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1

In the company of women: Contemporary female friendship films. University of Minnesota Press, 1998.

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2

Frye, William, Ida Lupino, and Blanche Hanalis. The trouble with angels. Columbia Pictures, 2003.

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3

Murray, Victoria Christopher. The ex files. Pocket Books, 2013.

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4

Turkiyā fī sanawāt al-Ḥarb al-ʻĀlamīyah al-Thānīyah. Dār Dijlah, 2009.

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5

Goldberg, Amanda. Beneath a starlet sky. St. Martin's Press, 2011.

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6

Murray, Victoria Christopher. The Ex files: A novel of four women and faith. Simon & Schuster, 2007.

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7

Khalighi, Hopper Ruthanna, ed. Beneath a starlet sky. St. Martin's Press, 2011.

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8

Turkiyā fī sanawāt al-Ḥarb al-ʻĀlamīyah al-Thānīyah. Dār Dijlah, 2009.

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9

Smiley, Patricia. Cover your assets. Mysterious Press, 2005.

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10

Smiley, Patricia. Cover Your Assets. Grand Central Publishing, 2007.

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11

Stefani, Gwen. Kuu Kuu Harajuku: Super Kawaii! (DVD). 2017.

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12

Strong, Tara. My little pony: Magical movie night : Equestria girls. 2017.

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13

Michaels, Fern. Crash and Burn (Sisterhood). Kensington Pub Corp, 2016.

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14

Chick Flicks: Group's Dinner and a Movie: Friendship, Faith, and Fun for Women's Groups. Group Publishing, 2006.

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15

Group's dinner and a movie: Chick flicks 2 : friendship, faith, and fun for women's groups. Group Pub., 2008.

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16

Simonson, Mary. A Different Kind of Ballet. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.006.

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Dorothy Arzner’s 1940 filmDance, Girl, Dancehas been embraced within feminist film criticism as a stunning demonstration and critique of the “male gaze” so typical in classical Hollywood cinema. Tracing the lives and careers of two dancers, scholars argue, the film privileges strong female characters and women’s relationships with one another over heterosexual romance. Yet this essay argues thatDance, Girl, Danceis as much a film about the evolution of American dance in the twentieth century as it is about looking at women’s friendships. Juxtaposing Bubbles’s risqué burlesque routines and Judy
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Helford, Elyce Rae. What Price Hollywood? University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813179292.001.0001.

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A prolific director of classic Hollywood cinema, George Cukor was known for his romantic comedies and dramas and his work with difficult leading ladies. For such work, he was labeled a “woman’s director.” He did build or enhance the careers of many strong, independent actresses, including Katharine Hepburn, Greta Garbo, Judy Holliday, Judy Garland, and Marilyn Monroe. However, the tag was also derogatory, referencing the fact of Cukor’s homosexuality. He was also called an “actor’s director,” for he emphasized his connections with his stars to draw out compelling performances even within his l
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18

Ira, Levin. The Stepford Wives (Bloomsbury Film Classics S.). Bloomsbury, 1998.

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Michaels, Fern. Crash and burn. Wheeler Publishing, a part of Gale, Cengage Learning, 2017.

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20

Murray, Victoria Christopher. The Ex Files: A Novel About Four Women and Faith. Touchstone, 2007.

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21

Beneath a Starlet Sky. Brand: St. Martin's Press, 2012.

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22

Huth, Angela. Land Girls: Film Tie-In. Little Brown and Company, 1998.

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23

Fontaine, Anne. Adore. 2013.

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