Relevant bibliographies by topics / Female literary discourse

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Female literary discourse'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 June 2024

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Journal articles on the topic "Female literary discourse"

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Poloczek, Katarzyna. "Paula Meehan’s "Cell": The Imprisoned Dialogue of Female Discourses." Research in Language 12, no. 4 (2014): 401–21. http://dx.doi.org/10.1515/rela-2015-0008.

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The paper discusses Paula Mehan’s play Cell with focus on the female discourses present in the context of this literary work and the multifold metaphorisation that both the title of the work and the contents invite. The discourses are analysed against the relevant social background and critical literature. The focal types of discourses under discussion involve imagery from maternal and familiar discourse, the “biological” discourse related to hygiene, the sexual discourse, the mock feminist discourse, the discourse of the military and the propaganda of the common good, and the discourse relate
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Mhana, Zainab Abdulkadhim, Rosli Bin Talif, Hardev Kaur, and Zainor Izat Zainal. "EMANCIPATORY DISCOURSE IN CAROL ANN DUFFY’S THE WORLD’S WIFE." Humanities & Social Sciences Reviews 7, no. 4 (2019): 176–83. http://dx.doi.org/10.18510/hssr.2019.7423.

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Purpose: This study examines Carol Ann Duffy’s unique discourse of rewriting and telling old stories, fairy tales, and myths that represent female characters as marginalized, inactive, and weak.
 Methodology: A qualitative research design was adopted to investigate the pervasive shifts of restructuring female convictions, configurations, and identity in selected poems from Duffy’s The World’s Wife. The research data in this paper is drawn from two main sources: literary books and articles.
 Main Findings: The analysis unravels Duffy’s feminist attitude in her poetic collection to rev
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Thạch Thị, Cương Quyền. "From the female writer in A Room of One’s Own to the female reader in The Reader: feminist voices." Science & Technology Development Journal - Social Sciences & Humanities 5, no. 2 (2021): 1056–65. http://dx.doi.org/10.32508/stdjssh.v5i2.583.

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Virginia Woolf (1882-1941) is the pioneers of the very first movement of feminism. Her work A Room of One's Own (1929) shows gender discrimination with discourse of feminism and of literary creativeness, and also thoughts for fighting for gender equality. For Woolf, a liberal writer is the one who has his/her own room to work and is adequately educated. Despite of the wide gap of generation, the novel The Reader (1995) by Bernhard Schlink (1944-) continued with feminism from the view of female readers. It also shows his view point of a liberal reader who has the right to participate in literar
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Bani Younes, Mohammad, Alaa' M. Smadi, Ali AbuSeileek, and Ghaleb Rabab'ah. "The Influence of Gender on EFL learners’ Discourse Functions in a CMC Environment." International Journal of Arabic-English Studies 23, no. 2 (2023): 195–210. http://dx.doi.org/10.33806/ijaes.v23i2.460.

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This study investigates the role of gender on EFL Learners’ output of discourse functions obtained from computer-mediated communications (CMC) via Skype. The study seeks to answer the question: Are there any statistically significant differences among the total means of discourse functions generated by gender groups (same-gender (male-male (MM), and female-female (FF)) and mixed-gender (female-male (FM), and male-female (MF)))? Sixty-four undergraduates (32 females and 32 males) participated in the study. They were assigned into two gender main groups: same-gender (MM: 16 males who chatted in
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Muntian, Antonina, and Iryna Shpak. "VERBALIZATION OF FEMALE ARTISTIC IMAGES IN “A THOUSAND SPLENDID SUNS” BY KHALED HOSSEINI: GENDER ASPECT." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 9(77) (2020): 185–88. http://dx.doi.org/10.25264/2519-2558-2020-9(77)-185-188.

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The purpose of this study is an attempt to examine women’s artistic images and their verbalization in Khaled Hosseini’s novel “A Thousand Splendid Suns”. In this study, the authors try to analyze the manifestations of the feminine discourse of the two main female characters in the novel “A Thousand Splendid Suns” in sociocultural and linguostylistic aspects. In the recent years women’s studies are becoming more and more significant; female discourses are being analyzed form different scientific points of view. Considering the relevant scientific works of eminent scientists, the authors of this
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Janiak, Edyta. "Feministyczne gry z autobiografią." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (2019): 150–65. http://dx.doi.org/10.5604/01.3001.0012.9849.

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The aim of the article is showing diverse ways of reception and description of female autobiographies in the critical literary research. The author devotes exceptional attention to the feminist researchers’ approach to these texts and the reading strategies proposed by them. Tracing the feminism – female autobiography relation makes it possible to perceive mutual influences and observe evolution of the emerging discourse of the feminist literary criticism.
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Hassan, Mohamad Fleih, Hardev Kaur, and Manimangai Mani. "A Symbolic Reading of Adrienne Rich’s An Unsaid Word." International Letters of Social and Humanistic Sciences 68 (April 2016): 55–60. http://dx.doi.org/10.18052/www.scipress.com/ilshs.68.55.

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An imitation of the literary styles and modes of expression of the great writers in the post-World War II was the criterion of success for any male or female writer. The conventions of T.S. Eliot and W.H. Auden influenced the poetics and thought of the younger generation poets. For example, Adrienne Rich (1929-2012) was an ardent disciple of these conventions in her early career. She was influenced by the phallogocentric discourse of subject formation. She followed this man-made discourse to be accepted within the literary circle as a successful woman writer, but she realized that this discour
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Eliseeva, Aleksandra V. "“WOMEN’ WRITING” AS AN AREA OF DISCOURSIVE, GENRE AND NARRATIVE CONFLICTS (A CASE STUDY OF GERMAN-LANGUAGE FEMALE PROSE OF THE LATE XIX – EARLY XX CENTURY)." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 2 (2020): 17–47. http://dx.doi.org/10.18522/2415-8852-2020-2-17-47.

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The paper focuses on the phenomenon of “women’s writing”, a discussion about which began in the 1970s. Based on Elaine Showalter’s concept of “doubled-voiced discourse” as well as on Franco Moretti’s theory of literary forms development from the center to the periphery, which generates unstable compromises in the structure, its “cracks” and gaps, the article offers an interpretation of “women’s writing” as an area of increased conflict. The case study of three literary works of the late XIX – early XX century written in German language – Elsa Asenijeff’ essay “Women’s Riot and the Third Sex” (
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Sitepu, Heny Roulina, T. Silvana Sinar, and Irawaty Kahar. "IDEOLOGI GENDER KEBAHASAAN PADA NOVEL KARYA SASTRA PENGARANG PEREMPUAN." MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan 17, no. 2 (2019): 132. http://dx.doi.org/10.26499/mm.v17i2.2136.

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The novel by female authors often tell about the position of women who appear as symbols of subtlety, and place them in a lower position than men. The purpose of this study is to analyze how the form of linguistic gender ideology in literary novels by female authors and what context triggers gender ideology in novels by literary authors. In this study, researchers focused on this research on the Mills Kritsis Discourse Analysis. This research is a type of qualitative research. The data in this study is sentences that contain linguistic by female authors. Data collection techniques in this stud
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Nerio, Magdalena. "Activist Discourse and the Origins of Feminist Shakespeare Studies." Multicultural Shakespeare: Translation, Appropriation and Performance 27, no. 42 (2023): 143–60. http://dx.doi.org/10.18778/2083-8530.27.09.

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This essay reconsiders interpretations of Shakespeare by Irish writer Anna Murphy Jameson and the American Transcendentalist Margaret Fuller. Developing an informal method in which the voice of the female critic rallies in defence of Shakespeare’s heroines, they intervene in a male-dominated intellectual sphere to model alternative forms of women’s learning that take root outside of formalized institutional channels. Jameson, in Shakespeare’s Heroines, invokes the language of authentic Romantic selfhood and artistic freedom, recovering Shakespeare’s female characters from earlier critical aspe
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Dissertations / Theses on the topic "Female literary discourse"

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Moreno, Eliana Beatriz. "A loucura e o feminino na obra de Florbela Espanca." Universidade do Estado do Rio de Janeiro, 2007. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=242.

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O presente trabalho teve como objetivo estabelecer a relação entre a loucura e a submissão feminina, tendo como causa o poder masculino, retratada de forma ampla nas obras e cartas de Florbela Espanca, poetisa portuguesa do início do século XX. Um olhar no regime econômico vigente na época, o Capitalismo, é de grande importância para contextualização da mulher na sociedade, que transforma gradualmente, o papel social feminino. Com uma nova posição no mundo surgem mulheres com questionamentos e reavaliações bastante peculiares para a época. Em Portugal, na Literatura o processo começa a ser reg
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Braun, Stefanie. "Le discours romanesque de Clara Mundt alias Luise Mühlbach (1814-1873) face à l’histoire : représentation de l’ère napoléonienne, historiographie popularisée et modernité scientifique en Allemagne autour de 1850." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20068.

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L’historiographie romanesque allemande autour de 1850, à savoir l’écriture de l’histoire pour grand public, est étudiée ici à partir de trois romans historiques parus après la révolution de 1848, mais avant la nomination de Bismarck comme ministre-président de la Prusse en 1862. Ce sont des romans-fleuves écrits par l’épouse de Theodor Mundt, Clara Mundt alias Luise Mühlbach (1814-1873) : Königin Hortense (1856), Napoleon in Deutschland (1858/1859) et Kaiserin Josephine (1861). Cette romancière fit partie de la première génération de femmes-écrivains ayant pu vivre de leur plume et elle connut
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Braun, Stefanie. "Le discours romanesque de Clara Mundt alias Luise Mühlbach (1814-1873) face à l’histoire : représentation de l’ère napoléonienne, historiographie popularisée et modernité scientifique en Allemagne autour de 1850." Electronic Thesis or Diss., Toulouse 2, 2018. http://www.theses.fr/2018TOU20068.

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L’historiographie romanesque allemande autour de 1850, à savoir l’écriture de l’histoire pour grand public, est étudiée ici à partir de trois romans historiques parus après la révolution de 1848, mais avant la nomination de Bismarck comme ministre-président de la Prusse en 1862. Ce sont des romans-fleuves écrits par l’épouse de Theodor Mundt, Clara Mundt alias Luise Mühlbach (1814-1873) : Königin Hortense (1856), Napoleon in Deutschland (1858/1859) et Kaiserin Josephine (1861). Cette romancière fit partie de la première génération de femmes-écrivains ayant pu vivre de leur plume et elle connut
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Lee, Ann-Gee. "Female Fabrications: An Examination of the Public and Private Aspects of Nüshu." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1225660015.

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Katem, Eman. "A Phenomenological Inquiry: The Impact of the Process of Dietary Acculturation and the Nutritional Discourse in Canada on Female Immigrants with Type II diabetes." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/33366.

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Nutritional communication research helps with public health promotion, government dietary intervention and future outlooks for the dietetics profession. This research explores the way health professionals target niche population groups to educate on nutrition. The phenomenological methodology and the Communication Accommodation theory framework guided interviews with 10 Arab-speaking females diagnosed with type II diabetes or prediabetes. The findings reveal eight major underlying themes: language, socio-economic impact, level of integration/adaption to new environment, role of religion in lif
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Watt, Diane P. "Juxtaposing Sonare and Videre Midst Curricular Spaces: Negotiating Muslim, Female Identities in the Discursive Spaces of Schooling and Visual Media Cultures." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19973.

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Muslims have the starring role in the mass media’s curriculum on otherness, which circulates in-between local and global contexts to powerfully constitute subjectivities. This study inquires into what it is like to be a female, Muslim student in Ontario, in this post 9/11 discursive context. Seven young Muslim women share stories of their high schooling experiences and their sense of identity in interviews and focus group sessions. They also respond to images of Muslim females in the print media, offering perspectives on the intersections of visual media discourses with their lived experience.
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Gambus, Aurélie. "La quête d’individualisation du personnage féminin : les Jolies Choses de Virginies Despentes : amor, curiosidad, prozac y dudas de Lucía Etxebarria : surtout ne te retourne pas et Cette Fille-là de Maïssa Bey." Thesis, Avignon, 2009. http://www.theses.fr/2009AVIG1079/document.

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En ce début du XXIème siècle, un nombre d’auteurs sans cesse plus important développe un véritable enthousiasme pour des thématiques féminines. Plus précisément, il s’agit pour eux de mettre en exergue la quête identitaire des femmes dans notre société. Cette littérature révèle une omniprésence du corps et de la sexualité en lien étroit avec la société et les schémas culturels imposés tenant ainsi un discours novateur sur les femmes. Le but de cette recherche est de montrer comment un discours littéraire, en reprenant les discours socioculturels, féministes et psychanalystes du moment, conçoit
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Books on the topic "Female literary discourse"

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The female voice in medieval Romance lyric. P. Lang, 1988.

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The beginnings of modern gendered discourse in late eighteenth-century Germany: Literary, philosophical, and popular portrayals of female orality. Edwin Mellen Press, 2009.

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Postcolonial Hauntologies: African Women's Discourses of the Female Body. University of Nebraska Press, 2019.

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Coly, Ayo A. Postcolonial Hauntologies: African Women's Discourses of the Female Body. University of Nebraska Press, 2019.

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Coly, Ayo A. Postcolonial Hauntologies: African Women's Discourses of the Female Body. University of Nebraska Press, 2019.

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Kumojima, Tomoe. Victorian Women's Travel Writing on Meiji Japan. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871439.001.0001.

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Victorian Women’s Travel Writing on Meiji Japan: Hospitable Friendship explores real-life instances and literary manifestations of cross-cultural friendship between Victorian female travellers and Meiji Japanese, examining its ethico-political significance against the backdrop of British ‘New Imperialism’. Shifting critical focus from the individualist model of subjectivity to affective relationality, Tomoe Kumojima conceptualizes the female travellers’ open subjectivity as hospitable friendship and argues that femininity proves to be an asset in their praxis of more equitable cross-cultural c
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Wasdin, Katherine. Cultivating Romance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190869090.003.0004.

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This chapter demonstrates the nuances of plant metaphors in wedding and love poetry. Plant metaphors in love poetry praise beautiful youths by equating them with flowers threatened by the passage of time. Such threats are meant to be warnings to recalcitrant lovers. In the wedding discourse, flowers risk being violently destroyed and symbolize peaceful independence for female speakers. While floral metaphors do not permit safe interaction beyond aesthetic appreciation, vine metaphors emphasize physical entanglement and fruitful productivity. Accounts of nuptial productivity use imagery and ter
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Juárez-Almendros, Encarnación. Disabled Bodies in Early Modern Spanish Literature. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940780.001.0001.

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The book examines, from the perspective of feminist disability theories, the concepts and role of women in selected Spanish discourses and literary texts from the late fifteenth to seventeenth centuries. It explores a wide range of Spanish medical, regulatory and moral discourses in order to show how these inherit, reproduce and propagate an amalgam of Western traditional concepts of the female embodiment. The book also examines concrete representations of deviant female characters, with a focus in the figure of the syphilitic prostitute and the physically decayed aged women, in a variety of l
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Beeston, Alix. Torn, Burned, and Yet Dancing. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690168.003.0005.

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This chapter discusses the collaborative and institutionalized mode of production in studio-era Hollywood through the lens of the two major projects that comprised the work of the final year of F. Scott Fitzgerald’s life: the screenplay “Cosmopolitan” and the unfinished novel The Last Tycoon. These texts modify the modernist literary trope of the woman-in-series in concert with classical Hollywood’s defining logic of substitution and repetition. Ultimately derived from the basic seriality of the photogrammatic track, this logic is incarnated by female characters in “Cosmopolitan” and The Last
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Cook, Kate. Praise and Blame in Greek Tragedy. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350410527.

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Exploring the use of praise and blame in Greek tragedy in relation to heroic identity, Kate Cook demonstrates that the distribution of praise and blame, a significant social function of archaic and classical poetry, also plays a key role in Greek tragedy. Both concepts are a central part of the discourse surrounding the identity of male heroic figures in tragedy, and thus are essential for understanding a range of tragedies in their literary and social contexts. In the tragic genre, the destructive or dangerous aspects of the process of kleos (glory) are explored, and the distribution of prais
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Book chapters on the topic "Female literary discourse"

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Purinton, Marjean D. "Lee: The New Science and Female Madness." In The New Science and Women’s Literary Discourse. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118430_12.

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Dickinson, Sara. "Aleksandra Xvostova, Nikolaj Karamzin and the Gendering of Toska." In Biblioteca di Studi Slavistici. Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.03.

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This article reviews the evolution of toska in eighteenth-century literary discourse to demonstrate this sentiment's profound connection with notions of femininity. That century's use of toska culminates in Aleksandra Xvostova's then popular Otryvki (Fragments, 1796), the emotional emphases of which were one of the reasons for its success. In fact, we argue that Russian women's writing contains a tradition of emotional expression that is lexically distinct from the male tradition. Xvostova’s emphatic and reiterative use of toska participates in a larger debate about gender and the 'ownership' of personal emotions and it was relevant to literary arguments about "feminization" that involved writers such as Nikolaj Karamzin and Vasilij Zukovskij, but also a number of women authors (e.g. Ekaterina Urusova, Anna Turčaninova, Elizaveta Dolgorukova, Anna Volkova), whose work asserts the right of the female subject to both suffer strong emotion and to express it.
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Ross, Charlotte. "Italian Medical and Literary Discourses around Female Same-Sex Desire, 1877–1906." In Italian Sexualities Uncovered, 1789–1914. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137396990_12.

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Hamm, Christine. "A Plea for Motherhood: Mothering and Writing in Contemporary Norwegian Literature." In Narratives of Motherhood and Mothering in Fiction and Life Writing. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17211-3_9.

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AbstractIn 2018 several well-established female Norwegian novelists—Kjersti Annesdatter Skomsvold, Heidi Furre, Inger Bråtveit and Monica Isakstuen—produced fiction with mothers as narrators and protagonists. This chapter explores the issues that their texts address, as well as the narrative strategies they use. Although the novels look quite like popular motherhood memoirs where mothers describe their daily efforts to manage the situation at home, I show that the refined aesthetic texts by these Norwegian authors in fact contain what I call a plea for motherhood. Further, all four novels explore the relationship between writing and mothering. Ultimately, I argue that the novels by Skomsvold, Furre, Bråtveit and Isakstuen need to be read against the background of the situation in Norway, where it is taken for granted that women want a career, but motherhood is generally left without comment. The narrators in the 2018 novels seem motivated not only by the need to defend motherhood against feminist attacks on motherhood but also in resistance against other discourses, including political pro-natalism and literary-critical dismissal of motherhood as a literary subject. By merging fragments, essayistic pieces, memories and reflections, the novels point to a new way of delineating the multi-layered experience of motherhood.
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LARSON, WENDY. "Female Subjectivity and Gender Relations:." In Politics, Ideology, and Literary Discourse in Modern China. Duke University Press, 1993. http://dx.doi.org/10.2307/j.ctv1131dvc.9.

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"Female Subjectivity and Gender Relations." In Politics, Ideology, and Literary Discourse in Modern China. Duke University Press, 1993. http://dx.doi.org/10.1215/9780822381846-006.

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Waller, Gary. "The Female Baroque." In The Female Baroque in Early Modern English Literary Culture. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721431_ch02.

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The concept of the ‘Female’ Baroque, derives from Julia Kristeva; the chief objective of this study is to examine the distinctive contribution of women writers and artists, thus addressing a recurring omission in previous scholarship. This chapter discusses major models for women: the Virgin Mary, Mary Magdalen, and the ideal Petrarchan Mistress. Along with the historical realities of patriarchal exploitation of women in the early modern period, I explore the emergent energies of women’s writings, examining whether there were distinctive ‘female’ experiences articulated through early modern discourse. Kristeva’s emphasis on St Teresa of Avila provides a model of the Female Baroque; her concept of ‘intimate revolt’ and her important distinction between the semiotic and the symbolic also inform this discussion.
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Ivanhoe, Philip J., and Hwa Yeong Wang. "Discourses (論)." In Korean Women Philosophers and the Ideal of a Female Sage. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197508688.003.0003.

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Abstract This section contains eleven discourses written by Im Yunjidang. The discourse is a genre found among the writings of many orthodox neo-Confucians. It usually takes up and discusses some well-known historical figures, often rendering an assessment of their character and actions. Many discourses employ the literary technique of dialogue to advance their analysis, and this is the case with several of Yunjidang’s discourses.
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"Female Subjectivity and Gender Relations: The Early Stories of Lu Yin and Bing Xin." In Politics, Ideology, and Literary Discourse in Modern China. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822381846-007.

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Waller, Gary. "Lady Mary Wroth : The Countesse of Mountgomeries Urania and Pamphilia to Amphilanthus." In The Female Baroque in Early Modern English Literary Culture. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721431_ch06.

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Mary Wroth’s major literary works, The Countesse of Mountgomeries Urania and the poetry collection Pamphilia to Amphilanthus, are distinctively Baroque: Wroth repeatedly, obsessively, demonstrates a fascination with multiple narratives, the blurring of fiction and history, and eruptions of magical or miraculous interventions. She establishes the contours of a female Baroque subject, who has to absorb and attempt to transcend enculturation by the dominant male discourse. What happens when a woman enters the predominantly male discursive poetical playground of Petrarchism? Could a woman envisage anything more than her own fragmentation? Would hers be the ‘same’ anguish as that articulated on behalf of the dominant male subject position? What cultural forces speak through her in addition to those she attempts to control?
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Conference papers on the topic "Female literary discourse"

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Silva, Mariana O., Luiza de Melo-Gomes, and Mirella M. Moro. "Gender Representation in Literature: Analysis of Characters' Physical Descriptions." In Symposium on Knowledge Discovery, Mining and Learning. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/kdmile.2023.232571.

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This study employs Natural Language Processing (NLP) techniques to quantitatively analyze the descriptions of male and female body parts in Portuguese literature. We investigate these descriptions' frequency, specificity, and objectification by examining a corpus of literary works. The results indicate distinct differences in how male and female bodies are portrayed, revealing evidence of gender bias in the choice of specific descriptors for body parts. This research contributes to the ongoing discourse surrounding gender representation in literature, shedding light on the potential biases in
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Andini, Amalia, and Ghaziah Akhni. "News Discourse and Gender Bias Toward Female Presidential Candidates Approaching the 2024 Election in Indonesia." In Proceedings of the 4th International Conference Entitled Language, Literary, And Cultural Studies, ICON LATERALS 2023, 11-12 July 2023, Malang, Indonesia. EAI, 2023. http://dx.doi.org/10.4108/eai.11-7-2023.2340608.

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Vučković, Dijana Lj. "RECEPCIJA PRIČE SA ENORMATIVNOM RODNOM KARAKTERIZACIJOM LIKOVA OD STRANE UČENIKA PETOG RAZREDA." In KNjIŽEVNOST ZA DECU U NAUCI I NASTAVI. University of Kragujevac, Faculty of Education in Jagodina, 2022. http://dx.doi.org/10.46793/kdnn21.141v.

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The aim of this research was to examine fifth-grade students’ reactions to a fairy tale which contains a non-normative gender characterization, entitled Cinderella Liberator by Rebecca Solnit. The research is based on a whole series of similar qualitative research studies that have been conducted in different parts of the world since 1980s. The research was inspired by the feminist movement, especially Marcia Lieberman, who drew attention to classical fairy tales as a very important factor in preserving the normative gender key (Lieberman 1972). As a result, pure feminist fairy tales have been
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