Academic literature on the topic 'Female editors'
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Journal articles on the topic "Female editors"
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Johinke, Rebecca. "BEHIND THE COVERS OF AUSTRALIAN ROLLING STONE: NEGOTIATING THE PERSONA OF A FEMALE MUSIC MAGAZINE EDITOR." Persona Studies 5, no. 1 (2019): 75–91. http://dx.doi.org/10.21153/psj2019vol5no1art843.
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Singers, songwriters and musicians create personas and perform the (gendered) role of rock star, punk, heart-throb, crooner, diva, or rock chick. Magazine covers are a key factor in consolidating and marketing that constructed persona. Magazine covers have visual power that is calibrated for maximum impact with a defined audience and a key part of the editor’s role is to decide on the cover image and cover lines. Moreover, there is now an expectation that editors of glossy magazines are recognisable ‘influencers’ who personify the values and commodities that their titles promote. We expect performers to put on a show, but do we expect music magazine editors to adopt a gendered celebrity persona and a public self too? This article examines the persona of the music magazine editor and the construction of music celebrity with a particular focus on Australian Rolling Stone magazine. Interviews with Kathy Bail and Elissa Blake, the first two women to edit the title in magazine format, underscore the self-fashioning of cultural intermediaries and the challenges for women in leadership roles in Australian media workplaces.
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Strong, Catherine. "Women newspaper editors in NZ: Short term love affair." Pacific Journalism Review : Te Koakoa 24, no. 1 (2018): 179–94. http://dx.doi.org/10.24135/pjr.v24i1.394.
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New Zealand has had three women prime ministers, and the first country in the world to give women a vote, but there is still a gender gap in leadership in the traditionally staid arena of daily newspapers. One-third of the country’s daily newspapers have never had a female editor. The gender imbalance is significant in an industry that still breaks the majority of news items, and is influential in public information. The low ratio of women editors is incongruous with the fact the majority of journalism students are female, and a large number new hires are women. This longitudinal study has interviewed every woman who has held the position of editor, which totals only 15. The good news is that currently there are more women in editorships than ever before, the sad news is that this still represents only 29 percent of daily editors. The attitudinal interviews show the editors love the job, but quit after only a few short years, but this may be changing.
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Jawaid, N., K. Leung, and N. Bollegala. "A96 GENDER DIFFERENCES IN GASTROENTEROLOGY AND HEPATOLOGY AUTHORSHIP AND EDITORIAL BOARDS." Journal of the Canadian Association of Gastroenterology 4, Supplement_1 (2021): 70–71. http://dx.doi.org/10.1093/jcag/gwab002.094.
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Abstract Background Women are numerically under-represented in the field of gastroenterology and hepatology. Aims To characterize the gender distribution of first and senior authors and editorial board members of the highest impact factor journals in gastroenterology and hepatology. Methods Using Clarivate Journal Citation Report 2019, the 28 highest ranked journals within gastroenterology and hepatology were selected for review, along with the Journal of the Canadian Association of Gastroenterology. Publications between January 1 to December 31, 2019 were included. Gender of board members and authors was identified using publicly available data. Spearman correlation coefficients were calculated using SPSS to assess for a relationship between editorial board, first author, and senior author gender as well as impact factor. Results Of 29 journals assessed with a median impact factor of 5.55 (IQR 3.72–9.10), 357 journal issues and 8036 articles were reviewed. Three journals were headed by female chief editors, constituting 7.7% of all editors-in-chief (3/39). In total, females made up 17.1% of editorial board members (n=584). Of 8036 first authors, 2547 (31.7%) were female. Of 7335 senior authors, 1390 (19.3%) were female. There were no statistically significant correlations between impact factor and gender. Chief editor gender did not significantly correlate with gender distribution of editorial boards, first or senior authors. There was a significant positive correlation between male-dominated editorial boards and male first and senior authorship, versus a significant negative correlation between male-dominated editorial boards and female first and senior authorship. A positive correlation exists for the same gender between first and senior authors. Conclusions Although gender distribution of female first and senior authorship approaches current distributions in the field of gastroenterology and hepatology, editor-in-chief positions and editorial board membership on journals continue to be occupied by men in higher proportions. Future endeavors such as diversity statements and mentorship may help to balance these distributions in the future. Funding Agencies None
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Card, David, Stefano DellaVigna, Patricia Funk, and Nagore Iriberri. "Are Referees and Editors in Economics Gender Neutral?*." Quarterly Journal of Economics 135, no. 1 (2019): 269–327. http://dx.doi.org/10.1093/qje/qjz035.
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Abstract We study the role of gender in the evaluation of economic research using submissions to four leading journals. We find that referee gender has no effect on the relative assessment of female- versus male-authored papers, suggesting that any differential biases of male referees are negligible. To determine whether referees as a whole impose different standards for female authors, we compare citations for female- and male-authored papers, holding constant referee evaluations and other characteristics. We find that female-authored papers receive about 25% more citations than observably similar male-authored papers. Editors largely follow the referees, resulting in a 1.7 percentage point lower probability of a revise and resubmit verdict for papers with female authors relative to a citation-maximizing benchmark. In their desk rejection decisions, editors treat female authors more favorably, though they still impose a higher bar than would be implied by citation maximization. We find no differences in the informativeness of female versus male referees or in the weight that editors place on the recommendations of female versus male referees. We also find no differences in editorial delays for female- versus male-authored papers.
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Otto, Sarah P. "Women editors: we need more female scientists." Nature 441, no. 7095 (2006): 812. http://dx.doi.org/10.1038/441812b.
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Kwiatkowska, Paulina. "Zofia Dwornik: Becoming a Female Film Editor." Panoptikum, no. 23 (August 24, 2020): 63–76. http://dx.doi.org/10.26881/pan.2020.23.05.
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In this article the author intends to recall the figure of Zofia Dwornik, one of the most appreciated and nowadays rather forgotten female film editors of post-war communist Poland. For the twenty-five years of her creative activity, Dwornik cooperated in the production of more than thirty films with the most important directors of the Polish cinema in the 1950s, 60s and 70s. In the Polish post-war cinema, the profession of film editor was strongly feminised. In the case of Dwornik, her decision to choose this particular profession was, however, based on additional objective considerations, closely related to the context of the Stalinist period in Poland, and was not her first choice of career – she had wanted to become a film director. In this article the author takes a closer look not so much at the achievements of Dwornik in the 1960s and 70s, but at the complex circumstances that influenced her later career. Therefore, the author tries to reconstruct the most important moments in Dwornik’s student and professional life in the first years after WWII and analyse one of the film études she made at the Film School in Łódź, in order to examine the reasons for her decision to become a film editor. This allows also to formulate some hypotheses how her career might have developed, had she been given the chance to graduate and try her hand at directing.
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Grace, Felicity. "Consuming Community: Community and Advertising in Brisbane's Gay and Lesbian Newspapers." Queensland Review 11, no. 2 (2004): 89–106. http://dx.doi.org/10.1017/s1321816600003731.
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Several things have inspired me to interview the editors of two of Queensland's free gay and lesbian newspapers, Queensland Pride and QNews. First, both newspapers are in transition in 2004. QNews has appointed Australia's first female editor of a broad-spectrum gay community paper. QNews also seemed to be significantly altering the content of its fortnightly publication. At the same time, in an unrelated move, Queensland Pride has shifted from a fortnightly newspaper to a monthly magazine format and included a lesbian-specific section, the L-Pages.
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Rogers, Scott. "DOMESTIC SERVANTS, MIDNIGHT MEETINGS, AND THE MAGDALEN'S FRIEND AND FEMALE HOMES’ INTELLIGENCER." Victorian Literature and Culture 39, no. 2 (2011): 443–61. http://dx.doi.org/10.1017/s1060150311000088.
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Published monthly from April 1860 until 1864, The Magdalen's Friend and Female Homes’ Intelligencer was a periodical with a very specific mission. Launched at the height of the mid-Victorian concern with prostitution – when institutions devoted to the reclamation of penitent prostitutes began to emerge across Britain – it only ceased publication after the sudden death of its editor, the Reverend William Tuckniss. In its opening issue, the editors describe their explicit purpose: “Christians and Philanthropists who are now labouring single-handed [in the cause of reclaiming prostitutes and fallen women] will here find a rallying point, where they may exchange words of encouragement and advice, and confer with others who are their Fellow-labourers in the same cause” (“Opening Address” 1.1 1–2). It was, then, a trade publication for a movement that had grown remarkably – seven years after its founding in 1853, the Society for the Rescue of Young Women and Children (commonly known as the “Rescue Society”) was operating twelve houses of reclamation in London.
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Pedersen, Paul M., Warren A. Whisenant, and Ray G. Schneider. "Using a Content Analysis to Examine the Gendering of Sports Newspaper Personnel and Their Coverage." Journal of Sport Management 17, no. 4 (2003): 376–93. http://dx.doi.org/10.1123/jsm.17.4.376.
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The purpose of this study was to determine if the coverage given to female and male interscholastic athletics was a function of the gender of the individuals who make up newspaper sports departments. The degree to which males controlled and dominated the newspaper coverage of interscholastic sports was also assessed. The study revealed, from the examination of 1792 articles and 827 photographs, that the newspaper media was clearly the domain of males who made up 91.4% of the reporters, 78.6% of the photographers, 100% of the executive sports editors, and 91.3% of the high school sports editors. The study further determined that there was no association between the gender of the newspaper personnel and the amount of coverage given to female and male interscholastic athletics. Female and male reporters, photographers, and editors were found equally responsible for the under-represented coverage of girls' interscholastic athletics.
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Arleo, Elizabeth Kagan. "Female Editors-in-Chief of Radiology Journals Do Exist." Journal of the American College of Radiology 16, no. 6 (2019): 780. http://dx.doi.org/10.1016/j.jacr.2019.03.003.
Full textDissertations / Theses on the topic "Female editors"
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Wheeler, Belinda. "EXPANSIVE MODERNISM: FEMALE EDITORS, LITTLE MAGAZINES, AND NEW BOOK HISTORIES." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/411.
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The resurgence of modern periodical studies has expanded our understanding of “littleqrdquo; magazines and the editors behind them, but many studies continue to be restricted to the 1920s, examine male editors, and focus on well–established literary journals, rather than the subversive magazines that expanded the reign of modernism in the years from 1910 to 1950. These studies, though fascinating, privilege a select few and leave many lost to the archive. The new theory of book history and those who evaluate the book as a material object that is designed to circulate among a range of publics provide powerful and useful frameworks for recognizing the significance of what had previously been considered mere data. This study focuses on several neglected female little magazine editors who, despite various obstacles, powerfully intervened in the modernism debates throughout the 1910s through to the late 1940s by shaping successful publications to invite public appreciation of values they espoused. Unlike canonical modernist figures such as Ezra Pound and T.S. Eliot who championed an elite style of modernism that was usually inaccessible to most, Lola Ridge, Gwendolyn Bennett, Caresse Crosby, and Kay Boyle encouraged diversity and fostered heterogeneity by selecting and juxtaposing material by new writers and artists who moved easily around and over the borders separating high art and mass culture, who recovered marginalized voices from history, and who appealed for social justice. Further, their traditional and non–traditional roles while they served as editors show that in many cases being an editor meant more than just choosing works and arranging them. One chapter is devoted to Lola Ridge, the American literary editor of Broom (1922-1923). Ridge was a cosmopolitan modernist who welcomed a broad audience to Broom and invited readers to champion styles of writing and artwork that contained strong social commentary with American subjects, instead of copying European models that many argued were created for art's sake. Another chapter focuses on African American poet, graphic artist and literary columnist, Gwendolyn Bennett, who held several editorial roles at Opportunity, Fire!!, and Black Opals, from the mid–1920s until the early 1930s. A heterodox modernist, Bennett skillfully discussed and placed artistic work by members of the New Negro movement next to the work by their forefathers, subsequently fostering congeniality between the two conflicting literary groups and promoting a united front during the development of the Harlem Renaissance. She also promoted co–operation between black and white artists and writers with her universally themed poetry, graphic art, and literary column. Chapter four centers on Black Sun Press book publisher, novelist, and poet, Caresse Crosby, owner and editor of Portfolio (1945-1948), who challenged artistic reception on both sides of the Atlantic by bringing glamorous modernism to her unbound journal of eclectic work. Crosby promoted co–operation between artists and writers from conflicting World War II countries through the placement and types of materials she published on the pages of her magazine. The epilogue calls for scholars to expand their view of the modernist project and recover the often “hidden” work by overlooked female little magazine editors. Like Ridge, Bennett, and Crosby before her, Kay Boyle (This Quarter 1927-1929), who can be linked to each editor (directly or indirectly), relied on her trusted network of friends as she edited This Quarter. Her editorial support for young and experienced artists who used innovative styles and her commitment to social justice parallels her colleagues' dedication to the modernist project. These women's labor, the significant literary time periods they worked in, the different genres, critical content, and styles of modernism they championed, and the social formations their journals produced expanded the base of modernism and reinvigorated American art and literature between the Wars, leaving a legacy for future artists and writers.
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Helgeson, Björn. "The Swedish Wikipedia Gender Gap." Thesis, KTH, Medieteknik och interaktionsdesign, MID, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-177493.
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The proportion of women editors on the English language Wikipedia has for years been known to be very low. The purpose of this thesis is to see if this gender gap exists on the Swedish language Wikipedia as well, and investigate the reasons behind it. To do this, three methods are used. Firstly a literature review is conducted, looking at women in computing and how Wikipedia works and how it was founded. Secondly, user behavior and activity-levels are measured through means of a database analysis of editors and edits. And thirdly, a survey is distributed, aimed at both readers and editors of Swedish Wikipedia, gathering some 2700 respondents. The results indicate that there is indeed a big disproportion, and that only between 13-19% of editors are women. The findings did not indicate readers of the encyclopedia having any strong negative preconceptions about Wikipedia or its community. However when looking at reasons for not contributing, women were significantly more likely to perceive themselves as not competent enough to edit. Computer skills were found to be an important factor for trying out editing in the first place, and Wikipedia’s connection to a male-dominated computing/programming culture is put forth as a reason for the resilience of the gender gap. The difference in men’s and women’s communication styles in relation to the climate Wikipedia’s policies and guidelines is also discussed.<br>Andelen kvinnor som redigerar engelskspråkiga Wikipedia har visats vara väldigt låg. Syftet med detta arbetet är att undersöka om andelen ser likadan ut på den Svenskspråkiga siten också, samt undersöka de bakomliggande orsakerna. För att göra detta används tre metoder. Först görs en literaturstudie som behandlar kvinnor inom programmering och hur Wikipedia fungerar och dess grundande. Därefter mäts användarbeteende och aktivitetsnivåer genom en databasanalys på redigerare och redigeringar. slutligen distribuerades en webb-enkät riktad till både läsare och redigerare av svenskspråkiga Wikipedia, med runt 2700 svaranden. Resultaten visar att det finns en stor snedfördelning och att endast mellan 13-19% av redigerare är kvinnor. Resultaten påvisar inte några särskilda negativa uppfattningar hos läsare om Wikipedia eller dess gemenskap. Däremot uppgav kvinnor i signifikant högre utsträckning att en viktig anledning till att de inte bidrog till encyklopedin var att de inte upplevde sig tillräckligt kompetenta. Datorvana fanns vara en viktig faktor till att testa på att redigera första gången, och Wikipedias koppling till en mans-dominerad programmeringskultur diskuteras som en faktor till den låga andelen kvinnor. Wikipedias policies och riktlinjer och dess sammankoppling med skillnader i män och kvinnors kommunikationsstilar på internet diskuteras även.
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Palmer, Beth Lilian. "Strategies of sensation and the transformation of the Press, 1860-1880 : Mary Braddon, Florence Marryat and Ellen Wood, female author-editors, and the sensation phenomenon in mid-Victorian magazine publishing." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:30a509c7-2ba3-4477-9d3e-801f61e1b8c1.
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This thesis examines the processes of writerly and editorial literary production undertaken by women sensation authors in the 1860s and 1870s. This focus represents a shift from the prevailing critical emphasis on the consumption of sensation fiction to the realm of production and therein allows the thesis to analyse the ways in which sensation operates as a set of rhetorical and linguistic strategies for women writers in the changing publishing conditions of mid-to-late Victorian society. I consider the ways in which sensation is an idiom that permeates all aspects of magazine publishing in this period and demonstrate how it could be adapted and become an empowering discourse for women writers and editors. Furthermore, this thesis sees sensation as an important component in the transformation of the press in the 1860s and 1870s. By analysing the specific ways in which sensational strategies were appropriated and transformed, this thesis reassesses the role of sensation in the creation of women’s writing in the second half of the nineteenth century, and consider its legacies in later ‘New Woman’ writers. I achieve this by examining three women editors, who were part of the transformation of magazine publishing in the period. Mary Elizabeth Braddon (1835-1915), Ellen (Mrs. Henry) Wood (1814-1887), and Florence Marryat (1837-1899) all operated as writers and editors in the mid-to-late nineteenth century. They produced varying types of sensational fiction that they serialised in their own monthly magazines, Belgravia, Argosy, and London Society respectively. Sensation provided a dynamic and flexible means for these women author-editors to assert their status in the context of the expansion of the press in the 1860s and 1870s. I argue that their work invites a more fluid and generous critical definition of sensation.
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Sivac, Vedrana, and Sandra Svensson. "”Det verkar som man helst vill vara någon som är blond, smal och glad” : En komparativ studie av två olika chefredaktörers versioner av Veckorevyn." Thesis, Högskolan i Kalmar, Institutionen för kommunikation och design, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-758.
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The purpose of this study is to compare the contents, editorials and front covers of Sweden’s oldest girl’s magazine Veckorevyn during two different years, in which the magazine had two very different chief editors. In the year 2000, Emma Hamberg got the job as editor-in-chief for Veckorevyn, with a vision of changing the way the magazine represented young females. She wanted to add a more feminist viewpoint to the magazine, since she felt that Veckorevyn didn’t live up to its claim of being “a girl’s best friend”. Six years later, the famous Swedish fashion editor Ebba von Sydow became editor-in-chief for Veckorevyn, with the intention of making the magazine better, smarter and more fun for young girls. Her ambition was also to add more features about career and affordable fashion, since she felt that those topics were important for young women of today. Since these two editor-in-chiefs wanted to do so different things with Veckorevyn, we found it interesting to try to pinpoint what their differences and similarities as editors-in-chief were and how this was reflected in the magazines. The methods used were quantitative content analysis and qualitative text analysis, together with a comparative analysis between the two annual volumes. We also did interviews with the two former editors-in-chiefs, Emma Hamberg and Ebba von Sydow to get a clearer image of what they wanted to do with the magazine and how well they thought that they reached their goals. As guidelines for the study, we used theories about the survival techniques used by female journalists, feminism, personification, the male gaze and the female gaze. We found that the two versions of Veckorevyn were similar in which subjects they chose to write about. Both versions had a content based mostly on fashion, beauty, and celebrities. However, we found a noticeable difference in how they wrote about these subjects. Other differences were found in how the editorials were written, and in the choice of what kind of people got to appear on the front covers.
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Erwerthová, Jana. "Vliv genderu na profesionální výběr zpráv: Posuzují editorky zpravodajskou hodnotu událostí jinak než editoři? Existují "ženské" a "mužské" preference zpravodajských hodnot?" Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-298594.
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The aim of this thesis is to find an answer to the question if gender influences news production and news selection. It is hypothesized that in national daily broadsheet newspapers, the editor's gender has no influence on the professional behaviour and therefore editors' preferences of topics and news values should be identical. The theoretical part deals with different approaches to the topic of gender influence on the news production, describes the situation and stereotyping of female journalists and strategies they choose to deal with it. Next it briefly recapitulates the main news values theories and dichotomy of "hard" and "soft" news. The research part describes a study of gender influence on decision-making processes during news selection in Czech national daily broadsheet newspapers. The statistical methods used herein include the Student's T-test, Z-test and ANOVA. The statistics show no significant differences between male and female editors in consideration of news topic importance (to the reader), news values assessment or the selection of printable news. All the editors in the researched respondent population tend to favor "hard" news and to consider the same values and topics important in the same manner regardless of their gender. Despite slight differences in individual topics, this...
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YU-LAN, SU, and 蘇鈺嵐. "Hakka, Genealogy and Gender：Some reflections on a Hakka female genealogy-editor's field study." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/vya4t7.
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碩士<br>國立聯合大學<br>資訊與社會研究所<br>104<br>According to J.Y. Interpretation No.728, a person is a qualified successor to an existing ancestor worship guild shall be determined in accordance with its internal regulations. However, the existing ancestor worship guild determine the successor excluding female members for preserving the stability of the internal regulations. Moreover, J.Y. Interpretation No.728 cannot implement the substantive gender equality under the traditional patriarchal structure in the core of clan cultural and family inheritance.
This study aims to investigate the unequal treatment of woman in socio-cultural practices from the action of Hakka female participating in editing family genealogy. This study adopted in-depth interviews and participant observation, and the semi- structured interview, edited by the author, was used to the family members (5 females and 3 males) who participated in editing family genealogy. The interview manuscripts were analyzed by qualitative research software for content collation, analysis and induction. This study hopes to wake both females and males’ gender-sensitive and gender differences in participating in social activities and cultural practices to consider. There are three research objectives:
1. To investigate the factors influencing the Hakka female marked in the family genealogy.
2. To introspect the discrimination against females in social activities and cultural practices from the course and experience of Hakka female participating in editing family genealogy.
3. To wake up Hakka females who were suffered unequal treatment in socio-cultural practices for a long-term.
This study tries to awake the females of discrimination unequal treatment in the long-term socio-cultural practices.This research result found that the main factors influencing the woman marked in the family genealogy were due to the cultural change of family line and marriage system in social activities and cultural practices. Recently, although family females are marked in family genealogy, their rights in family genealogy essentially were constrained by the power and interests of genealogy and did not change substantially due to the progress of the times. Furthermore, this study proposed some suggestions for family line inheritance and change, female in marriage system and genealogy editing in the future.
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LaVally, Rebecca. "Political contradictions : discussions of virtue in American life." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-963.
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This dissertation asserts that American political culture faces a crisis of virtue and explores the role of citizens, journalists and politicians in fostering it. The historic election of Barack Obama on a platform of hope and change in 2008 suggests that Americans yearn for an infusion of virtue into political life. I assert, however, that we have lacked a lexicon of political virtue, or any systematic understanding of which virtues we value and which matter most to us. Nor have we understood whether groups who constitute key elements of our democracy—citizens, journalists, politicians, men and women, Democrats and Republicans—value virtues in politics similarly or differently. Without a working knowledge of the anatomy of virtue in the body politic, what is to prevent us from having to change again? By charting the virtue systems of these key groups, I have made explicit what is implicit to reveal that political virtue is more valued—and more present—than Americans likely realize. This exploration, I believe, contributes to the scholarship of political communication by enabling a fuller and more useful understanding of American political culture—and of the contradictions, curiosities, and surprises that enrich it.<br>text
Books on the topic "Female editors"
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R, Kavoussi Louis, and Campbell, Meredith F. (Meredith Fairfax), 1894-1968, eds. Campbell-Walsh urology: Editor-in-chief, Alan J. Wein ; [editors, Louis R. Kavoussi ... [et al.]]. Elsevier Saunders, 2012.
Find full textBook chapters on the topic "Female editors"
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"Editors and contributors." In Female Well-Being. Zed Books Ltd, 2005. http://dx.doi.org/10.5040/9781350220041.0005.
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"About the Editors." In The Female Athlete. Elsevier, 2022. http://dx.doi.org/10.1016/b978-0-323-75985-4.11001-3.
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"Editors’ Biography." In Biomechanics of the Female Pelvic Floor. Elsevier, 2016. http://dx.doi.org/10.1016/b978-0-12-803228-2.09984-0.
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"About the editors." In A Theranostic and Precision Medicine Approach for Female-Specific Cancers. Elsevier, 2021. http://dx.doi.org/10.1016/b978-0-12-822009-2.09999-4.
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Nagatomo, Diane Hawley, Kathleen A. Brown, and Melodie L. Cook. "Introduction." In Foreign Female English Teachers in Japanese Higher Education: Narratives From Our Quarter. Candlin & Mynard ePublishing, 2020. http://dx.doi.org/10.47908/11/i.
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This introduction, written by the three editors, gives an overview of the rationale and contents of the edited volume. The book is a collection of narratives, or stories. Each chapter highlighting particular issues that shape the personal and professional lives of foreign women teaching in Japanese higher education. The editors explain in this introduction that the authors of the contributing chapters reflect and analyze their experiences so that their “autobiographical stories shed light not just on the lives of specific individuals, but on certain themes that are relevant in a much broader way” (Vandrick, 2013, p. x). Integrated into the multiple stories that comprise our lives are the many identities that we hold for ourselves. These identities are situated in the many roles that we carry over our lives and careers—teacher, researcher, administrator, coordinator, mentor, student, mother, spouse, among others—all couched in our gendered identities.
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Kenny, Neil. "Family Literature." In Born to Write. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852391.003.0008.
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Many works of literature and learning were produced by authors, editors, or translators who were not the only author, editor, or translator in their family, but who were joined by one or more others, whether predecessors, contemporaries, or descendants. Of 2,239 literary producers identified as being born in ‘France’ between 1450 and 1600 (or as being born elsewhere but spending much of their life in ‘France’), at least 503 were from families of literary producers. A high proportion of the 503, probably about two in five, belonged at some point in their lives to the nobility. About 7 per cent of the 503 were female. But that quantitative picture does not capture the whole of literary production within families, particularly by women. The present survey is of the production of literary and/or learned works and should not be taken as a proxy for levels of literary and learned activity.
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Adams, Jad. "The 1890s Woman." In The Edinburgh Companion to Fin de Siècle Literature, Culture and the Arts. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474408912.003.0016.
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This chapter takes a fresh look at the role of women in the fin de siècle, with a focus on their role in publishing—as authors, as subjects and as editors. It shows that while this industry provided opportunities for women, they were also exploited, and that there was little evidence of female solidarity among the real ‘new women’ of the time. It also emphasises the sexual double-standards that obtained, and the price many women paid for seeking an independent life, noting that while some enjoyed significant professional success, few found lasting personal happiness.
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Batchelor, Jennie, and Manushag N. Powell. "Introduction: Women and the Birth of Periodical Culture." In Women's Periodicals and Print Culture in Britain, 1690-1820s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419659.003.0001.
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The editors of this volume assert that periodical studies and feminist studies within the British eighteenth century are inseparable activities. While male authors dominated eighteenth-century periodicals, it does not follow that the form itself existed or could have existed independent of women: quite the opposite was true. From John Dunton’s Athenian Mercury (1690–7) to the Tatler (1709–11) and Spectator (1710-11), to Eliza Haywood’s Female Spectator (1744–6), to the magazines like the Lady’s Museum (1760–1) or Lady’s Magazine (1770–1832) that filled out the later portion of the period, women were avid readers of, contributors to, and consumers fostered through periodical culture: the form was thoroughly tied up in the ‘fair-sexing’ upon which it founded itself – but, the editors contend, ‘fair-sexing’ is only one part of the story. Tracing the conditions that affect periodical scholarship, such as limited publishers’ archives and the challenges of digital scholarship, the introduction also considers the question of readership, and, with it, nomenclature: what does it mean to call a periodical a Lady’s paper? Resisting the traditional separation between essay and magazine, this introduction seeks to alert the reader to a more flexible and capacious understanding of how periodicals interact with one another, and with the women who enable them.
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Gallon, Kim T. "Male Homosexuality and Gender-Nonconforming Expression." In Pleasure in the News. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043222.003.0006.
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Chapter 5 details how Black Press news coverage produced a black public sexual sphere that allowed readers to debate homosexuality and gender-noncomforming expression’s position in early-twentieth-century black communities. As the Black Press worked to transform negative images of blackness, they held homosexual life and gender-nonconformity up as a spectacle that could not seamlessly fit into notions of African American respectability. Nonetheless, regular coverage in the Black Press proved that editors believed that readers enjoyed reading articles and viewing images about female impersonators and gay men. In presenting readers’ responses to this coverage, chapter 5 draws attention to instances of contest and negotiation between diverse African American readers as they struggled to understand the intersections between race, gender, and sexuality.
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"Reclaiming a female mind from the experience of child sexual abuse: a developing conversation between writers and editors." In Gender, Power and Relationships. Routledge, 2006. http://dx.doi.org/10.4324/9780203134757-8.
Full textConference papers on the topic "Female editors"
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Ourives, Eliete Auxiliadora, Attilio Bolivar Ourives de Figueiredo, Luiz Fernando Gonçalves de Figueiredo, Milton Luiz Horn Vieira, Isabel Cristina Victoria Moreira, and Francisco Gómez Castro. "A IMPORTÂNCIA DA ABORDAGEM SISTÊMICA NA ERGONOMIA PARA UM DESIGN FUNCIONAL." In Systems & Design 2017. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/sd2017.2017.6648.
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RESUMO A abordagem sistêmica é um processo interdisciplinar, cujo princípio primordial é compreender a interdependência recíproca e relações de todas as áreas e da necessidade de sua integração, permitindo maior aproximação entre os seus limites de estudo. Nesse contexto o olhar sistêmico, da ergonomia, sobretudo no que se refere à segurança, ao conforto e à eficácia de uso, de funcionalidade e de operacionalidade dos objetos, considerando todos os produtos ou sistemas de produtos, como sistema de uso, desde os mais simples aos mais complexos ou sistêmicos, tem como objetivo adequá-los aos seres humanos, tendo em vista as atividades e tarefas exercidas por eles. No que se refere ao design funcional, os conhecimentos da ergonomia, nessa visão sistêmica, relativos à sua metodologia de projeto, são absolutamente necessários, e a sua aplicação aponta a melhor adequação dos produtos aos seus usuários. Como é o caso do vestuário feminino funcional, sobretudo no que se refere a proteção das mamas, que são peças convencionais que necessitam de um correto dimensionamento e especificação dos tecidos e de outros materiais. É um tipo de vestuário que apresenta funcionalidade diversa, como para a proteção física, o aumento do volume da mama, enchimento no bojo de pano, de água, de óleo, estruturado com arame, etc.; para amamentação (sutiã que se abre na frente, em parte ou totalmente); para o design inclusivo (pessoas com deficiência e mobilidade reduzida, no caso de mamas com prótese ou órtese) facilitando com fechamentos e aberturas colocadas em peças de roupas difíceis de manusear, roupas confortáveis e fáceis de vestir. São peças usadas por pessoas com biótipos e percentis antropométricos variáveis e com características corporais que mudam significativamente nas passagens para a adolescência, idade adulta e idosa. As mudanças corporais apresentam diferenças significativas em termos de volume das mamas, nas quais as soluções ergonômicas por uma abordagem sistêmicas que se evidencia mais para a complexidade de uso, são as mais necessárias em termos de atributos como, segurança, conforto, comodidade corporal, facilidade do vestir, funcionalidade, além da estética. Esta pesquisa, embora exploratória e descritiva, não isenta de desafios, tem por objetivo, por meio de dados e informações ergonômicas sistêmicas contribuir com o design funcional, de modo a oferecer subsídios para a confecção de roupas funcionais ou tecnologia vestível, com os atributos citados, respeitando a diversidade e inclusão das pessoas em todas as fases de sua vida, atendendo assim os princípios formais do design. Palavra-chave: Abordagem sistêmica, Ergonomia, Design funcional. REFERENCIAS AROS, Kammiri Corinaldesi. Elicitação do processo projetual do Núcleo de Abordagem Sistêmica do Design da Universidade Federal de Santa Catarina. Orientador: Luiz Fernando Gonçalves de Figueiredo – Florianópolis, SC, 2016. BERTALANFFY, Ludwig V. Teoria geral dos sistemas: fundamentos, desenvolvimento e aplicações. 3. ed. Petrópolis, RJ: Vozes, 2008. BEST, Kathryn. Fundamentos de gestão do design. Porto Alegre: Bookman, 2012. 208 p. CHIAVENATO, I. Gestão de pessoas. 3ª ed. Rio de Janeiro: Elsevier, 2010. CORRÊA, Vanderlei Moraes; BOLETTI, Rosane Rosner. Ergonomia: fundamentos e aplicações. Bookman Editora, 2015.MERINO, Eugenio. Fundamentos da ergonomia. 2011. Disponível em: &lt;https://moodle.ufsc.br/pluginfile.php/2034406/mod_resource/content/1/Ergo_Fundamentos.pdf&gt;. Acesso em: 24 Mar 2017. DIAS E. C. Condições de vida, trabalho, saúde e doença dos trabalhadores rurais no Brasil. In: Pinheiro TMM, organizador. Saúde do trabalhador rural –RENAST. Brasília: Ministério da Saúde; 2006.p. 1-27. GIL, A. C. Como elaborar projetos de pesquisa. 4. ed. São Paulo: Atlas, 2010. GOMES FILHO, J. Ergonomia do objeto: sistema técnico de leitura ergonômica. São Paulo: Escrituras Editora, 2003. GUIMARÃES, L. B. M. (ed). Ergonomia de Processo. Porto Alegre, v.2, PPGE/UFRGS, 2000. IIDA, I. Ergonomia: projeto e produção. 2ª ed rev. e ampl. – São Paulo: Edgard Blucher, 2005. MANZINI, Ezio. Design para inovação social e sustentabilidade: comunidades criativas, organizações colaborativas e novas redes projetuais. Rio de Janeiro: E-Papers, 2008, 104p. MARCONI, M. A.; Lakatos, E. M. Fundamentos de metodologia científica. São Paulo: Atlas, 2007. Pandarum, R., Yu, W., and Hunter, L., 2011. 3-D breast anthropometry of plus-sized women in South Africa. Ergonomics, 54(9), 866–875. McGhee, D.E., Steele, J.R., and Munro, B.J., 2008. Sports bra fitness. Wollongong (NSW): Breast Research Australia. McGhee, D.E., Steele, J.R., and Munro, B.J., 2010. Education improves bra knowledge and fit, and level of breast support in adolescent female athletes: a cluster-randomised trial. Journal of Physiotherapy, 56, 19–24. Pechter, E.A., 1998. A new method for determining bra size and predicting postaugmentation breast size. Plastic and Reconstructive Surgery, 102 (4), 1259–1265. RICHARDSON, R. J. Pesquisa social: métodos e técnicas. 3 ed. São Paulo: Atlas, 2008. RIO, R. P. DO; PIRES, L. Ergonomia: fundamentos da prática ergonômica, 3ª Ed., Editora LTr, 2001. SANTOS, N. ET AL. Antropotecnologia: A Ergonomia dos sistemas de Produção. Curitiba: Gênesis, 1997. VASCONCELLOS, Maria José Esteves de. Pensamento sistêmico: O novo paradigma da ciência. 10ª ed. Campinas, SP: Papirus, 2013. WEERDMEESTER, J. D. e B. Ergonomia Prática. São Paulo: Edgard Blucher, 2001. WHITE, J.; SCURR, J. Evaluation of professional bra fitting criteria for bra selection and fitting in the UK. Ergonomics, 1–8. 2012. WHITE, J.;SCURR, J.; SMITH, N. The effect of breast support on kinetics during overground running performance. Ergonomics, Taylor &amp; Francis. 52 (4), 492–498. 2009.
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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.
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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.
Reports on the topic "Female editors"
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Lumpkin, Shamsie, Isaac Parrish, Austin Terrell, and Dwayne Accardo. Pain Control: Opioid vs. Nonopioid Analgesia During the Immediate Postoperative Period. University of Tennessee Health Science Center, 2021. http://dx.doi.org/10.21007/con.dnp.2021.0008.
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Background Opioid analgesia has become the mainstay for acute pain management in the postoperative setting. However, the use of opioid medications comes with significant risks and side effects. Due to increasing numbers of prescriptions to those with chronic pain, opioid medications have become more expensive while becoming less effective due to the buildup of patient tolerance. The idea of opioid-free analgesic techniques has rarely been breached in many hospitals. Emerging research has shown that opioid-sparing approaches have resulted in lower reported pain scores across the board, as well as significant cost reductions to hospitals and insurance agencies. In addition to providing adequate pain relief, the predicted cost burden of an opioid-free or opioid-sparing approach is significantly less than traditional methods. Methods The following groups were considered in our inclusion criteria: those who speak the English language, all races and ethnicities, male or female, home medications, those who are at least 18 years of age and able to provide written informed consent, those undergoing inpatient or same-day surgical procedures. In addition, our scoping review includes the following exclusion criteria: those who are non-English speaking, those who are less than 18 years of age, those who are not undergoing surgical procedures while admitted, those who are unable to provide numeric pain score due to clinical status, those who are unable to provide written informed consent, and those who decline participation in the study. Data was extracted by one reviewer and verified by the remaining two group members. Extraction was divided as equally as possible among the 11 listed references. Discrepancies in data extraction were discussed between the article reviewer, project editor, and group leader. Results We identified nine primary sources addressing the use of ketamine as an alternative to opioid analgesia and post-operative pain control. Our findings indicate a positive correlation between perioperative ketamine administration and postoperative pain control. While this information provides insight on opioid-free analgesia, it also revealed the limited amount of research conducted in this area of practice. The strategies for several of the clinical trials limited ketamine administration to a small niche of patients. The included studies provided evidence for lower pain scores, reductions in opioid consumption, and better patient outcomes. Implications for Nursing Practice Based on the results of the studies’ randomized controlled trials and meta-analyses, the effects of ketamine are shown as an adequate analgesic alternative to opioids postoperatively. The cited resources showed that ketamine can be used as a sole agent, or combined effectively with reduced doses of opioids for multimodal therapy. There were noted limitations in some of the research articles. Not all of the cited studies were able to include definitive evidence of proper blinding techniques or randomization methods. Small sample sizes and the inclusion of specific patient populations identified within several of the studies can skew data in one direction or another; therefore, significant clinical results cannot be generalized to patient populations across the board.