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Relevant bibliographies by topics / Feminine fantasy

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Academic literature on the topic 'Feminine fantasy'

Author: Grafiati

Published: 20 February 2023

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Journal articles on the topic "Feminine fantasy"

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Sulistyani, Hapsari Dwiningtyas. "Pemaknaan Lokal terhadap Teks Global Melalui Analisis Tema Fantasi." Jurnal ILMU KOMUNIKASI 13, no. 2 (January 20, 2017): 201. http://dx.doi.org/10.24002/jik.v13i2.721.

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Abstract: This study focuses on exploring the use of Fantasy Theme Analysis for examining local interpretation on global media texts, particularly the way in which Indonesian girls interpret Disney princesses. The main theory used in this research is Symbolic Convergence Theory in which the theory is used as a tool to analyze the chain of meanings. This research uses fantasy themes analysis as the method of analysis. The results indicate that the girls perceive the beauty images constructed by Disney as ideal. Consequently, they have negative perception to the dominant physical characteristics of Indonesian women.Keywords: beauty codes, fantasy themes analysis, feminine codes, local meaningsAbstrak: Penelitian ini fokus pada eksplorasi penggunaan analisis tema fantasi untuk melihat pemaknaan lokal terhadap produk global melalui interpretasi anak perempuan di Indonesia terhadap film putri Disney. Teori utama yang digunakan dalam penelitian ini adalah Teori Konvergensi Simbollik dengan analisis tema fantasi sebagai metode. Hasil penelitian menunjukkan bahwa anak-anak perempuan menempatkan konstruksi kecantikan oleh Disney sebagai kecantikan yang ideal, sehingga mereka cenderung memiliki persepsi negatif terhadap karakteristik fisik dominan yang dimiliki oleh sebagian besar perempuan Indonesia.Kata Kunci: analisis tema fantasi, kode feminin, pemaknaan kecantikan, pemaknaan lokal

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Tait, Peta. "Feminine Free Fall: A Fantasy of Freedom." Theatre Journal 48, no. 1 (1996): 27–34. http://dx.doi.org/10.1353/tj.1996.0022.

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Măcineanu, Laura. "Feminine Hypostases in Epic Fantasy: Tolkien, Lewis, Rowling." Gender Studies 14, no. 1 (December 1, 2015): 68–82. http://dx.doi.org/10.1515/genst-2016-0005.

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Abstract The paper identifies the types of female figures present in the works of three well-known fantasy writers, J.R.R. Tolkien, C.S. Lewis and J.K. Rowling, discussing the ways in which these characters are presented, their relationship with other characters, and their role in the economy of the novel, which is more important than may appear from a first reading. It also tries to explain the reasons that prompted the above-mentioned authors to choose these female hypostases.

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Pickering-Iazzi, Robin. "Structures of Feminine Fantasy and Italian Empire Building, 1930-1940." Italica 77, no. 3 (2000): 400. http://dx.doi.org/10.2307/480305.

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Matthews, Susan. "Productivity, Fertility and the Romantic ‘Old Maid’." Romanticism 25, no. 3 (October 2019): 225–36. http://dx.doi.org/10.3366/rom.2019.0428.

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William Hayley's Essay on Old Maids (1785, 1793) bafflingly constructs an image of the old maid from libertine fantasy, learned wit, pro-feminine critique and feminist scholarship. This essay traces some of these strands in later treatments of female sexuality and ageing in writing by Hannah More and Joanna Southcott, suggesting ways in which shifting attitudes to fertility enable new accounts of the female body. It argues that the terms of Hayley's Essay constrain later attempts to shift the debate. Whilst More attempts to escape the representation of the ageing body, the topic of female writing allows a renewed focus on reproduction.

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Claypool, Lisa. "Feminine Orientalism or Modern Enchantment? Peiping and the Graphic Artists Elizabeth Keith and Bertha Lum, 1920s–1930s." Nan Nü 16, no. 1 (September 10, 2014): 91–127. http://dx.doi.org/10.1163/15685268-00161p04.

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The ideological suppositions, images, and fantasy associated with orientalism has given rise to the conceptualization of a materialist “feminine orientalism.” The term refers to an historical moment in the early twentieth century when white women in Europe and North America defined their social roles and gender by appropriating male orientalist politics and ideology. This article challenges the concept of “feminine orientalism” through the study of the prints and travel writing of two modern graphic artists who sojourned in Republican-era Peiping in the 1920s and 1930s: Bertha Lum and Elizabeth Keith. Through close formal analysis of the new visions of Peiping that the two women conjured in their prints – a vision that relied as heavily on urban ethnography as it did on fantasy – it proposes an alternative concept of “modern enchantment” as a heuristic device to interpret gender. Drawing from Wolfgang Iser’s notions of the “fictive,” “modern enchantment” lays as much weight on Weberian modern rationality as it does on imagination, and critically functions as a means to recuperate cultural boundary crossing in female gender performance and construction.

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Driscoll, Kerry. "Mark Twain’s Masculinist Fantasy of the West." Mark Twain Annual 20 (November 1, 2022): 100–114. http://dx.doi.org/10.5325/marktwaij.20.1.0100.

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Abstract In chapter 57 of Roughing It, Mark Twain extols his experience of the West in terms that are at once highly idealized and strangely skewed: “It was a wild, free, disorderly, grotesque society! Only swarming hosts of stalwart men—nothing juvenile, nothing feminine, visible anywhere!” This description, however memorable, is also blatantly false. The 1860 federal census records 111 women in Virginia City and Gold Hill, “83 of whom were living with their husbands . . . and caring for more than 100 children.” Clemens’s cognizance of this fact is reflected in the circumstances of his own brother Orion, who, within a year of their 1861 arrival, was joined in Carson City by his wife and daughter, as well as in his reporting for the Virginia City Enterprise. This article explores the personal and cultural underpinnings of this omission, examining it in relation to conventional nineteenth-century gender hierarchies.

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Cuzovic-Severn, Marina. "The Geopolitics of Emilia Pardo Bazán’s La Quimera: Femme Fatale as Split Feminist Subject." Mediterranean Journal of Social Sciences 8, no. 5 (September 1, 2017): 31–40. http://dx.doi.org/10.1515/mjss-2017-0021.

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AbstractThis paper analyzes the representation of the femme fatale in Emilia Pardo Bazán’s La Quimera (1905). Femme fatale is described by many critics as an expression of masculine anxieties and fears, caused by political crisis and growth of feminine independence in the nineteenth century. Male authors employed this figure to preserve patriarchal structure and the existent power balance between prescribed gender roles. I argue that Pardo Bazán, through imitation of male writers and manipulation of hidden meanings in La Quimera, employs this masculinist projection to express latent feminist ideas and a critique of the contemporary social position of women. In her novel, Pardo Bazán creates a feminist femme fatale and, through her geopolitically split formation (France/Latin America/Spain), criticizes Spanish patriarchy, domesticity and non-modernity. She achieves this without overtly violating masculine narrative structure or demeaning patriarchal order, as she appropriates the originally masculinist imagery of fatal woman. Nevertheless, the eventual fate of Pardo Bazán’s femme fatale—especially the elaboration of internal dialogs and her presentation not as antagonist and invasive Other but as protagonist and subject—demonstrates fundamental differences of a feminist perspective within her elaboration of this masculine fantasy. In this way, in a time and space where feminism as a movement did not yet exist or was in its formative years, Pardo Bazán immensely contributed to the development of European/Spanish feminist thought.

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Porteous, Holly. "From Barbie to the oligarch’s wife: Reading fantasy femininity and globalisation in post-Soviet Russian women’s magazines." European Journal of Cultural Studies 20, no. 2 (April 13, 2016): 180–98. http://dx.doi.org/10.1177/1367549416638613.

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This article demonstrates how an analysis of fantasy femininity sheds light on how norms of gender, class and national identity reflect global and local cross-cultural currents in post-Soviet Russia. Drawing on a discourse analysis of women’s magazines and in-depth interviews with readers, it shows how, in the globalised post-Soviet cultural landscape, fantasy femininity represents both change and continuity. Feminine archetypes in women’s magazines, from fairytale princesses to Barbie dolls, reflect a wider post-Soviet cultural hybridisation and are an example of how Western women’s magazines have adapted to the Russian context. Furthermore, the article highlights readers’ ambiguous attitudes towards post-Soviet cultural trends linked to perceived Westernisation or globalisation, such as individualism, conspicuous consumption and glamour.

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Bondar, Alanna F. ""Life Doesn't Seem Natural:" Ecofeminism and the Reclaiming of the Feminine Spirit in Cindy Cowan's A Woman from the Sea." Theatre Research in Canada 18, no. 1 (January 1997): 18–26. http://dx.doi.org/10.3138/tric.18.1.18.

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While critical reception of Cindy Cowan's A Woman from the Sea has typically valued its magical and fantasy elements, little critical attention has been given to its larger implications for ecofeminist spiritual revisioning. In what follows, the author considers Cowan's efforts to outline the liberating potential of ecofeminism and female spirituality. Drawing on textual evidence, the author examines how Cowan organizes a rediscovery of the sensual feminine through dramatic narrative.

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Dissertations / Theses on the topic "Feminine fantasy"

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Mullins, Anna C. C. "Sucker Punch and the Political Problem of Fantasy to Female Representation." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363533555.

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Lovela, Cecilia. "Female Resistance in a World of Epic Heroes and Legendary Adventures : A feminist reading of Rick Riordan’s The Lost Hero, inspired by Luce Irigaray’s “The Power of Discourse and the Subordination of the Feminine”." Thesis, Södertörns högskola, Engelska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-38526.

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Literature is an important part of the curriculum of Swedish secondary school and The Lost Hero by Rick Riordan is a popular novel among teenagers in Stockholm. This creates an opportunity to look closer at the novel, and to investigate the narrative’s discussion of the female, and in this particular case, its depictions of the female characters. This essay will show that by reading the novel with a feminist approach, inspired by the work of Luce Irigaray, the narrative reveals cultural aspects that might work well as a ground for discussions in the classroom. This essay considers how the narrative allows for opportunities of female resistance. Without replacing the male on the frontier of adventure, and without betraying their femininity, the female characters of the novel manage to change the power dynamic of how they are perceived. The female protagonist, Piper, works as a gatekeeper for the female resistance, and eliminates – for the cause – unbeneficial female behaviours. A feminist approach is beneficial to the diversity that is expected in Swedish secondary school. In addition to already existing research on Riordan’s work, this essay helps justify why The Lost Hero is a good literary alternative for the classroom.

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Gjelsvik, Julie Marie. "At the Edge of the Forbidden Forest : Analysis of Gender Characteristics in J.K. Rowling’s Harry Potter and the Philosopher’s Stone." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-8134.

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This essay will examine the youth novel Harry Potter and the Philosopher’s Stone by J.K. Rowling. The aim of this essay is to find tendencies of how the novel favours non-stereotypical male behaviour and characteristics. Using gender criticism, the novel and its most central male characters are analysed to highlight their gender characteristics. Symbols and metaphors constitute a part of the analysis for a more comprehensive examination. The results of this essay show that the male characters are divided into two factions, the good side and the evil side. It is evident that the male characters on the evil side are characterised by stereotypical male gender behaviour and the male characters on the good side tend to show a lack of stereotypical masculine traits. The Fantasy genre, which dictates a strong good versus evil storyline, extends this polarisation. The stereotypical male gender roles are therefore opposed and non-stereotypical male behaviour is promoted in the narration by favouring male vulnerability and ridiculing stereotypical masculine traits.

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Hirst, Miriam Laufey. "Fantasy and feminism : an intersectional approach to modern children's fantasy fiction." Thesis, University of Bolton, 2018. http://ubir.bolton.ac.uk/1968/.

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This thesis compares modern children’s fantasy literature with older texts, particularly Grimms’ fairy tales. The focus is on tropes from fairy tales and myths that devalue women and femininity. In looking at these tropes, this thesis examines how they are used in modern fiction; whether they are subverted to show a more empowering vision of femininity or simply replicated in a more modern guise. Whereas other approaches in this area have addressed the representation of gender in an isolated fashion, this study adopts an intersectional approach, examining the way that different axes of oppression work together to maintain the patriarchal hegemony of powerful, white, heterosexual men. As intersectional theory has pointed out, mainstream feminism has tended to focus only on the needs and rights of more privileged women, who are themselves complicit in the oppression of their more marginalised “sisters”. Intersectional feminism, in contrast, seeks to dismantle the entire system of interlinked oppressions, rather than allowing some women to benefit from it to the detriment of others. The intersectional issues around feminism that this thesis addresses include race, disability, class, and sexuality. There is also an emphasis on female solidarity, which is championed as an effective strategy to weaken the hold of patriarchy and subvert it in its aim to “divide and conquer”. It is this intersectional approach to children’s fantasy literature that is seen as the thesis’s main contribution to knowledge. The primary texts under examination are mainly from the United Kingdom, but also include works from the United States, Australia, and Germany. All of them were originally published between 1980 and 2013. The thesis explores heroism, beauty, magic, and gender performance in these works, showing how such themes can be dealt with in ways that are either reactionary and detrimental or progressive and empowering.

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Frankel, Tara Maylyn. "Weaving Through Reality: Dance as an Active Emblem of Fantasy in Performance Literature." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/37.

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Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic solo-improvised dance that provides a semblance of control for the main character. The story of Giselle reveals a meta narrative describing the desire and plight of the professional dancer. Henrik Ibsen’s A Doll’s House, in contrast, provides a world in which dance as a fantasy element cannot exist. Examining the physical elements of these works of literature elucidates the use of dance as a lens that lets the performance become speech.

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Svensson, Paul. "Representations of Gender in Fantasy Miniature Wargames." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-19248.

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In this essay I will investigate the representations of gender in the unexplored field of fantasy miniature wargames. Focusing on a few publications by the largest producers of these games, namely Games Workshop, Privateer Press and Wyrd Miniatures, I intend to shed light on the views of gender that permeate their productions. Drawing parallels to research conducted on gender in the field of video games, I intend to investigate their similarities to the representations that exist in the field of fantasy miniature wargames. Through these links I will investigate areas such as the literary representation of gender, the visual representation of gender in the miniatures and images produced, and also the simulations and manifestations of gender in the rules of the games. These representations have the power to shape our perception of the world around us, especially as some of these games' target audience are young adults. Identifying these messages is important for further studies in the field and will be a first step to understanding how the miniature wargame can affect our behaviors and attitudes.

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Harry, Shannon A. "Whose Fantasy Is This: Postfeminist America." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884.

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Lewis, Alison. "The poetics and politics of feminist fantasy : the novels of Irmtraud Morgner /." Title page, contents and abstract only, 1990. http://web4.library.adelaide.edu.au/theses/09PH/09phl6729.pdf.

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VASCONCELOS, Nayara Maria. "Metamorfoses de Phoenix: representação feminina em fantasma do paraíso." Universidade Anhembi Morumbi, 2015. http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1665.

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This research analyses and discusses the female character in the movie Phantom of the Paradise (Brian De Palma, 1974) through the feminist and gender debates of the American society in the 1970’s. In this sense, it directs the look at the protagonist Phoenix (Jessica Harper) in order to reveal how changes in social and cultural fields of the time converged and contributed to the construction of the female character in this work. Through the movie analysis, the purpose is to understand the character’s metamorphosis, wavering from a well-behaved girl to a femme fatale. This research is justified by the need to understand how the american filmmaker Brian De Palma, constantly accused of misogyny for movies such as Dressed to Kill (1980), Blow Out (1981), Body Double (1984), envisioned the female protagonist during the immersion years of the Second-Wave Feminism and the foundation of the Feminist Film Theory (1975). At the same time, as the director tends to appropriate published stories to create new scripts, identifying the web of knitted references in Phantom of the Paradise is essential for understanding all female and male characters in the movie
Esta pesquisa analisa e discute a personagem feminina no filme Fantasma do Paraíso (Phantom of the Paradise, Brian De Palma, 1974) a partir dos debates feministas e de gênero da sociedade americana na década de 1970. Nesse percurso, direciona-se o olhar para a protagonista Phoenix (Jéssica Harper) para desvendar de que modo as mudanças nos campos social e cultural da época convergiram e contribuíram para a construção do papel feminino nessa obra. Por meio da análise fílmica, objetiva-se entender as metamorfoses da personagem, que vai da moça bem-comportada à femme fatale. Esta investigação se justifica pela necessidade de compreender como o cineasta estadunidense Brian De Palma, constantemente acusado de misoginia por filmes como Vestida para Matar (Dressed to Kill, 1980), Blow Out (1981), Dublê de Corpo (Body Double, 1984), idealizou a protagonista feminina no período de imersão da Segunda Onda Feminista e da fundação da Teoria Feminista do Cinema (1975). Em paralelo, como o diretor tem por característica a apropriação de outras histórias para construção de novos roteiros, identificar a teia de referências tricotada em Fantasma do Paraíso é imprescindível para compreensão de todos os personagens femininos e masculinos no filme.

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Romero, Joyce Conceição Gimenes. "O perigo das águas: aspectos do feminino terrível em Gustavo Adolfo Bécquer, Octavio Paz e Eduardo Galeano /." Araraquara, 2014. http://hdl.handle.net/11449/115923.

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Orientador: María Dolores Aybar Ramírez
Banca: Karin Volobuef
Banca: Maira Angélica Pandolfi
Resumo: O presente trabalho apresenta uma reflexão acerca da configuração das personagens fantásticas femininas nas três seguintes obras: "Ojos Verdes" (1861), de Gustavo Adolfo Bécquer; "Mi vida con la ola" (1949-50), de Octavio Paz e "Historia del lagarto que tenía la costumbre de cenar a sus mujeres" (1993), de Eduardo Galeano. Tendo em vista a perspectiva dos estudos mitocríticos que contemplam o aspecto ancestral do feminino maléfico, observa-se o modo como se produzem as manifestações da mulher fatal, vinculada ao feminino terrível e às águas nas literaturas de diferentes épocas. Analisa-se, assim, a representação simbólica que denominamos mulher-sereia, imagem que, repleta da carga mítica, se apresenta nos três contos construindo a figura arquetípica de mulher sedutora e atraente, mas causadora de danos, perigosa e por vezes, fatal. Atenta-se, ainda, para a questão do gênero literário nos referidos contos, analisando sua construção através da personagem feminina, enquanto representação do fenômeno insólito que aparece nas narrativas
Abstract: This work presents a reflection about the configuration of fantastic female characters in the following three works: "Ojos Verdes" (1981), by Gustavo Adolfo Bécquer, "Mi vida con la ola" (1949-50), by Octavio Paz and "Historia del lagarto que tenía la costumbre de cenar a sus mujeres" (1993), by Eduardo Galeano. In view of the mythcritical studies prospect that comtemplates the malefic female ancestral aspect, observe the way that they produce the manifestations of the femme fatale, linked to the terrible female and to the waters in different times. Thus analized a symbolic representation that we call mermaid-woman, a image that, full of mythical load, presents in these three tales on contours of the archetypal figure of seductive and attractive woman, but damage causer, dangerous and sometimes, deadly. Also, attentive to the literary genre issue in these tales analyzing its construction through the female character, as an unusual phenomenon representation in the narratives
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Books on the topic "Feminine fantasy"

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Feminine ethos in C.S. Lewis's Chronicles of Narnia. New York: Peter Lang, 2013.

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Ransom, Amy J. The feminine as fantastic in the conte fantastique: Visions of the other. New York: P. Lang, 1995.

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The fantasy of feminist history. Durham: Duke University Press, 2012.

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Fontes, Maria Helena Sansão. Sem fantasia: Masculino-feminino em Chico Buarque. Rio de Janeiro, RJ, Brasil: Graphia, 1999.

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Brown, Josie. Daughters of Icarus: New feminist science fiction and fantasy. Auburn, MA: Pink Narcissus Press, 2013.

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Motstånd och fantasi: Historien om F. Lund: Studentlitteratur, 2008.

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Feminist alternatives: Irony and fantasy in the contemporary novel by women. Jackson: University Press of Mississippi, 1990.

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Lewis, Alison. Subverting patriarchy: Feminism and fantasy in the works of Irmtraud Morgner. Oxford, UK: Berg, 1995.

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The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines. [Ashland, Or.]: Exterminating Angel Press, 2009.

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O fantasma de Alice: Os obscuros caminhos do masoquismo feminino. Rio de Janeiro, RJ: Bertrand Brasil, 1993.

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Book chapters on the topic "Feminine fantasy"

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Palacios, Margarita. "Sexuality and Violence: Towards Feminine Ethics." In Fantasy and Political Violence, 49–60. Wiesbaden: VS Verlag für Sozialwissenschaften, 2009. http://dx.doi.org/10.1007/978-3-531-91737-5_4.

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Bainbridge, Caroline. "Fantasy and the Feminine: Female Perversions and Under the Skin." In A Feminine Cinematics, 77–98. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583689_5.

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Napier, Susan J. "Princess Mononoke: Fantasy, the Feminine, and the Myth of “Progress”." In Anime from Akira to Princess Mononoke, 175–92. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1057/9780312299408_10.

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Kember, Sarah. "iMedia Manifesto Part I: Remember Cinderella: Glass as a Fantasy Figure of Feminine and Feminized Labor." In iMedia: The Gendering of Objects, Environments and Smart Materials, 32–45. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137374851_3.

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Valdés, Alicia. "Traversing Fantasy." In Toward a Feminist Lacanian Left, 70–85. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003167587-6.

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Hancock, Susan. "Fantasy, Psychology and Feminism: Jungian Readings of Classic British Fantasy Fiction." In Modern Children’s Literature, 42–57. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-21149-0_4.

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Johanssen, Jacob. "The sexual revolution, the manosphere and (post)feminism." In Fantasy, Online Misogyny and the Manosphere, 52–75. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003031581-2.

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Francis, Anne Cranny. "The Education of Desire: Utopian Fiction and Feminist Fantasy." In The Victorian Fantasists, 45–59. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21277-4_4.

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Naughton, Glenda Mac, Karina Davis, and Kylie Smith. "Intersecting Identities: Fantasy, Popular Culture, and Feminized “Race”-Gender." In "Race" and Early Childhood Education, 67–84. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623750_5.

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Rozario, Rebecca-Anne C. Do, and Deb Waterhouse-Watson. "Beyond Wicked Witches and Fairy Godparents: Ageing and Gender in Children’s Fantasy on Screen." In Ageing, Popular Culture and Contemporary Feminism, 233–47. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137376534_16.

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