Relevant bibliographies by topics / Female subjugation

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Female subjugation'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Female subjugation"

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Even, Yael. "The Loggia dei Lanzi: A Showcase of Female Subjugation." Woman's Art Journal 12, no. 1 (1991): 10. http://dx.doi.org/10.2307/1358184.

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SINGH, Dr ABHA. "Love, Betrayal and Violence: A Female Subjugation in Shakespeare’s Play Othello." SMART MOVES JOURNAL IJELLH 5, no. 4 (April 30, 2017): 11. http://dx.doi.org/10.24113/ijellh.v5i4.1914.

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Women across historical, social and religious boundaries have been pitted against the asphyxiating patriarchal norms and rigid cultural constructs which bestow power, dominance and freedom on man, and push her into the margins of both, society and domestic space. The current paper attempts to explore the mechanics of domestic violence, and its treatment in William Shakespeare’s Othello. The aim is to ascertain how the playwright addresses the issue of crime against women within the familial and social world of his times. Based on the theme of power politics within domestic hierarchy, the play not only lays bare a grim picture of domestic abuse and violence against women in matrimony, but also offers an insight into the psyche of abusers. The dialectics of power struggle in the play written in the 16thcentury is a reflection of the playwright’s sensitivity towards the existential reality of women of his times and his negation of male hegemony and criminal violence in conjugal relations. . Vishal Bhardwaj adopted Othello to make the film Omkara in 2006. Bringing the 17th century Elizabethan society in the 21st century Indian setting, Bhardwaj deftly pointed out the present scenario. There are numerous cases of a father’s restriction on daughter’s freedom of choice, brother’s threat to the sister for not to disgrace their family apart from ‘honour killing’. This continues even in the household of her ‘soul mate’ for whom she dares to defy every challenge. The predicament of modern Desdemona’s in the hand of Othello bears the testimony of Shakespeare’s immortal creation and its never ending relevance. The universality of Shakespeare is still rejoiced due to his experiment on the core region of the human psyche which fails to alter even with high-tech service or ‘progressive’ education.
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Machado-Jiménez, Almudena. "Sorority without solidarity: Control in the patriarchal utopia of Margaret Atwood’s 'The Handsmaid’s Tale'." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 15/3 (December 17, 2018): 43–65. http://dx.doi.org/10.26881/bp.2018.3.02.

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Despite all variables, the subjugation of the female figure has always been the constant in the conceptualisation of patriarchal utopias. To ensure that subjugation women must undergo a process of reformation and surrender into normative sororities that are at the mercy of the state. It is argued here that such patriarchal utopias involve the elimination of solidarity with and between members of the sororal collective. This ensures the isolation of women and, consequently, eliminates the emancipation of womanhood from patriarchal idealisations. Sororities without solidarity are subjected to a comparative analysis of various classical utopian/dystopian texts and Atwood’s feminist dystopia The Handmaid’s Tale in order to foreground the problem concerning the construction of normative female beings. Moreover, the figure of (e)merging women in contemporary feminist utopian/dystopian discourses paves the way for female empowerment within patriarchal society by combining sorority and solidarity.
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Sands, Susan H. "The subjugation of the body in eating disorders: A particularly female solution." Psychoanalytic Psychology 20, no. 1 (2003): 103–16. http://dx.doi.org/10.1037/0736-9735.20.1.103.

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Das, Saptorshi, and Dr (Prof) Arindam Modak. "The History of Gender Inequalities and the History of Female Struggle against Male Subjugation." IOSR Journal of Humanities and Social Science 19, no. 1 (2014): 23–30. http://dx.doi.org/10.9790/0837-191102330.

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Ailes, Marianne. "Desiring the Other: Subjugation and Resistance of the Female Saracen in the chanson de geste." French Studies 74, no. 2 (February 24, 2020): 173–88. http://dx.doi.org/10.1093/fs/knaa015.

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Bukhari, Romana Jabeen, Muhammad Ahsan, and Fatima Khan. "Female Authenticity in the Holy Woman by Qaisra Shahraz." Global Sociological Review VI, no. II (June 30, 2021): 1–8. http://dx.doi.org/10.31703/gsr.2021(vi-ii).01.

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The purpose of this study is to discover a new identity for women. This study aims to examine a specific text permeated by a consciousness of the general cultural suppression and exploitation in societies and cultures where patriarchy subordinates' women prescribing images and roles for them and the consequent resistance and regeneration on the part of women. The researcher selected Qaisra Shahraz's The Holy Woman, which shows the subjugation of women in twenty-first-century Pakistan. This qualitative study makes an analysis of the female protagonist in the light of existentialism's concept of authenticity and records how she resists, fights, and challenges exploitation and social prescription of her identity with the result that she re-emerges spiritually and establishes her existential rights as a free and independent human being. As exemplified through this text, the resistance and mobilization against these dominant patriarchal ideologies endow the female protagonist with regeneration and spiritual uplift. Through the discussion of the exploited but spiritually heightened character, the study concludes with a new image and identity for women, exploring possibilities to break away from social prescription.
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Knox, Kelly. "3″ Golden Lotus: The Tradition of Bound Feet as Depicted in Contemporary Choreography." Congress on Research in Dance Conference Proceedings 40, S1 (2008): 161–67. http://dx.doi.org/10.1017/s2049125500000649.

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The Chinese tradition of female foot binding dates back thousands of years and has had a profound impact on the status and expectations of Chinese women well into the twentieth century. This paper explores the cross-cultural collaboration between a male Chinese choreographer and a female American dancer and the intersection of metaphoric movement with female identity in Er-Dong Hu's choreographic work, 3” Golden Lotus (2007). Addressing a personal and cultural history, Hu offers a gallery of kinesthetic images that portray the imposed practice of foot binding. What is revealed is one dancer's psychological journey as she follows in the tiny and excruciating footsteps of her female ancestors, 3” Golden Lotus serves as a choreographic springboard for investigating not only the Chinese tradition of bound feet but also its counterparts in other times and cultures, all of which represent a global subjugation of the woman's body.
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Zheng, Tiantian. "Female subjugation and political resistance: from literati to entrepreneurial masculinity in the globalizing era of postsocialist China." Gender, Place & Culture 19, no. 5 (October 2012): 652–69. http://dx.doi.org/10.1080/0966369x.2011.649354.

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Chakravarty, Saumitra. "Defeating Patriarchy on Its Own Terms: The Paradox of Female Chastity in Krittivasa’s Ramayana." Journal of Asian Research 3, no. 2 (March 19, 2019): 70. http://dx.doi.org/10.22158/jar.v3n2p70.

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<em>This essay attempts to analyze the role of women in the Bengali Ramayana of Krittivasa, a regional version of the original Sanskrit epic composed by Valmiki. It does so from the perspective of the strict code of female chastity enshrined in a patriarchal society and enforced upon its women by their male guardians within and beyond the home. While on the one hand, it is an instrument of female subjugation, this essay make an attempt to analyze how the strict observance of this code by the women in the epic, makes it a weapon of female empowerment across the different strata of society through which the text operates. The powerful spiritual energy generated in the process by these women can threaten even the most powerful of patriarchs including the epic hero Rama himself.</em>
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Dissertations / Theses on the topic "Female subjugation"

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Fields, Yvonne. "Trapped: Spatial Confinement as a Metaphor for Female Subjugation in Two Representative Nineteenth-Century Novels." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2019. http://digitalcommons.auctr.edu/cauetds/160.

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From early eighteenth-century literature to contemporary Gothic literature, the existence of Gothic conventions is evident. These Gothic conventions include family secrets, ruins or isolated mansions, hidden passageways, and bad weather. During an era when women were viewed as inferior and were expected to conform to the domestic expectations of their male counterparts, some female writers took it upon themselves to use their writing as a way to voice and illustrate the conditions that women endured. A thorough examination of Gothic Trappings in Charlotte Brontë’s Jane Eyre and Hannah Crafts’ The Bondswoman’s Narrative shows representations of various spaces that essentially confined women resulting in their silence. When analyzing the position of women during the nineteenth-century and the spaces that they were confined to, it becomes evident that the genre of Gothic literature serves as a device to challenge the restrictions placed on women in patriarchal society.
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Coelho, Carla Naoum. "Ampliando horizontes: Análise de interpretações do feminino a partir do texto bíblico." Pontifícia Universidade Católica de Goiás, 2015. http://localhost:8080/tede/handle/tede/778.

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Made available in DSpace on 2016-07-27T13:46:35Z (GMT). No. of bitstreams: 1 Carla Naoum Coelho.pdf: 1787402 bytes, checksum: 5a248cba5f7b8b867614f7ae9a14cd8b (MD5) Previous issue date: 2015-10-06
Interpretation is not a neutral art: it can oppress or it can set free. As women and religion intertwine, Amplifying horizons deals with interpretations taken from the Bible text about women. The question which permeates this study is if and how the Bible text is used to naturalize the subjugation of the female by the male. This is a conceptual and bibliographical work bringing approaches based upon analysis of Bible texts and in speeches extracted from Bible interpretations. In a wide sense, Christianity anchors itself in an anthropological view that acts in a way to establish the place or, function of men and women, in churches as much as in society. Our argumentation is that many Bible interpretations bring in itself universalist and abstract declarations regarding the self, such interpretations stand in patriarchal cultural systems. In our analysis we work with the perspective of gender and with the feminist hermeneutics of liberation, as they are tools of analysis that help us to deconstruct speeches, imaginaries and representations of the female, which were historically constructed and, yet today, corroborate to the perpetuation and legitimization of the female subordination. We start with the presupposition the Christianity was and still is an important influence in the social system and in the cultural world vision of the west. Regarding the contemporaneous use of the Bible text we conclude that the affirmations, declarations and discourses that naturalize the subjugation of the female, support themselves in interpretations that have its fundaments in patriarchal and androcentric concepts. The analysis was made on assertions of the Igreja Presbiteriana do Brasil (IPB), a protestant denomination that pledges to guide itself exclusively on the Sola Scriptura principle for biblical interpretations. Our conclusion is that the IPBs theological instructions on the place-function of women, contradict the Sola Scriptura principle, as they are supported by stand alone verses and-or texts which are withdrawn amongst many, not considering a basic rule of this same principle the Holy Scripture is its own interpreter, that is, the Bible explains the Bible itself. The existing polemic among authors and the appropriation of concepts herein presented may characterize a synthesis open to other interpretations, which will only have achieved its goals as other researchers accept the invitation to engage in dialogue.
A interpretação não é uma arte neutra: pode oprimir ou libertar. No entrecruzamento entre mulheres e religião, Ampliando horizontes... lida com interpretações que são feitas das mulheres a partir do texto bíblico. A indagação que permeia a pesquisa é se e como o texto bíblico é utilizado para naturalizar a subjugação do feminino pelo masculino. Trata-se de um trabalho conceitual e bibliográfico que traz abordagens baseadas em análises de textos bíblicos e em discursos retirados de interpretações da Bíblia. De modo geral, o cristianismo se ancora em uma visão antropológica que atua de maneira a estabelecer o lugar ou, a função de homens e mulheres tanto nas igrejas quanto na sociedade. A nossa argumentação é que muitas das interpretações bíblicas trazem em seu bojo declarações universalistas e abstratas em relação ao ser, interpretações estas que se firmam em sistemas culturais de cunho patriarcal. Em nossa análise, trabalhamos com a perspectiva de gênero e com a hermenêutica feminista de libertação pois são ferramentas de análise que nos ajudam no intuito de desconstruir discursos, imaginários e representações do feminino que foram construídos historicamente e que, ainda hoje, corroboram para a perpetuação e legitimação da subordinação feminina. Partimos do pressuposto que o cristianismo foi e ainda é uma importante influência no sistema social e na cosmovisão cultural do ocidente. No que tange ao uso contemporâneo do texto bíblico concluímos que as afirmações, declarações e discursos que naturalizam a subjugação feminina, ancoram-se em interpretações fundamentadas em concepções androcêntricas e patriarcais. A análise foi feita a partir de postulações da Igreja Presbiteriana do Brasil (IPB), uma denominação protestante que alega pautar-se exclusivamente no princípio do Sola Scriptura para as interpretações bíblicas. A nossa conclusão é que as instruções teológicas da IPB quanto ao lugar-função das mulheres, contradizem o princípio do Sola Scriptura pois pautam-se em versos isolados e-ou textos que são pinçados dentre tantos outros, desconsiderando a norma básica deste princípio de que a Sagrada Escritura é seu próprio intérprete, ou seja, que a Bíblia explica a própria Bíblia. As polêmicas existentes entre os autores e a apropriação dos conceitos aqui apresentados caracterizam-se como uma síntese aberta a outras interpretações, a qual somente terá alcançado seus objetivos na medida em que outros pesquisadores aceitem o convite ao diálogo.
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Books on the topic "Female subjugation"

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Sanford-Jenson, Tiffany, and Marla H. Kohlman. Female Empowerment and the Chain of Command: Women in the U.S. Military. Edited by Holly J. McCammon, Verta Taylor, Jo Reger, and Rachel L. Einwohner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190204204.013.27.

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The U.S. military has garnered considerable scrutiny over how successfully it has incorporated women into full participation. With the formal infusion of women into the Armed Services in the last half of the twentieth century, scholars have begun to examine women’s military experiences as they have entered into new occupational roles, putting women ever closer to controversial combat-related work. Accompanying these increased career opportunities are age-old risks reported in the civilian workplace, including the increased likelihood of harassment, rape, discrimination, subjugation, and other types of gender-based inequality. This chapter provides a detailed synthesis of myriad social movement experiences for women in the military as they have sought to define new roles and participate more fully in the all-volunteer forces. Specifically, the chapter examines sexist practice, combat inclusion, sexual victimization, expansion of reproductive health care, veteran’s benefits, and legal avenues for women’s social movements both in public and private spheres.
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Book chapters on the topic "Female subjugation"

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"The Subjugation of Female Subjectivity:." In Structures of Subjugation in Dutch Literature, 149–60. Modern Humanities Research Association, 2016. http://dx.doi.org/10.2307/j.ctv16kkznv.11.

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"Images of Subjugation and Defiance: Female Characters in the Early Dramas of Tian Han." In Gender Politics in Modern China, 106–17. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822396840-008.

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al-Mughni, Haya. "From Gender Equality to Female Subjugation: The Changing Agendas of Women’s Groups in Kuwait." In Organizing Women, 195–209. Routledge, 2020. http://dx.doi.org/10.4324/9781003136026-9.

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Jena, Asima. "Legitimizing Violence." In Equity and Access, 263–85. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199482160.003.0013.

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This chapter delineates violence from sexual axis by treating regulation of sexuality as a form of violence albeit its legitimacy. The governance of sexuality takes place through the production of discourse, which orders the subjective position and persuasive approach. In a Foucauldian sense, it conceives violence both at corporeal level as well as metaphoric level. It depicts how routine monitoring of the sexual activities of the Female Sex Workers (FSW) are met with resistance by them and reproduce social inequality, subjugation and stigma by unravelling the contradictory character of a community oriented Sexually Transmitted Infection (STI) management programme which in-fact aimed to liberate FSWs from discrimination and inequality.
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Wokoma, Tonye, and Stephen Lindow. "Violence against women and girls." In Oxford Textbook of Obstetrics and Gynaecology, edited by Sabaratnam Arulkumaran, William Ledger, Lynette Denny, and Stergios Doumouchtsis, 684–92. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780198766360.003.0055.

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Violence against women and girls is defined as ‘any act of gender-based violence that results in, or is likely to result in, physical, sexual or psychological harm or suffering to women, including threats of such acts, coercion or arbitrary deprivation of liberty, whether occurring in public or in private life’. In this definition, violence is given its gender-related status and constructed as a problem which facilitates the enduring subjugation of women in society. As well as being a violation of individual rights, violence against women and girls prevents them from flourishing and contributing to their families and communities. It thus has an impact on the economic and social well-being of any society. It also holds back progress on international development targets. Violence against women and girls encompasses rape in conflict, female genital mutilation, stalking and harassment, child sexual abuse, ‘honour’-based violence, forced marriage, and domestic violence. It has physical, sexual, psychological, and economic consequences. This chapter examines the health issues relating to violence against women and girls, the steps taken so far to prevent and cater for health implications, and suggests a way forward.
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Pandiselvi, P., and M. Lakshmi. "Information Needs and Seeking Behaviour of Rural Women." In Advances in Library and Information Science, 133–52. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8178-1.ch009.

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Indian society has been bound by culture and tradition since ancient times. The patriarchal system and the gender stereotypes in the family and society have always showed a preference for the male child. Sons were regarded as a means of social security and women remained under male domination. Due to her subordinated position, she has suffered years of discrimination, exploitation and subjugation. She became the victim of several evils like child marriage, sati, polygamy, Purdah system, female infanticide, forced pregnancy, rape etc. In such incidents/recorded cases surprisingly mother-in-law are also taking active part. This discrimination and violence against women had an effect on the sex ratio in India. The main causes of violence are unequal power-relations, gender discrimination, patriarchy, and economic dependence of women, dowry, low moral values, negative portrayal of women's image in media, no participation in decision-making, gender stereotypes and a negative mindset. In this study about 69.39% of the respondents were married and 4.91% respondents were widow, it is observed that 3.82% of respondents were divorcee. The rest of them 21.85% were unmarried. In this study 50.27% majority of the women need information on education information, followed by information on others respectively 25.68%, agriculture information 22.95%, employment information 15.30%, health care information 11.48%, loan and politics information 9.29%, food nutrition, entertainment information respectively 6.01%, the lowest 3.28% of the respondents needed information on religion. In this study 88% of respondents responded that they were highly satisfied with the source of information, where as 9% of respondents responded that they were partially satisfied, 2.73% of respondents said that the source of information are moderately satisfied.
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Pesaro, Nicoletta. "Xiao Hong: corpi in fuga." In Diaspore. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-238-3/006.

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Xiao Hong (1911-1942), original name Zhang Naiying, lived through the first half of the twentieth century, leaving behind the image of a socially engaged writer, sensitive to the issues connected to the people of her troubled homeland, in the North East of China. After an initial enthusiastic reception of her most representative novel, The Field of Life and Death (1935) in the literary arena, she was later neglected by Chinese critics, and excluded from the Maoist literary canon, as her fictional creatures and her works did not fit the optimistic spirit and the class consciousness requested to the intellectuals of the time. She was then re-discovered only in the 1980s, when both in China and the West her works have been re-read with a feminist or cultural studies approach. In this paper I explore the personal and literary forms of escape underpinning her figure and literary production. Exile, escape, uncertainty are the key words which can adequately describe Xiao Hong’s life and writing, in which, as Yan Haiping (2006, 136) states, one can find the sense of a ‘mobile violence’, due to her choices both as a woman (who revolted against her traditionally bound clan) and as a writer, who adopted a quite innovative, fragmented style combining personal memories and a crude and yet poetic realism. The literary practice which mainly expresses her constant escape from stereotypes, ignorance and conventional fetters is the representation of a dislocated female body subject to any kind of violence and humiliation: Xiao Hong’s ‘placeless bodies’ (Yan Haiping 2006, 146) are tangible marks of subjugation but also of resilience against a gendered destiny, which let her construct her literary and personal identity on a popular standpoint.
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McLoughlin, Caitlyn. "Inherited Futures and Queer Privilege." In Trans and Genderqueer Subjects in Medieval Hagiography. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462988248_ch02.

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This chapter considers John Capgrave’s Life of St Katherine within a queer genealogical framework in order to contribute to a queer historical archive. Procreative and generative language and detail early in the narrative explicitly open the vita to a reading that considers the text itself as offspring in a genealogical line of reproduced texts. Thus the chapter also understands this textual procreation as representative of a particularly genderqueer temporality. Finally, this chapter offers an intersectional consideration of Katherine’s characterization in order to assess how different social privileges and subjugations effect and enable her veneration, complicating essentialist notions of gendered social position and female sanctity.
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"feminine, masculine vocabulary is rarely questioned, yet its usage creates expectations that determine male as the norm, female as the secondary. Verbal descriptions of sex and gender construct, not merely describe. Such construction of belief can be found transmitted through dictionaries. When defining ‘manly’ Webster’s Dictionary says that manly means: …having qualities appropriate to a man: open in conduct bold resolute not effeminate or timorous gallant brave undaunted drinks beer. [Give me a break!!!] For ‘womanly’ one finds: …marked by qualities characteristic of a woman, belonging to attitudes of a woman not a man. Female is defined by the negative of the other, of the male. In this way, sexism pervades the ‘objective’ nature of the dictionary, subordinating the female to the male. Sexist language pervades a range of sacred texts and legal texts and processes. Religion can be and is one of the most powerful ideologies operating within society, and many religions and religious groupings are hierarchically male oriented. The law maintains that the male term encompasses the female. Many religions maintain that man is made in the image of God; woman in the image of man. The female is once removed in both law and religion. Even in the 19th century, English law continued to maintain that the Christian cleaving of male and female meant the subjugation of the female and the loss of her property and identity to the male. English family law was based upon Christian attitudes to family and accounted for the late introduction of flexible divorce laws in the 1950s. Both law and Christianity reflect a dualism in Western society. The power of language is illustrated here. A pervasive sexism is made possible and manifest through language which, therefore, easily carries discrimination. So far, the discussion has centred on the construction of the world by, and through, language as written word. There are different ways of speaking and writing. People use the modes of speaking and writing experience and education notes as the most appropriate. However, language exerts power, too, through a hierarchy given to ‘ways of speaking’; through a hierarchy based on accent as well as choice of, or access to, vocabulary. People often change the way they speak, their accent and/or vocabulary. Such change may be from the informality of family communication to the formality of work. It may be to ‘fit in’: the artificial playing with ‘upper class’, ‘middle class’, ‘working class’, ‘northern’ or ‘Irish’ accents. Sometimes presentation to a person perceived by the speaker as important may occasion an accent and even a vocabulary change. Speakers wish to be thought well of. Therefore, they address the other in the way it is thought that the other wishes or expects to be addressed." In Legal Method and Reasoning, 25. Routledge-Cavendish, 2012. http://dx.doi.org/10.4324/9781843145103-12.

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