course of the analysis, I point to the genesis of different cultural
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Coates, Jennifer. "Bodies of Excess." In Making Icons. Hong Kong University Press, 2017. http://dx.doi.org/10.5790/hongkong/9789888208999.003.0008.

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The final chapter deals with recurring motifs that resist categorization, motifs which can be understood as excessive or abject. From the streetwalking sex workers known as panpan, to the shape-shifting female monsters of the horror genre, this chapter considers the affective impacts of representations of the female Other. Excessive star personae such as that of Kyō Machiko are analysed alongside characterizations drawn from myth and legend to demonstrate that the female Other is a recurring trope throughout literature, film, and even journalism. The final section considers the excessive abjec
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Peter, Ulrike. "Religious-Cultural Identity in Thrace and Moesia Inferior." In Coinage and Identity in the Roman Provinces. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199265268.003.0013.

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The Beauty and Attractions of Philippopolis, named after Philip II, king of Macedonia, praised in this poetical manner by Lucian, were also celebrated on its coinage in Roman times. Hence the river Hebrus, navigable up to Philippopolis in antiquity, was often depicted on coins; on Hadrianic coins it was even named (pl. 8.1, 1). Its great importance for the city is further reflected in the common illustrations of the river-god and the city-goddess (pl. 8.1, 2). And one coin with the river-god also shows other sources of wealth for the city: little genii are depicted representing agriculture and
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Conference papers on the topic "Female Beauty Myth"

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Ji, Qihang, Lanlan Linghu, and Fei Qiao. "The Beauty Myth of Virtual Influencers: A Reflection of Real-World Female Body Image Stereotypes." In 2022 3rd International Conference on Mental Health, Education and Human Development (MHEHD 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220704.142.

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Duda, Aneta. "THE MYTH OF CSR ON THE EXAMPLE OF DOVE CAMPAIGN." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b2/v4/07.

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"This article discusses the concept of corporate social responsibility (CSR) in the particular case of a controversial Dove campaign for Real Beauty (CFRB) and its role in the production and consumption of contemporary popular meanings of empowerment, social change, and female beauty in global consumer culture. Because in some instances such corporate strategies appear well received, we move beyond cynical dismissal to analyze corporate discourse to identify its transformative possibilities and contradictions. The analysis replaces the oversimplifying approaches to the ethics of CSR with a com
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