Academic literature on the topic 'Female heroism'

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Journal articles on the topic "Female heroism"

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Rankin, Lindsay E., and Alice H. Eagly. "Is His Heroism Hailed and Hers Hidden? Women, Men, and The Social Construction of Heroism." Psychology of Women Quarterly 32, no. 4 (2008): 414–22. http://dx.doi.org/10.1111/j.1471-6402.2008.00455.x.

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Two studies examined how the social construction of heroism affects the representation of women and men as heroes. In the first study, community participants defined heroism or identified heroes. Although the most common defining elements of heroism were benefiting others, acting selflessly, and confronting risk, participants reported more male than female public heroes. However, when naming heroes whom they personally know, participants represented women and men equally. In the second study, undergraduates read a scenario describing a male or female protagonist who confronted high or low risk
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한혜원. "Heroism of Female Protagonists in Digital Games." Korean Classical Woman Literature Studies ll, no. 37 (2018): 67–93. http://dx.doi.org/10.17090/kcwls.2018..37.67.

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Soliman, Mounira. "Mutations of Heroism: The Case of the Egyptian Superheroine." Studi Magrebini 18, no. 2 (2020): 265–82. http://dx.doi.org/10.1163/2590034x-12340031.

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Abstract The history of heroism in Egyptian culture has mostly been perceived as a male attribute, centering on the figure of the male hero, and generally excluding figures of female heroines. In this article, I explore the representation of one type of female heroism, the rising phenomenon of the superheroine. In contrast to popular definitions of heroism connected to the superhero genre wherein heroism is perceived as an extra-terrestrial superpower, recent depictions of superheroines in Egyptian popular culture focus on representing the mundane aspect of the lives of these characters, leadi
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Dimas Pramata Sukma, Nazla Maharani Umaya, and Harjito Harjito. "RESEPSI HEROISME NOVEL SANG PENGGESEK BIOLA KARYA YUDHI HERWIBOWO BERDASARKAN INTERPRETASI GENDER." CENDEKIA: Jurnal Ilmu Sosial, Bahasa dan Pendidikan 2, no. 3 (2022): 189–202. http://dx.doi.org/10.55606/cendikia.v2i3.783.

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The problems of this research are (1) How is the reception of students of SMK Negeri 1 Dukuhturi regarding the ideology of heroism in the novel Sang Penggesek Biola?, (2) How is the ideology of heroism in the novel Sang Penggesek Biola?. The objectives of this study are (1) Describe the reception of students of SMK Negeri 1 Dukuhturi regarding the ideology of heroism in the novel Sang Penggesek Biola, (2) Describe the content of the ideology of heroism in the novel Sang Penggesek Biola. The research population was 32 students. Data collection methods used are interviews, questionnaires, and re
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Zhu, Yuanyuan. "Perceptions of Female Heroism from Two Heroines: Portia and Isabel." International Journal of Languages, Literature and Linguistics 5, no. 1 (2019): 47–50. http://dx.doi.org/10.18178/ijlll.2019.5.1.202.

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Baym, Nina, and Lee R. Edwards. "Psyche as Hero: Female Heroism and Fictional Form." American Literature 57, no. 1 (1985): 162. http://dx.doi.org/10.2307/2926334.

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Hodossy-Takács, Előd. "A Survey of Female Heroism in Jewish Tradition." Studia Universitatis Babeș-Bolyai Theologia Reformata Transylvanica 68, no. 2 (2023): 24–38. http://dx.doi.org/10.24193/subbtref.68.2.02.

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Did warrior heroines exist in the Hebrew tradition? The answer is a seemingly reassuring yes, but the paper shows that the topos of female heroism was not a popular theme in Jewish tradition. To imagine ancient war scenes according to depictions in modern media can be misleading; the central purpose of this brief survey is to give a glimpse into this topic. Keywords: heroines, Book of Joshua, Book of Judges, Book of Judith, Josephus, wars in Antiquity
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Goodman, J. Robyn, Lisa L. Duke, and John Sutherland. "Olympic Athletes and Heroism in Advertising: Gendered Concepts of Valor?" Journalism & Mass Communication Quarterly 79, no. 2 (2002): 374–93. http://dx.doi.org/10.1177/107769900207900208.

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This analysis of television advertisements aired during NBC's telecast of the 2000 NBC Summer Olympics examined advertisers' use of Jungian-based concepts of heroism and gendered concepts of heroism. Using traditional archetypes of heroes—the Innocent, Orphan, Martyr, Wanderer, Warrior, and Magician—the study analyzed commercials featuring Olympic athletes. Findings were that male and female athletes were equally portrayed as Warriors. However, male athletes were more likely to be portrayed as preparing for and doing battle successfully while female athletes were more likely to be celebrated f
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Rocks, Carolin. "Szenen einer Gattung." Artes 3, no. 1 (2024): 125–46. http://dx.doi.org/10.30965/27727629-20240007.

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Abstract The paper discusses metapoetic reflections in German drama around 1800. It argues that Goethe, Schiller and Kleist challenge the tragic form by blurring the differences to lyric and epic poetry. The starting point is the thesis that the paradigm of heroism, which has defined the tragic genre from the very beginning, falls into crisis. Both contemporary poetics and literary texts demonstrate this development: Heroism neither functions as an ideal way to constructing a character nor of organizing political plots which successfully rely on and account for personal greatness. To illustrat
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Gheeraert-Graffeuille, Claire. "Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism." XVII-XVIII, no. 73 (December 31, 2016): 243–65. http://dx.doi.org/10.4000/1718.800.

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Dissertations / Theses on the topic "Female heroism"

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Wright, Rebecca. "Heroic transgressions : female heroism, Suffragette autobiography and the public/private divide." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.480963.

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Read, Philippa. "Female heroism in First World War France : representations and lived experiences." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/17592/.

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This study is an evaluation of female heroism as it was both represented and experienced in First World War France. In order to investigate representative ideas about women’s heroic wartime roles and acts, the first half of the thesis explores the ways in which different aspects of female heroism were presented in dominant, often patriarchal wartime discourses. The second half of the thesis provides the material for comparison, with an analysis of first-hand accounts by two women who were both presented as heroic in the First World War, but whose roles and social backgrounds differed considera
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Nieman, Meghan H. "Female heroics on the early modern stage." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ52843.pdf.

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Lisnäs, Stina. "The Byronic Heroine of North and South." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-35696.

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This essay argues that the protagonist of Elizabeth Gaskell’s North and South (1855), Margaret Hale, is a Byronic heroine. The counter argument that any such comparison is impossible because of her sex is refuted and examples are given of how Margaret is not portrayed like the other young women of the novel. She rejects the female stereotype of the time and it is furthermore proved that she steps out of the passive role considered best suited for a female, and takes on the active one, becoming the heroine of the piece. Finally, traits of Margaret’s character are compared to that of the archety
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Green, Cressida Mary. "The Real Heroine of the Story: Female Rivalry in the Victorian Novel." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/14114.

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This thesis seeks to challenge the thinking that led Virginia Woolf to dismiss fictional representations of female rivalry as “simplified, conventionalised”, uncomplicated and uninteresting. Using close readings of novels by Charlotte Brontë, Anne Brontë, George Eliot, Elizabeth Gaskell, Wilkie Collins, Mary Elizabeth Braddon and Ellen Wood, I look at the ways in which female rivalry functions in the Victorian novel; at the tensions and currents of narrative it creates; at its force for forging relational structures between characters; and at its part in the distribution of narrative interest,
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Hendrix, Jaime Pedigo. "Passage through the ocean : the female heroic journey in the novels of Anita Desai /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131464723.pdf.

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Hodge, Anita Obermeier. "Handmaidens of God : the female figures Judith, Juliana, and Elene in Old English heroic poetry /." View online, 1985. http://repository.eiu.edu/theses/docs/32211130497875.pdf.

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Bark, Persson Anna. ""You must scare the hell out of humans" : Female masculinity, action heroes, and cyborg bodies in feminist science fiction literature." Thesis, Uppsala universitet, Centrum för genusvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325014.

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Philips, Sarah Kasham. "Heroes or Victims: The Lived Experiences of Women on Female Genital Mutilation/Cutting in Northwestern Nigeria." ScholarWorks, 2016. https://scholarworks.waldenu.edu/dissertations/2998.

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The custom of female genital mutilation/cutting (FGM/C) is a traditional practice inimical to women's health with profound implications. There is a gap in the literature on the lived experiences of women who have undergone FGM/C and their statuses within their communities. Guided by the social cognitive theory and the ecological model, this qualitative study aimed at explicating the attitudes and perceptions of women in the northwest region of Nigeria towards the practice of FGM/C, to illuminate how the women view themselves in their society and the inspiration for the continued practice of FG
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Bakes, Laurence. "La prise en charge de la femme enceinte héroïnomane et le devenir de son enfant." Strasbourg 1, 1995. http://www.theses.fr/1995STR1M047.

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Books on the topic "Female heroism"

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Mitchell, D. Heroine: A novel. Q-Boro Books, 2008.

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Tenney, Tabitha. Female quixotism. Scholar's Facsimiles & Reprints, 1988.

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Bodie, Idella. Heroines of the American Revolution. Sandlapper Pub., 2003.

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Chatzēkyriakidēs, Kyriakos St. Laskarina Boumpoulina: Hē kapetanissa tēs Hellēnikēs Epanastasēs. Metaichmio, 2021.

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Wellborn, Jennifer M. Martha MacFarlane McGee Bell: Heroine, patriot, and spy : and the case for Caruthers. J.M. Wellborn, 2002.

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1944-, Liebler Naomi Conn, ed. The female tragic hero in English Renaissance drama. Palgrave, 2002.

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Nichols, Joan Kane. Civil War heroines. Pearson/Scott Foresman, 2005.

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Labovitz, Esther Kleinbord. The myth of the heroine: The female Bildungsroman in the twentieth century : Dorothy Richardson, Simone de Beauvoir, Doris Lessing, Christa Wolf. P. Lang, 1986.

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Burdorff, Sara Frances. Maternity, Monstrosity, and Heroic (Im)mortality from Homer to Shakespeare. Amsterdam University Press, 2024. https://doi.org/10.5117/9789463728980.

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This work uses an adaptation of monster theory to rethink the foundations of epic-heroic immortality. Rather than focusing on a specific monster or monsters, the author identifies the “belly-monstrous” as a crucial point of intersection between mothers and warriors in traditional narratives of the Trojan War. Identifying the gestating/digesting belly as the center of the Iliadic world, this groundbreaking approach disrupts androcentric readings of the Iliadic warrior and his ethos, emphasizing the crucial role of female suffering in the generation and preservation of immortal legacy. The autho
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Sukhorukov, M. M. Zhenskie sudʹby Grazhdanskoĭ voĭny. Veche, 2021.

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Book chapters on the topic "Female heroism"

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Lewis, Ingrid. "Patriarchal Perspectives on Jewish Female Heroism." In Women in European Holocaust Films. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65061-6_13.

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de Vroom, Theresia. "Female Heroism in Heywood’s Tragic Farce of Adultery." In The Female Tragic Hero in English Renaissance Drama. Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04957-5_6.

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Ross, Sharon. "“Tough Enough”: Female Friendship and Heroism in Xena and Buffy." In Action Chicks. Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981240_10.

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Ewan, Elizabeth. "The Dangers of Manly Women: Late Medieval Perceptions of Female Heroism in Scotland’s Second War of Independence." In Woman and the Feminine in Medieval and Early Modern Scottish Writing. Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230502208_1.

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Spacks, Patricia Meyer. "The Adolescent as Heroine." In The Female Imagination. Routledge, 2022. http://dx.doi.org/10.4324/9781003287964-6.

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Noorian, Zhinia, and Brian Griffith. "Female Heroes of Medieval Persia." In Mother Persia. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-64583-9_8.

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Hooks, Bell. "Male Heroes and Female Sex Objects." In Feminisms. Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-14428-0_33.

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"Female Representation in Popular Culture." In Encyclopedia of Heroism Studies. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-48129-1_300589.

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Potter, Amanda. "The Changing Faces of Heroism in Atlantis (2013–15)." In Epic Heroes on Screen. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424516.003.0009.

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This chapter examines the BBC series Atlantis, a fantasy-adventure series set in ancient Greece. In addition to the male heroes Jason, Hercules, and Pythagoras, the series creates female models of heroism in its presentation of the mythological figures Medea, Ariadne, and Medusa. The series shows the complexities of heroism by letting its heroes change and grow over time. Through such a non-static depiction of heroism, viewers are able to relate to the characters in the series, something they have grown accustomed to do with other television stories. The series also shows the effect on heroes
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Zwicker, Lisa Fetheringill. "“Heroism of the Mother”:." In Realities and Fantasies of German Female Leadership. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctvd1cb2r.12.

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Conference papers on the topic "Female heroism"

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Kasih, E. N. E. W., K. Indriyanto, D. Amelia, S. Suprayogi, and A. V. L. Putra. "Unveiling female heroism: Analysis of Mama America in The House of Broken Angels." In THE 2ND INTERNATIONAL CONFERENCE OF MATHEMATICS EDUCATION, LEARNING, AND APPLICATION. AIP Publishing, 2024. https://doi.org/10.1063/5.0241624.

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Թամանյան, Նաիրա Իլյայի. "Կանանց կերպարային դրսևորումները հայ և եվրոպական գրականության մեջ (ԺԱ-ԺԴ դդ․)". У Գրական ուղղությունները և դպրոցները համաշխարհային դասական գրականության և ազգային գրականությունների համատեքստում. ՀՀ ԳԱԱ Մ․ Աբեղյանի անվան գրականության ինստիտուտ, 2024. https://doi.org/10.54503/978-5-8080-1557-9-34.

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Women's images in European and Armenian literary cultures were formed mainly under the influence of biblical systems and express the realities, social, social and moral norms of the time. Unlike European literature, Armenian literature lacks chivalric novels, which was conditioned by other social and historical circumstances. Female characters can be conditionally grouped by archetypes (maiden, mother, faithful wife, wise woman, heroic woman, deceiver, sinner, victim, femme fatale), the characteristics of which can be combined in one manifestation of character.
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LI, JIN-RUI. "ON THE IMAGE OF FEMALE MUSIC IN CHINESE NATIONAL OPERA." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35691.

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Chinese national opera has a history of more than 100 years. From "Sparrow and Children" created by Li Jinhui in the 1920s, it is known as the embryonic form of Chinese national opera. Then Chinese opera has experienced five periods of development. This paper will sort out the development of Chinese national opera, focus on the female characters described in opera according to the historical period of combing, division, and select the most representative of the four opera heroine Xi er, celery, Jiang Jie, Aiguri, to analyze its musical image. The conclusion of this research is of practical sig
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Leya, Fang. "Rewrite the History of a Chinese-American Female: Narratology of The Lost Daughter of Happiness (Fusang)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8200.

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Chinese American writer Yan Geling depicts the life of a Chi-nese prostitute in the US society one hundred years ago in her novel The Lost Daughter of Happiness (Fusang). By analyzing the narrato-logy of the novel, this essay discusses the issues of male gaze as well as Orientalism in the perspective of postcolonial feminism. The resistance against the dominating male-Western narration in US history prevails between the lines. In the first chapter of her work, Yan evokes readers’ identification with her heroine in their cog-nitive experience by adopting the tactics of second-person narrative,
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Shi, Juhong. "Experiencing the Abject Female Body and Writing the Female Self: Body Narrative of In the Heart of the Country." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8433.

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In the Heart of the Country, the second novel by J. M. Coetzee, has been traditionally read as a disembodied writing that focuses on the problem of writing per se instead of the reality. This paper contends that the work is actually a body narrative that explores the visceral pain suffered by Magda whose infertile body impedes her being a qualified subject. As the heroine in a postcolonial novel, Magda is not just a body that is restricted and constructed by the politics of the body, but also a thinking and writing body that consciously questions and resists the gendered bodily norms under who
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Dimitrakopoulou, Georgia. "�NOVELLA GRECA.� ?. SERAO�S 19TH CENTURY GREECE. ITS REALITIES AND ITS ANTITHESES." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.17.

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In the short story Novella Greca, in her book: Fior di Passione, 1888, the author M. Serao narrates the true story of Calliope Stavro, the heroine (Calliopi Stavrou in Greek), in Leucade - Santa Maura (Lefkada - Agia Mavra in Greek), an island of the Ionian Sea, in 19th century Greece. At that time, the country was just freed from the Turkish occupation, trying to recover from more than 400 years of slavery and subjugation to the Ottoman Empire. Calliope Stavro represents the woman of her time, imprisoned in the small society of her island, suffocated, asphyxiated, disillusioned and unfulfille
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Chattopadhyay, Shrimoyee. "Widowhood: A Cultural Study and Its Impact on Diasporic Female Identity." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8430.

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From the South-Asian perspective widows are considered as inauspicious and harbinger of bad luck. They are subjected to abusive practices, such as violation of human rights, and physical and emotional violence, under the pretext of social and cultural taboos. However, this paper explores how widows contest stereotypical norms, as established by the conventional South Asian society, in the diasporic context. Through a comparative analysis of the female characters in the novels of Jhumpa Lahiri’s The Namesake (2003), Bharati Mukherjee’s Jasmine (1989), and Krutin Patel’s film, ABCD: It’s About C
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Elias, Tony, David Barsoum, Robert Malak, et al. "Infective Endocarditis Secondary to Needle Embolization to The Heart." In 27th Annual Rowan-Virtua Research Day. Rowan University Libraries, 2023. https://doi.org/10.31986/issn.2689-0690_rdw.stratford_research_day.150_2023.

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Needle embolisms in the heart are very rare, even though the number of intravenous drug users (IVDUs) has increased over the past 10 years.Due to varied symptomology-chest pain, dyspnoea, fever, or asymptomatic, this remains a complex and likely underdiagnosed condition. We describe a 31-year-old female with past medical history of IV drug use who presented to the emergency room with heart palpitations and described it as her “heart feels funny” and shortness of breath. She acknowledged intravenous (IV) heroin use and stated that the last time to use IV drugs was 2 days before coming to the ho
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Liu, Yuqing. "GHOST FROM THE FUTURE: HONG KONG TEMPORALITIES IN THE FILM ROUGE." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.22.

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This paper explores how the film Rouge (1987) adapts and transforms traditional ghost narratives and how the cinematic anxiety of time is associated with the countdown temporality of Hong Kong in the 1980s. I argue that Rouge transforms two narrative structures of traditional Chinese literature — Caizi-jiaren (scholar-beauty) and the “historical ghost tale” — to foreground the particular temporality of Hong Kong. Firstly, the returning of the female ghost and her failure in pursuit of love intensifies the conflict between the modern linear time and the cosmological ghostly time and poignantly
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Cendrasilvinia, Herose, The Maria Meiwati Widagdo, and Widya Christine Manus. "Burden and Quality of Life of Dependent Elderly Caregivers in Pakuncen Village Yogyakarta." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.01.08.

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Background: Elderly people face health problems associated with reduced health and increased disability. Dependent elderly on caregivers who cause a burden affecting the quality of life of caregivers. The aim of this study was to analyze the correlation between the burden and quality of life among dependent elderly caregivers. Subjects and Method: A cross-sectional study was carried out in Pakuncen Village, Yogyakarta. The study subjects were 30 informal caregivers who cared for their family member aged ≥ 60 years with moderate dependence. Instruments used to screen dependent elderly included
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