Academic literature on the topic 'Female resurrection'
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Journal articles on the topic "Female resurrection"
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Setzer, Claudia. "Excellent Women: Female Witness to the Resurrection." Journal of Biblical Literature 116, no. 2 (1997): 259. http://dx.doi.org/10.2307/3266223.
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Sigurdardottir, Sigrun, Sigridur Halldorsdottir, Soley S. Bender, and Guðrun Agnarsdottir. "Personal resurrection: female childhood sexual abuse survivors’ experience of theWellness-Program." Scandinavian Journal of Caring Sciences 30, no. 1 (2015): 175–86. http://dx.doi.org/10.1111/scs.12238.
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Lee, Dorothy A. "Presence or Absence? The Question of Women Disciples at the Last Supper." Pacifica: Australasian Theological Studies 6, no. 1 (1993): 1–20. http://dx.doi.org/10.1177/1030570x9300600101.
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This article examines the literary role of women in the passion and resurrection narratives and the practice of the historical Jesus which lies behind the Gospels. Jesus probably included a wider group of disciples than the twelve at the Last Supper, among whom were a number of women. This is reflected in the uneven dynamic between female presence and absence in the Synoptics. Only in John is there the real possibility of women's presence at the Last Supper, although Mark uses the motif of presence/absence to contrast female fidelity with male infidelity.
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Andreeva, Valeria G. "Heroines of Leo Tolstoy's Novels and the “Stupefying Character” of Secular Existence." Two centuries of the Russian classics 3, no. 1 (2021): 160–209. http://dx.doi.org/10.22455/2686-7494-2021-3-1-160-209.
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The article analyzes female characters in Leo Tolstoy's novels: from “Family Happiness” to “Resurrection.” By analogy with the autobiographical hero, the changing character of a heroine is revealed in the writer's works, while considering peculiar epic measures chosen by Tolstoy in the mid-1850s, which he used to evaluate a woman: beauty, intelligence, ability for solitude, attitude to work, religiosity. It is noted that the ideal of Tolstoy's woman was largely formed in letters to Valeria Arsenyeva while the writer was pondering his own path. Masha in “Family Happiness” begins a series of Tolstoy's heroines, who reflect Tolstoy's idea of the best qualities of a woman. Tolstoy considers indifference, even contempt for society and worldly pleasures one of the most important components of a woman’s correct life. The author of the article examines central female images of the epic novel “War and Peace,” novels “Anna Karenina,” “Resurrection” in their relation to secular society. In the course of analyzing drafts and comparing them with final texts, the author demonstrates the writer’s work on the appearance and inner world of heroines by constructing them from often contradictory, contrasting descriptions, excluding unnecessary details from draft materials as well as episodes that had unambiguous and evaluative specifications.
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Landman, Christina. "A Theology for the Older, Female Hiv-Infected Body." Exchange 37, no. 1 (2008): 52–67. http://dx.doi.org/10.1163/157254308x251340.
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AbstractAids management programmes in South Africa focus primarily on people under the age of 48. Local theologies, too, address mainly the needs of HIV-infected people between the ages of 15 and 50. This article, then, argues for theological attention to women over the age of 50 who remain voiceless and isolated in their bodies. Although Body Theology as developed by Lisa Isherwood does not deal with the HIV-infected body as such, the insights of this theology, in dialogue with the experiences of HIV-infected women over 50, are used here to construct a basic theology for empowering the four 'bodies' of the older woman living with HIV: the physical body is to be embodied as a site of resistance and enjoyment, the symbolic body as a site of relationship and beauty; the political body as the site of energy, and the spiritual body as the site of recreation and resurrection. Women over 50 are in special need of theological care because of the loneliness ensuing from the fact that, in this age group, the women/men ratio in South Africa is 100 to 70. This renders older women vulnerable to illicit sexual encounters.
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SUETSUGU, KENJI, AKIHIKO KINOSHITA, and TIAN-CHUAN HSU. "Emended description and resurrection of Sciaphila tosaensis and S. megastyla (Triuridaceae)." Phytotaxa 413, no. 3 (2019): 231–43. http://dx.doi.org/10.11646/phytotaxa.413.3.4.
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This paper presents a re-evaluation of the taxonomic status of Sciaphila tosaensis and S. megastyla (Triuridaceae) distributed in Japan and Taiwan. Based on the detailed morphological data, we concluded that these two species should both be treated as distinct species rather than synonyms of S. secundiflora. Sciaphila tosaensis differs from S. secundiflora and S. megastyla in having very narrow male perianth segments and female perianth segments distinctly shorter than male perianth segments. Sciaphila megastyla differs from the other two species in having very conspicuous style and stigma that is ca. 1.5 times as long as ovary in the flowering stage. Furthermore, a lectotype is designated of S. megastyla because its holotype has been lost. Molecular data also showed that there is considerable genetic divergence between S. tosaensis and S. megastyla, supporting that the morphological differences are mirrored by their genetic distances.
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SÆTHER, OLE A., and TROND ANDERSEN. "Chironomidae from Gough, Nightingale and Tristan da Cunha islands." Zootaxa 2915, no. 1 (2011): 1. http://dx.doi.org/10.11646/zootaxa.2915.1.1.
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The resurrection of trans-oceanic dispersal is the most striking aspect of a major shift in historical biogeography toward a more even balance between vicariance and dispersal explanations. Molecular dating of lineage divergences favors oceanic dispersal over tectonic vicariance as an explanation for disjunct distributions in a wide variety of taxa. Although many oceanic islands harbor a disproportionately high biodiversity and number of endemic taxa, the chironomid fauna of the South Atlantic islands of Gough, Nightingale and Tristan da Cunha apparently consists of 6 species only: Telmatogeton goughi sp. n. (described as male and female), Limnophyes minimus (Meigen), Smittia sp. (described as female), Thalassosmittia christinae sp. n. (described as female), Clunio jonesi sp. n. (described as male) and Allocladius lusciniolus Sæther et Andersen (described as female). Except for the marine T. goughi and C. jonesi the other species are parthenogenetic. Limnophyes minimus and A. lusciniolus dominate the chironomid fauna. Telmatogeton goughi is close to T. sanctipauli (Schiner). Thalassosmittia christinae differs from T. thalassophila (Bequaert et Goetghebuer) by having hairy eyes and antenna with subapical seta. Clunio jonesi differs from C. africanus and C. gerlachi by having ultimate flagellomere as long as the 4 preceding segments and gonostylus with only 1–2 apical spines. Allocladius lusciniolus differs from other known females of the genus by having 1–5 setae apically on M 1+2 .
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GIŁKA, WOJCIECH. "Six unusual Cladotanytarsus Kieffer: towards a systematics of the genus and resurrection of Lenziella Kieffer (Diptera: Chironomidae: Tanytarsini)." Zootaxa 3100, no. 1 (2011): 1. http://dx.doi.org/10.11646/zootaxa.3100.1.1.
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Following the inclusion of Lenziella Kieffer, 1922 into Cladotanytarsus Kieffer, 1921, the genus consists of two subgenera: Cladotanytarsus s. str. (type species: C. pallidus Kieffer, 1922) and Lenziella Kieffer, 1922 (type species: L. bicornuta Kieffer, 1922). Six species of the subgenus Lenziella known from the Holarctic region are diagnosed and reviewed. Lectotype of Cladotanytarsus wexionensis Brundin, 1947 is designated, and the name is treated as a synonym of Cladotanytarsus (L.) bicornutus Kieffer, 1922 in a new combination. Cladotanytarsus (L.) amandus Hirvenoja, 1962 (male) and C. (L.) crusculus (Sæther, 1971) (male, female, pupa) are redescribed. Cladotanytarsus (L.) latissimus sp. nov. (male, female, pupa), C. (L.) piniger sp. nov. (male), and C. (L.) subletteorum sp. nov. (male, female, pupa) are described. Keys to adults and pupae of Lenziella as well as data on biology of the species are presented.
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Esse, Melina. "Donizetti's Gothic Resurrections." 19th-Century Music 33, no. 2 (2009): 81–109. http://dx.doi.org/10.1525/ncm.2009.33.2.081.
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Abstract The preponderance of gothic themes in Italian operas of the early nineteenth century is often cited as one of the few ways essentially conservative Italian composers flirted with the Romantic revolution sweeping the rest of Europe. By 1838, the very ubiquity of these tropes led the Venetian reviewer of Donizetti's gory Maria de Rudenz to plead ““exhaustion”” with the ever-present ““daggers, poisons, and tombs”” of the contemporary stage. Based on the French melodrama La Nonne sanglante, Donizetti's sensational opera is almost a litany of gothic tropes. The most disturbing of these is the female body that refuses to die: Maria herself, who rises from the dead to murder her innocent rival. This fleshy specter is musically rendered as a body that is too receptive to emotion, particularly to (imaginary) cries of longing or grief. Significantly, Donizetti's foray into the gothic was also distinguished by a spate of self-borrowing; his 1838 revision of the earlier Gabriella di Vergy borrows material from Maria de Rudenz. Exploring the connections between the trope of gothic resurrection and Donizetti's borrowings highlights how the two works represent a characteristic approach to the gothic, one that mingles a corporeal orientation with more familiar themes of ghostly immateriality.
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Kim, Seohyun, Jin-Sup Park, Jaehoon Lee, et al. "The DME demethylase regulates sporophyte gene expression, cell proliferation, differentiation, and meristem resurrection." Proceedings of the National Academy of Sciences 118, no. 29 (2021): e2026806118. http://dx.doi.org/10.1073/pnas.2026806118.
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The flowering plant life cycle consists of alternating haploid (gametophyte) and diploid (sporophyte) generations, where the sporophytic generation begins with fertilization of haploid gametes. In Arabidopsis, genome-wide DNA demethylation is required for normal development, catalyzed by the DEMETER (DME) DNA demethylase in the gamete companion cells of male and female gametophytes. In the sporophyte, postembryonic growth and development are largely dependent on the activity of numerous stem cell niches, or meristems. Analyzing Arabidopsis plants homozygous for a loss-of-function dme-2 allele, we show that DME influences many aspects of sporophytic growth and development. dme-2 mutants exhibited delayed seed germination, variable root hair growth, aberrant cellular proliferation and differentiation followed by enhanced de novo shoot formation, dysregulation of root quiescence and stomatal precursor cells, and inflorescence meristem (IM) resurrection. We also show that sporophytic DME activity exerts a profound effect on the transcriptome of developing Arabidopsis plants, including discrete groups of regulatory genes that are misregulated in dme-2 mutant tissues, allowing us to potentially link phenotypes to changes in specific gene expression pathways. These results show that DME plays a key role in sporophytic development and suggest that DME-mediated active DNA demethylation may be involved in the maintenance of stem cell activities during the sporophytic life cycle in Arabidopsis.
Dissertations / Theses on the topic "Female resurrection"
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Barnett, Katrina. "Nine Lives: A History of Cat Women, Subversive Femininity, and Transgressive Archetypes in Film." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707290/.
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The intention of this thesis is to identify and analyze the cat woman archetype as a contemporary extension of the transgressive witch archetype, which rampantly appears over the course of cinema history, working as a signifier of a patriarchal society's fear of autonomous and subversive women. The character of Catwoman is the ultimate representation for this archetype on grounds of her visibility, longevity, and ability to return again and again. More importantly, Catwoman and her sisterhood of cat women work against male creators as a means of female empowerment through trickery. Within this thesis, key films of varying genres are drawn from throughout cinema history and analyzed in order to demonstrate the intertextual network of characters that make up the cat woman archetype, and the importance of the Catwoman character in her many forms.
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Abramovich, Dvir. "Resurrecting a long-vanished diaspora: The Portrayal of the Jewish Shtetl in Dvora Baron’s Sunbeams." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2017. https://slub.qucosa.de/id/qucosa%3A34742.
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Afkir, Fatima. "L'image de l’Égypte dans l’oeuvre de Tawfīq al-Ḥakīm". Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30059/document.
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Si on contemple l’abondante production du dramaturge, on réalise à quel point l’Égypte est omniprésente dans ses écrits et dans sa vie. Elle couronne l’ensemble de son oeuvre littéraire qui met en lumière chacun des différents aspects de ce pays : social, historique, culturel et politique. Cependant, dans cette étude, nous allons essayer de limiter notre sujet de l’Image de l’Égypte dans l’oeuvre de T. al-Ḥakīm à deux époques celle de la révolution de 1919, et celle de 1952. Ses écrits retracent clairement ces deux évènements importants. Sa façon de penser, d’écrire, de critiquer et d’analyser avant et après la révolution de 1919 n’est plus la même après la révolution de 1952. D’un écrivain rêveur, idéaliste, il en devient un autre plus réaliste et engagé littérairement. Notre problématique globale s’articulera autour des questions suivantes : quelle représentation l’oeuvre de Tawfīq al-Ḥakīm donne-t-elle de l’Égypte ? Peut-on considérer son retour aux mythes anciens comme une continuité entre l’Égypte moderne etl’Égypte ancienne ? Dans une première partie nous traitons les deux révolutions qui ont eu des répercussions sur ses écrits et sa vision politique. La deuxième partie, abordera la société de son roman ‛Awdat al-rūḥ, (l’Âme retrouvée), 1933, dans lequel il décrit une Égypte vue par un égyptien de souche et les liens forts qui unissent ce peuple à sa nation. La troisième partie sera réservée à la femme et au fallāḥ qui ont énormément inspiré l’écrivain. La quatrième partie sera consacrée à l’Égypte pharaonique. On va voir comment il a pu être influencé par l’Égypte ancienne pour décrire l’Égypte moderne. Nous nous appuyons aussi sur plusieurs lectures de différents auteurs afin de trouver une authenticité entre ce qu’il écrit et ce qu’il pense, entre la réalité et l’imagination dans ces oeuvres. Nous analyserons comment il voit, observe et critique son pays natal<br>If we contemplate the playwright's rich production, we realise to what extent Egypt plays a prominent part in his work and life. It is the crowning achievement of his literary work which highlights all the aspects of this country, social, historical, cultural and political However, in this study, we will try to limit our subject of The image of Egypt in T.al-Hakim's work to two particular eras, the revolutions of 1919 and 1952. His writings clearly relate those major events. The way he thinks, writes, criticizes and analyses before and after the 1919 revolution is no longer the same after the 1952 revolution. He started being a dreamy idealistic writer, and turned into another one, more realistic and committed in his literary work. Our global problematics will hinge on the following issues: what representation of Egypt does Tawfiq al-Hakim's work give? Can we regard his return to ancient myths as a continuity between modern Egypt and ancient Egypt? In a first part, we deal with the two revolutions which have had repercussions on his writings and political vision. The second part will tackle the society of his novel, in which he describes a country seen through a native Egyptian, and the strong ties which link the Egyptian people to their nation. The third part will focus on women and on the fallah, which greatly inspired the writer. The fourth part will be dedicated to the Pharaonic Egypt. We will see how far he has been influenced by ancient Egypt to descibe the modern one. We have relied on a few works of different writers so as to find an authentic link between what he writes and thinks reality and imagination in his works. We will analyse the way he sees, observes and criticizes his own country
Books on the topic "Female resurrection"
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Miklitsch, Robert. Kiss Me Deadly. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040689.003.0007.
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In part because of its pulp fiction, Mickey-Spillane provenance, Kiss Me Deadly (1955) has been widely interpreted as a key text of McCarthyism, yet it’s arguably better interpreted, via the film’s repeated recourse to the X figure, as an apocalyptic one with the proviso that in the 1950s the discourse about the “red menace” is frequently imbricated with the discourse about femininity--about, that is to say, the femme fatale and female sexuality. While censorship in the form of the Production Code Administration (PCA) played a significant part in the production of Kiss Me Deadly, there’s little doubt that Robert Aldrich’s picture is a film noir since it features a private detective who, knee-deep in sex and violence, is ultimately unable to prevent an atomic detonation that can itself be interpreted as both a death and orgasm, cataclysm and resurrection.
Book chapters on the topic "Female resurrection"
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"Residual Lament in the Resurrection Plays." In Female Mourning and Tragedy in Medieval and Renaissance English Drama. Routledge, 2017. http://dx.doi.org/10.4324/9781315255309-11.
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吳國坤, Kenny K. K. Ng. "The Resurrection of Female Ghosts from Classical Chinese Opera and the Hollywood Tradition in Cantonese Cinema." In Fantômes dans l'Extrême-Orient d'hier et d'aujourd'hui - Tome 1. Presses de l’Inalco, 2017. http://dx.doi.org/10.4000/books.pressesinalco.1706.
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Cadenhead, Raphael A. "The Death of Siblings." In Body and Desire. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297968.003.0007.
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Chapter 5 considers the impact of the death of two of Gregory’s siblings, Basil and Macrina, on his ascetical theology. It begins with an analysis of the much-disputed question of the restoration of human genitalia in Gregory’s account of the general resurrection. The author argues that there are two rival anthropologies at play (one based on Genesis 1:27a–b, the other on Genesis 2), which offer different perspectives on the eschatological finality of sexual differentiation. Looking at Gregory’s writings diachronically reveals why these two anthropologies came into contact with each other during the middle phase of his literary career and why they do not reach a point of resolution or synthesis in his theorization on the restoration of human genitalia. These discussions of embodied difference prepare the way for a consideration of their spiritual and moral associations. By drawing attention to the neglected figure of Naucratius, one of Gregory’s brothers, who “overcame” his “manhood” to make advancements in the moral life, the author argues that male virility, for Gregory, needs to be renounced in the moral life just as much as female passion. Both male and female characteristics, which are deeply embedded in the fallen state of humanity, need to be chastened and transformed through the bodily disciplines of the ascetic life.
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Vogt, Günter, Rickey D. Cothran, Mika M. J. Tan, and Martin Thiel. "Crustacean Reproductive Records." In Reproductive Biology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190688554.003.0019.
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Crustacean reproductive traits are highly diverse, and this chapter illustrates some of the most extreme cases, placing them in the context of the more typical crustaceans. It highlights, for example, the male and female records of size and age, the “hottest” and “coolest” reproducers, the longest penises, the largest sperm and eggs, the smallest and largest brood sizes, the longest mate guarding, the most massive sexually selected weapons, the flashiest courtship, the most fathers per brood, the longest incubation of broods, the smallest and largest larvae, the longest larval duration, the longest dormancy of eggs, and the oldest fossil evidence of penis, sperm, brood care, and larvae. Using these illustrious case studies, this chapter briefly examines the adaptive advantages of these extremes and discusses why few species have evolved unusual reproductive traits. Crustaceans indeed appear to hold animal records with respect to relative penis length, aflagellate sperm length, dormant egg viability and fossil ages of penis, giant sperm, and brood care. These captivating examples may be of applied importance in terms of restoring human-altered ecosystems (resurrection ecology using egg banks) and in management strategies of important fisheries.
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Pobutsky, Aldona Bialowas. "Pablo Escobar and Narco Nostalgia." In Pablo Escobar and Colombian Narcoculture. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401513.003.0002.
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Chapter 1 looks into discourses surrounding the Medellín cartel and the present-day value of the Escobar brand. It explores how the popular media in Colombia has reproduced one type of narco, whose flamboyance and caudillo-like attitudes reflect the behaviors associated with Escobar and his ilk, rather than the more discreet figureheads of today’s drug-trafficking. This take on Escobar’s history created a nostalgic version of the hedonistic capos and their conspicuous consumption, thereby strategically resurrecting and fetishizing Colombia’s arguably worst criminal. It also draws attention away from present-day narco alliances that still plague Colombia. The second half of the chapter focuses on narco aesthetics, which appear in every facet of popular culture, from architecture and music to media production, fashion, and the female body ideal. It explores the conflict between Escobar’s tangible legacy (properties, prison) vis-à-vis Medellín’s push toward rebranding itself as a peaceful site of incomparable physical beauty. While the state strives to erase his memory by either neglecting or destroying places of related to Escobar, the latest trends in global tourism are doing exactly the opposite; they promote the exploration of thrilling experiences, thereby reviving Escobar’s popularity worldwide through narco tourism, against the wishes of many locals.