Academic literature on the topic 'Female objectification'

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Dissertations / Theses on the topic "Female objectification"

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Puvia, Elisa. "A feminine look at female objectification: Makeup and self-objectification, sexy women and their dehumanization." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3422034.

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The present work aimed to get a better understanding of sexual female objectification (Bartky, 1990; Frederickson & Roberts, 1997). When objectified, a woman is put on a par with her body or body parts resulting in a loss of her personality and individuality. We have examined both the cognitive consequence of the objectification of the self on woman’s self-perception and the possible motivations that lead women to consider sexually objectified female targets as not fully human beings. Chapter 2 tested the hypotheses that applying makeup could be a self-objectifying practice that in turn cou
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Comaroto, Maryanne. "Re-visioning the Feminine| Unveiling the Cultural Shadow of Female Sexual Objectification." Thesis, Pacifica Graduate Institute, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10812410.

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<p> Concerned with the unconscious, embodied experience of heterosexual women affected by female sexual objectification (FSO), this research takes a depth psychological, somatic approach to addressing the Western cultural split between mind and body. This study explores the archetypal, thematic material constellating in the dynamics of FSO, its traumatogenic effects, and women&rsquo;s internalization of FSO as a psychosocial survival strategy. It asks the question: How can FSO be ameliorated, bringing the rejected body and sacred feminine sexuality out of the shadow and back into consciousness
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Mamabolo, Mokgaetji Philistus. "Self-objectification, cultural identity, body dissatisfaction, and health-related behaviours among female among female African University Students." Thesis, University of Limpopo, 2019. http://hdl.handle.net/10386/3069.

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Thesis (M.A. (Clinical Psychology)) --University of Limpopo,2019<br>Sociocultural pressures, including the thin-ideal internalization, and other aspects of self-objectification, are associated with body dissatisfaction. However, there is limited research regarding the association between self-objectification and engagement in health related behaviours among African females. A quantitative study was conducted with a sample of 411 female African university students from the University of Limpopo, South Africa to investigate the relationship between internalisation of sociocultural beauty standar
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Phillips, Sarah Ramby. "The Development of Disordered Eating Among Female Undergraduates: A Test of Objectification Theory." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84267/.

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Objectification theory (Fredrickson & Roberts, 1997) has been used to explain how mechanisms related to socialization, sexual objectification, and psychological variables interact to predict mental health difficulties. Among a sample of 626 undergraduate women (age 18-24), this study empirically tested components of Moradi and Huang’s (2008) model and extended it by including additional socialization experiences (i.e., sexual abuse, societal pressures regarding weight and body size). Structural equation modeling analyses suggested that the model provided a good fit to the data and the model wa
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Bailey, Dorie. "Beefing Up the Beefcake: Male Objectification, Boy Bands, and the Socialized Female Gaze." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/743.

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In the traditionally patriarchal Hollywood industry, the heterosexual man’s “male gaze,” as coined by feminist film theorist Laura Mulvey, is the dominant viewing model for cinematic audiences, leaving little room for a negotiated reading of how visual images are created, presented, and internalized by male and female audiences alike. However, as Hollywood’s shifting feminist landscape becomes increasingly prevalent in the mainstream media, content incorporating the oppositional “female gaze” have become the new norm in both the film and television mediums. Through an extended analysis of the
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Kibbe, Mackenzie R. "Factors Influencing the Relationship Between Instagram Use and Female Body Image Concern: An Extension of Objectification Theory." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu150048751624449.

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Morawitz, Elizabeth. "Effects of the Sexualization of Female Characters in Video Games on Gender Stereotyping, Body Esteem, Self-Objectification, Self-Esteem, and Self-Efficacy." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/194117.

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Content analyses indicate that women and girls are gender-stereotyped and negatively portrayed in video games, yet, to date, no research has examined the effects of exposure to these images on consumers. The purpose of the present study was to investigate the influence of sexualized (stereotypical) and non-sexualized (counter-stereotypical) portrayals of female characters in video games on players' self-esteem, gender stereotyping, body esteem, self-objectification, and self-efficacy. Social cognitive theory and presence are utilized to explicate the processes through which individuals are aff
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Jensen, Marissa D. "The Way to a Man’s Heart Is through His Stomach: Male Consumption and Female Social Edibility in Laços de família by Clarice Lispector." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8929.

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Critics of Clarice Lispector often identify feminist themes relating to voice, gender, and the male gaze in her creative work. Lispector’s collection of short stories Laços de família demonstrates the way patriarchal society sets limits on the identity of women. Laura Mulvey’s concept of “the male gaze” provides a useful tool for understanding how men marginalize, objectify, and subordinate women through visual regimes of control, yet Mulvey’s concept does not fully encapsulate the scope of male oppression explored in Laços de família. In fact, Lispector draws upon a variety of senses and meta
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Gränglid, Olivia Signe Afrodite. "Misogyny in the Marshlands : female Characterization in Seamus Heaney’s “Bog Queen” and “Punishment”." Thesis, Högskolan Kristianstad, Fakulteten för lärarutbildning, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-22122.

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This essay argues that the depiction of women in Seamus Heaney’s poems “Bog Queen” and “Punishment” results from the male gaze in three ways: the narrative viewpoint, stereotypical characterization, and the objectification of the female body. The following essay analyses the poems through an ecofeminist perspective that enables examination of the female characters as personifications of nature – “Bog Queen” as Mother Earth and the victim of “Punishment” as Nerthus, the fertility goddess. The analysis explores three areas; historical context, ‘The Feminine Principle,’ and Nussbaum’s list of ‘Fe
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Milosavljevic, Filip, and Philip Wernersson. "Kvinnliga superhjältar i en maskulin värld : En jämförelse av tre kvinnliga superhjältar på film och i tv-serier mellan 1974 - 2020." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-44038.

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In this essay, we examine how three female superheroes in movies are portrayed and how that role has changed over time. We have chosen to examine Wonder woman, Supergirl and Black widow. The time period exanimated was a period between 1974 and 2020. The time period was chosen by availability to material from real feature movies and TV series. The purpose of the essay is to investigate whether there are any general differences in how female superheroes have been portrayed in movies and in TV series during the specified time period. What we examine is whether they have been sexualized, both in a
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