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Books on the topic 'Feminine stereotype'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

James, Joy. Shadowboxing: Representations of black feminist politics. St. Martin's Press, 1999.

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2

The significance of the women's movement to marketing: A life style analysis. Praeger, 1985.

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3

Motherhood and love: Beyond the gendered stereotypes of theology. William B. Eerdmans Pub., 2011.

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4

Men and women in interaction: Reconsidering the differences. Oxford University Press, 1996.

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5

Physical appearance and gender: Sociobiological and sociocultural perspectives. State University of New York Press, 1992.

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6

Hallam, Julia. Nursing the image: Popular fictions, recruitment and nursing identity 1950-1975. typescript, 1995.

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7

Zawisza, Ewa, and Magdalena Lubińska-Bogacka. Kobieta w mozaice kulturowej = Women in the cultural mozaic. Wydawnictwo "Scriptum" Tomasz Sekunda, 2014.

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8

Hallam, Julia. Nursing the image: Media, culture, and professional identity. Routledge, 2000.

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9

La donna perfetta: Storia di Barbie. Laterza, 2008.

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10

Ernst, Stefanie. Geschlechterverhältnisse und Führungspositionen: Eine figurationssoziologische Analyse der Stereotypenkonstruktion. Westdeutscher Verlag, 1999.

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11

Interferences: On gender and genre. Argonaut, 2013.

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12

Abdelrazek, Amal Talaat. Contemporary Arab American women writers: Hyphenated identities and border crossings. Cambria Press, 2007.

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13

Good girls make good wives: Guidance for girls in Victorian fiction. Blackwell, 1989.

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14

Feminism: Perspectives, Stereotypes/Misperceptions and Social Implications. Nova Science Publishers, Incorporated, 2014.

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15

James, Joy. Shadowboxing: Representations of Black Feminist Politics. Palgrave Macmillan, 2002.

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16

Kibler, M. Alison. Women at Play in Popular Culture. Edited by Ellen Hartigan-O'Connor and Lisa G. Materson. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190222628.013.24.

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The story of women’s participation in popular culture is more complex than the struggle to be included. Feminist activists have fought for legislation to end discrimination in leisure, sports, and popular culture. At the same time, advertisers have coopted feminism to sell a variety of products as symbols of emancipation for women, substituting purchasing power for political power. Gaining visibility in the media and as target audiences, and breaking into male spheres have not been the end of these feminist struggles; rather, women who gained opportunities in sport and leisure were often stere

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17

Magaraggia, Sveva, Gerlinde Mauerer, and Marianne Schmidbaur. Feminist Perspectives on Teaching Masculinities: Learning Beyond Stereotypes. Routledge, 2019.

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18

Feminist Perspectives on Teaching Masculinities: Learning Beyond Stereotypes. Routledge, 2019.

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19

"Scary dykes" and "feminine queens": Stereotypes and the conflicting social identities of female athletes. 2002.

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20

Longwood Arts Gallery (Bronx, N.Y.) and Space One Eleven (Art Gallery), eds. Blue angel: The decline of sexual stereotypes in post-feminist sculpture. Bronx Council on the Arts, 1987.

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21

Captive Gender: Ethnic Stereotypes and Cultural Boundaries. Women Unlimited, 2005.

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22

Men and Women in Interaction. Oxford University Press, 2007.

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23

Cynthia, Baughman, ed. Women on ice: Feminist essays to the Tonya Harding/Nancy Kerrigan spectacle. Routledge, 1995.

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24

Cynthia, Baughman, ed. Women on ice: Feminist essays on the Tonya Harding/Nancy Kerrigan spectacle. Routledge, 1995.

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25

Baughman, C. Women On Ice: Feminist Responses to the Tonya Harding/Nancy Kerrigan Spectacle. Routledge, 1995.

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26

Baughman, C. Women On Ice: Feminist Responses to the Tonya Harding/Nancy Kerrigan Spectacle. Routledge, 1995.

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27

Sherwood, Yvonne, ed. The Bible and Feminism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722618.001.0001.

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This groundbreaking book breaks with established canons and resists some of the stereotypes of feminist biblical studies. A wide range of contributors—from the Netherlands, Germany, Norway, East Africa, South Africa, Argentina, Israel, Hong Kong, the US, the UK, and Iran—showcase new methodological and theoretical movements such as feminist materialisms; intersectionality; postidentitarian ?nomadic? politics; gender archaeology; lived religion; and theories of the human and the posthuman. They engage a range of social and political issues, including migration and xenophobia; divorce and family

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28

Dittmar, Kelly. Navigating Gendered Terrain: Stereotypes and Strategy in Political Campaigns. Temple University Press, 2015.

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29

Navigating Gendered Terrain: Stereotypes and Strategy in Political Campaigns. Temple University Press, 2015.

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30

Feminine Stereotypes and Roles in Theory and Practice in Argentina Before and After the First Lady Eva Peron (Latin American Studies). Edwin Mellen Press, 2001.

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31

Feminist perspectives on Orange is the new black: Thirteen critical essays. 2016.

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32

Jana, Cviková, ed. Histórie žien: Aspekty písania a čítania. Aspekt, 2006.

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33

Gardam, Judith. The Silences in the Rules That Regulate Women during Times of Armed Conflict. Edited by Fionnuala Ní Aoláin, Naomi Cahn, Dina Francesca Haynes, and Nahla Valji. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199300983.013.4.

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This chapter describes the history of the law of armed conflict and its relevance to women. The law of armed conflict has not been heavily scrutinized by feminists but its provisions offer feminists many challenges. This chapter explores how, despite theoretically seeming to benefit women, these provisions from assumptions around combatancy status to civilian protection depict a gendered vision of women, reinforce destructive gender stereotypes, and fail to address systemic gender discrimination. The chapter concludes by exploring feminist encounters with the law of armed conflict and the exte

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34

Otto, Dianne. Women, Peace, and Security. Edited by Fionnuala Ní Aoláin, Naomi Cahn, Dina Francesca Haynes, and Nahla Valji. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199300983.013.9.

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This chapter historicizes the United Nations Security Council’s Women, Peace, and Security Agenda. It opens by describing the vision of peace emerging out of the Hague Congress of Women, wherein a pacifist agenda perceived resorting to arms to resolve inter-state disputes as unacceptable. It analyzes this vision in the context of the Women, Peace, and Security Agenda, and argues that the Security Council fails in protecting women from conflict-related harm. It demonstrates how feminist conceptions of positive peace have become captive to the militarized security frame of the Security Council.

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35

Liberated Threads: Black Women, Style, and the Global Politics of Soul. University of North Carolina Press, 2017.

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36

Ford, Tanisha C. Liberated Threads: Black Women, Style, and the Global Politics of Soul. University of North Carolina Press, 2015.

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37

Scandalize my name: Black feminist practice and the making of black social life. 2017.

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38

Pemberton, Sarah X. Prison. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.37.

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This chapter discusses theories of the prison from the 1930s to the present and the contribution of feminist scholarship to understanding power relations in criminal punishment. The central issue in this literature is how imprisonment shapes identities and inequalities, including gender, class, and race. Feminist scholars show that prison regimes impose restrictive gender norms that encourage normative gender expression and disadvantage those who do not comply. The penal system is also shaped by gender stereotypes about crime. Women are often seen as in need of protection from male criminals b

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39

Marcus, Jane. Nancy Cunard. Edited by Jean Mills. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979299.001.0001.

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In the wake of inadequate histories of radical writing and activism, Nancy Cunard: Perfect Stranger rejects stereotypes of Cunard as spoiled heiress and “sexually dangerous New Woman,” offering instead a bold, unapologetic, evidence-based portrait of a woman and her significant contributions to twenty-first-century considerations of gender, race, and class. This full length critical study by the late, path-breaking feminist scholar, Jane Marcus, rereads Cunard’s identity as a poet, an anthologist, a journalist, and political activist against racism and fascism.

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40

Wilson Kimber, Marian. In Another Voice. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0006.

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Women confirmed their own more highly cultured positions through recitation of African American dialect, particularly the poetry of Paul Laurence Dunbar, or “child dialect,” sometimes with musical accompaniment. Many women incorporated Dunbar’s dialect poems into their repertoires, texts that also inspired settings for speaker and piano by women composers. However white women’s imitations of African American dialect perpetuated racial stereotypes such as that of the Mammy, even while their musical settings negated the text’s origins. Child dialect allowed child imitators to express comedic and

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41

Adams, Susan M. Vampires, butches, and nice girls gone bad: A descriptive analysis of the representation of lesbians on the American stage, 1920-1970. 1992.

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42

Risman, Barbara J. The Innovators. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199324385.003.0006.

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This chapter introduces the innovators and provides a portrait of them. The chapter analyzes these innovators at the individual, interactional, and macro level of the gender structure. The chapter begins at the individual level of analysis because these young people emphasize how they challenge gender by rejecting requirements to restrict their personal activities, goals, and personalities to femininity or masculinity. They refuse to live within gender stereotypes. These Millennials do not seem driven by their feminist ideological beliefs, although they do have them. Their worldviews are more

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43

Murmu, Maroona. Words of Her Own. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199498000.001.0001.

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Drawing on a spectrum of genres, such as autobiographies, diaries, didactic tracts, novels and travelogues, this book examines the sociocultural incentives that enabled the emergence of middle-class Hindu and Brahmo women authors as an ever-growing distinct category in nineteenth-century Bengal and the factors facilitating production and circulation of their creations. By exploring the intersections of class, caste, gender, language, religion, and culture in women-authored texts and by reading these within a specific milieu, the study opens up the possibility of re-configuring mainstream histo

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44

Carli, Linda L. Social Influence and Gender. Edited by Stephen G. Harkins, Kipling D. Williams, and Jerry Burger. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199859870.013.16.

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This chapter reviews current research on gender and social influence. Overall, men exert greater influence than women do. Women’s disadvantage derives from gender stereotypes that characterize men as more competent and agentic than women and that require women to be more selfless and communal than men. Both agentic and communal behaviors predict influence. As a result, women are subjected to a double bind. They may lack influence because of doubt about their competence, or they may lack influence because their competent behavior elicits concern that they are insufficiently communal. In contras

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45

Dess, Nancy, Jeanne Marecek, and Leslie Bell, eds. Gender, Sex, and Sexualities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190658540.001.0001.

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This volume is a compendium of conceptual frameworks and associated research approaches used for inquiry into gender, sex, and sexualities. It is suitable for use as an advanced textbook. Part I (Emerging Frameworks: Beyond Binaries) includes Magnusson and Marecek on meanings of sex and gender; Warner and Shields on intersectionality theory; Hegarty, Ansara, and Barker on nonbinary gender identities; and Gowaty on flexibility as a core evolutionary principle. Part II (Contemporary Avenues of Inquiry) includes Kurtiş and Adams on cultural psychology; Donaghue on discursive psychology; Lee and P

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46

Faxneld, Per. Becoming the Demon Woman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190664473.003.0009.

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Chapter9 analyses individuals who, both on and off the stage, actively assumed the role of the demon woman. Three persons are considered in detail: Sarah Bernhardt, the Italian marchioness Luisa Casati, and silent film actress Theda Bara. They chose—or, in Bara’s case, were chosen—to embody the (more or less supernatural or occult) femme fatale, as constructed mostly by male authors and artists. Seemingly, they felt this was empowering or useful for commercial, subversive, or other purposes. The analysis attempts to tease out some of the implications this enactment of a disquieting stereotype

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47

Hallam, Julia. Nursing the Image. Routledge 1/12/2000, 2000.

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48

Hallam, Julia. Nursing the Image: Media, Image and Professinal Identity. Routledge, 2000.

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49

Hallam, Julia. Nursing the Image: Media, Image and Professinal Identity. Routledge, 2000.

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50

McManus, Laurie. Brahms in the Priesthood of Art. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190083274.001.0001.

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Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion), and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or “priest of music,” with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms’s bourgeois existence. While such German Romantic notions of art religion informed the thinki

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