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Books on the topic 'Feminine fantasy'

Author: Grafiati

Published: 20 February 2023

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1

Feminine ethos in C.S. Lewis's Chronicles of Narnia. New York: Peter Lang, 2013.

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2

Ransom, Amy J. The feminine as fantastic in the conte fantastique: Visions of the other. New York: P. Lang, 1995.

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3

The fantasy of feminist history. Durham: Duke University Press, 2012.

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4

Fontes, Maria Helena Sansão. Sem fantasia: Masculino-feminino em Chico Buarque. Rio de Janeiro, RJ, Brasil: Graphia, 1999.

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5

Brown, Josie. Daughters of Icarus: New feminist science fiction and fantasy. Auburn, MA: Pink Narcissus Press, 2013.

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6

Motstånd och fantasi: Historien om F. Lund: Studentlitteratur, 2008.

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7

Feminist alternatives: Irony and fantasy in the contemporary novel by women. Jackson: University Press of Mississippi, 1990.

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8

Lewis, Alison. Subverting patriarchy: Feminism and fantasy in the works of Irmtraud Morgner. Oxford, UK: Berg, 1995.

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9

The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines. [Ashland, Or.]: Exterminating Angel Press, 2009.

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10

O fantasma de Alice: Os obscuros caminhos do masoquismo feminino. Rio de Janeiro, RJ: Bertrand Brasil, 1993.

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11

Figures of fantasy: Internet, women, and cyberdiscourse. New York: Peter Lang, 2005.

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12

Yi, Chae-gil. Hwan: Yi Chae-gil sajinjip = Fantasia / by Jae-Kil Lee. [Korea]: Tʻaim-Sŭpʻeisŭ, 1987.

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13

The reclamation of a queen: Guinevere in modern fantasy. New York: Greenwood Press, 1991.

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14

Paasonen, Susanna. Figures of fantasy: Women, cyberdiscourse, and the popular Internet. Turku: Turun Yliopisto, 2002.

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15

1955-, Reid Robin Anne, ed. Women in science fiction and fantasy. Westport, Conn: Greenwood Press, 2008.

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16

The fantasy factory: An insider's view of the phone sex industry. Philadelphia, PA: University of Pennsylvania Press, 1998.

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17

Kasturi, Sandra. The animal bridegroom: Poems. Toronto: Tightrope Books, 2007.

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18

Dangerous women, deadly words: Phallic fantasy and modernity in three Japanese writers. Stanford, Calif: Stanford University Press, 1999.

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19

Lau J., Ana (Lau Jaiven), ed. Un fantasma recorre el siglo: Luchas feministas en México 1910-1920. México, D.F: Universidad Autónoma Metropolitana, Unidad Xochimilco, 2011.

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20

Beam, Dorri. Style, gender, and fantasy in nineteenth-century American women's writing. New York: Cambridge University Press, 2010.

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21

Alien to femininity: Speculative fiction and feminist theory. New York: Greenwood Press, 1987.

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22

Clarke, Amy M. Ursula K. Le Guin's journey to post-feminism. Jefferson, N.C: McFarland & Co., Publishers, 2010.

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23

Atkinson, Alastair James. Gazing into the dark continents: The function of fantasy and masquerade within narrative cinema, based in feminist film theory. [Derby: University of Derby], 1998.

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24

Ursula K. Le Guin's journey to post-feminism. Jefferson, N.C: McFarland & Co., Publishers, 2010.

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25

Fire. Waterville, Maine: Thorndike Press, 2010.

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26

Fire: A novel. New York: Dial Books, 2009.

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27

Raphaële, Eschenbrenner, ed. Rouge. Paris: Orbit, 2010.

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28

Cashore, Kristin. Fire. New York: Dial, 2009.

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29

Style, gender, and fantasy in nineteenth-century American women's writing. New York: Cambridge University Press, 2010.

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30

Barr, Marleen S. Feminist fabulation: Space/postmodern fiction. Iowa City: University of Iowa Press, 1992.

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31

Feminist fabulation: Space/postmodern fiction. Iowa City: University of Iowa Press, 1992.

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32

Pornography and violence: The politics of sex, gender, and aggression in pornographic fantasy. New York: Routledge, 2012.

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33

Cauldron of changes: Feminist spirituality in fantastic fiction. Jefferson, N.C: McFarland, 2000.

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34

Idols of perversity: Fantasies of feminine evil in fin-de-siècle culture. New York: Oxford University Press, 1986.

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35

Scott, Joan Wallach. Fantasy of Feminist History. Duke University Press, 2011.

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36

Scott, Joan Wallach. Fantasy of Feminist History. Duke University Press, 2011.

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37

The Awakening: Rebirth of Atlantis. Xlibris, 2002.

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38

Ransom, Amy J. The Feminine As Fantastic in the Conte Fantastique: Visions of the Other (The Age of Revolution and Romanticism, Vol 16). Peter Lang Publishing, 1996.

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39

Scott, Joan Wallach. The Fantasy of Feminist History. Duke University Press, 2012. http://dx.doi.org/10.1215/9780822394730.

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40

Yung Lee, Regina, and Una McCormack, eds. Biology and Manners. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.001.0001.

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This volume is a new collection of scholarly essays on the US science fiction and fantasy writer Lois McMaster Bujold. The collection argues for the significant contributions Bujold’s works make to feminist and queer thought, disability studies, and fan studies. In addition, it suggests the importance of Bujold to contemporary American literature. The volume continues the establishment of Bujold as an important author of contemporary science fiction and fantasy. It argues that her corpus spans the distance between two full arcs of US feminism and has anticipated or responded to several of its current concerns in ways that invite or even require theoretical exploration. As well as papers on earlier work in the main series (the Vorkosigan Saga and the ‘Worlds of the Five Gods’ novels The Curse of Chalion and Paladin of Souls), the collection also presents work on recent publications such as The Sharing Knife sequence; the ‘Penric and Desdemona’ novellas; and the recent Vorkosigan Saga novel Gentleman Jole and the Red Queen. The collection deepens feminist research in Bujold studies by incorporating queer and disability studies perspectives; and includes historiographic retracing of scholarship on Bujold’s work.

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41

Leeb, Claudia. Disrupting the Fantasy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190639891.003.0008.

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“Disrupting the Fantasy: Adorno and the Working-Class Woman” exposes Adorno’s identity thinking in his figurations of the “working-class woman.” The forms in which she appears in Adorno’s texts (the phallic, castrating, and castrated woman) correspond to the three dimensions (the imaginary, the symbolic, and the real) through which Lacan mapped his thought. In all of these forms she advances to object petit a (Lacan)—the unconscious fantasy object that promises to cover up the fears and desires that non-wholeness incites. That the thinker of non-identity reinforces identity thinking exposes some of the challenges to realizing the idea of a (feminist) political subject-in-outline. For such a subject to be able to transform the status quo and remain inclusive, it must deal with the (unconscious) desires and fears the remaining-with-holes incites.

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42

James, Edward. Women, Uterine Replicators, and Sexuality. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039324.003.0007.

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This chapter examines the feminist themes explored in Bujold's fictional work. For Bujold, feminism involves far more than writing about women. Bujold herself wondered if, in her writing, disability works as “a personal metaphor for being born female.” But what makes her works stand out in the context of contemporary science fiction and fantasy is not the number of women or their strength of personality; it is the importance of pregnancy, childbirth, and motherhood in her narratives. Bujold is unusual, too, within the world of space opera and indeed in the wider world of science fiction, in creating a number of very plausible and engaging child characters.

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43

The Goddess in Blue Gumboots: A Feminist Fantasy Novel. USA: Smashwords, 2015.

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44

Press, Deakin University. Fantasy & Feminism in Children's Books: Study Guide (Literary Literacy). Hyperion Books, 1995.

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45

Pinto, Correia Clara, ed. Fantástico no feminino. Lisboa: Edições Rolim, 1985.

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46

Schilt, Thibaut. The Fabric of Desire. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036002.003.0001.

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This chapter presents a commentary on François Ozon's entire film career to date. It suggests that despite tremendous diversity in terms of cinematic choices (on generic, formal, and thematic levels), Ozon's oeuvre is decidedly consistent in its desire to blur the traditional frontiers between the masculine and the feminine, gay and straight, reality and fantasy, auteur and commercial cinema. The moving fabrics mentioned above are a leitmotif that visually represents the permeability of those frontiers. The chapter begins by exploring the director's own path to filmmaking before considering the colorful cast of characters in the short films that Ozon wrote and directed between 1988 and 1998. It then moves on to an analysis of his feature films: Sitcom (1998), Les amants criminels (1999), 8 femmes (2002), Sous le sable (2000), Swimming Pool (2003), Le temps qui reste (2005), Gouttes d'eau sur pierres brûlantes (2000), 5x2 (2004), and Ricky (2009).

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47

Gotman, Kélina. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190840419.003.0001.

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‘Choreomania’ borrows from and extends the Orientalist trope described by Edward W. Said: imagined as feminine, exotic, and ancient, so-called choreomaniacs were also described in colonial medical and anthropological literature as jagged and unpredictable. ‘Epidemic hysterias’ involving frenzied dancing, or individual ticking and jerking, constitute an alternative history of gestural modernity, opposite to the smooth and efficient movement of ‘torque’. The fantasy of dance-like neuromotor disorder disrupting the smooth march of modernity constitutes choreomania as a swarm-like madness whose conceptual genealogy, following Michel Foucault, can be traced through a discursive history articulated across fields. The chapter proposes to think about the movement of this writing, the archival repertoire of scenes describing disorderly movement as it circulated around the world. Choreography itself can thus be understood as an art and science of motion, in motion: ‘choreography’—writing dance—describes the imagined, and moving, borderline between figures of order and unrest.

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48

Between Image and Identity: Transnational Fantasy, Symbolic Violence, and Feminist Misrecognition. Lexington Books, 2007.

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49

Eileraas, Karina. Between Image and Identity: Transnational Fantasy, Symbolic Violence, and Feminist Misrecognition. Lexington Books, 2007.

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50

Feminist Alternatives: Irony and Fantasy in the Contemporary Novel by Women. University Press of Mississippi, 1990.

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