Journal articles: 'Femi'

1

Sanati, Abdi. "Femi Oyebode." BJPsych Bulletin 45, no. 1 (January 28, 2021): 66–68. http://dx.doi.org/10.1192/bjb.2020.123.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Fortes, Leonardo de Sousa De Sousa, Hugo Augusto Alvares da Silva Lira, Geraldo José Santos Oliveira, Jeferson Macedo Vianna, and Tony Meireles dos Santos. "O tipo de polimento altera a força explosiva de membros inferiores em atletas de voleibol?" Revista Brasileira de Educação Física e Esporte 33, no. 1 (April 29, 2019): 135–44. http://dx.doi.org/10.11606/issn.1981-4690.v33i1p135-144.

Full text

Abstract:

O objetivo foi analisar o efeito do tipo de polimento na força explosiva de membros inferiores (FEMI) em jovens atletas de voleibol. Participaram 42 atletas com idade entre 15 e 17 anos, divididos aleatoriamente em 3 grupos: linear (GL), por etapa (GE) e controle (GC). Todos os grupos fizeram a mesma planificação de treinamento até a fase do polimento. Somente o GC não realizou polimento. O polimento teve duração de 3semanas, adotando-se o método de polimento linear para o GL e polimento por etapa para o GE. Utilizou-se a plataforma de força para avaliar a FEMI. Este instrumento foi utilizado antes do início da temporada e na última semana de cada mesociclo. Conduziu-se a análise univariada de covariância (ANCOVA) de medidas repetidas para comparar a FEMI entre os grupos em função do mesociclo. Os resultados apresentaram efeitosde tempo (F(4, 38) = 31,93, p = 0,01) e grupo (F(3, 39) = 41,87, p = 0,01). A FEMI aumentou no GL (F(2, 13) = 32,55, p = 0,01) e GE (F(2, 12) = 29,14, p = 0,01) após o polimento, fato não revelado para o GC (F(2, 11) = 3,48, p = 0,19). De maneira geral, os achados do presente estudo revelaram o aumento da FEMI após o polimento para GL e GE. Concluiu-se que o polimento foi eficaz para melhorar a FEMI de atletas de voleibol.

APA, Harvard, Vancouver, ISO, and other styles

3

Ajidahun, Clement O. "Metaphoric Topicality in Femi Osofisan’s Drama." Advances in Literary Study 01, no. 01 (2013): 1–4. http://dx.doi.org/10.4236/als.2013.11001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Oyebode, Femi, and Christina Pourgourides. "Classical Greek tragedy and the inner world." Psychiatric Bulletin 19, no. 6 (June 1995): 362–63. http://dx.doi.org/10.1192/pb.19.6.362.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Wischnewski, Alex. "Femi(ni)zide in Deutschland – ein Perspektivwechsel." 100 Jahre Frauenwahlrecht – Und wo bleibt die Gleichheit? 27, no. 2-2018 (November 20, 2018): 126–34. http://dx.doi.org/10.3224/feminapolitica.v27i2.10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Olaniyan, Tejumola. "Femi Osofisan: The Form of Uncommon Sense." Research in African Literatures 30, no. 4 (December 1999): 74–91. http://dx.doi.org/10.2979/ral.1999.30.4.74.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Götrick, Kacke. "Femi Osofisan'sWomen of Owu—Paraphrase in Performance." Research in African Literatures 39, no. 3 (September 2008): 82–98. http://dx.doi.org/10.2979/ral.2008.39.3.82.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Olaniyan, Tejumola. "Femi Osofisan: Revisionary Notes on Familial Relations." Matatu 33, no. 1 (June 1, 2006): 257–66. http://dx.doi.org/10.1163/18757421-033001033.

Full text

Abstract:

One of the most common obsessions – perhaps the defining one – of scholarly discourse on the African family is how it has been affected by change. Very often, serious research, theoretical and methodological challenges are side-tracked in the pursuit of showing how the African family had been in an ambiguously specified 'past', and how it is in an equally vaguely defined 'present'. It is as if the African family is worth studying only because it can be shown to be a receptacle for historical changes of all kinds. As a result, the rush is often to an analytical framework which privileges the so-called 'tradition / modernity' divide, in which whatever feature of the African family that is perceived as indigenous is labeled 'traditional', while everything else with an uncertain indigenous provenance is 'modern' or 'Western', a result of the colonial encounter. I have labelled this the anthropological approach to the African family. To be sure, this approach has its own uses, but its insights have been very limited. What distinguishes Femi Osofisan's dramatic intervention is a firm denial that the productive way to read the African family is necessarily to privilege its trajectory of change. Change, after all, is the fate of all social institutions. His plays propose social ethics as a more illuminating conceptual direction to follow.

APA, Harvard, Vancouver, ISO, and other styles

9

Olaniyan, Tejumola. "Femi Osofisan: The Form of Uncommon Sense." Research in African Literatures 30, no. 4 (1999): 74–91. http://dx.doi.org/10.1353/ral.2005.0047.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Adebileje, Adebola Omolara, and Atunde Oluwatoyosi. "A Discourse Analysis of Language use in Femi Osofisan’s The Midnight Blackout." Journal of English Language and Literature 2, no. 1 (August 30, 2014): 135–40. http://dx.doi.org/10.17722/jell.v2i1.29.

Full text

Abstract:

This study critically examines the language use of Femi Osofisan’s characters/casts as portrayed in The Midnight Blackout and how such usage is affected and determined by situations and contexts. Analysis of discourse in the play is premised on a model adaptation of Discourse Analysis presented in Hyme’s (1962) Ethnography of Communication and Grice’s Conversational Maxim. The study employs Hyme’s Ethnography of Communication model which is encapsulated in the SPEAKING acronym, and Conversational Maxims by Grice which engages the maxim of quantity, quality, relation and manner. This critical analysis reveals language as an indispensable and instinctive medium in human communication. Analysis also reveals the linguistic and social surrounding or environment of Femi Osofisan’s The Midnight Blackout and foregrounds language as the spectrum through which the society can be appreciated.

APA, Harvard, Vancouver, ISO, and other styles

11

Adebanjo, Niyi. "Technologising Orality: A Reflection on Femi Lasode’s ‘Sango’." African Research Review 11, no. 3 (September 15, 2017): 79. http://dx.doi.org/10.4314/afrrev.v11i3.8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Ogakason, Rasheed Oshoke. "Women as agents of conflict resolution in Femi Osofisan’s Moroutodun." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, no. 1-2 (April 15, 2020): 321–34. http://dx.doi.org/10.4314/ejotmas.v7i1-2.21.

Full text

Abstract:

Over the years, there have been incidents of class struggle and secessionist agitations especially in developing nations such as Nigeria. This has drawn the attention of the government, security agencies and the ruling class who deem it a threat to the peace and unity of the nation. Many of such agitations are tackled using different strategies to manage the situations especially when it results to crisis and clash of interests leading to destruction of lives and properties. Nigeria, has recorded several incidents of agitations mostly from minority and separatist groups who see themselves as the oppressed and marginalized in the aspects of leadership, governance, power and unequal distribution of the nation’s abundant wealth and resources. The literary world has contributed severally through the works of contemporary African playwrights such as Ngugi wa Thiongo, J.P Clark and Femi Osofisan, who have successfully woven their themes on issues such as conflict, emancipation, oppression and social struggle. This paper is premised on the theory of conflict resolution techniques and dispute management systems and textual analysis as its method. The paper examines the portrayal of women as agents of conflict resolution in Femi Osofisan’s Moroutodun. It further draws the attention to the integral role of women in bringing about peace, positive change and development in the society. The paper concludes that womenshould be given a chance as men to contribute to peace-building and conflict resolution in the society. Keywords: Women, Agents of conflict resolution, Moroutodun, Femi Osofisan, Nigeria

APA, Harvard, Vancouver, ISO, and other styles

13

Ojaide, Tanure, and Sandra L. Richards. "Ancient Songs Set Ablaze: The Theatre of Femi Osofisan." World Literature Today 71, no. 2 (1997): 441. http://dx.doi.org/10.2307/40153225.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Ojebode, Ayokunmi O., and Idowu O. Odebode. "Onomastics, Medicine and Politics in Femi Osofisan’s The Engagement." Theory and Practice in Language Studies 9, no. 5 (May 1, 2019): 494. http://dx.doi.org/10.17507/tpls.0905.02.

Full text

Abstract:

Onomastics, medicine and politics in this study are a pragmatic way of depicting the psychosocial condition of Nigeria as an underdeveloped nation. The study explores Femi Osofisan’s The Engagement from a literary onomastic standpoint with the aim of exposing socio-political anomalies in Nigeria. Nigerian leaders commit flaws of egoistical and individualistic interests which often go against the consciences of the led. On this premise, the study explores the characters’ names in The Engagement with a view to gaining insight into Nigeria’s sociocultural and political contexts. Furthermore, Postcolonial Theory and Halliday’s Contextual Theory of Meaning serve as the study’s theoretical constructs. The study is predicated on the underdevelopment of Nigeria which is epitomised as a psychological behaviour of characters in a nation that is under the siege of political anarchy and different social vices.

APA, Harvard, Vancouver, ISO, and other styles

15

Onwueme, Tess Akaeke. "Visions of Myth in Nigerian Drama: Femi OsofisanVersusWole Soyinka." Canadian Journal of African Studies / Revue canadienne des études africaines 25, no. 1 (January 1991): 58–69. http://dx.doi.org/10.1080/00083968.1991.10803878.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

NNANNA, Ndubuisi. "The Demonization of Woman in Femi Osofisan’s Women of Owu." Nile Journal of English Studies 2, no. 2 (April 1, 2016): 57. http://dx.doi.org/10.20321/nilejes.v2i2.73.

Full text

Abstract:

<p>Critical opinions on Femi Osofisan’s Women of Owu are largely stereotypical. They lament the plunder of Owu and compare it to that of Troy, drawing some parallels between Euripides’ The Trojan Women and Osofisan’s adaptation of it. There is a clear effort to assume some kind of historical and cultural affinity between the women of ancient Owu and Troy. But most of these assumptions are apparently contrived. It seems that there has been no attempt to consider Osofisan’s play in its own right. This study is an endeavor in that direction. It adopts the Reader-Response approach as a methodology to conduct a phenomenological analysis of Osofisan’s Women of Owu in order to discover the extent to which it truly reflects the picture of the Owu war of the 17th century and portrays the cultural identity of the women of Owu. It also compares Euripides’ play with Osofisan’s version in the context of their individual historical backgrounds to examine how each play captures the realities of its specific cultural milieu. The conclusion of this paper is that in an attempt to find parallels to the source of his play, Osofisan has inadvertently extrapolated the cultural essence of a society that had little regard for women into the cultural history of an African community, where women had a lot of respect, and in the process, has demonized womanhood and given impetus to some flawed assumptions and misinterpretations of history. The recommendation of this paper is, therefore, that African dramatists should be conscious of the peculiarities of cultures and the danger in attempting to find contrived affinities between African and Western cultures in an effort to lend some kind of credibility to their creative endeavors.<em> </em></p>

APA, Harvard, Vancouver, ISO, and other styles

17

Olaniyan, Modupe Elizabeth. "SYMBOLISM IN THE DRAMA OF JP CLARK AND FEMI OSOFISAN." Imbizo 5, no. 1 (June 23, 2017): 71–81. http://dx.doi.org/10.25159/2078-9785/2831.

Full text

Abstract:

The interpretation of literary texts in African drama has become a hazardous task for many readers (especially non-African readers). It is often difficult to go beyond the superficial literal meanings of a text. Readers often take what characters say as what they mean and do and, unfortunately, most dramatists do not usually provide explanatory notes at the end of such texts to aid the readers’ understanding. Hence, the aim of this article is to embark on an analysis of the works of John Pepper Clark and Femi Osofisan (both Nigerian dramatists) to see how they have used symbolism in their plays The Raft and Another Raft respectively to convey meanings other than the surface textual meanings to the readers while trying to reflect the socio-political situation in Nigeria after independence. This will be discussed with a view to enlightening the readers on African dramatic texts about what symbols stand for in African drama, such that when reading African plays, readers will be in a position to appreciate and understand such texts better.

APA, Harvard, Vancouver, ISO, and other styles

18

Aboelazm, Ingy. "Africanizing Greek Mythology: Femi Osofisan’s Retelling of Euripides’the Trojan Women." European Journal of Language and Literature 4, no. 1 (April 30, 2016): 87. http://dx.doi.org/10.26417/ejls.v4i1.p87-103.

Full text

Abstract:

Nigerian writer Femi Osofisan’s new version of Euripides' The Trojan Women, is an African retelling of the Greek tragedy. In Women of Owu (2004), Osofisan relocates the action of Euripides' classical drama outside the walls of the defeated Kingdom of Owu in nineteenth century Yorubaland, what is now known as Nigeria. In a “Note on the Play’s Genesis”, Osofisan refers to the correspondences between the stories of Owu and Troy. He explains that Women of Owu deals with the Owu War, which started when the allied forces of the southern Yoruba kingdoms Ijebu and Ife, together with recruited mercenaries from Oyo, attacked Owu with the pretext of liberating the flourishing market of Apomu from Owu’s control. When asked to write an adaptation of Euripides’ tragedy, in the season of the Iraqi War, Osofisan thought of the tragic Owu War. The Owu War similarly started over a woman, when Iyunloye, the favourite wife of Ife’s leader Okunade, was captured and given as a wife to one of Owu’s princes. Like Troy, Owu did not surrender easily, for it lasted out a seven-year siege until its defeat. Moreover, the fate of the people of Owu at the hands of the allied forces is similar to that of the people of Troy at the hands of the Greeks: the males were slaughtered and the women enslaved. The play sheds light on the aftermath experiences of war, the defeat and the accompanied agony of the survivors, namely the women of Owu. The aim of this study is to emphasize the play’s similarities to as well as shed light on its differences from the classical Greek text, since the understanding of Osofisan’s African play ought to be informed by the Euripidean source text.

APA, Harvard, Vancouver, ISO, and other styles

19

OKOYE, CHUKWUMA. "Deference and defiance: African theatre and Femi Osofisan’s signifying difference." Studies in Theatre and Performance 31, no. 3 (October 6, 2011): 305–14. http://dx.doi.org/10.1386/stp.31.3.305_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Richards, Sandra L. "Toward a Populist Nigerian Theatre: the Plays of Femi Osofisan." New Theatre Quarterly 3, no. 11 (August 1987): 280–88. http://dx.doi.org/10.1017/s0266464x00015268.

Full text

Abstract:

Though his work is as yet less familiar in Europe and the USA than that of Wole Soyinka. Femi Osofisan, while acknowledging a discipleship to his predecessor, is more concerned with specific social issues than with universalized themes, and is pre-eminent among contemporary Nigerian playwrights in combining a radical perspective with a recognition of the importance of cultural traditions. In this article. Sandra L. Richards explores his work in terms of the way that its social analysis elicits an active response from its audiences, through the reshaping of recognizable forms – ‘whodunits without solutions’ – while accepting the often-limited resources of theatre machinery and personnel on which most of his directors will be able to call. Sandra L. Richards spent two years in Nigeria as a Fulbright Scholar at the University of Benin, and is presently Assistant Professor of Drama and Director of the Committee on Black Performing Arts at Stanford University, California. An earlier version of the present article was presented at the annual African Literature Association conference held at Michigan State University in 1986.

APA, Harvard, Vancouver, ISO, and other styles

21

Hong, Liu, He Dai-Hai, Lou Sen-Yue, and He Xian-Tu. "Bright Soliton Solutions in Degenerate Femi Gas near Feshbach Resonance." Chinese Physics Letters 26, no. 12 (December 2009): 120308. http://dx.doi.org/10.1088/0256-307x/26/12/120308.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Dunton, Chris. "Ancient Songs Set Ablaze: The Theatre of Femi Osofisan (review)." Research in African Literatures 30, no. 4 (1999): 223–26. http://dx.doi.org/10.1353/ral.2005.0033.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Martin, Tom. "Femi, Brake Mechanic: Kinesthetic Learning and Mike Rose's “Remedial” Education." Mind, Culture, and Activity 19, no. 4 (October 2012): 368–75. http://dx.doi.org/10.1080/10749039.2012.717672.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Ogede, Ode S. "Resisting repression in Nigeria: The lyric poetry of Femi Osofisan." Third World Quarterly 16, no. 2 (June 1995): 329–40. http://dx.doi.org/10.1080/01436599550036176.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Akingbe, Niyi. "Subverting Nationalism." Matatu 49, no. 1 (2017): 28–53. http://dx.doi.org/10.1163/18757421-04901003.

Full text

Abstract:

The thematics of Femi Fatoba’s They Said I Abused the Government (2001) and Wole Soyinka’s Samarkand and Other Markets I Have Known (2002) demonstrate the potential of art to bear witness to the bizarre, depressing anomie bedevilling Nigeria between 1993 and 1998. This anomie was ruinously orchestrated by the power-hungry military, who annulled the free and fair presidential election won by Chief M.K.O. Abiola. This military incursion into Nigeria’s political sphere was facilitated by a nebulous nationhood plagued by contending differences among its federating units. The notorious brutality of General Abacha’s regime was a cavalcade of incarceration and killings of real and imagined political dissidents. Especially, outspoken politicians who fell victim to unstable power-plays were kept in detention facilities across the country. They Said I Abused the Government and Samarkand and Other Markets I Have Known’s articulation of these ‘years of the locusts’ is epitomized by the closing of newspapers, brain drain, and the imagery of stasis and displacement. These occurrences are captured by the accusatory tone of Femi Fatoba and Wole Soyinka’s poetics as they protest the military brigandage in their works. The essay seeks to explicate how protest and satire have been harnessed to articulate the subversion of nationalism in postcolonial Nigeria.

APA, Harvard, Vancouver, ISO, and other styles

26

Ravetti, Graciela, and Joyce Martins Pinheiro. "Tensiones intertextuales: “el infierno prometido”, de elsa drucaroff y “los siete locos”, de roberto arlt." Pontos de Interrogação — Revista de Crítica Cultural 2, no. 1 (November 6, 2015): 91. http://dx.doi.org/10.30620/p.i..v2i1.1698.

Full text

Abstract:

ResumoEste ensayo, como producto parcial y en desarrollo de una investigación, se propone a apuntar y discutir ciertos aspectos de la novela El infierno prometido de Elsa Drucaroff en lo que respecta a la cuestión de la autoría femenina: la tensión inte rtextual del texto con las novelas de Roberto Arlt, Los siete locos y Los lanzallamas y el concepto de paternidad cultural y sus derivaciones.Palavras-chaveDrucaroff. Arlt . Intertextualidade. Paternidade cultural. Femi nismo. Autoria feminina.

APA, Harvard, Vancouver, ISO, and other styles

27

Onwueme, Tess Akaeke. "Visions of Myth in Nigerian Drama: Femi Osofisan versus Wole Soyinka." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 25, no. 1 (1991): 58. http://dx.doi.org/10.2307/485556.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Olaniyan, Tejumola. "Book Review: Ancient Songs Set Ablaze: The Theatre of Femi Osofisan." Theatre Journal 49, no. 1 (1997): 87–88. http://dx.doi.org/10.1353/tj.1997.0011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Wu, Mei, Shikui Tang, Peng Zhang, Yuqian Ma, Bobing Wu, and Zongwei Li. "Femi-type acceleration of electron in γ-ray burst fireball model." Science in China Series A: Mathematics 44, no. 12 (December 2001): 1608–14. http://dx.doi.org/10.1007/bf02880801.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Cadmus, Femi, and Blair Kaufmann. "The Recession Mounts the Ivory Tower: How the Lillian Goldman Law Library at Yale has met the Challenges Posed by a Declining Economy." Legal Information Management 10, no. 4 (December 2010): 275–79. http://dx.doi.org/10.1017/s1472669610000939.

Full text

Abstract:

AbstractThe global recession has wrought havoc on the budgets of libraries worldwide, forcing administrators to reassess priorities and change direction midcourse. Privately funded academic libraries which typically rely heavily on large endowments have not been exempt and in fact have probably been hit the hardest. The challenges encountered by this long drawn financial crisis have ultimately provided opportunities to reassess priorities and conduct business more efficiently. This paper was presented at the BIALL Conference in June 2010 by Femi Cadmus and Blair Kaufmann.

APA, Harvard, Vancouver, ISO, and other styles

31

Rohrer, Susanne, and Brigitte Berger-Bächi. "Application of a bacterial two-hybrid system for the analysis of protein–protein interactions between FemABX family proteins." Microbiology 149, no. 10 (October 1, 2003): 2733–38. http://dx.doi.org/10.1099/mic.0.26315-0.

Full text

Abstract:

Protein–protein interactions play an important role in all cellular processes. The development of two-hybrid systems in yeast and bacteria allows for in vivo assessment of such interactions. Using a recently developed bacterial two-hybrid system, the interactions of the Staphylococcus aureus proteins FemA, FemB and FmhB, members of the FemABX protein family, which is involved in peptidoglycan biosynthesis and β-lactam resistance of numerous Gram-positive bacteria, were analysed. While FmhB is involved in the addition of glycine 1 of the pentaglycine interpeptide of S. aureus peptidoglycan, FemA and FemB are specific for glycines 2/3 and 4/5, respectively. FemA–FemA, FemA–FemB and FemB–FemB interactions were found, while FmhB exists solely as a monomer. Interactions detected by the bacterial two-hybrid system were confirmed using the glutathione S-transferase-pulldown assay and gel filtration.

APA, Harvard, Vancouver, ISO, and other styles

32

Adebileje, Adebola Omolara, and Atunde Oluwatoyosi. "A Discourse Analysis of Language use in Femi Osofisan’s The Midnight Blackout." Journal of English Language and Literature 2, no. 1 (August 2, 2014): 135. http://dx.doi.org/10.17722/jell.v2i1.62.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Bernardini, J., and P. Gas. "About the existence of grain boundary cosegregation in pure FeMI solid solutions." Scripta Metallurgica 22, no. 7 (January 1988): 1165–68. http://dx.doi.org/10.1016/s0036-9748(88)80124-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Olushola, Ayodeji Akanmode. "Socio-political satire in Femi Osofisans Many Colours Make the Thunder-King." International Journal of English and Literature 7, no. 9 (September 30, 2016): 152–58. http://dx.doi.org/10.5897/ijel2016.0906.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Akpome, Aghogho. "Book Review: The Revolutionary Drama and Theatre of Femi Osofisan." English in Africa 46, no. 2 (September 18, 2019): 141. http://dx.doi.org/10.4314/eia.v46i2.8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Adeniji, Ade, and Sade Olagunju. "Pragmatic Markers of Voices in Femi Osofisan's Esu and the Vagabond Minstrels." Sociology and Anthropology 6, no. 7 (July 2018): 615–21. http://dx.doi.org/10.13189/sa.2018.060707.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Zheng, Zhiwei, Leyong Jiang, Jun Guo, Xiaoyu Dai, and Yuanjiang Xiang. "Tunable Optical Bistability in One-Dimensional Photonic Crystal with a Nonlinear Defect Coupled by Graphene Sheets." Advances in Condensed Matter Physics 2017 (2017): 1–6. http://dx.doi.org/10.1155/2017/6590424.

Full text

Abstract:

The optical bistability in one-dimensional photonic crystal (1DPC) with a nonlinear defect is investigated. It is demonstrated that, by introducing graphene layers into the nonlinear defect, the optical bistability in 1DPC can be changed significantly. The hysteresis threshold increases with the number of graphene monolayers and can be lowered or enhanced by tuning the Fermi energy of graphene. On the other hand, the hysteresis width and the nonlinear lateral shift can also be controlled by varying the Femi energy and the number of graphene monolayers. These results may be useful for controlling the optical bistability and nonlinear lateral shift in 1DPCs.

APA, Harvard, Vancouver, ISO, and other styles

38

Wang, Yanhua, Xiaoyu Shang, Xiaowei Wang, Jianying Tong, and Jingcheng Xu. "Density functional theory calculations of NO molecule adsorption on monolayer MoS2 doped by Fe atom." Modern Physics Letters B 29, no. 27 (October 7, 2015): 1550160. http://dx.doi.org/10.1142/s0217984915501602.

Full text

Abstract:

Functionalization of [Formula: see text] monolayer doped by the transition-metal Fe adatom [Formula: see text]–[Formula: see text] and NO absorption on [Formula: see text]–[Formula: see text] has been investigated computationally using first-principles calculations based on the density functional theory. We found that the system of [Formula: see text]–[Formula: see text] remains a semiconductor, with spin polarization at the Fermi level. However, for the system with absorption of NO molecule on the surface of [Formula: see text]–[Formula: see text] monolayer, its spin polarization is turned over at the Femi level, which provides a promising material for spintronic sensors.

APA, Harvard, Vancouver, ISO, and other styles

39

Sesan, Azeez Akinwumi. "Representation of Women’s War Experiences in Femi Osofisan’s Morountodun and Women of Owu." Anafora 5, no. 1 (June 9, 2018): 183–202. http://dx.doi.org/10.29162/anafora.v5i1.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Svalov, A. V., G. V. Kurlyandskaya, V. N. Lepalovskij, P. A. Savin, and V. O. Vas’kovskiy. "Exchange bias in FeNi/FeMn/FeNi multilayers." Superlattices and Microstructures 83 (July 2015): 216–23. http://dx.doi.org/10.1016/j.spmi.2015.03.040.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Grabke, H. J., and C. L. Briant. "Comments on “About the existence of grain boundary cosegregation in pure FeMI solid solutions”." Scripta Metallurgica 22, no. 7 (January 1988): 1169–72. http://dx.doi.org/10.1016/s0036-9748(88)80125-x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Raji, Wumi. "Black African Literature in English: 1991–2001: Critical Appreciation and Reception, by Femi Abodunrin." Research in African Literatures 39, no. 2 (June 2008): 151–53. http://dx.doi.org/10.2979/ral.2008.39.2.151.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Aboluwade, Ifeoluwa. "Beyond Interlingual Translation: Transforming History, Corporeality, and Spatiality in Femi Osofisan’s Women of Owu." Adaptation 12, no. 3 (February 28, 2019): 257–70. http://dx.doi.org/10.1093/adaptation/apz004.

Full text

Abstract:

Abstract Building mostly on the seminal works of André Lefevere and Bassnett, recent work carried out in translation studies has problematized extant conceptions of translation and the distinction between various forms of creative rewritings. Similarly, individual scholars such as Katja Krebs and Laurence Raw in the field of adaptation studies have illuminated points of convergence and overlap between translation and adaptation. This article espouses and extends existing studies by explicating the redundancy of the borders constructed between translation and adaptation within the broader framework of Nigerian theatre and performance. Informed by a transdisciplinary approach adapted from multimodal social semiotics and literary studies, the author engages in analysis and close-readings of the play text and stage performance of Femi Osofisan’s Women of Owu (2004/2006) to investigate how translation transcends simple interlingual practice to encompass adaptations of the spatial, temporal and embodied aspects of societies and cultures.

APA, Harvard, Vancouver, ISO, and other styles

44

Mushaben, Joyce Marie. "The rise of Femi‐Nazis? Female participation in right‐extremist movements in unified Germany." German Politics 5, no. 2 (August 1996): 240–61. http://dx.doi.org/10.1080/09644009608404440.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Swirsky, Jill M., and D. J. Angelone. "Femi-Nazis and Bra Burning Crazies: A Qualitative Evaluation of Contemporary Beliefs about Feminism." Current Psychology 33, no. 3 (March 7, 2014): 229–45. http://dx.doi.org/10.1007/s12144-014-9208-7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Rettig, Erica M., Stephen E. Fick, and Robert J. Hijmans. "The Female Empowerment Index (FEMI): spatial and temporal variation in women's empowerment in Nigeria." Heliyon 6, no. 5 (May 2020): e03829. http://dx.doi.org/10.1016/j.heliyon.2020.e03829.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Kandziora-Ciupa, Marta, Aleksandra Nadgórska-Socha, and Gabriela Barczyk. "The influence of heavy metals on biological soil quality assessments in the Vaccinium myrtillus L. rhizosphere under different field conditions." Ecotoxicology 30, no. 2 (January 26, 2021): 292–310. http://dx.doi.org/10.1007/s10646-021-02345-1.

Full text

Abstract:

AbstractThe aim of this study was to determine the influence of heavy metals on biological soil quality assessments in Vaccinium myrtillus L. rhizosphere soil as well as in non-rhizosphere soil from different polluted sites. The presented study was also conducted in order to determine any differences in the soil physicochemical and biological properties between the Vaccinium rhizosphere soil and the non-rhizosphere soil. The content of heavy metals and their potential bioavailability, content of macronutrients, physicochemical soil properties, activity of six soil enzymes and microarthropod communities were determined. Soil organic matter, the levels of C, N and all the studied macronutrients and almost all enzyme activity were significantly higher in the rhizosphere soil than in the non-rhizosphere soil. At the most contaminated site, the content of heavy metals was also higher in the rhizosphere soil, but their bioavailability was lower than in the non-rhizosphere soil. The β-glucosidase and urease activity in the soil correlated most negatively with the examined metals. The levels of two enzymes were also strongly impacted by the organic matter—the C and N levels and pH. The number of microarthropods as well as the QBS (soil biological quality index) and FEMI (abundance-based fauna index) were higher in the rhizosphere soil. The bilberry rhizosphere soil had stronger correlation coefficient values between the measured parameters than the non-rhizosphere soil, which suggests that rhizosphere soil is more sensitive and could be used in the monitoring and assessment of forest ecosystems. β-glucosidase and urease were the most sensitive indicators of the adverse impact of Cd, Zn and Pb. The FEMI index seems to be a better indicator than the QBS for identifying differences in soil quality.

APA, Harvard, Vancouver, ISO, and other styles

48

babylon, femi, and Heather Berg. "Erotic Labor within and without Work." South Atlantic Quarterly 120, no. 3 (July 1, 2021): 631–40. http://dx.doi.org/10.1215/00382876-9154955.

Full text

Abstract:

In this interview, femi babylon elaborates a proheaux womanist theory of erotic labor as at once work and antiwork. “Sex work is work” speaks to the realities of erotic labor as a survival strategy and illuminates the connections among erotic labor and other forms of gig work. At the same time, it can operate as a bid for respectability, and one that occludes erotic labor as a strategy for refusing the work ethic. Thinking through the politics of the survival sex/sex work binary, the (dis)connections among wives and whores, and the intersections of whorephobia and misogynoir in conversations about sex worker motherhood, babylon engages key points of debate in sex worker theory today.

APA, Harvard, Vancouver, ISO, and other styles

49

Mewes, T., B. F. P. Roos, S. O. Demokritov, and B. Hillebrands. "Oscillatory exchange bias effect in FeNi/Cu/FeMn and FeNi/Cr/FeMn trilayer systems." Journal of Applied Physics 87, no. 9 (May 2000): 5064–66. http://dx.doi.org/10.1063/1.373249.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Osanyemi, Taiwo A. Stanley OsanyemiTaiwo A. Stanley, and R. E. Iwuanjoku. "Interface Between History and Drama and Nation Building: A Marxist Reading of Femi Osofisan’s Morountodun." Bulletin of Advanced English Studies 1, no. 1 (2018): 111–18. http://dx.doi.org/10.31559/baes2018.1.1.9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Femi'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles