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Journal articles on the topic 'Female Beauty Myth'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

SAR, SISWANTIA, WITA DWI PAYANA, and RAHIL HELMI. "BEAUTY MYTH AND FEMALE RESISTANCE IN THE MOVIE I FEEL PRETTY." LINGUISTICA 12, no. 4 (2023): 261. http://dx.doi.org/10.24114/jalu.v12i4.52492.

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This paper aims to describe the beauty myth and the female resistance in the movie I Feel Pretty. This research uses gender study which focuses on beauty myth and the female resistance towards the beauty myth. The object material in this study is a chick lit movie, I Feel Pretty. The formal object of this research is gender study that focuses on beauty myth. Data analysis was performed through qualitative descriptive techniques by interpreting the data found in the movie I Feel Pretty and linked to beauty myth theories. Beauty myth has been promoted through the mass media, including the movie

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Intan, Tania, and Nur Afifah Vanitha Binti Abdullah. "Beauty Myths and Consumer Culture in Indonesian Chick-lit Novel." Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra 5, no. 2 (2021): 284. http://dx.doi.org/10.26858/eralingua.v5i2.19269.

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Abstract. The discourse on women’s beauty and femininity are inseparable from the patriarchal cultural construction. Women are to constantly strive to achieve a standard, that is known as ‘beautiful’ to men. The purpose of this research was to study the myth of beauty and consumer culture in a ‘chick-lit’ novel entitled Beauty Case by Icha Rahmanti. Data for this study was gathered from fundamental research that used a qualitative research design. This study utilized the notion of beauty in the various context presented by Wolf and the interpretation of beauty in marketing and colonial discour

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Pangesti, Nesa Riska, Delsa Jelita Putri, Yulianti Rasyid, and Fina Hiasa. "Mitos Kecantikan Perempuan dalam Novel Lalita karya Ayu Utami." Jurnal Bahasa dan Sastra 12, no. 3 (2025): 579. https://doi.org/10.24036/jbs.v12i3.131746.

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This research aims to reveal the myth of female beauty in the novel Lalita by Ayu Utami. Beauty is one of the most important factors in a woman's appearance. Psychologically, beauty is associated with intelligence, knowledge, and education. Physically, female beauty can be assessed through body shape, skin color, hair color, nose shape, eye shape, and other attributes. This study employs descriptive analysis using content analysis methods. The results show that beauty has become a normative standard and a feminist perspective that continues to be imposed on women. Different definitions of beau

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Rane, Zakridatul Agusmaniar. "RECONCEPTUALIZING WOMAN BEAUTY IN DRAMA SERIES MY ID IS GANGNAM BEAUTY." Seshiski: Southeast Journal of Language and Literary Studies 2, no. 2 (2022): 111–23. http://dx.doi.org/10.53922/seshiski.v2i2.24.

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Women and beauty are a unity. Beauty as the characteristic of femininity has taken root in a wider social system. It is culturally programmed. The modern beauty myth which is centered on women's bodies is reproduced continuously. The most dominant way of reproduction is through the media. The beauty myth is represented through advertisements, idol appearances, films, and TV series. Beauty myths are felt torturing women, so lately the movement to free women from the shackles of beauty myths is increasingly being voiced. This effort is carried out in various ways for example through writing, cri

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R. Ramdani and M. Ali. "Representation of Women's Beauty in Kosé Sekkisei White UV Emulsion." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 6 (March 31, 2023): 1037–42. http://dx.doi.org/10.34010/icobest.v4i.469.

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The beauty of women has always been a separate conversation in society. Women's beauty is very diverse, but generally beautiful is always synonymous with white skin and this idea is often targeted at audiences in advertising, especially Japan. Advertisements so far have shown beauty through physical appearance that emphasizes certain characteristics of beauty as a female attraction. The beauty shown or used in advertisements is generally based on a background of beauty myths that developed in Japan, one of which is white skin. In the midst of the existence of these advertisements, Kose adverti

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Desilia Putri Mediah, Suntoko, and Roni Nugraha Syafroni. "FEMINISM STUDY THE MYTH BEAUTY OF FEMALE CHARACTERS IN THE NOVEL INDUK GAJAH BY IRA GITA SEMBIRING AS TEACHING MATERIAL FOR NOVEL TEXTS AT THE HIGH SCHOOL LEVEL." Santhet (Jurnal Sejarah Pendidikan Dan Humaniora) 8, no. 2 (2024): 12516–25. https://doi.org/10.36526/santhet.v8i2.4192.

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This study focuses on the aspect of the form of the beauty myth in the novel Induk Gajah by Ira Gita Sembiring (2023). The analysis was carried out by utilizing Naomi Wolf's feminist theory. The formulation of the problem in this study is: (1) the aspect of intrinsic elements in the novel; (2) the form and influence of the beauty myth in the novel; and (3) recommendations for the results of the discussion as teaching materials for high school level novel texts. This research is a literature study with a qualitative descriptive approach. Data were obtained through reading and note- taking techn

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Kayal, Sharmila, and Ruma Saha. "Decoding the myth of luxury in cosmetics herbal products advertisements." RUDN Journal of Studies in Literature and Journalism 28, no. 1 (2023): 175–86. http://dx.doi.org/10.22363/2312-9220-2023-28-1-175-186.

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The study begins with a perilous standpoint of lovely images (female/male/child) in the mass media being regularly developed a formulaic typecasting concept of beauty. Quite a few feminine beauty myths have been grown in India during the contemporary times. The rise of cosmetic herbal advertisements portraying regressive images of womanly beauty to endorse products. Cosmetics perception of herbal integration is observed in respect to beauty myths portrayed by the media. The authors examine the structures of beauty myths of cosmetic herbals in India and their fundamental features. This is becau

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Apristia, Lelu Dina. "THE MYTH OF FEMALE BEAUTY: STUDY OF REPRESENTATION TOWARD POST-NEW ORDER NOVELS WRITTEN BY MALES." International Journal of Humanity Studies (IJHS) 2, no. 2 (2019): 141–57. http://dx.doi.org/10.24071/ijhs.v2i2.1745.

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Males representing female beauty without experiencing to be real females in post-New Order era become the background of this study. This study is aimed: (1) to identify female beauty in post-New Order era represented by male writers, (2) to identify factors forming the representation. To achieve the aims, the study is done by applying Stuart Hall's representation theory which is not only about meaning produced through language and knowledge produced through discourse, but also about revealing patriarchal structure containing in discourse. After applying Stuart Hall's representation theory, it

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Helnaz, Regina Nopia, and Rias Antho Rahmi Suharjo. "The Beauty Myth and Male Gaze in Emeron Lovely Hand & Body Lotion Advertisements." Jurnal Onoma: Pendidikan, Bahasa, dan Sastra 11, no. 2 (2025): 1918–31. https://doi.org/10.30605/onoma.v11i2.5683.

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This study critically examines the representation of beauty myth and male gaze in Emeron hand and body lotion advertisements. Grounded in Naomi Wolf’s theory of the beauty myth and Laura Mulvey’s concept of the male gaze, the research analyzes how these frameworks shape the portrayal of women in beauty product marketing. Using Sandelowski’s purposive sampling method, the study selects two beauty advertisements for analysis: Emeron Lovely Step Pink (2013) and Emeron Lovely Naturals (2023), both published on the official YouTube channels of Lion Wings and Emeron Lovely Official. Through visual a

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10

STEPHENS, DEBRA LYNN, RONALD PAUL HILL, and CYNTHIA HANSON. "The Beauty Myth and Female Consumers: The Controversial Role of Advertising." Journal of Consumer Affairs 28, no. 1 (1994): 137–53. http://dx.doi.org/10.1111/j.1745-6606.1994.tb00819.x.

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Yuliani, Risa. "Konstruksi Kecantikan Perempuan dalam Iklan Kosmetik Jepang Hada Labo." Chi'e: Journal of Japanese Learning and Teaching 10, no. 1 (2022): 42–51. http://dx.doi.org/10.15294/chie.v10i1.52754.

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The Hada Labo cosmetic advert shows something different by showing a model far from the standard of physical beauty that Japanese society believes. This ad tries to represent beauty from a different angle by highlighting skin beauty and self-confidence. So the purpose of this study is to find out whether the representation of women's beauty in Hada Labo advertisements using the main female model tends to deviate and even contradict the beauty standards of Japanese society. The researcher uses Stuart Hall's representation theory approach, which uses a constructionist approach that is in line wi

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Tyryshkina, Elena V. "“Here out of the foam of my saliva purest…” A. Kruchenykh: Transformation of the myth about Venus Anadyomene." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (2021): 308–12. http://dx.doi.org/10.18500/1817-7115-2021-21-3-308-312.

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The article examines the transformation and functioning of the myth of Venus Anadyomene in the early lyrics by A. Kruchenykh in the context of the main trends of the futurism aesthetics and literary/painting studies on Venus-Aphrodite iconography of 1910-1925. The myth remains at the level of the plot basis as a relic; however, there is a shift of emphasis from the female ideal of beauty and cultural symbol to the male figure, usurping the power of creation.

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Tyryshkina, Elena V. "“Here out of the foam of my saliva purest…” A. Kruchenykh: Transformation of the myth about Venus Anadyomene." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (2021): 308–12. http://dx.doi.org/10.18500/1817-7115-2021-21-3-308-312.

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The article examines the transformation and functioning of the myth of Venus Anadyomene in the early lyrics by A. Kruchenykh in the context of the main trends of the futurism aesthetics and literary/painting studies on Venus-Aphrodite iconography of 1910-1925. The myth remains at the level of the plot basis as a relic; however, there is a shift of emphasis from the female ideal of beauty and cultural symbol to the male figure, usurping the power of creation.

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Kaufmann, Ewelina. "The Whisperer Witch, or the Beauty Myth in the World of Politics." Papers of Social Pedagogy 10, no. 3 (2019): 50–65. http://dx.doi.org/10.5604/01.3001.0013.0205.

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The article presents the results of a research project on the perception of women in politics and the role of beauty as a factor determining how female politicians are evaluated. It was inspired by Naomi Wolf’s The Beauty Myth. The object of analysis were Internet comments written in response to articles describing the activities of selected women. Almost thirty years after the publication of the above-mentioned book, it appears that women are still being judged on the basis of their appearance and not their competence.

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15

Stokes, John, and Patrick J. Keane. "Terrible Beauty: Yeats, Joyce, Ireland, and the Myth of the Devouring Female." Modern Language Review 85, no. 3 (1990): 707. http://dx.doi.org/10.2307/3732230.

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16

Frost, Peter. "White Skin Privilege: Modern Myth, Forgotten Past." Evolutionary Studies in Imaginative Culture 4, no. 2 (2020): 63–82. http://dx.doi.org/10.26613/esic.4.2.190.

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Abstract European women dominate images of beauty, presumably because Europe has dominated the world for the past few centuries. Yet this presumed cause poorly explains “white slavery”—the commodification of European women for export at a time when their continent was much less dominant. Actually, there has long been a cross-cultural preference for lighter-skinned women, with the notable exception of modern Western culture. This cultural norm mirrors a physical norm: skin sexually differentiates at puberty, becoming fairer in girls, and browner and ruddier in boys. Europeans are also distingui

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Sayekti, Heri Okta, and Sari Fitria. "Beauty Standard as a Construction of Woman Objectification in Trisha R. Thomas’s Nappily Ever After." SULUK: Jurnal Bahasa, Sastra, dan Budaya 4, no. 2 (2023): 157–68. http://dx.doi.org/10.15642/suluk.2022.4.2.157-168.

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The study aimed to depict how the beauty standards construct female objectification in Nappily Ever After and to analyze how the main character struggled toward beauty standards in the Nappily Ever After novel. This study is sought with qualitative methods to reveal the novel's issue. This study applied the theory of beauty myth from Naomi Wolf. The result of the study found that the beauty ideal is a woman who has straightened hair, brightening skin, a tall, slim body, and a pointed nose. Those highlighted Venus’s physical appearance which made her seem to be a typical woman and objectified h

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Ismail, Asma, Zarina Qasim, and Asifa Qasim. "A Psychological Study Of Traumatic Effects Of White Beauty On Female Characters In Morrison’s Novels." Pakistan Journal of Gender Studies 22, no. 1 (2022): 13–28. http://dx.doi.org/10.46568/pjgs.v22i1.582.

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The study is based on the psychoanalytical exploration of the female characters in Morrison’s two celebrated novels Jazz and The Bluest Eye. The study focuses on exploring how the myth of white beauty is a traumatic experience for the black women and how do the issues of white beauty and gender discrimination contribute to the wretchedness of black women and cast depreciating effects on their psyche. The conceptual framework employed in the study is Freud’s psychoanalytical theory of repressed unconscious which resultantly cultivates psychological problems in individuals. The theory has been a

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Li, Xiaoyu. "Chinese Contemporary Idealized Female Image under "Sister Culture"——Within a Case Analysis of "Love Myth"." BCP Education & Psychology 9 (March 29, 2023): 178–86. http://dx.doi.org/10.54691/bcpep.v9i.4680.

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The 2021 female-directed film "Love Myth" has created many buzzwords and is regarded as a phenomenon-level work of current feminist films. This article takes the "Love Myth" as a case study. Through the deconstruction of the ideal female image in the film, it analyzes the development of the latest feminist image in the current Chinese popular industry under the influence of China's "sister culture" (After 2020, "sister" has become an idealized image in the hearts of Chinese middle-class women, representing that a middle-aged woman can still maintain beauty, fulfill her own career pursuits, and

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Aridewi, Ida Ayu Kiyani Cahya, Ni Made Anggita Sastri Mahadewi, and I. Gst Ngr Agung Krisna Aditya. "Konsep Diri Model Perempuan Plus Size yang Tergabung dalam Gunggek Management." Socio-political Communication and Policy Review 1, no. 4 (2024): 9–19. http://dx.doi.org/10.61292/shkr.132.

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This study focuses on the formation of the self-concept of plus size female models who are members of Gunggek Management. This study purpose to describe and analyze sociologically related to the formation of the self-concept of plus size female models who are members of Gunggek Management. The method that used in this study is a qualitative-exploratory type. This study used Beauty Myths theory by Naomi Wolf as analytical tools. The results of this study reveal that by sociologically the plus size female models who are members of Gunggek Management are able to develop a positive self-concept an

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Rasidin, Fadia Ananda, Nurfadillah Nurfadillah, and Muh Hasbi. "THE REPRESENTATION OF BEAUTY STANDARDS REFLECTED IN THE MOVIE I FEEL PRETTY 2018." Journal of English Literature and Linguistic Studies 3, no. 2 (2025): 92. https://doi.org/10.26858/jells.v3i2.74290.

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The objective of this study is to identify indications of beauty standards and elucidate the portrayal of beauty standards through visual and audio elements in the movie I Feel Pretty. This study employs a descriptive qualitative research design to explore comprehensively the representation of beauty standards as reflected in the subject of this research, the movie I Feel Pretty. The data collection procedures employed in this research are observation, documentation, and literature study. The obtained data were analyzed using Roland Barthes' semiotic model, which consists of denotation, connot

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M.Ds, Freddy Yusanto. "MAKNA CANTIK DALAM IKLAN MAGNIFICENT MEANING IN ADVERTISING." Jurnal Ilmiah LISKI (Lingkar Studi Komunikasi) 4, no. 1 (2018): 1. http://dx.doi.org/10.25124/liski.v4i1.1192.

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Many theories explain the definition of beauty; it is said that it is seen from their outer beauty and inner beauty, however many Indonesian women still have a strong perception that beautiful women are the ones with bright skin, long hair and slim.Clean & Clear products try to see the meaning of beautiful from its different point of view. It should not be white, long-haired and slim, therefore Clean & Clear ads show female models with different perception of 'beautiful' women in general. This study aims to determine the meaning of outer beauty and inner beauty in Clean & Clear ads

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Surahman, Sigit. "OBJEKTIVIKASI PEREMPUAN TUA DALAM FOTOGRAFI JURNALISTIK Analisis Semiotika pada Foto-Foto Pameran Jalan Menuju Media Kreatif #8." REKAM: Jurnal Fotografi, Televisi, dan Animasi 14, no. 1 (2018): 41. http://dx.doi.org/10.24821/rekam.v14i1.2136.

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Penelitian ini berfokus pada objektivitas perempuan tua dalam fotografi jurnalistik. Objektivikasi perempuan adalah objek yang menarik karena menjadi sebuah fenomena dalam kehidupan masyarakat. Hampir di setiap media massa, perempuan diposisikan sebagai pelengkap dunia laki-laki. Paras cantik dan keindahan lekuk tubuh perempuan dijadikan sebagai objek seksual. Lain halnya dalam karya fotografi pada pameran “Jalan Menuju Media Kreatif #8”. Dengan analisis deskriptif interpretif berparadigma kritis, penelitian ini bertujuan mendeskripsikan dan menginterpretasikan data yang bersangkutan dengan ob

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Fedele, Maddalena, and Maria-Jose Masanet. "The ‘troubled rebel girl’ and the ‘boy-next-door’: The apparent inversion of gender and love archetypes in 13 Reasons Why, Élite and Sex Education." Journal of Popular Television 9, no. 3 (2021): 335–53. http://dx.doi.org/10.1386/jptv_00061_1.

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Teen series play a central role in the socialization process of young people, since they offer portrayals and models that young people can relate to, identify with or modify and break. Previous studies have shown that teen series continue to perpetuate a stereotyped gender representation and usually reproduce a heteronormative relationship model based on the myth of romantic love following the storyline of ‘Beauty and the Beast’. The present study consists of a close reading of three popular current Netflix teen series: 13 Reasons Why (2017‐present), Élite (2018‐present) and Sex Education (201

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Altanova, A. "MYTHS IN THE POETIC WORLD OF LINA KOSTENKO: PROJECTIONS OF THE AESTHETIC IDEAL." Mìžnarodnij fìlologìčnij časopis 14, no. 1 (2023): 61–72. http://dx.doi.org/10.31548/philolog14(1).2023.07.

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The article analyzes the intertextual connections of Lina Kostenko's work (in particular, her novels "Marusya Churai" and "Notes of the Ukrainian samashedshego", as well as individual poems) with world myths - ancient, biblical and literary. Such intertextuality gives rise to an artistic world where the individual and the collective, the human and the divine, the everyday-practical and the unspeakable-unexplainable, the national-historical and the eternal, the material and the spiritual, the rational and the irrational, interact. Allusive echoes of the texts of the Ukrainian poetess with the a

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Σαμουήλ, Αλεξάνδρα. "ΑΛΕΞΑΝΔΡΑ ΣΑΜΟΥΗΛ, Ο Ορφέας, ο Φοίνικας και η Μαρίκα η Πολίτισσα". Σύγκριση 31 (28 грудня 2022): 3–17. http://dx.doi.org/10.12681/comparison.31271.

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Orpheus, the Phoenix and Marika Politissa This paper concerns the symbols and masks in the poetry of Nikos Engonopoulos drawn from the history of religions, the daemonology and the various realms of esoterism, which highlights at the same time the continuum between his visual and poetic work. More precisely this paper concerns, initially, the myth of the phoenix, a symbol of a living eternity, as he dies and is reborn from his ashes, with which the poet identifies in many of his poems with the most obvious “I zoi kai o thanatos ton poiiton”. In this poem from the cryptic references to Lactanti

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Hinton, Sasza. "Biting Back at Society." Crossings: An Undergraduate Arts Journal 4, no. 1 (2024): 110–18. http://dx.doi.org/10.29173/crossings283.

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The myth of the lesbian vampire spiked in popularity throughout the late 1960s and early 1970s, inspiring erotic horror films, like Roy Ward Baker’s The Vampire Lovers (1970). While the easing censorship regulations allowed the film to depict more overt scenes of sex and violence, it was the second wave of feminism that allowed the film to be as erotic as it was (Baker 556), as the traditional gender role of men was called into question. Protesting for bodily autonomy, the right to express their sexual identities and overall looking for equal opportunities to their male counterparts, the tradi

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Daulay, Resneri. "HEROINE AND PRINCESS: WOMEN IMAGE PORTRAYED IN SELECTED DISNEY’S STORIES." JURNAL BASIS 8, no. 1 (2021): 109. http://dx.doi.org/10.33884/basisupb.v8i1.3553.

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The purpose of this study is to revealed the women image portrayed in selected Disney’s stories. There are several stories of Disney’s movie adaptation that are used as object in this research. There are Sleeping Beauty (Disney, 2014), Snow White (Brothers Grimm, 1812), Beauty and The Beast (Gabrielle-Suzanne Barbot, 1740), Cinderella (Giambattista Basile, 1634), Mulan (Guo Maoqian, 1992), and Brave (Disney, 2012). In addition, the aim of this research is also to identify the characteristics of female characters in selected Disney’s stories related to the Heroine and Princess attitude. This st

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Kurniawan, Fransisca Theresia. "Perceived Meanings by Women and Men in “Identical Twins and Best Friends” Olay Advertisement." K@ta Kita 5, no. 2 (2018): 18–26. http://dx.doi.org/10.9744/katakita.5.2.18-26.

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This study observes the perceived meanings produced by women and men as respondents from different gender group can produce different perceived meanings. Using process of signification, the study of myth and decoding, the writer analyzed how meanings are perceived in Olay “Identical Twins And Best Friends” video commercial. The study uses descriptive qualitative approach. The finding is that in perceiving, women respondents are more likely to relate the women in the video with themselves about beauty, their own experience, and relationship with their sisters; while men respondents are most lik

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Elhiny, Omnia A., and Asmaa Y. Harhash. "Buccal Corridors: A Fact or a Myth in the Eyes of Laymen?" Open Access Macedonian Journal of Medical Sciences 4, no. 4 (2016): 700–704. http://dx.doi.org/10.3889/oamjms.2016.119.

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AIM: This study aimed to investigate laymen knowledge of the existence of the buccal corridor and whether it was an important factor for them in judging smile attractiveness and the effect of introducing the knowledge to them on their further judgment.MATERIALS AND METHODS: Nine subjects were randomly selected with variable buccal corridor percentages. They were coached to smile in a posed fashion and full face smile photographs were taken from a standardised distance. The photographs were randomly arranged in a power point presentation and displayed to a panel of thirty-nine randomly selected

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Khabibullina, Lilia F. "Postcolonial Trauma in the 21st-Century English Female Fiction." Imagologiya i komparativistika, no. 15 (2021): 89–104. http://dx.doi.org/10.17223/24099554/15/5.

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The postcolonial fiction of the 21st century has developed a new version of family chronicle depicting the life of several generations of migrants to demonstrate the complexity of their experience, different for each generation. This article aims at investigating this tradition from the perspective of three urgent problems: trauma, postcolonial experience, and the “female” theme. The author uses the most illustrative modern women’s postcolonial writings (Z. Smith, Ju. Chang) to show the types of trauma featured in postcolonial literature as well as the change in the character of traumatic expe

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Zhang, Ruochen. "Wonder Woman on Screen: From Feminist Symbol to Stereotypical Figure." International Conference on Gender Research 7, no. 1 (2024): 473–79. http://dx.doi.org/10.34190/icgr.7.1.2215.

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Wonder Woman, a founding female figure in superhero fiction, was initially celebrated as a symbol of women’s empowerment in the 1970s but faced criticism in the 2010s for embodying fetishized objectification. This article aims to explore the gender representation of the 1970s TV series Wonder Woman and the 2010s Wonder Woman movie through a feminist approach. The portrayal of Wonder Woman in the TV series challenged the traditional stereotypes of femininity and the subordinary roles of women under patriarchy at that time. The Wonder Woman movie, however, lacked diversity under an intersectiona

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Huang, Yan. "The Construction of Femininity in Shopping." International Journal of English and Cultural Studies 2, no. 1 (2019): 57. http://dx.doi.org/10.11114/ijecs.v2i1.4296.

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In different historical stages, the nature of women has been explained from the religious myth, the moral principles, the scientific rationality and the psychological analysis. In the consumer society, the widespread consumption not only changes people’s daily life but also their social relations, world views and values. Men and women with the effect of commodities show different characteristics. The consumption generalization is the basic fact in the consumer society. Women, as the important consuming power, become the key target group for enterprises and media. In order to correspond with th

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Хадем-Махсус-Хоссейни, Лейла Голамреза, and Хасан Реза Джаббаринасир. "A STUDY OF RUSSIAN BIOPOLITICAL TECHNIQUES IN WOMEN’S BEAUTY AND HEALTH CARE." Pedagogical Review, no. 2(32) (March 25, 2022): 172–89. http://dx.doi.org/10.23951/2312-7899-2022-2-172-189.

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Анализируется использование методов биополитики в сфере регулирования женского тела для решения проблем здоровья, долголетия и продолжения рода в целях преодоления демографического кризиса, с которым столкнулась Россия. Исследование направлено на установление причин и способов заботы женщин о здоровье и красоте для увеличения своего человеческого капитала в условиях, когда государство рассматривает здоровую женщину и как рабочую силу, и как производителя будущей рабочей силы и русской нации. Изучается, как контроль вопросов питания и ухода за телом российских женщин может выступать весомым фак

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Belova, Darya Nikolaevna. "The Role of the Cat in the Art and Culture of Japan." Культура и искусство, no. 10 (October 2022): 38–54. http://dx.doi.org/10.7256/2454-0625.2022.10.38889.

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The article is devoted to the interaction and transformation of a mythological, mystical creature (cat) with a female image in Japanese painting. The subject of the study is the images of cats and women on scrolls and engravings of the XVIII-XX centuries. Attention is focused on the modern mythological aspect of Japanese culture. The aesthetic canons of beauty perception in the context of the national culture of Japan, based on Shintoism and Buddhism, are emphasized. Comparative historical and iconographic research methods were used in the analysis of cultural, philosophical and art-historical

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Ген, Чжижун. "РЕПРЕЗЕНТАЦІЯ ЖІНОЧОГО ОБРАЗУ В ТРАДИЦІЙНОМУ КИТАЙСЬКОМУ ЖИВОПИСІ: ЕТАПИ ФОРМУВАННЯ ТРАДИЦІЇ". Традиції та новації у вищій архітектурно-художній освіті, № 4 (1 грудня 2018): 34–48. https://doi.org/10.5281/zenodo.1745400.

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The contemporary art of China, in a globalized world, is trying to find ways to reflect its own artistic tradition, as evidenced also by the genre of female portraiture. The latter reflects not only the rapid changes in the traditional  status of a Chinese woman, but also demonstrates that female images have become a means of expressing broad ideas that are considered by modern humankind. The social status and aesthetics of representation of the Chinese woman image were influenced by the regulation of the Chinese society, where the woman obeyed the man, embodied beauty and strength in wea

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Ozimska, Joanna. "Dyskurs diet odchudzających we współczesnej włoskiej prasie kobiecej. Analiza jakościowa." Scripta Neophilologica Posnaniensia 21 (December 15, 2021): 187–209. http://dx.doi.org/10.14746/snp.2021.21.07.

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The discourse of slimming diets in contemporary Italian women's press. Qualitative analysis. Based on a corpus of articles extracted from contemporary Italian female magazines (2021) Donna Moderna and Grazia, this paper examines the nature of discourse of slimming diet. It is shown that the discourse has changed compared to the study conducted on the material from 2005-2008. Altogether 29 monthly issues have been analyzed. Currently emerging corpus does not contain many persuasive techniques related to emotions (Aristotle's pathos), the credibility of provided advice is enhanced mostly by argu

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STROKAL, Oleksandr. "Verbalization of the red colour mythologem in Oleksii Dovhiy’s poetry." Linguistic and Conceptual Views of the World, no. 73 (1) (2023): 108–28. http://dx.doi.org/10.17721/2520-6397.2023.1.06.

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The peculiarities of the linguistic expression of the mythologem “red” on the material of Oleksii Dovhiy’s poetic texts are analyzed in the study. The author of the article characterized the grammatical, semantic, stylistic, individual-author’s characteristics of using the language units denoting the realities associated with the considered mythologem. During the research, the author made a number of theoretical generalizations about the role of linguistic means in the process of representing the poet’s creative idea, features of the worldview of his lyrical hero. The article clarifies the rol

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Sikee, Kumari, and Manoj Kumar Pathak Dr. "A Graphical Retelling : An Assesment of Draupadi: The Fire - born Princess." International Journal of Advance and Applied Research 10, no. 2 (2022): 59–64. https://doi.org/10.5281/zenodo.7430864.

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<strong>Abstract</strong> The graphic – novel Draupadi: The Fire Born Princess written by Saraswati Nagpal alteration of the Indian epic poem Mahabharata focuses the vital events of the myth. A peculiar prediction reverberate , and the charming beautiful princess Draupadi arises from the sacred fire in Panchala. But destiny, twist unusual events and Draupadi finds herself married to five men Arjuna and his four Pandava brothers. Draupadi  is the most eminent female character in the Mahabharata. She is depicted as a woman of charming beauty with a and blazing personality. It is Draup

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Gusmiarni, Karunia Isya, and Sekartaji Putri. "Representasi Cantik pada Iklan Pond’s Air Light Sunscreen Gel." Koneksi 9, no. 1 (2025): 262–71. https://doi.org/10.24912/kn.v9i1.33065.

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Women's appearance in ads contributed to the concept of beauty, with an emphasis on their looks. Undoubtedly, face is one of the most prominent body features in women. The aim of this research is to identify the representation of beauty in Pond's advertisement "Kulit Terlindungi Maksimal dengan POND'S Air Light Sunscreen Gel!". This study employs Roland Barthes' semiotic analysis to determine the signs and signifiers found in advertising. This analysis employs the meanings of denotation, connotation, and myth through the signs and signifiers that occur in the advertising, namely a woman's face

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Ohlsson, Maria. "Skämt, makt och myter - humor i genusperspektiv." Tidskrift för genusvetenskap 20, no. 2 (2022): 31–42. http://dx.doi.org/10.55870/tgv.v20i2.4474.

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This article explores humour from a gender perspective, starting from the notion that the relationship between gender and humour can be analyzed at all levels of the gender system. Three issues are discussed: how women and men make jokes, how we joke about women and men and the myth that women lack a sense of humour. Studies of gendered jokes have shown that jokes can have the effect of creating boundaries between groups by reinforcing populär assumptions and beliefs, e.g. that women always chat and gossip. Humour, however, can also be used to subvert sexism. But the fact that women are often

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Sayantani, Chakraborti. "Peeping into Powerpuffs' Power-house: Unravelling Politics of Projection." postscriptum: An Interdisciplinary Journal of Literary Studies 1, no. 2 (2016): 30–40. https://doi.org/10.5281/zenodo.1318817.

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Powerpuff Girls, expected to re-enter the new media sometime in 2016, are obviously not the only super-heroines in the genre of animated action superheroes. Their uniqueness lies in possessing superpowers while retaining the essential individualistic girlishness. They start writing a saga of female empowerment when the world of children’s animated films and cartoons have been mostly dominated by the superheroes and even if there are a few heroines, they are shown as beautiful and enticing with bodily curves represented just in the manner the male gaze would love to see them. This may aga

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Kovtun, Natalia. "The Intertextual Game in Ulitskaya’s Novel Medea and Her Children." Respectus Philologicus 22, no. 27 (2012): 70–86. http://dx.doi.org/10.15388/respectus.2012.27.15338.

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This article attempts to present a reading of Ulitskaya’s novel as a metatext of world culture, as an encrypted message through which the author inveigles “a shrewd reader” into the guessing of discourses (from ancient mythology to works of social realism and postmodernism) in order to detect traces of the initial scenarios proposed to humanity by the Creator. The conceptual basis of the work was the myth of Sophia Wisdom Divine, an artist painting the primary blueprint of the universe and inviting other artists to co-create (the muse and the artist). Ulitskaya’s Sophiology is based on the ide

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Kartini, Kartini, Juanda Juanda, and Suarni Suarni. "MITOS KECANTIKAN DALAM NOVEL KOMPROMI KARYA SOESILO TOER: KAJIAN FEMINISME." Neologia: Jurnal Bahasa dan Sastra Indonesia 1, no. 1 (2020): 24. https://doi.org/10.59562/neologia.v1i1.12367.

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The purpose of this study is to describe the beauty myths and the influence of beauty myths on female characters in the Kompromi novel by Soesilo Toer. This research is descriptive qualitative. Data collection techniques in this research is observation and documentation techniques by applying reading and note taking techniques. This research was conducted by indentifying, clarifying, interpreting, and describing beauty myths and the influence of beauty myths on female characters in the Kompromi novel by Soesilo Toer: The study of feminism. Based on research results obtained, in the author’s Ko

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Kulakevych, L. "Detabooing the mother’s image in the novel by D. H. Lawrence "Mother and daughter"." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 16, no. 28 (2023): 140–48. http://dx.doi.org/10.34079/2226-3055-2023-16-28-140-148.

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Cultural d iscussions of D.H. Lawrence's creative legacy never cease, but his novelistic work remains the least considered in literary scholarship. A direct reading of D.H. Lawrence's works gives us every reason to note that a woman very often becomes the subject of his prose. The discourse on women in his texts is presented in the context of socio-cultural and family stereotypes of the female role. Analysis of recent research and articles on the works of D.H. Lawrence over the past three years has shown that his novels continue to be the main subject of scholarly consideration. Only a few lit

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Fithria, Khoirunnisa Nur, and Billy K. Sarwono. "Decoding Inclusive Beauty: Audience Reception to Beauty Standards and Disability in Digital Media Advertisements." CHANNEL: Jurnal Komunikasi 13, no. 1 (2025): 40–48. https://doi.org/10.12928/channel.v13i1.1080.

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This study explores how Indonesian audiences interpret beauty standards in digital advertisements featuring models with disabilities and examines how digital media shapes perceptions of beauty and diversity. Drawing on a qualitative approach grounded in a constructivist paradigm, this research applies Stuart Hall’s reception theory and Roland Barthes’s semiotics to analyze two popular beauty advertisements: Pond’s #WajahmuKekuatanmu (2022) and Wardah #BeautyMovesYou (2021). Data were collected through in-depth interviews with eight informants aged 18–25. Findings indicate that although both ad

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Mohd Radzi, Nur Syuhada, and Mahfuza Musa. "Beauty Ideals, Myths and Sexisms: A Feminist Stylistic Analysis of Female Representations in Cosmetic Names." GEMA Online® Journal of Language Studies 17, no. 1 (2017): 21–38. http://dx.doi.org/10.17576/gema-2017-1701-02.

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Mishra, Indira Acharya, and Luna Rana. "Quest for Female's Identity in Tiwari's Prashnaharuko Kārkhānā." Dristikon: A Multidisciplinary Journal 11, no. 1 (2021): 74–88. http://dx.doi.org/10.3126/dristikon.v11i1.39138.

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Sarita Tiwari (2015) in her collection of poems, Prashnaharuko Kārkhānā [Factory of Questions] protests the tradition of wearing ornaments and cosmetics by women. Likewise, she rejects the use of submissive symbols and metaphors that have been used by the creative writers to define women. She identifies them as ploys that patriarchy has invented to maintain the subordination and subjugation of women to men. She argues that these techniques mystify and blur women's identity, so she questions and challenges them. Thus, this article analyzes five poems from the anthology to examine how the poet p

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Muñoz-Muñoz, Ana M., and M. Mar Martínez-Oña. "Representación iconográfica de las mujeres en la publicidad de perfumes." Signa 28 (June 5, 2019): 1123–48. https://doi.org/10.5944/signa.vol28.2019.25113.

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The female iconographies represented in perfume advertising are analyzed from a sample of fifty graphic advertisements published from 2000 to 2015. The applied methodology was iconographic, from which categories were created: Olympian goddesses, princesses, cinematographic myths, woman and snake and woman and feline. The results show that the survival of these mythologies in graphic advertising establishes feminine stereotypes and sexualized beauty canons in the collective subconscious that reaffirm the idealized survival of well-known myths in graphic advertising in this sector. ---- Se anali

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Davis, Aimee. "Adapting Elaine: Tennyson’s “The Lady of Shalott” and Feminist Young Adult Novels." ALAN Review 44, no. 3 (2017): 36–46. http://dx.doi.org/10.21061/alan.v44i3.a.4.

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One of the hallmarks of young adult literature is its focus on adolescent protagonists who struggle to reconcile what they want with what they are supposed to want. Indeed, some of the most enduring works of young adult literature, from L. M. Montgomery’s Anne of Green Gables (2006) to Judy Blume’s Forever (1975), place their young characters at a crossroads between cultural convention and individual desire. Foundational scholarship in the field of young adult fiction has suggested a recurring conflict in novels for young readers in which a protagonist finds himself or herself directly at odds

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