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Journal articles on the topic 'Female sexuality as evil'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Mascia-Lees, Frances E. "Evil Sisters: The Threat of Female Sexuality and the Cult of Manhood:Evil Sisters: The Threat of Female Sexuality and the Cult of Manhood." American Anthropologist 99, no. 4 (December 1997): 867. http://dx.doi.org/10.1525/aa.1997.99.4.867.1.

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2

DeAnn Seifert, Melissa. "Who’s got the “Reel” power? The problem of female antagonisms in blaxploitation cinema." Alphaville: Journal of Film and Screen Media, no. 4 (December 21, 2012): 4–20. http://dx.doi.org/10.33178/alpha.4.01.

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Between 1973 and 1975, films starring Pam Grier and Tamara Dobson such as Cleopatra Jones (Jack Starrett, 1973), Coffy(Jack Hill, 1973) and Foxy Brown (Hill, 1974) introduced leading black women into the predominantly male blaxploitation scene as aggressive action heroines. Within the cinematic spaces of blaxploitation films which featured women as active agents, a racial and sexual divide exists. These films positioned women either inside or outside of gender tolerability by utilising binary constructions of identity based on race, sex and elementary constructions of good and evil, black and white, straight and gay, and feminine and butch. Popular representations of lesbianism and sisterhood within blaxploitation cinema reflect a dominant social view of American lesbianism as white while straight women are consistently represented as black. However, these spaces also constricted black and white female identities by limiting sexuality and morality to racial boundaries. This article seeks to question the unique solitude of these female heroines and interrogate a patriarchal cinematic world where sisterhood is often prohibited and lesbianism demonised.

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3

Álvarez, José Maurício. "same way you became Cesar."." Advances in Social Sciences Research Journal 8, no. 8 (September 5, 2021): 484–507. http://dx.doi.org/10.14738/assrj.88.10722.

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In this essay, we debate the image of the Roman Empire represented in films produced by mainstream Hollywood cinema, whose Jewish-Christian ideological matrix placed Rome as the image of evil instead of an excellent idea in the North American version. In contrast, we will analyze Fellini's film Satyricon, which, distanced from the conventions of the historical film produced during the Cold War, created a dreamlike image of Rome and its Empire. Secondly, we will see the historical context of Petronius' work situated at the end of the reign of Emperor Nero. At the time, diversified sexuality presented man's power as a phallic power, which penetrates and rapes as a supremacy strategy. The Emperor is an actor-governor employing wiles and violence to reach the throne and maintain himself there. Petronius portrays the emergence of a new female sensuality whose morals oscillated between Vestal's virginal purity, the wife's pudititas, and sexual bestiality. At the same time, Fellini's film recreates the cultural environment of the classical world shaped by literature and the image of the city of Rome as Cosmopolis or Anthopolis. The ambiguous characters move freely and incessantly through the corners of the Roman Empire. The struggle for power and the representations of pagan religiosity show human beings surrendered to their cunning as a strategy for survival and overcoming existential evils. In conclusion, we will see that both works, Petronius' Satyrica and Fellini's Satyricon, present themselves with their independent and intertwined narratives, composing the account of a journey like the Odyssey, metaphor of the incompleteness of human life and the impermanence of the sexual pleasure and the transience of power.

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4

Rosen, Tova. "Love and Race in a Thirteenth-Century Romance in Hebrew, with a Translation of The Story of Maskil and Peninah by Jacob Ben El‘azar." Florilegium 23, no. 1 (January 2006): 155–72. http://dx.doi.org/10.3138/flor.23.010.

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This romance, composed by a thirteenth-century Jewish author living in Christian Toledo, is written in biblical Hebrew and cast it in the form of the Arabic maqamāh. The plot (an army invades an Arab territory; its commander, the "King of Beauty," falls in love with a female captive; the couple encounter a giant black warrior, kill him, and live happily ever after) invites a three-tiered reading: (a) a literal reading of the work as a conventional romance, in which the lovers are young and noble, the geography is mythical, and the hero wins his beloved after slaying a giant; (b) an allegorical reading of the union of Maskil (representing Intellect) and Peninah (signifying Beauty) as illustrative of the Platonic nexus of Eros, Beauty, Intellect, and the Good, while the monstrous Cushan represents unbridled sexuality, ugliness, bestiality, and evil; and (c) a historicized reading, anchoring the work in the religio-ethnic politics of the Reconquista (according to which Maskil is Christian, Peninah is an Andalusian Arab, and the giant Cushan is in an Almohad warrior, either a dark-skinned Berber or a sub-Saharan African). Read thus, the story problematizes historical issues of territory, border, conflict, contact, relocation, cultural transition, and hybridity.

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5

Salmon, Catherine. "The Pop Culture of Sex: An Evolutionary Window on the Worlds of Pornography and Romance." Review of General Psychology 16, no. 2 (June 2012): 152–60. http://dx.doi.org/10.1037/a0027910.

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Pornography and romance, at first glance they seem to be two genres that are almost polar opposites. Yet both are the products of our evolved human sexuality and both have been the subjects of a variety of authors and researchers. Particularly in the case of pornography, some have argued strongly against its very existence, charging it, its creators and consumers with many of the evils in the world (real and imagined). In the case of romance, many have been derogatory and dismissive of the writers' skills and the readers' minds. In this article, I hope to introduce a different approach to these genres, through an evolutionary lens that serves to illuminate the way in which our sexual natures combined with modern technology to create such widespread distribution and sales. Romance and pornography are both multibillion dollar industries, and their stark contrasts reflect the deep divide at the heart of male and female erotic fantasies. These differences reflect the fact that the selection pressures males and females faced in the reproductive realm over human evolutionary history were not identical.

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6

Ojrzyńska, Katarzyna. "One, Mad Hornpipe: Dance as a Tool of Subversion in Brian Friel’s Molly Sweeney." Text Matters, no. 1 (November 23, 2011): 254–69. http://dx.doi.org/10.2478/v10231-011-0019-2.

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The plot of Brian Friel's Molly Sweeney oscillates around the theme of perception, blindness and eye-sight recovery. Although visually impaired, the eponymous character is a self-reliant and independent person who is very active, both professionally and socially. What serves as the source of tragedy in the play is the male desire to compensate for Molly's physical disability perceived as a sign of deficiency and oddity that needs to be normalized. Prompted by her husband, Molly decides to undergo a surgery which gives her a chance to regain sight and, thus, become a part of the world of the visually abled. Yet, subsequent to the operation, Molly cannot adapt herself to the new reality and develops a medical condition called blindsight, which leads to her final alienation and confusion. Focusing predominantly on the main character of the play, this paper examines the ways in which Molly Sweeney experiences the surrounding world and seeks satisfaction and self-fulfilment through physical activities, such as swimming or dancing, which she vividly describes in her monologues. It explores the double nature of Molly who, despite her self-sufficiency, capacity for rebellion and a sense of autonomy, seems prone to male manipulation exercised at first by her father, later by her husband Frank and doctor Rice. Her expression of independence becomes particularly conspicuous in the scene of a party organized the night before her surgery when she performs a wild and frantic hornpipe, which serves as a form of momentary upheaval and a visualization of the outburst of extreme emotions. Although the dance is not presented onstage, it has a crucial function in the play, for it serves as its powerful climax, after which Molly experiences gradual deterioration. Interpreted in the context of the history of Irish dance, the mad hornpipe appears replete with meanings and allusions. Traditionally associated with human sexuality and the female element, dance was often treated by the Irish clergy with a great deal of distrust as a source of evil and moral corruption. Consequently, like in the case of the frenzied reel in another famous Frielian play, Dancing at Lughnasa, the limitless and unrestricted performance in the climactic scene of Molly Sweeney may be seen as a tool of subversion and female opposition to the Irish patriarchal order. It is a unique moment in which the protagonist seizes male power and gains full, though very temporary, control over her life.

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7

Tandon, Ritu. "Theme of Love and Suffering of Women in Rabindranath Tagore’s Novel ‘A Grain of Sand’ (Chokher Bali, 1903)." SMART MOVES JOURNAL IJELLH 8, no. 11 (November 30, 2020): 78–87. http://dx.doi.org/10.24113/ijellh.v8i11.10835.

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The novel, ‘A Grain of Sand’ (Chokher Bali,1903), is about the social problems of early marriages, widowhood, and extra-marital affair of a married man with a young widow. In this novel, Rabindranath Tagore has portrayed the problems of women in Indian society like widow-remarriage, child-marriage, dowry and illicit extra-marital relationship along with the predicaments of widows in Bengal at the end of the nineteenth century. The difficulties and complications of human relationships and the significance of love in the human relationships are portrayed in this novel. He has encouraged the need of female education and the abolition of social evils like child-marriage, dowry, widowhood and illiteracy of women, domestic hostility and submissiveness of women are presented in his wonderful novels and stories. In the centre of these social obstacles, female education is revealed as a greater need in the Tagore’s novels. He has portrayed the solitude, sufferings, disappointments and unfulfilled suppressed desires of sexuality of a Bengali widow Binodini in this novel ‘A Grain of Sand’. Rabindranath Tagore had seen social realities from a psychological point of view and performed the role of a social reformer or a moralist. He has presented the problems of women by examining what is happening in the society. In this novel Tagore has shown an amazing notice of the predicaments of women of the Hindu society. In this study an investigation has been made to show how Rabindranath Tagore has depicted the theme of love and suffering of women in this novel ‘A Grain of Sand’.

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8

WEEKS, NOEL. "SEXUALITY AND THE LOST PROLETARIAT." CURRENT DEBATES IN REFORMED THEOLOGY: PRACTICE 4, no. 2 (October 22, 2018): 49–62. http://dx.doi.org/10.35285/ucc4.2.2018.art3.

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Original Marxism was utopian, materialistic, and determinist. All human dynamics were explained by the dialectic or conflict between capitalists and the proletariat, with the victory of the proletariat being certain. In spite of the fact that determinism eliminates responsibility, those opposing Marxism were seen as evil. Marx’s prophecy failed, and Russian communism emerged as evil and repressive. “Western” Marxism used Freudian psychology to explain the rise of fascism. It looked for another “proletariat,” who were “oppressed.” Co-opting the 1960s social revolution, it found this proletariat in non-Europeans, women, and homosexuals. This involved accepting the genetic determinism of the fascists. All who disagree continue to be treated as evil.

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9

Sathyanarana Rao, TS, and Anil KumarM Nagaraj. "Female sexuality." Indian Journal of Psychiatry 57, no. 6 (2015): 296. http://dx.doi.org/10.4103/0019-5545.161496.

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10

Morley, John E., and Fran E. Kaiser. "Female sexuality." Medical Clinics of North America 87, no. 5 (September 2003): 1077–90. http://dx.doi.org/10.1016/s0025-7125(03)00102-0.

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11

Tsai, Hsiu-chih. "Female Sexuality." American Journal of Semiotics 23, no. 1 (2007): 123–46. http://dx.doi.org/10.5840/ajs2007231/410.

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12

Lehmann, Victoria. "Female sexuality." British Menopause Society Journal 10, no. 2_suppl (December 2004): 11–12. http://dx.doi.org/10.1258/1362180042721364.

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13

Abd El-Rahman, Sherine H., Ihab Younis, and Mona El Awady. "Female sexuality." Human Andrology 4, no. 1 (March 2014): 5–10. http://dx.doi.org/10.1097/01.xha.0000439143.35911.19.

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14

Kulish, Nancy. "Female Sexuality." Psychoanalytic Study of the Child 57, no. 1 (January 2002): 151–76. http://dx.doi.org/10.1080/00797308.2002.11800690.

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15

Graziottin, A. "… Female Sexuality." British Menopause Society Journal 7, no. 3_suppl (September 2001): 14. http://dx.doi.org/10.1177/13621807010070s308.

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16

Harvey, A. D. "FEMALE SEXUALITY." History Workshop Journal 27, no. 1 (1989): 242—b—243. http://dx.doi.org/10.1093/hwj/27.1.242-b.

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17

Sugar, M. "Female Adolescent Sexuality." Journal of Pediatric and Adolescent Gynecology 9, no. 4 (November 1996): 175–83. http://dx.doi.org/10.1016/s1083-3188(96)70027-x.

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18

Tolman, Deborah L. "Female Adolescent Sexuality." Women & Therapy 24, no. 1-2 (March 5, 2002): 195–209. http://dx.doi.org/10.1300/j015v24n01_21.

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19

Gerouki, Margarita. "Sexuality and relationships education in the Greek primary schools—see no evil, hear no evil, speak no evil." Sex Education 7, no. 1 (February 2007): 81–100. http://dx.doi.org/10.1080/14681810601134710.

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20

Bjelica, Artur, Aleksandra Kapamadzija, and Milana Maticki-Sekulic. "Hormones and female sexuality." Medical review 56, no. 9-10 (2003): 446–50. http://dx.doi.org/10.2298/mpns0310446b.

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Introduction In contrast to animal species in which linear relationships exist between hormonal status and sexual behaviour sexuality in human population is not determined so simply by the level of sexual steroids. The article analyses female sexuality in the light of hormonal status. Administration of sexual steroids during pregnancy and sexual differentiation High doses of gestagens, especially those with high androgen activity, widely used against miscarriages may lead to tomboys, but without differences in sexual orientation. However, it has been observed that the frequency of bisexual and lesbian women is higher in women with congenital adrenogenital syndrome. Hormones sexual desire and sexuality during menstrual cycle It has been established that sexual desire, autoeroticism and sexual fantasies in women depend on androgen levels. There are a lot of reports claiming that sexual desire varies during the menstrual cycle. Hormonal contraception and sexuality Most patients using birth control pills present with decreased libido. But, there are reports that progestagens with antiandrogenic effect in contraceptive pills do not affect sexual desire. Hormonal changes in peri- and postmenopausal period and sexuality Decreased levels of estrogen and testosterone in older women are associated with decreased libido, sensitivity and erotic stimuli. Sexuality and hormone replacement therapy Hormonal therapy with estrogen is efficient in reference to genital atrophy, but not to sexual desire. Really increased libido is achieved using androgens. Also, therapy with dehydroepiandrosterone (DHEA) and tibolone have positive effects on female libido. Conclusion Effect of sexual steroids on sexual sphere of women is very complex. The association between hormones and sexuality is multidimensional, as several hormones are important in regulation of sexual behaviour. Still, it should be pointed out that sexuality is in the domain of hormonal, emotional-motivational and social factors.

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21

ChoDoHyun. "Female Sexuality Shown in." EOMUNYEONGU 87, no. ll (March 2016): 143–63. http://dx.doi.org/10.17297/rsll.2016.87..006.

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22

Al-Harthy, H. M. "149 UNDRESTANDING FEMALE SEXUALITY." Maturitas 71 (March 2012): S62—S63. http://dx.doi.org/10.1016/s0378-5122(12)70260-8.

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23

Parker, G. A. "Snakes and female sexuality." Nature 355, no. 6359 (January 1992): 395–96. http://dx.doi.org/10.1038/355395a0.

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24

Anderson-Hunt, Murray, and Lorraine Dennerstein. "Oxytocin and Female Sexuality." Gynecologic and Obstetric Investigation 40, no. 4 (1995): 217–21. http://dx.doi.org/10.1159/000292340.

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25

Perlman, Lynn. "Breastfeeding and Female Sexuality." Psychoanalytic Review 106, no. 2 (April 2019): 131–48. http://dx.doi.org/10.1521/prev.2019.106.2.131.

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26

Bean, Jill L. "Expressions of Female Sexuality." Journal of Sex & Marital Therapy 28, sup1 (February 15, 2002): 29–38. http://dx.doi.org/10.1080/00926230252851177.

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27

Steel, Judith M. "Diabetes and female sexuality." Diabetic Medicine 15, no. 10 (October 1998): 807–8. http://dx.doi.org/10.1002/(sici)1096-9136(199810)15:10<807::aid-dia688>3.0.co;2-7.

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28

Dennerstein, Philippe Lehert, Emma, Lorraine. "Short Scale to Measure Female Sexuality: Adapted from McCoy Female Sexuality Questionnaire." Journal of Sex & Marital Therapy 27, no. 4 (July 2001): 339–51. http://dx.doi.org/10.1080/009262301317081098.

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29

Nichols, Margaret. "Lesbian sexuality/female sexuality: Rethinking 'lesbian bed death'." Sexual and Relationship Therapy 19, no. 4 (November 2004): 363–71. http://dx.doi.org/10.1080/14681990412331298036.

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30

Nwajei, Samuel Dibieamaka, and Andrew Iwesim Otiono. "Female genital mutilation: implications for female sexuality." Women's Studies International Forum 26, no. 6 (November 2003): 575–80. http://dx.doi.org/10.1016/j.wsif.2003.09.011.

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31

Belmonte, Juan Francisco. "Teenage heroes and evil deviants: sexuality and history in JRPGs." Continuum 31, no. 6 (September 7, 2017): 903–11. http://dx.doi.org/10.1080/10304312.2017.1374351.

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32

Mota, Renato Lains. "Female urinary incontinence and sexuality." International braz j urol 43, no. 1 (February 2017): 20–28. http://dx.doi.org/10.1590/s1677-5538.ibju.2016.0102.

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33

Lenskyj, Helen. "Female sexuality and women's sport." Women's Studies International Forum 10, no. 4 (January 1987): 381–86. http://dx.doi.org/10.1016/0277-5395(87)90055-0.

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34

Das, Veena. "On Female Body and Sexuality." Contributions to Indian Sociology 21, no. 1 (January 1987): 57–66. http://dx.doi.org/10.1177/006996687021001005.

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35

Younis, Ihab, Sherine H. Abdelrahman, Menha I. Abdelfattah, and Mona A. Al-Awady. "Can obesity affect female sexuality?" Human Andrology 3, no. 4 (December 2013): 98–106. http://dx.doi.org/10.1097/01.xha.0000436103.89761.2c.

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36

Nicolosi, Ann Marie. "Female Sexuality, Citizenship, and Law." Journal of Contemporary Criminal Justice 18, no. 3 (August 2002): 329–38. http://dx.doi.org/10.1177/1043986202018003007.

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37

Kohout, Eva, and Bernd Nissen. "The breast in female sexuality." International Journal of Psychoanalysis 85, no. 5 (October 2004): 1235–38. http://dx.doi.org/10.1516/lmu4-xmpf-2xb5-2xxy.

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38

Crooks, Natasha, Barbara King, and Audrey Tluczek. "Protecting young Black female sexuality." Culture, Health & Sexuality 22, no. 8 (July 22, 2019): 871–86. http://dx.doi.org/10.1080/13691058.2019.1632488.

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39

Andreeva, E. N., and E. V. Sheremetyeva. "The problem of female sexuality." Problemy reproduktsii 25, no. 3 (2019): 40. http://dx.doi.org/10.17116/repro20192503140.

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40

Robinson, G. Erlick, and Donna E. Stewart. "Female Sexuality and Identity: Introduction." Canadian Journal of Psychiatry 34, no. 9 (December 1989): 860. http://dx.doi.org/10.1177/070674378903400903.

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41

Khanna, Renu, and Janet Price. "Female sexuality, regulation and resistance." Gender & Development 2, no. 2 (June 1994): 29–34. http://dx.doi.org/10.1080/09682869308520008.

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42

Vida, Judith E. "Sandor Ferenczi on Female Sexuality." Journal of the American Academy of Psychoanalysis 19, no. 2 (June 1991): 271–81. http://dx.doi.org/10.1521/jaap.1.1991.19.2.271.

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43

Rodrı́guez-Gironés, Miguel A., and Magnus Enquist. "The evolution of female sexuality." Animal Behaviour 61, no. 4 (April 2001): 695–704. http://dx.doi.org/10.1006/anbe.2000.1630.

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44

Lombardi, Giuseppe, Enrico Finazzi Agrò, and Giulio Del Popolo. "Sacral neuromodulation and female sexuality." International Urogynecology Journal 26, no. 12 (April 16, 2015): 1751–57. http://dx.doi.org/10.1007/s00192-015-2708-7.

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45

Kalayjian, Laura A., and Martha J. Morrell. "Female Sexuality and Neurological Disease." Journal of Sex Education and Therapy 25, no. 1 (March 2000): 89–95. http://dx.doi.org/10.1080/01614576.2000.11074333.

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46

Baumeister, Roy F., and Jean M. Twenge. "Cultural Suppression of Female Sexuality." Review of General Psychology 6, no. 2 (June 2002): 166–203. http://dx.doi.org/10.1037/1089-2680.6.2.166.

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Four theories about cultural suppression of female sexuality are evaluated. Data are reviewed on cross-cultural differences in power and sex ratios, reactions to the sexual revolution, direct restraining influences on adolescent and adult female sexuality, double standard patterns of sexual morality, female genital surgery, legal and religious restrictions on sex, prostitution and pornography, and sexual deception. The view that men suppress female sexuality received hardly any support and is flatly contradicted by some findings. Instead, the evidence favors the view that women have worked to stifle each other's sexuality because sex is a limited resource that women use to negotiate with men, and scarcity gives women an advantage.

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47

Boomsma, Dorret I. "Twin Research: Exploring female sexuality." European Journal of Human Genetics 13, no. 6 (April 6, 2005): 696–97. http://dx.doi.org/10.1038/sj.ejhg.5201420.

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48

Kohout, Eva. "The breast in female sexuality." International Journal of Psychoanalysis 85, no. 5 (October 1, 2004): 1235–38. http://dx.doi.org/10.1516/0020757042259610.

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49

Anupama, Srivasava, and P. M. Durge. "Female feticide in India: A social evil." Journal of Obstetrics and Gynecology of India 60, no. 6 (December 2010): 503–6. http://dx.doi.org/10.1007/s13224-010-0052-x.

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50

Udry, J. Richard, Luther M. Talbert, and Naomi M. Morris. "Biosocial Foundations for Adolescent Female Sexuality." Demography 23, no. 2 (May 1986): 217. http://dx.doi.org/10.2307/2061617.

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