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Journal articles on the topic 'Female literary discourse'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 June 2024

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1

Poloczek, Katarzyna. "Paula Meehan’s "Cell": The Imprisoned Dialogue of Female Discourses." Research in Language 12, no. 4 (2014): 401–21. http://dx.doi.org/10.1515/rela-2015-0008.

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The paper discusses Paula Mehan’s play Cell with focus on the female discourses present in the context of this literary work and the multifold metaphorisation that both the title of the work and the contents invite. The discourses are analysed against the relevant social background and critical literature. The focal types of discourses under discussion involve imagery from maternal and familiar discourse, the “biological” discourse related to hygiene, the sexual discourse, the mock feminist discourse, the discourse of the military and the propaganda of the common good, and the discourse relate

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2

Mhana, Zainab Abdulkadhim, Rosli Bin Talif, Hardev Kaur, and Zainor Izat Zainal. "EMANCIPATORY DISCOURSE IN CAROL ANN DUFFY’S THE WORLD’S WIFE." Humanities & Social Sciences Reviews 7, no. 4 (2019): 176–83. http://dx.doi.org/10.18510/hssr.2019.7423.

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Purpose: This study examines Carol Ann Duffy’s unique discourse of rewriting and telling old stories, fairy tales, and myths that represent female characters as marginalized, inactive, and weak. Methodology: A qualitative research design was adopted to investigate the pervasive shifts of restructuring female convictions, configurations, and identity in selected poems from Duffy’s The World’s Wife. The research data in this paper is drawn from two main sources: literary books and articles. Main Findings: The analysis unravels Duffy’s feminist attitude in her poetic collection to rev

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3

Thạch Thị, Cương Quyền. "From the female writer in A Room of One’s Own to the female reader in The Reader: feminist voices." Science & Technology Development Journal - Social Sciences & Humanities 5, no. 2 (2021): 1056–65. http://dx.doi.org/10.32508/stdjssh.v5i2.583.

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Virginia Woolf (1882-1941) is the pioneers of the very first movement of feminism. Her work A Room of One's Own (1929) shows gender discrimination with discourse of feminism and of literary creativeness, and also thoughts for fighting for gender equality. For Woolf, a liberal writer is the one who has his/her own room to work and is adequately educated. Despite of the wide gap of generation, the novel The Reader (1995) by Bernhard Schlink (1944-) continued with feminism from the view of female readers. It also shows his view point of a liberal reader who has the right to participate in literar

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Bani Younes, Mohammad, Alaa' M. Smadi, Ali AbuSeileek, and Ghaleb Rabab'ah. "The Influence of Gender on EFL learners’ Discourse Functions in a CMC Environment." International Journal of Arabic-English Studies 23, no. 2 (2023): 195–210. http://dx.doi.org/10.33806/ijaes.v23i2.460.

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This study investigates the role of gender on EFL Learners’ output of discourse functions obtained from computer-mediated communications (CMC) via Skype. The study seeks to answer the question: Are there any statistically significant differences among the total means of discourse functions generated by gender groups (same-gender (male-male (MM), and female-female (FF)) and mixed-gender (female-male (FM), and male-female (MF)))? Sixty-four undergraduates (32 females and 32 males) participated in the study. They were assigned into two gender main groups: same-gender (MM: 16 males who chatted in

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Muntian, Antonina, and Iryna Shpak. "VERBALIZATION OF FEMALE ARTISTIC IMAGES IN “A THOUSAND SPLENDID SUNS” BY KHALED HOSSEINI: GENDER ASPECT." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 9(77) (2020): 185–88. http://dx.doi.org/10.25264/2519-2558-2020-9(77)-185-188.

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The purpose of this study is an attempt to examine women’s artistic images and their verbalization in Khaled Hosseini’s novel “A Thousand Splendid Suns”. In this study, the authors try to analyze the manifestations of the feminine discourse of the two main female characters in the novel “A Thousand Splendid Suns” in sociocultural and linguostylistic aspects. In the recent years women’s studies are becoming more and more significant; female discourses are being analyzed form different scientific points of view. Considering the relevant scientific works of eminent scientists, the authors of this

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Janiak, Edyta. "Feministyczne gry z autobiografią." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (2019): 150–65. http://dx.doi.org/10.5604/01.3001.0012.9849.

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The aim of the article is showing diverse ways of reception and description of female autobiographies in the critical literary research. The author devotes exceptional attention to the feminist researchers’ approach to these texts and the reading strategies proposed by them. Tracing the feminism – female autobiography relation makes it possible to perceive mutual influences and observe evolution of the emerging discourse of the feminist literary criticism.

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Hassan, Mohamad Fleih, Hardev Kaur, and Manimangai Mani. "A Symbolic Reading of Adrienne Rich’s An Unsaid Word." International Letters of Social and Humanistic Sciences 68 (April 2016): 55–60. http://dx.doi.org/10.18052/www.scipress.com/ilshs.68.55.

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An imitation of the literary styles and modes of expression of the great writers in the post-World War II was the criterion of success for any male or female writer. The conventions of T.S. Eliot and W.H. Auden influenced the poetics and thought of the younger generation poets. For example, Adrienne Rich (1929-2012) was an ardent disciple of these conventions in her early career. She was influenced by the phallogocentric discourse of subject formation. She followed this man-made discourse to be accepted within the literary circle as a successful woman writer, but she realized that this discour

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Eliseeva, Aleksandra V. "“WOMEN’ WRITING” AS AN AREA OF DISCOURSIVE, GENRE AND NARRATIVE CONFLICTS (A CASE STUDY OF GERMAN-LANGUAGE FEMALE PROSE OF THE LATE XIX – EARLY XX CENTURY)." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 2 (2020): 17–47. http://dx.doi.org/10.18522/2415-8852-2020-2-17-47.

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The paper focuses on the phenomenon of “women’s writing”, a discussion about which began in the 1970s. Based on Elaine Showalter’s concept of “doubled-voiced discourse” as well as on Franco Moretti’s theory of literary forms development from the center to the periphery, which generates unstable compromises in the structure, its “cracks” and gaps, the article offers an interpretation of “women’s writing” as an area of increased conflict. The case study of three literary works of the late XIX – early XX century written in German language – Elsa Asenijeff’ essay “Women’s Riot and the Third Sex” (

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Sitepu, Heny Roulina, T. Silvana Sinar, and Irawaty Kahar. "IDEOLOGI GENDER KEBAHASAAN PADA NOVEL KARYA SASTRA PENGARANG PEREMPUAN." MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan 17, no. 2 (2019): 132. http://dx.doi.org/10.26499/mm.v17i2.2136.

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The novel by female authors often tell about the position of women who appear as symbols of subtlety, and place them in a lower position than men. The purpose of this study is to analyze how the form of linguistic gender ideology in literary novels by female authors and what context triggers gender ideology in novels by literary authors. In this study, researchers focused on this research on the Mills Kritsis Discourse Analysis. This research is a type of qualitative research. The data in this study is sentences that contain linguistic by female authors. Data collection techniques in this stud

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Nerio, Magdalena. "Activist Discourse and the Origins of Feminist Shakespeare Studies." Multicultural Shakespeare: Translation, Appropriation and Performance 27, no. 42 (2023): 143–60. http://dx.doi.org/10.18778/2083-8530.27.09.

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This essay reconsiders interpretations of Shakespeare by Irish writer Anna Murphy Jameson and the American Transcendentalist Margaret Fuller. Developing an informal method in which the voice of the female critic rallies in defence of Shakespeare’s heroines, they intervene in a male-dominated intellectual sphere to model alternative forms of women’s learning that take root outside of formalized institutional channels. Jameson, in Shakespeare’s Heroines, invokes the language of authentic Romantic selfhood and artistic freedom, recovering Shakespeare’s female characters from earlier critical aspe

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Janiak, Edyta. "FEMINIST GAMES WITH AUTOBIOGRAPHY." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (2019): 150–67. http://dx.doi.org/10.5604/01.3001.0012.9834.

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Edyta Janiak The Feminist Games with Autobiography The aim of the article is showing diverse ways of reception and descrip- tion of female autobiographies in the critical literary research. The au- thor devotes exceptional attention to the feminist researchers’ approach to these texts and the reading strategies proposed by them. Tracing the feminism – female autobiography relation makes it possible to perceive mutual influences and observe evolution of the emerging discourse of the feminist literary criticism.

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Garcia, Cláudia. "The Flight of the Maiden: Representations of Women and the Guitar in Brazilian Culture." Soundboard Scholar 7, no. 1 (2021): 1–21. http://dx.doi.org/10.56902/sbs.2021.7.11.

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This article examines the relationship between women and the guitar in the context of both Brazilian literary discourse and the instrument’s culture and history. To this end, I have sought out texts that illustrate intersections between women and the guitar from the perspective of both female and male authorship. We see that the guitar provides a vehicle for the woman’s voice in all its restlessness, violation, and libertarian desire; but equally, it enables the perpetuation of stereotypes linked to the mirroring of the guitar and the female body. In the absence of literary and historic record

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Tijani, O. Ishaq. "Feminism and Postmodernism in Kuwaiti Women’s Fiction: Four Novels by Fawziyya S. al-Sālim." Open Cultural Studies 2, no. 1 (2018): 61–72. http://dx.doi.org/10.1515/culture-2018-0007.

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Abstract This article comparatively examines the first four novels of Fawziyya Shuwaysh al-Sālim (b. 1949): al-Shams madhbūḥa wa-l-layl maḥbūs (1997), al-Nuwākhidha (1998), Muzūn (2000), Ḥajar ʿalā ḥajar (2003). I argue that these novels reflect not only the stages of the author’s career as a novelist but also of the transition of Kuwaiti women’s fiction from the conventional to the postmodern narrative technique and discourse. Al-Sālim’s first and second novels typically reproduce-albeit subversively-the dominant literary discourse and employ conventional narrative techniques. On the other ha

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Indriani, Laillia Dhiah. "Kompetisi dan Posisi Tubuh Perempuan dalam Iklan Rokok: Analisis Wacana Kritis Pada Novel “Gadis Kretek” Karya Ratih Kumala." Sasdaya: Gadjah Mada Journal of Humanities 7, no. 2 (2023): 1–25. http://dx.doi.org/10.22146/sasdaya.v7(2).

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Using women's bodies in product marketing advertisements is nothing new. The female body is deliberately presented as a marketing strategy. In practice, it is not uncommon for women to be categorized into three trinities, namely, girl, wife, and entertainer. What's worse, this is justified and reproduced by various media. The Gadis Kretek novel is a literary work that juxtaposes the female body with cigarette advertisements. This research was conducted to uncover how women's bodies are selected, used, and displayed for marketing activities of cigarette products that are attached to men by soci

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Indriani, Laillia Dhiah. "Kompetisi dan Posisi Tubuh Perempuan dalam Iklan Rokok: Analisis Wacana Kritis Pada Novel “Gadis Kretek” Karya Ratih Kumala." Sasdaya: Gadjah Mada Journal of Humanities 7, no. 2 (2023): 92–116. http://dx.doi.org/10.22146/sasdaya.9838.

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Using women's bodies in product marketing advertisements is nothing new. The female body is deliberately presented as a marketing strategy. In practice, it is not uncommon for women to be categorized into three trinities, namely, girl, wife, and entertainer. What's worse, this is justified and reproduced by various media. The Gadis Kretek novel is a literary work that juxtaposes the female body with cigarette advertisements. This research was conducted to uncover how women's bodies are selected, used, and displayed for marketing activities of cigarette products that are attached to men by soci

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16

Gómez-Bravo, Ana M. "«Female (co)authorship in Cancionero Poetry»." Revista de Literatura Medieval 30 (December 31, 2018): 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.

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Resumen: La autoría femenina era una cuestión polémica en la Iberia del siglo XV y principios del XVI. Gran parte de la producción poética de este período estaba asociada con la interacción social, lo que permitía una compleja negociación de la autoría y los papeles de género. Si bien el discurso femenino era fundamental para la escritura poética y las prácticas culturales relacionadas con el mismo, estaban en funcionamiento prácticas editoriales que suprimían las contribuciones de las mujeres a la escritura. El estudio apunta a una imbricación textual del discurso femenino y masculino en vari

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Onuki, Atsuko. "Multiple refractions. The metamorphosis of the notions of beauty in Japan." European Review 8, no. 4 (2000): 591–604. http://dx.doi.org/10.1017/s1062798700005123.

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Japanese occidentalism is characterized by the view that the culture of the Occident was seen as just as exotic to the Japanese as the Orient was to the Europeans, but it is accompanied by a feeling of cultural inferiority. This paper tries to illustrate the Japanese occidentalism in the different aesthetic perceptions of beauty, especially of female beauty, mainly in literary discourse from the late nineteenth century up to the immediate present. The notion of female beauty is formed through cultural discourse according to how the cultural inferiority is perceived. It is like the scenery with

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18

Dziuba, Elena V., and Irina Yu Ryabova. "Transfer of Legal Knowledge to the Narrative Space of a Work of Fiction." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 4 (2021): 297–317. http://dx.doi.org/10.15826/izv2.2021.23.4.080.

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The object of this study is hybrid discourse as a result of the integration of language markers and concepts of legal discourse and literary narrative. The subject of the study is the techniques, mechanisms, and means of transfer involved in the formation of hybrid discourse. The transfer of legal knowledge into a literary text is the process of transmitting knowledge marked by the legal sphere into the narrative space of a literary text in order to model the image of a female judge, identify professionally significant personality characteristics and internal contradictions integrated into a p

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Kovalova, Daryna. "FEMINIST DISCOURSE OF WOMEN’S POETRY OF YOUNG POLAND." Polish Studies of Kyiv, no. 37 (2021): 186–95. http://dx.doi.org/10.17721/psk.2021.37.186-195.

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In the XIX-XX centuries. the emancipation of women had a strong influence on the established order of society. It was most evident in the works of contemporary writers. The article explores a little-known topic of women’s poetry of the literary period of Young Poland. The article analyzes the thematic range, issues and corporeality of poetry of Bronislava Ostrovska, Maryla Volska, Marcelina Kulikovska, Maria Komornitska and others. The essay examines the work of these women writers in the projection of the active development of feminist discourse through the prism of socio-political, cultural

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Basra, Zainab, Urooj Fatima Alvi, and Mubashar Nadeem. "MUSLIM FEMINISTIC NARRATIVE IN POETRY: A LITERARY ANALYSIS OF FAHMIDA RIAZ'S POEMS." Journal of Nusantara Studies (JONUS) 7, no. 2 (2022): 424–43. http://dx.doi.org/10.24200/jonus.vol7iss2pp424-443.

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Background and Purpose: Fahmida Riaz was able to articulate precise feminist politics through her voice because she was audible to many women in the Pakistani context. The current study investigates how her writings about the female body were not merely a tool to celebrate or raise the sexual distance, but also influenced a political intervention and shifted the dominant patriarchal structures present in literary as well as other social and political levels. The purpose of the research is to shed light on how a specific poet's voice was able to reach a large audience of women and articulate ex

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Knotkova, Blanka BK. "Tagore in Czech Literary Translation: Interpretation and Gender Analysis." Gitanjali & Beyond 1, no. 1 (2016): 119. http://dx.doi.org/10.14297/gnb.1.1.119-133.

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<p>This text stems from the perspective of gender methodology and explores the way the two most significant Czech specialists in Bengali and Tagore Studies translated selected concepts in his poems. The first two concepts denote the female in specific contexts; the third one designates the divine. This analysis applies selected feminist theories and focuses on the gendered aspects of language (e.g. the generic masculine) as a discourse of power. One of the key questions is: Is the male gaze reflected in the narration? And how do the translations approach it?</p>

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Bowering, Thea. "A New Ontology for the Female Subject: The Rise of the Flat Character in Stories by Solvej Balle and Kirsten Thorup." Scandinavian-Canadian Studies 15 (December 1, 2005): 8–21. http://dx.doi.org/10.29173/scancan1.

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ABSTRACT: This paper examines the way the literary convention of the “flat-character” is re-imagined, in Kirsten Thorup’s story “Crazy Marie” and Solvej Balle’s “Alette V.,” as a feminist trope that disrupts modern fiction’s clichéd representations of female characters. The flat-character, a term coined by E.M. Forster, is an undeveloped figure designated to embody “a single idea or quality.” Based on the poetics of Erin Mouré that theorize the preposition as the woman’s sign: “because in the language it has no power, & can’t exist alone,” the essay compares the value of the flat character

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Vika Sari, Arini, and Wiyatmi Wiyatmi. "Sexual Politics in Fiksimini: Analysis of Feminist Critical Discourse." International Journal of Linguistics, Literature and Translation 4, no. 2 (2021): 111–19. http://dx.doi.org/10.32996/ijllt.2021.4.2.14.

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This study aims to describe the sexual politics in fiksimini by using feminist critical discourse analysis. This research is a qualitative descriptive study that uses @fiksimini account during January-February 2020 on Twitter as the data source. The research data used is sexual politics discourse contained in literary worksfiksimini which has a total of 267 data with 44 topicsfiksimini. Data collection techniques are conducted by reading and recorded in the data cards. The data collection instrument was the researcher himself (human instrument) using Kate Millett's sexual politics parameters.

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Penier, Izabella. "Modernity, (Post)modernism and New Horizons of Postcolonial Studies. The Role and Direction of Caribbean Writing and Criticism in the Twenty-first Century." International Studies. Interdisciplinary Political and Cultural Journal 14, no. 1 (2012): 23–38. http://dx.doi.org/10.2478/v10223-012-0052-2.

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My article will take issue with some of the scholarship on current and prospective configurations of the Caribbean and, in more general terms, postcolonial literary criticism. It will give an account of the turn-of-the century debates about literary value and critical practice and analyze how contemporary fiction by Caribbean female writers responds to the socioeconomic reality that came into being with the rise of globalization and neo-liberalism. I will use David Scott’s thought provoking study-Refashioning Futures: Criticism after Postcoloniality (1999)-to outline the history of the Caribbe

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Perojo Arronte, Mª Eugenia. "A comparative Study of the British and Spanish Nineteenth-Century Reception of Felicia Hemans." Atlánticas. Revista Internacional de Estudios Feministas 8, no. 1 (2023): 76–99. http://dx.doi.org/10.17979/arief.2023.8.1.8979.

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The popularity enjoyed by Felicia Hemans (1783–1835) in nineteenth-century Britain was determined by the progressive feminization of her literary work and a critical discourse marked by gender bias which together constructed an image of the author as a model of womanhood. While the reception of her male peers within the Spanish literary system has been widely discussed, Hemans’s has been totally neglected. Through a comparative analysis of both receptions, this essay throws light on the singular process through which the encounter with a freshly discovered literary tradition facilitated the un

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Tripathi, Lata. "Jane Austen's Feminist Journey: From Enlightenment Sparks to Contemporary Discourse." International Journal of English Literature and Social Sciences 9, no. 3 (2024): 241–50. http://dx.doi.org/10.22161/ijels.93.30.

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This paper explores the multifaceted feminist themes woven throughout Jane Austen's novels. It delves into how Austen, a product of the Enlightenment era, critiques the societal constraints placed upon women in Regency England. Through witty dialogue and social commentary, Austen exposes the limitations on female agency, particularly regarding marriage, property ownership, and self-determination. The paper utilizes in-depth analysis to trace the evolution of Austen's feminist voice across her works. It unveils her subtle yet powerful critiques of patriarchal structures, highlighting the inters

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Shafi, Uzma. "Matrices of Violence: A Post-structural Feminist Rendering of Nawal El Saadawi’s Woman at Point Zero and Lola Soneyin’s The Secrets of Baba Segi’s Wives." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 289–94. http://dx.doi.org/10.22161/ijels.74.43.

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There is quite a significant discourse on patriarchy and women identity in neo-colonial states. These studies border on dehumanization, victimization, and discrimination against women. Gender activists and women right advocates have been in the forefront of calls for recognition and protection of the rights of women in the African patriarchal society. The interventions recognize the African patriarchal structure, but the advocacy emphasizes the need to accord the female gender a pride of place in the sociocultural milieu. This study identified and analyzed lopsided societal treatment of the fe

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Easley, Alexis. "Wandering Women: Dorothy Wordsworth's Grasmere Journals and the discourse on female vagrancy." Women's Writing 3, no. 1 (1996): 63–77. http://dx.doi.org/10.1080/0969908960030105.

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Busia, Abena P. A. "Silencing Sycorax: On African Colonial Discourse and the Unvoiced Female." Cultural Critique, no. 14 (1989): 81. http://dx.doi.org/10.2307/1354293.

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Shahnahpour, Saeedeh. "Women and Crafting the Self in Moniro Ravanipour’s Novels." International Journal of Persian Literature 4, no. 1 (2019): 8–36. http://dx.doi.org/10.5325/intejperslite.4.1.0008.

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Abstract In the late 1980s, when feminist discourse became prevalent in Persian literature, a new generation of female writers appeared in Iran who used fiction, both short story and novel, as a literary vehicle to express their feelings and desires, and to criticize the gender gap and women’s social restrictions. Their writings thus offered a new outlook on how literature can shape the discourse of self-expression. As one of the most acclaimed female writers of postrevolutionary Iran, Moniro Ravanipour employs fiction, with autobiographical overtones, to express herself as a woman, a writer,

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Kononenko, V. I. "THE LANGUAGE AND AESTHETIC PARAMETERS OF A NEW STYLE IN UKRAINIAN FEMALE WRITERS’ PROSE TEXTS." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 11–24. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-11-24.

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The article deals with the features of the use of language aesthetic means of novostyl’ in the prose texts of the Ukrainian writers, representatives of postmodernism in fiction. In the creative work of the authors (I. Rozdobudko, I. Karpa, Tanya Maliarchuk) the typological features of the renewed idiolect were reflected, a number of changed norms in the system of text creation and image creation were recorded, and innovational processes in modern literary speech were reproduced. The following features are characteristic for their artistic discourse: the updating of the lexicon, the use of non-

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El Bakkali, Abdelaaziz, and Tayeb Ghourdou. "The Western Framing of the Female Captive: A Hermeneutic Study of Captivity in Morocco." European Journal of Language and Culture Studies 1, no. 5 (2022): 17–22. http://dx.doi.org/10.24018/ejlang.2022.1.5.21.

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The study of the Western consumption of the female captive remains central to the circulation of cultural and social constructions in the mainstream visual and literary texts. Due to the massive upsurge of such constructs, the hermeneutic study of the existing images about captivity in the East has stipulated new perspectives into the production of these substantial messages that determine genuine challenges to the preexisting canonical view of cultural representations. As many scholars have advanced critics about the female images in many narratives, Western cinema has shown significant portr

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Wyke, Maria. "The elegiac woman at Rome." Proceedings of the Cambridge Philological Society 33 (1987): 153–78. http://dx.doi.org/10.1017/s0068673500004971.

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How do women enter the discourse of Augustan love poetry and become elegiac? Studies of the representation of women in antiquity generally suggest that women enter its literatures doubly determined. Broadly speaking, literary representations of the female are determined both at the level of culture and at the level of genre: that is to say by the range of cultural codes and institutions which order the female in a particular society and by the conventions which surround a particular practice of writing. I propose in this paper, therefore, to explore the place of the elegiac woman in the litera

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Hohenstein, Svenja, and Katharina Thalmann. "Difficult Women: Changing Representations of Female Characters in Contemporary Television Series." Zeitschrift für Anglistik und Amerikanistik 67, no. 2 (2019): 109–29. http://dx.doi.org/10.1515/zaa-2019-0012.

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Abstract Starting out with a brief overview of recent TV series that feature complex and complicated female characters – or, as we call them, ‘difficult women’ – this introduction investigates the changing manner in which women have been represented on TV in previous decades. Demonstrating that especially TV shows of the 2010s undermine and work against traditional and stereotypical portrayals of women on TV and instead establish feminist discourses, we argue that this time period can be defined as a pivotal moment with regard to changing representations of women on TV. Using Netflix’s Orange

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Berg, Daria. "Courtesan Editor." T’oung Pao 99, no. 1-3 (2013): 173–211. http://dx.doi.org/10.1163/15685322-9913p0005.

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This article focuses on female editorship and sexual politics in late Ming and early Qing China, using Hua suo shi, an anthology edited by the courtesan poet Xue Susu, as a case study. It traces textual production and transmission, and reconstructs the literary and cultural contexts of this work to explore the courtesan’s editorial gaze and representation of gender through a close reading of it. The analysis of its two main themes—women as commodities, and women as agents—shows how the courtesan editor re-imagined China’s cultural landscape from her point of view. New examples of female agency

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Wallo, Oleksandra. "“The Stone Master”: On the Invisibility of Women’s Writing from the Soviet Ukrainian Periphery." East/West: Journal of Ukrainian Studies 5, no. 1 (2018): 157–80. http://dx.doi.org/10.21226/ewjus375.

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Until the last decade of the Soviet state’s existence, only very few Ukrainian women writers achieved literary fame. This study sheds new light on Soviet Ukrainian political, historical, and social contexts that contributed to the invisibility of Ukrainian women’s writing by examining the case of Lviv-based author Nina Bichuia (b. 1937). Bichuia’s career and the publication history of her works illustrate several characteristics and paradoxes of Soviet literary politics concerning the Soviet periphery—i.e., the non-Russian republics, such as Ukraine. In particular, this article analyzes the di

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Sung, Chit Cheung Matthew. "Doing gender and leadership." English Text Construction 4, no. 1 (2011): 85–111. http://dx.doi.org/10.1075/etc.4.1.05sun.

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This article examines the media representations of gender and leadership discourse in the debut season of the American reality TV show The Apprentice. By drawing upon the method of discourse analysis, I analyse the leadership styles that two male and two female project managers employ in ‘doing leadership’. The analysis shows that two of the managers display discourse styles of leadership which largely conform to traditional gendered expectations, and that two other managers employ a ‘mixed’ leadership style by making use of some discourse features that are indirectly indexed for the other gen

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Petrescu, Cristina. "O lugar da literatura monástica feminina no cânone Barroco português." Studia Universitatis Babeș-Bolyai Philologia 66, no. 4 (2021): 211–22. http://dx.doi.org/10.24193/subbphilo.2021.4.14.

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Women’s Monastic Writing within the Portuguese Baroque Canon. This article aims to approach Portuguese female monastic literature of the seventeenth and eighteenth centuries in terms of its relationship with the Baroque literary canon. Shaped at the border that separates voice and silence, the visible and the spiritual universe, the cult of moderation and the desire to assert, this literature outlined a new type of discourse, which hinted at the intense conflict between suppression and authority, which, in turn, gave rise to a permanent dialogue between the feminine ethos, the controversial ch

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Batari Fatimah, Andi Anugrah. "Posisi Aktor dalam Novel Lusi Lindri Karya Y.B. Mangunwijaya." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 16, no. 1 (2023): 1. http://dx.doi.org/10.30651/st.v16i1.16049.

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Actor's Position in The Novel Lusi LindriBy. Y.B. Mangunwijaya ABSTRAKNovel sebagai sebuah wacana dapat merepresentasikan fenomena dan posisi aktor dalam ceritanya. Novel Lusi Lindri memuat permasalahan gender, yakni sikap diskriminatif dan subordinasi patriarki terhadap posisi aktor perempuan. Penelitian ini bertujuan mendeskripsikan posisi aktor sebagai subjek maupun objek yang mengalami bentuk ketidakadilan gender, berdasarkan pandangan analisis wacana kritis Sara Mills, digunakan sebagai media literasi sastra berbasis gender di perguruan tinggi. Penelitian ini memanfaatkan metode kualitati

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Yuh, Leighanne, and Claudia Soddu. "The Nationalist Critique of Female Double Suicide in Colonial Korea." International Journal of Korean History 27, no. 2 (2022): 1–30. http://dx.doi.org/10.22372/ijkh.2022.27.2.1.

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During the colonial period, the double love suicides of young “new women” were sensationalized by media outlets and became the object of discussion at a national level, triggering discourse over the role and value of women in Colonial Korea. This sense of involvement in the life and death of women was even more prominent when these suicides involved young women of child-bearing age, whose deaths could be collectively perceived as a loss of an important human resource for the country. This article will examine why the media focus was on young, educated upper-class women and how the discourse ab

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Kaputu, Felix U. "Eastern Democratic Republic of the Congo on the way to peace? War remembrances, post conflict discourse construction: a discursive analysis of Djungu-Simba’s novellas." Afrika Focus 27, no. 1 (2014): 9–29. http://dx.doi.org/10.1163/2031356x-02701002.

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Throughout the history of the Democratic Republic of the Congo, various writings – literary, sociological, and political – retrace the challenges that have faced the nation: colonialism, access to independence, postcolonial failures, wars, dictatorships and female exploitation. Some historians, sociologists, literary critics and journalists touted the successes of colonial times and the first Republic, especially those who worked for these governments. Other essential voices remained silent, in order to avoid dictatorial repression and censure, especially under President Mobutu. With the arriv

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Brems, Elke, and Dorien De Man. "Very Feminine, Yet Unmercifully Intelligent. A Portrait of the Dutch Critic and Translator Elisabeth de Roos (1903-1981)." TranscUlturAl: A Journal of Translation and Cultural Studies 7, no. 1 (2015): 16. http://dx.doi.org/10.21992/t9md00.

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The Dutch author and translator Elisabeth de Roos has largely been ignored by literary historians. Nevertheless, she played a major role in the literary scene in the Netherlands between 1925 and 1955. She was a very productive and respected essayist, critic, journalist and translator, but in the rearview mirror of literary history her husband Eddy du Perron outshined her. The contemporary gender discourse, in which de Roos herself took part, created a blind spot for the contribution to innovation and poetical conceptualisation of female authors. The infamous journal Forum to which both she and

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Ghane, Fateme, and Amir Ali Nojoumian. "Modern Iranian Female Identity in Farhad Hassanzadeh's Hasti." International Research in Children's Literature 14, no. 2 (2021): 213–25. http://dx.doi.org/10.3366/ircl.2021.0398.

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Iranian women's first attempt at changing their social conditions dates back to the Qajar era, continuing up to the present time. In recent years, the traditional discourse on women in Iran has changed significantly, resulting in ongoing revisions concerning modern Iranian female gender identity. Yet, this new conception of identity has not been reflected in official Iranian media. Similarly, children's books usually depict women and girls mostly within pre-established ideological frameworks. However, a seminal publication project acted as a game-changer in 2010. ‘Today's Young Adult Fiction’,

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Yeboah, Amy. "Why the West Could Not Hear Beale Street: Baldwin’s World-Sense of Female Sexuality." Humanities 9, no. 1 (2020): 9. http://dx.doi.org/10.3390/h9010009.

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While scholars have noted James Baldwin’s revisionary and transformative literary approach to social constructions of race, class, gender, and crime, there has been very little conversation in that vein regarding If Beale Street Could Talk (1974). Upon its publication, many critics issued negative reviews of the novel, failing to recognize how Baldwin’s view of female sexuality both embraced notions of the body and constructs from an African-centered world-sense. Using a range of theoretical resources from Africana Studies, this paper analyzes how moving beyond Western frameworks regarding kno

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Al Douri, Arwa Hussein, and Awfa Hussein Al-Doory. "The Rhetoric of Female Senescence: A Gynocritical Reading of Selected Poems." Journal of Tikrit University for Humanities 30, no. 12, 2 (2023): 74–89. http://dx.doi.org/10.25130/jtuh.30.12.2.2023.13.

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Drawing on the social pattern of aged women and the factors that contribute to their restricted roles and consequently Otherness, this research examines the discourse of female senescence, a process that biologically indicates the gradual deterioration of functional characteristics in living organisms. Employing gynocritical criticism, the research examines the literary representation of old-age women in selected poems written by women who test the lived experience of growing old and the challenge it offers to individualistic conceptions of selfhood. The research argues that the examined poems

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Zarebska, Zuzanna. "Becoming a Legend: Edna O’Brien and Her Life-Long Journey." American, British and Canadian Studies 35, no. 1 (2020): 133–51. http://dx.doi.org/10.2478/abcsj-2020-0020.

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Abstract The publication of Germaine Greer’s The Change: Women, Aging and the Menopause presents a manifesto for women’s emancipation and their imminent embarkment on the avenue of freedom towards the liberation from the male gaze. In a similar vein, Edna O’Brien, a pioneer of the literary treatment of female agency and sexuality in the Irish literary canon, moves past the age when women enjoy visibility. Age liberates O’Brien from her entrapment in the public persona and her anxious relationship with the public opinion. It has the power to enhance the possibility of women’s difference. Nowada

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Kane, Noreen. "Embodying colonial ghosts in postcolonial Italian women's writing." Boolean 2022 VI, no. 1 (2022): 172–78. http://dx.doi.org/10.33178/boolean.2022.1.28.

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While Italian colonialism in Africa is an aspect of Italy’s history that has started to receive academic attention in the last three decades, it remains outside the collective memory of many Italians. In opposition to this lack of mainstream cultural awareness, a proliferation of literary works has been produced, predominantly by female writers with origins in Italy’s former colonies in East Africa, filling in the historical omissions and, importantly, providing a transnational voice to gendered experiences of colonial trauma. Many of these authors foreground the female corporeal experience of

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Ramazanov, T., and I. A. Aydemir. "GENDER FEATURES OF THE KAZAKH DIALOGUE (based on prose works)." Tiltanym, no. 1 (April 30, 2024): 109–22. http://dx.doi.org/10.55491/2411-6076-2024-1-109-122.

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The article will discuss the features of dialogical communication between men and women, characteristic of the category of gender.In the article, the topics discussed by men and women were determined based on the dialogue discourse collected from the fiction.There were analyzed features related to emotional discourse of men and women through the dialogue and the reasons of differences were defined. Also, the features related to the invective vocabulary used by men and women were determined. The purpose of the article is to determine the features of the emotional discourse of men and women, the

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Okpala, Ebele Peace, and Tracie Chima Utoh-Ezeajugh. "Inter and intra- gender discourse in African prose: an interrogation of the female image in selected literary texts." UJAH: Unizik Journal of Arts and Humanities 19, no. 2 (2018): 1. http://dx.doi.org/10.4314/ujah.v19i2.1.

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Sebola, Moffat. "Female Images and Voices in Kanakana Yvonne Ladzani’s Selected Poetry." African Journal of Gender, Society and Development (formerly Journal of Gender, Information and Development in Africa) 10, no. 1 (2021): 211–28. http://dx.doi.org/10.31920/2634-3622/2021/v10n1a10.

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This paper reflects on Kanakana Yvonne Ladzani’s use of poetry to vanguard women’s images and voices. The paper further considers how, apart from articulating the significance of her role as a poet, Ladzani also comments authoritatively on how women are perceived in society. The paper employed the qualitative approach and purposively selected five poems from Ladzani’s three poetry anthologies. Undergirded by the theory of feminism, the analysis appreciated Ladzani’s literary vision of women empowerment. In the analysis of the selected poems, it was argued that Ladzani prefers positive female p

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